I’d like this BabyLit primer better if the numbered items corresponded better to the story. Unless thereOriginally published on my blog, Nine Pages.
I’d like this BabyLit primer better if the numbered items corresponded better to the story. Unless there actually are ten kisses (I found five in a cursory search of the text)? BabyLit counts eight love letters never sent by either Romeo or Juliet, and nine streets and bridges, which seems highly unlikely in a city the size of Verona (modern-day Verona certainly has more than nine bridges over the Adige). Oliver’s illustrations, however, are as cleverly detailed and whimsical as ever....more
The text and audio of this book are the first two verses of “Away in a Manger,” sung by “Junior AsparagusOriginally published on my blog, Nine Pages.
The text and audio of this book are the first two verses of “Away in a Manger,” sung by “Junior Asparagus,” who is unfortunately one of my least favorite musical talents among the VeggieTales cast. The illustrations are bright and colorful, and VeggieTales fans will appreciate seeing familiar faces in a probably equally familiar tableau. I witnessed one parent trying to read this book (or it might have been its sister book, Silent Night) to a child, and stumbling to an awkward halt when it turned out that the audio button was the text in its entirety. That rather detracts from the book’s ability to lead to interaction between a parent and child. A parent can turn the pages, but the time spent on each page is limited and the parent’s voice is lost amid Junior’s warble....more
This lift-the-flap animal primer comes with a free app download code. This is the first of a few books I’Originally published on my blog, Nine Pages.
This lift-the-flap animal primer comes with a free app download code. This is the first of a few books I’ve since come across with app companions. Apparently, this book was an app first. The animals are cartoonish with bug eyes that are mildly disturbing. Sometimes there’s only one flap on a page, sometimes there are two. At first read, this was confusing, as I didn’t know to look for two flaps and would open the barn doors to discover only one of the animals whose sounds I’d just read. Then I noticed that the loft doors also occasionally opened. I’m not sure if as a toddler reader, this variation would be exciting or confusing. If I’m being finicky, the animals are not seen or entering the barn, but the scene never changes, the sun never moves across the sky. It would have been very simple to introduce more plot into this book....more
I was drawn to the book by the promise of a pony but was a little worried by the book being a Disney spinOriginally published on my blog, Nine Pages.
I was drawn to the book by the promise of a pony but was a little worried by the book being a Disney spinoff. I was more impressed with this book than I expected to be. The plot is well formed. A deductive thinker could reason the plot from details. Belle sees a barrel of apples, and later decides to return to the barrel to sate her hunger, only to find the barrel empty, then logically she seeks to discover what happened to the apples. I do think it unlikely that a wild pony could be so easily caught by a trail of sugar cubes, but this is a Disney story, and Belle qualifies as a Disney princess, so I will forgive the implausibility and call it more of an inevitability....more
There’s not much exciting about this winter edition of a series of touch-and-feel primers that spans allOriginally published on my blog, Nine Pages.
There’s not much exciting about this winter edition of a series of touch-and-feel primers that spans all manner of creature, machine, and… sculpture. I do puzzle what sort of squishy nose one could give a snowman. I prefer to have logical connections between the illustrations and text. The inclusion of the ever-present mouse in this series adds a nice element of continuity to the story and the series....more
I was pleasantly surprised by this book. I am a fan of Mo Willems and of Elephant and Piggie in particulaOriginally published on my blog, Nine Pages.
I was pleasantly surprised by this book. I am a fan of Mo Willems and of Elephant and Piggie in particular. I was not expecting the mixed media illustrations in this book nor the subtle hint of the passage of time as the white space becomes darker. I think both the messages of patience and of the beauty of nature are valuable to today’s children, so used—as we all are—to instant gratification. I like it even better on a second reading, particularly I enjoy Piggie’s answers to Gerald’s questions Piggie about the surprise....more
I won a copy of this picture book via Goodreads‘ giveaways. I was intrigued by the title and by the summaOriginally published on my blog, Nine Pages.
I won a copy of this picture book via Goodreads‘ giveaways. I was intrigued by the title and by the summary and, yes, the cover. I was a bit let down to open the book and discover line drawings. While I won’t vehemently protest black and white in a picture book as I heard one girl do this month, I admit that I expect color, especially from modern picture books, and I certainly at least appreciate shading. This book allows for black and no other color, though it does use crosshatching to indicate shadow. I and later my roommate consoled me by deciding that this will just have to become a coloring book as well as a picture book. (I’ve taken no colored pencils or crayons to it yet.) The illustrations show an anime style influence but manage to avoid seeming too cartoonish, and the characters are expressive. The text is written in rhyming verse, which was really rather well executed though in places the rhyme slipped just a little. I think it will be best read aloud because of that format.
On the whole, I appreciate the story as a clever adaptation of the old fairy tale type (perhaps AT425C: Beauty and the Beast or maybe AT 425J: The Heroine Serves in Hell for her Bridegroom).
The last few pages at first threw me. I balked at the idea of the angels wearing the badge of the devil’s love on their robes, but the more I thought about it, the less it bothered me, and the less I saw it as a marking angels as belonging to the devil, and the more I saw it as an idea that servants of the Judeo-Christian God would wear badges denoting the power of love over the darkest evils.
Wait a minute! First, the author found my blog post! And that’s exciting! But more exciting still is that this book was designed as a coloring book, and this means that this book is something new. There are a few coloring books that will attempt to tell a story (usually these are movie adaptations), but I don’t think I’ve ever seen a picture book meant to be a coloring book. So let’s revise my opinion. This is a purposefully interactive picture book, one that invites the reader to capture their imagination on the pages. Kids love coloring books. Or I did as a kid. I also loved picture books. But there are probably kids who enjoy one or the other. This book might invite artists to enjoy a story. It invites readers to become artists. Interactive picture books (like Hervé Tullet’s) are on the way up, but I don’t think I’ve yet seen one this interactive....more
Last month I read and then praised Play Nice, Hercules!, a Mini Myths book written by the same team. I expected to like Be Patient, Pandora! I won’t again go into the credentials of the team, which are excellent. Be Patient, Pandora! like Play Nice, Hercules! retells the myth in a modern setting and with a similar but more commonplace situation for a toddler audience and then includes in the back a summary of the myth for a slightly more mature audience.
Holub and Patricelli’s tale tells of a young Pandora who finds a wrapped present on the floor, which her mother forbids her to open. Like many children, Pandora bends the rules. Her anticipation of the present too great to leave the box alone, she pokes it, jumps on it, and unintentionally destroys the packaging and what the box contains: cupcakes, which is a very interesting substitution for all of the evils of the world. My Classics professor introduced us to the argument among scholars as regards the Hope (elpis) that remained in Pandora’s jar. Holub and Patricelli probably wisely don’t engage in whether the Hope is a blessing or a blight, loosed or withheld but Pandora does say that she hopes that her mother still loves her, a nod to the Hope that remained in the jar....more
I did much like this book. Unless you already call your child “pumpkin pie” then the reasoning behind theOriginally published on my blog, Nine Pages.
I did much like this book. Unless you already call your child “pumpkin pie” then the reasoning behind the pet name seems an odd choice for a story. As a book to encourage parent-child interaction it might have some merit, with lines like “Each time I kiss your yummy cheek, I have to kiss it twice”—but “yummy cheek”? Are you going to eat your baby? The text honestly makes the parents seem rather self-centered. The child is warm and cozy next to them, she is yummy, she lights up a room—what benefit does the child get from any of this? It’s as if the child is there to improve the life of the parent. Certainly children might improve parents’ lives, but a child’s no tool, and that should be a two-way street with agape love on both sides....more
I reviewed this book’s sister book, Puppies and Friends in April, so I suspected when I picked it up thaOriginally published on my blog, Nine Pages.
I reviewed this book’s sister book, Puppies and Friends in April, so I suspected when I picked it up that I would enjoy it, and I wasn’t disappointed. Like Puppies and Friends, this is a touch-and-feel book. It has rather unique feel elements, like strings of yarn, fibers meant to imitate a kitten’s stiff whiskers. Kitten and Friends poses questions to readers, like “can you feel my soft fur?”—not a very exciting question— and “Is the wool softer than my fur?”—a much better question that encourages comparative reasoning, which is what particularly loved about Puppies and Friends. This book I feel has more exciting feel elements than did Puppies and Friends, and I was distracted from the cleverness of the text by them—not a point of detraction, merely a score for the feel elements; it is still important that these are smart questions....more
This board book tells the Hercules myth with pictures and text that feature a toddler Hercules stomping aOriginally published on my blog, Nine Pages.
This board book tells the Hercules myth with pictures and text that feature a toddler Hercules stomping about the house smashing “monsters” and then his sister’s block tower instead of killing his family. Upon her tears, he stoops to help rebuild it, rebuilding his relationship with his sister as well, instead of completing his twelve labors. Then the end summarizes in a paragraph with much exclusion and downplaying for the toddler audience the myth of Hercules. This is a book that children could grow with, reading the myth paragraph as a separate story when they’re older, though whether a beginning reader would want to read a paragraph at the end of a board book is another question.
In the paragraph “he accidentally hurt his family.” That understates the damage done by Hercules in the myth just a bit, but I suppose without going into an explanation of the horrible marriage of Hera and Zeus and the birth of Hercules, that’s not an unfair statement, and honestly, I think Holub did a pretty stellar job of translating the myth for a modern, toddler audience. Hopefully no toddler is spurred by a jealous goddess into a rage and kills his family, but sure, a toddler could for no reason other than for sport, destroy his younger sister’s block tower. That’s entirely relatable and still gets at the wanton, accidental destruction in the Hercules myth. I would waffle on whether Hercules was forgiven by everyone when he completed the twelve labors, but the young Hercules character within this board book, who destroys a block tower, might plausibly be forgiven entirely by everyone, and the concept of the omnipotence of the Greek gods and the promise of immortality are ones probably beyond the curriculum of the average toddler.
Holub already has a reputation as a reteller of myths with her middle grade series, Goddess Girls, which places the young goddesses and gods of Greek myths within a middle school setting; Grimmtastic Girls, in which heroines from Grimms’ fairy tales attend prep school and fight against the E.V.I.L. Society; Heroes in Training, which features young heroes of Greek myth on adventures; and picture books like Little Red Writing, which is a parody of “Little Red Riding Hood.” There are others, but this list gives you some idea of the time and energy that she has put into retelling stories for a young, modern audience.
Leslie Patricelli is an equally prolific and prominent board book illustrator, with such titles as Potty, Huggy Kissy, and Tickle.
I suspect this team to sell well. I hope that they do, but so far at my store the title isn’t flying off the shelves like it should....more
I’ve been pleasantly surprised by Sophie La Girafe merchandise before. This one let me down a bit. I didnOriginally published on my blog, Nine Pages.
I’ve been pleasantly surprised by Sophie La Girafe merchandise before. This one let me down a bit. I didn’t find it up to the standards I’d set with Peekaboo Sophie! Like Peekaboo Sophie! this is a toddler’s touch-and-feel book. The story takes Sophie through a day of chores and fun with friends, a common storyline for toddler books. Peekaboo Sophie was rife with questions and instructions to teach children verbs, as well as lift-the-flap and touch-and-feel interactive illustrations. Sophie’s Busy Day lacked the question and response element as well as the lift-the-flap element, and I think that’s why it fell flat in comparison. For its genre, however, and when the pedestal of Peekaboo Sophie! is out of sight, this is not a bad book....more