Spoiler alert: the trick to writing productivity is writing all the time. And you have a lot more time than you think. I promise.
I picked th...moreSpoiler alert: the trick to writing productivity is writing all the time. And you have a lot more time than you think. I promise.
I picked this gem of a book up at Salt Lake Comic Con after a panel that included the author was asked a question along the lines of how they avoid writer's block. Without missing a beat, one of the panelists (Larry Correia, I think) said there's no such thing as writer's block, and each of the panelists agreed. Now, I've never had a problem with writer's block, per se, but there have been times when I've questioned my own ability to accomplish much writing.
Sure, I can bust out a 140 character long tweet without two brain cells, and I can click 'like' on about 19,000 Facebook posts of LOL Catz and cute little babies without losing a single calorie. But writing something substantive? A blog post? Finishing the fourteenth short story that I've begun this summer? Rounding out the outline of that space opera novel I've been working on since my first child was born (alright, it's not the same novel anymore, but the point remains)?
Then it's a bit more difficult.
Back to Salt Lake Comic Con and the author's panel. The panel was a list of fairly illustrious--if also fairly local--authors, including the not unproductive Brandon Sanderson, Larry Correia, Dave Farland/Wolverton, and the currently being reviewed book's author, Kevin J. Anderson. Somewhere in that discussion about writer's block (which was not the panel topic, by the way), Anderson noted that a lot of times it was a productivity problem, not a lack of material to write about, and if you keep working, you manage to blow through the block. Coming from a guy who has busted out 125 novels--a number of which a bestsellers--and doesn't look like he's been parked on the couch consuming potato chips for the last five years, I was interested.
(Did you see the subtle way he plugged his book there? Yeah, me neither.)
So, naturally, I bought it as soon as the panel was over and I could make my way through the crowds over to Anderson's Wordfyre booth.
I read it that night. The book is short because, let's be honest: you should spend more time writing than reading about how to spend more time writing.
I won't give away the million dollar secrets here, because that's how Anderson's going to make his million dollars, but the $10 I dropped on the book was worth it, even if just to inspire me to change my habits and behavior to write more.
And I have: the last half week has been substantially more productive and useful than in a long while. Productivity is a fantastic thing; it builds on itself and creates more productivity and more success. That's worth way more than $10. (less)
Over the years, I've run into Camille Paglia's essays at unexpected times, and I seem to always come away thoughtful and, occasionally, amused. Clearl...moreOver the years, I've run into Camille Paglia's essays at unexpected times, and I seem to always come away thoughtful and, occasionally, amused. Clearly coming from a perspective distant from my own, politically and culturally a member of East Coast academia, I never the less found her insights and way of putting things provocative.
When I heard that her newest book argued that George Lucas was one of greatest, if not the greatest, of modern artists, I was intrigued. First off, because I've been a Star Wars fan since I was a child making light sabers out of wrapping paper tubes. And second, because I've occasionally, like many other fans, wondered if Lucas had lost his way with the Prequels.
How does an art critic find Lucas, who has turned Star Wars into one of the most profitable franchises in history, to be an artist?
Of course, I was intrigued.
Paglia's Glittering Images: A Journey Through Art from Egypt to Star Wars is a survey of art through history, with each entry a selection of an era. Paglia describes the piece of art, starting in the bronze era and passing through ancient Greece, the middle ages, the Renaissance, and so on. Each entry is two to three pages long and provides background and narrative, analysis and context for the work. The writing is fluid, colorful, and, like I had found in Paglia before, intriguing.
I'm not an art critic, let alone an art historian. At best, I can appreciate a few pieces of well known art. What I found in Paglia was an informative survey of art through the ages. In the introduction Paglia argues that what we are losing in our quest to get to the top of the education ladder is an appreciation of what art has brought us to where we are.
It's fascinating reading, even if there are a few pieces of art from the modern era looked--to me--more like spatters of paint than art.
I recommend it, whether you are an experienced art critic or a novice, as I am.
And Lucas? I'll let you discover on your own why Paglia thinks he is today's greatest living artist.
The End of Big by Nicco MeleIf Thomas Friedman's thesis in his 2005 The World Is Flat is that globalization has led to a flatter playing field, then T...moreThe End of Big by Nicco MeleIf Thomas Friedman's thesis in his 2005 The World Is Flat is that globalization has led to a flatter playing field, then The End of Big: How the Internet Makes David the New Goliath tells author Nicco Mele's vision that the ultimate tool of that equalization is the internet.
In truth, it's not a hard argument to make.
An young tech geek when the Howard Dean for President campaign hired him to help with their online fundraising, Mele learned first hand how the internet could allow the little guy to compete with establishment forces, or what he calls the "big" of politics. Using broad strokes, as he calls it in the first chapter, Mele describes a world where, increasingly, the little guy can, by virtue of the internet, take on what is big, whether it be in politics, business, the news media, entertainment, education, government.
Its a fascinating picture. Whether he is citing use of online social media networks in the Arab spring or the rise (and fall) of illicit arms and drugs trade through the Silk Road, touting local communities outsourcing of government functions to minimize costs or sharing anecdotes about online retailers cutting out the middle man and creating their own business, or explaining the rise of bloggers and new media to compete with and disrupt traditional print and broadcast news companies, Mele provides a broad and interesting view of the the world that the internet has made possible.
As interesting as that picture is, however, it does lead to one shortcoming of the book, which, to be clear, Mele owns and anticipates early on. Because he paints in broad strokes, covering so many large areas in general and with anecdotes rather than hard data, the book is perhaps more appropriate to the internet novice than the seasoned or even semi-experienced who have used the internet for more than a simple Google search or Facebook update. It's a great entry overview, but lacks any specifics or guidance for how to reach the kind of success he trumpets.
If you're new to the internet or perhaps looking to understand an area outside of your current usage, The End of Big is perhaps an interesting, and quick, overview that is worth a read. As a user's guide, however, it is perhaps more useful as tales of successes than a course in attaining the skills to join the brave new world. (less)
With a page count a bit lower than Civilization, The Great Degeneration is based on his 2012 "Reith Lectures" on the BBC and walks through four institutions that Ferguson sees as crucial to the prosperity of the modern state. Faced with growing symptoms of decline, such as slowing growth, crushing debts, increasing inequality, aging populations, antisocial behavior, Ferguson believes that our institutional degeneration may be the major cause.
Ferguson opens by first addressing other arguments about why wealthy countries have declined. China and India's impressive economic growth, in contrast to relative stagnation in western democracies, is not a matter of the rest of the world catching up to the West, but is also a result of actual decline in real terms in western countries of certain institutions, especially in the decline of political, economic, legal and social institutions.
The west's success, relative to "the rest," over the last few centuries has been in large part due to four institutions: democracy, capitalism, the rule of law, and civil society.
Democracy has deteriorated not so much due to access, but rather due to the breakdown of the social contract between generations, says Ferguson. For this, he cites the expensive benefits that older generations have voted themselves to be left to the next generation to pay for, noting that Edmund Burke, in his Reflections On The Revolution In France saw the generations as an important part of the social contract. By taking on astronomical amounts of debt, we have put future generations on the hook for our expensive lifestyles.
When it comes to capitalism, Ferguson is not so much anti-regulation as he is anti-bad regulation. There is not such thing as a market without some kind of regulation, he says, but the regulation must makes sense and malefactors must be made to pay. On the contrary, in the recent recession, Wall Street came out ahead, despite risky behavior and dangerous bets, while average Americans bailed them out with giant debt producing stimulus packages.
Where once the rule of law protected contracts and property rights, tort law has slowed down the legal system, raised the costs of doing business, increased the costs of products, and failed to produce a corresponding benefit, stifling innovation and creativity.
It is when Ferguson reaches civil society that I am most intrigued. He quotes from both Bowling Alone: The Collapse and Revival of American Community by Robert Putnam and Coming Apart: The State of White America, 1960-2010 by Charles Murray, both landmark works on the dramatic decrease in voluntary associations over the last century. Where as at one point both wealthy and poor attended the same churches, participated in the same organizations (think Lions Club or Rotary or even Boy Scouts), and lived in the same neighborhoods, recent decades have seen lower and lower membership and participation in these voluntary associations that have brought people together for a common purpose. Instead, government has replaced these voluntary associations in many cases as the source of resort and not often with improved results. We may have more "Friends" on Facebook, but the relationships there are no more substantial than the effort to click "Like." The result is less civic-mindedness and less civic-participation.
And no, showing up to vote does not reflect civic participation. Voter turnout is merely a symptom of increased, or decreased, civic engagement.
Since I listened to the book over the course of several days commute and while doing a bit of home improvement, I found the shorter analysis and references to other works useful and was unsurprised to hear, as Ferguson closed up the book, that it was based on a series of lectures. While The Great Degeneration is a fascinating, if bite-sized, look at the problems assailing western civilization, it proceeds along lines that are more prescriptive than proscriptive. As a gateway, however, it is a starting point, and on that score, I recommend it as a place to begin your examination of the future of our democracy. (less)
It took me a long time to begin to like Jon Meacham's portrait of Thomas Jefferson in Thomas Jefferson: The Art of Power. As I finished it, however, I...moreIt took me a long time to begin to like Jon Meacham's portrait of Thomas Jefferson in Thomas Jefferson: The Art of Power. As I finished it, however, I found myself a reluctant admirer, appreciative of Meacham's style and of the biography, not to mention of the man.
Meacham is the author of two previous books on American presidents, winning the Pulitzer prize for his look at Andrew Jackson American Lion: Andrew Jackson in the White House. With The Art of Power he delves into the life of one of the most beloved of founding fathers. As he notes in the closing pages of the epilogue, Jefferson has been evoked by more recent American presidents and political figures on both sides of the spectrum, proving to be "an inspiration for radically different understandings of government and culture." This seems to me, and Meacham endorses the idea, to be due to Jefferson's versatility in his lifetime. Rather than a idealogue bound to one philosophy, Jefferson was a pragmatic politician, and while he believed in the principles of freedom he espoused in the words he penned in the declaration, the means he chose to approach and uphold those principles changed depending on his position.
As they say, where you stand depends on where you sit and examples from Jefferson's life are plentiful.
As a member of the opposition party and vice president during the Adams Administration, Jefferson vigorously opposed the Alien and Sedition Acts as a blot on the liberty and freedom promised by the Bill of Rights. And yet, as President, he did not fully wipe out the effects of those First Amendment inhibiting laws. He allowed those punished under the law to be set free, but did not immediately return the fines that had been levied from them.
During this same time as vice president, Jefferson wrote the Kentucky resolution (James Madison wrote the Virginia resolution of the same time) in which he argued, through the proxy of the Kentucky legislature, that the Alien and Sedition were unconstitutional and that the states held the right, and the duty, to declare any acts of Congress that were not authorized by the constitution unconstitutional. It was a divisive argument from the man who drafted the Declaration of Independence, says Meacham, coming from the "voice of the man who believed secession fatal to America instead of the man who wrote about the primacy of states' rights."
Later, as president, Jefferson--the man who had trumpeted the rights of states over the act of the national legislature--acted with executive authority outside of the bounds then available to him, sending military expeditions against the Barbary states and accomplishing the Louisiana Purchase, all without Congressional approval.
[...]Jefferson was to Washington and Adams what Dwight Eisenhower was to Franklin D. Roosevelt and Harry Truman: a president who reformed but essentially ratified an existing course of government.
Jefferson wasn't so interested in doggedly following the rules and norms of his ideology as he was in, for lack of a better way to put it, finding what worked and finding a way to do it. For man whose life was a study in contrasts (or hypocrisy, depending on your view), pragmatism was necessary. He drafted the Declaration of Independence, yet his earliest memory was of a slave handing him down on pillow to ride in a carriage and he never freed the slaves that he owned, even in death. He trumpeted states' rights, but expanded the scope of the federal government when the opportunity was his. He loved his family dearly, but had no qualms pursuing the married woman of another man and possibly destroying hers.
Indeed, this comes to the thesis of Meacham's book, less a biography than a portrait: "Jefferson hungered for greatness," and he welded power--usually through written word--to obtain it. A benevolent welder of what power he held, Jefferson's overriding description is that of a Renaissance man with boundless interests and whose overriding concern was the "fate of democratic republicanism in America," for to his end he worried about the return of monarchical government, an influence that Meacham found as influential on Jefferson's thinking as the Cold War was on American Presidents from Truman to George H.W. Bush.
The short-comings of Meacham's biography are few, and he does not seem interested in hiding them. Setting out to restore Jefferson's image, somewhat tarnished in recent years by revelations of his sexual relationship with Sally Hemings and acclaimed biographies of Jefferson's rivals (Hamilton, Adams, and Washington, especially) in recent years, Meacham writes with more than a little hero worship, arguing that while there have been many great presidents, none would be as interesting to spend time with as Jefferson, whose career touched on far wider a range than did his contemporary political rivals, or even of other politicians since. Indeed, he is persuasive, and it's a fascinating picture that is difficult to dismiss. Yes, Jefferson is a slave owner, a pragmatic politician, and an occasional philanderer. But he is also a man who at his heart believed in the justice and goodness of man and who to his last day would welcome the friendship of any man who would accept his hand in fellowship.
Several people have asked me about the Bob Woodwardkerfuffle.
(I know. The irony. Congressional leaders and the President spend two years negotiating h...moreSeveral people have asked me about the Bob Woodward kerfuffle.
(I know. The irony. Congressional leaders and the President spend two years negotiating how to deal with the debt, can't agree on a solution, resolve to on a 2% across the board cut called "sequestration" that almost no one understands--or represents accurately if they do--and people want to talk about a 'he said/she said' moment in American politics. Let's be honest--it's a lot closer to the school yard politics than the intricate and complex workings of the federal budget).
I just finished reading Woodward's The Price of Politics, a history of this specific issue and how we got to this point. With that in mind, here are my two-bits.
The long and short of it is this: when President Obama couldn't get Congressional Republicans in 2011 to agree to raise the debt limit and enact a tax hike to cover the increased debt, his staff--specifically Jack Lew and Rob Nabors--went to Senate Majority Leader Harry Reid and suggested sequester as a triggering mechanism. If a deal was not worked out by a certain date (March 1, 2013), then automatic cuts would happen. Reid liked the idea so much that he bent over in his chair and put his head between his legs like he was going to vomit. Seriously. (If my sarcasm it isn't picking up, know that Reid was not a fan...)
No one thought it would fail. It was so bad that the other side will have to compromise, everyone thought. Neither Democratic and Republican leaders in Congress and the President in the White House--assumed that no one would let sequestration happen. Because the cuts were disproportionately high on defense spending, Democrats thought that Republicans would never let sequestration happen. And Republicans thought that there was no way that the President would allow such broad, across-the-board cuts happen, either.
They we're all of them deceived, if just by their own hubris.
So who is right? Woodward? Or the White House?
The simple answer is that, in a sense, both are right.
First, Woodward is correct that it was a White House, and by extension the President's, idea to propose sequestration as a trigger if no agreement was reached.
Second, if we look only at the unknowable intentions of the President instead of what he actually did, then he is also correct--he never really intended sequester to happen without some kind of agreement on the budget. In other words, he looked at the consequences of sequester, thought that it would be so bad on the Republicans that Republicans would rather agree to tax hikes than sequester, and said--"Let's do it.
If it's easier to visualize, here's how the Republican spin machine puts it...not entirely inaccurately.
If reading The Price of Politics it doesn't disabuse you of any trust you have in our elected officials ability to compromise, I don't know what will.
The Price of Politicsinexhaustibly details the negotiations over the summer of 2011 leading up to the debt crisis in early August of that year. They began long before we heard about them in the press--months in advance, in fact--and included more than a few meetings between Vice President Biden, Rep. Eric Cantor, White House staff, Senators Kyl, Reid, Baucus, and McConnell, House Minority Leader Pelosi, and, at the center of it, President Obama and Speaker Boehner.
Most of them end up looking inexperienced and unskilled in negotiation especially the President, his staff, and, to some extent, Speaker Boehner. And why? Because both sides fail to listen to the other and throughout remain entrenched in partisan dogmas that prevent them from finding compromise. Crucial negotiations and conversations repeatedly took place over the phone or after media leaks, with offers from each side repeatedly ignoring what the other had told them was an unfeasible option for them. Republicans would not settle for a bargain that did not rein in entitlement spending and Democrats would not agree to cuts to Medicare or Medicaid. Democrats would not do a deal that didn't include tax hikes and the end of the Bush tax cuts, but Republicans were unwilling to allow any new tax revenues except through tax reform.
Neither side would shift to a middle ground.
Early in the book, Woodward talks about the philosophy of the first White House Chief of Staff under President Obama, Rahm Emanuel. "F&#@ them! We have the votes." With it, Democrats shoved healthcare reform through Congress rough shod and in spite of public opinion opposing it. When Republicans took back the House, the Obama White House never really learned how to compromise, but merely seemed to think that compromise meant talking with their opponents about what the White House insisted they do. No surprise, then, that Republicans could never really find a common ground with the White House. As Republicans often complained after being given yet another proposal that ignored their needs, "How are you, the White House, supposed to know what's good for Republicans?"
Surprisingly, one of the few people who came across as the most flexible and able to make a deal was Vice President Biden. A character I have often thought of as a blowhard, gaff-prone Democratic operative often proved to be the person who could work with Republicans to find a feasible solution. Woodward often referred to him as a "McConnell whisperer" because of his relationship with the Senate Minority Leader and his ability to negotiate.
In the end though, as Woodward puts it, never has so much effort been made for so little result. The President won in being able to put off any more negotiation until after his reelection, and we ended up with a status quo result. Federal spending and revenues were left at the same place as before and on March 1--today--automatic across the board cuts amounting to 2% of the budget will go into effect at 11:59 PM.
What are our elected officials doing about it? Jetting across the country wasting valuable time telling the American people that it's the other sides' fault. No wonder no one trusts politicians.(less)