This one really picked up after a slow couple of volumes. Full of the twists and tragedy that originally made this series so good. Totally made me regThis one really picked up after a slow couple of volumes. Full of the twists and tragedy that originally made this series so good. Totally made me regret that I quite reading the monthly issues years ago. ...more
A great start to a pretty original series. There are several twists and turns in the story that keep this one from being more than just "okay." There'A great start to a pretty original series. There are several twists and turns in the story that keep this one from being more than just "okay." There's just not enough here to call it a must buy just yet, but I'll definitely be following along for a few more volumes....more
Having read comics on a regular basis for 30 years, I was understandably excited to finally have an affordable and legitimate way to read this influenHaving read comics on a regular basis for 30 years, I was understandably excited to finally have an affordable and legitimate way to read this influential series. Was it worth the wait? yes and no! It's an incredibly interesting look at the early days of some comic book legends like Alan Moore, Neil Gaiman (not in this volume), and Steve Dillon. Gary Leach's art is amazing and would easily stack up against any artist today. Some of his original art included in the bonus material makes we wish Marvel reprinted it in B&W instead of recoloring it.
It's not some amazing piece of work, though. What was groundbreaking and revolutionary in 1982 has now been aped, redone, and improved over three decades. Even Moore's own Watchmen feels like a better extension of many themes he explored here. Miracleman remains an important and interesting part of comics history, but I don't see readers anxiously awaiting additional volumes. This collection includes 11 chapters of the original MM series and two backup stories. I have to say that the second one, The Warpsmiths, has got to be one of the most confusing things I've ever read. After going through it twice I still have no idea who the Warpsmiths are which makes the confusing events of the story completely meaningless to me.
As for the book itself, here's where it loses a star for me. It has a pretty hefty price tag for what you get. For the same price, many other publishes include deluxe editions with a couple hundred pages of story. For this edition, Marvel gives you less than 100 pages of Miracleman story, the weird Warpsmiths backup, and 56 pages of "extras". While original designs and art is interesting, I don't need 50 pages of it. I also don't really care about Marvel's own contemporary reprint covers. The even included a full page reprint of the COVER OF THE BOOK IN YOUR HANDS! The paper quality is acceptable, pretty much the same used in a monthly comic. The cover and binding are so cheaply made it won't close flat after one reading. I can only assume Marvel's banking on reading buying a better quality deluxe edition down the road.
I don't think I've gone back and read these early issues since the TV show started. It's interesting to see some of the differences (Tyreese and CarolI don't think I've gone back and read these early issues since the TV show started. It's interesting to see some of the differences (Tyreese and Carol together?!?!)
Tony Moore's first 6 issues seem a little bit out of place given Adlard's 120 issues and counting follow-up run, but it's not unfamiliar as he was still the cover artist for 18 more issues....more
Just a couple of minor nitpicks keep JMS's urban fantasy from being a 5 star book.
First, the unexpected shift in art from Ben Templesmith to C.P. SmiJust a couple of minor nitpicks keep JMS's urban fantasy from being a 5 star book.
First, the unexpected shift in art from Ben Templesmith to C.P. Smith after 4 issues is kind of jarring. The story is perfect for Templesmith's style and really feels like it was written for it. Templesmith's quick exit due to personal conflicts is a real disappointment and with just 2 issues to work with in this collection, I never got comfortable with Smith's art.
Secondly, just wait for all 12 issues of the first arc to be collected. This is not a 6 issue arc, nor is it even an act or sub-arc(?). This is a perfect example of the TPB paradigm in effect. We have 6 in the can so collect it. When you get to the end you'll see what I mean. It just... stops.
I hate dwelling on the negatives because there is so much that is good here. JMS has the opening of a great new urban fantasy series here. Kind of a Hellblazer/Fell/Sandman Slim mashup. Templesmith's four issues are amazing. I really got hooked on his work with Fell and will continue to buy most anything he draws. ...more
Scott Snyder seems to be the latest "can't miss" writer in the comics industry and Severed is no exception. Fans of Snyder's period horror American VaScott Snyder seems to be the latest "can't miss" writer in the comics industry and Severed is no exception. Fans of Snyder's period horror American Vampire will find plenty to like here. Snyder and co-author Scott Tuft pen an early 20th century coming-of-age story about an orphaned boy being meticulously stalked by a cannibalistic child killer. Like any good horror, Snyder and Tuft utilize basic human fears to ratchet up the tension one page at a time. By building real characters with depth and emotion, they ratchet up the tension and make the reader really fear for their safety at all the right moments.
What keeps severed from being a 4 or 5 star book, though, is artist Atilla Futaki. A relative newcomer to American comics, Futaki pencils, inks, and colors chapters (issues) 1-3. A new colorist comes on board for 4-7. Futaki does a spectacular job at capturing the look of America in 1916. The different colorist in the second half of the book brings even more life to the scenery and is a welcome addition. Where Futaki stumbles, though, is in characters and action. The young men if the series all look the same, the weary railroad hobos difficult to tell apart, and the old men could all mistaken for one another. When it comes to portraying action sequences or a fast paced scene I often found myself having to re-read pages over and over in order to figure what just happened.
Severed is a fine example of Snyder's current work and what horror comics can be when done right. The problems I had with the art don't take away from that and despite my middle of the road rating, I would recommend it to anyone interested....more