There are times in this waking life where you encounter for the first time a voice that is so unique, so beyond the norm that it shakes you to the ver...moreThere are times in this waking life where you encounter for the first time a voice that is so unique, so beyond the norm that it shakes you to the very core of your existence. In "The Cushion Effect", author Sam Kirshaw unveils just such a voice. With a subtly incremental, strangely ingratiating tour de force of sheer literary brilliance, ,Kirshaw has published a debut novel that is the literary equivalent of Orson Welles' directorial debut with "Citizen Kane". That is brazen talk to be sure. But talk worthy of the work at hand.
Unwilling to talk down even momentarily to her readers, Kirshaw instead pulls her audience up to her rarified air. With a breathtaking multicultural vocabulary and an insistence on a measured, deliberate pacing, the narrative at first moves slowly and with a preponderance of detail and description. It is to Kirshaw's credit that she does not relent from this sometimes challenging path. In less skilled hands, the sheer density of the prose would be oppressive; in "The Cushion Effect" however the details become electrifying, enervating, and ultimately strangely moving. The steady muscular descriptive prowess of Kirshaw draws us in. Line by glorious line she demonstrates an artisan's ear for a clever turn of phrase that rivals Noel Coward's for pure wit and lyricism. The plot is crisp. The theme assured. The characters well-defined. But it is the prosaic literary style that sets Kirshaw's apart from her contemporaries.
Ostensibly the story of three women and their relationships, "The Cushion Effect" brilliantly uses the intersecting and intertwining stories of three marriages in turmoil to tell a tale that truly has little to do with marriages in turmoil. It is so much more about the women themselves and their relationships with each other that truly matters. Catherine is marginalized, Leanne is indecisive while Naomi quite literally takes life by the cojones.
The tale of the three women's love and support for each other will undoubtedly be classified by some as 'chick lit', but that does this unique work of art a harsh injustice. It is so much more than any narrow-limiting category. It is a transcendent work writ with a steady, assured hand. "The Cushion Effect"is a stunning introduction to a breathtaking new writer whose work we will no doubt marvel at for decades to come. We are witnessing the future of literature already walking among us. And we are all the better for it.
I can not recommend this book too highly. It is sheer brilliance. (less)
My grandfather had a beautifully bound copy of this work on his little bookshelf behind glass. When I was young he suggested I might not be 'ready' fo...moreMy grandfather had a beautifully bound copy of this work on his little bookshelf behind glass. When I was young he suggested I might not be 'ready' for it. Because of that, it took on a sort of forbidden air for me. When at last I mustered courage to take it from its hallowed ground and read it.
He was right. But not as I had imagined. There was nothing remotely adult about it, or controversial in this day and age, nor conspiracy laden... it was at its core - a simple philosophical cum biological work of sheer genius.
Essentially "Life of a Bee" is a study of the social aspects of the hive. Borrowing liberally from other sources Maeterlinck weaves a masterful narrative around the cycles of life that exist in the natural world. Like most of his work, there is an underlying deep feeling of philosophical symbolism and harmony.
For me, however, it was not the biology or the philosophy that moved me - it was the lyricism of the writing. It felt like a certain type of poetry that resonated within my soul. Something in the pacing and phrasing that was amazingly moving. That it was a translation always clouded my perception as to whether the genius was truly Maeterlinck or Alfred Sutro. Perhaps it does not matter. In any case, the resultant work is one of the most exceptional books I have yet encountered. If my own writing in "The Missionary and the Brute" attains even a hint of that elegantly mystical lyricism, I will be exceedingly satisfied.
Of all the thousands of books I have read in my life, this is surely in the top five of all. It's simply that good! (less)
Let me start with this - Matthew Pearl is flat out an amazing author. I have thoroughly enjoyed all of his work. I was hooked with "The Dante Club" an...moreLet me start with this - Matthew Pearl is flat out an amazing author. I have thoroughly enjoyed all of his work. I was hooked with "The Dante Club" and have followed his career joyously over the years with "The Poe Shadow" and "The Last Dickens". So it was with great anticipation that I checked out his website recently to see what he was working on next - and to my delight, "The Technologists" is almost ready to be published. Woohoo! I pre-ordered it instantly.
More to my immediate delight, I discovered Pearl was not bringing his latest novel to market cold but rather had written several smaller companion pieces with which to whet our collective appetite for the book's arrival by introducing concepts, characters, settings and time period. What a treat! On his website, available for immediate download are a couple of PDF short stories and a link to the Kindle version of "The Professor's Assassin" a novella (or long short story.)
It's a downright clever strategy to be sure and I jumped in with energy and passion. I devoured the two short stories, "Close Ranks" and "Tech Forever" ravenously. Containing characters involved in prequel stories to "The Technologists", they each greatly stoked the fire for more! So I Kindled that fire with "The Professor's Assassin" as well. I was not to be disappointed.
"The Professor's Assassin" is a fictionalized (though not sensationalized) account of real events - which is somewhat a Pearl trademark. He is renowned for taking historic and literary characters and forging beautifully written tales of mystery around their lives. While not non-fiction, they have each been based so carefully on detailed research that a certain reality and gravity accompany every word! In this case, he fictionalizes a real-life murder of a professor at the University of Virginia.
In the course of Pearl's version of the tale, we are introduced to professor William Barton Rogers who will play a role in "The Technologists" as the founder of MIT. In "The Professor's Assassin", Rogers takes a lead role in the investigation of a colleague's assassination by a student radical. Like all of Matthew Pearl's work, "The Professor's Assassin" is a mesmerizing read. No one writing today - in this writer's opinion - writes with such an assured mastery of intellect, literary perspective and sheer creative plotting. The characterizations are rich and varied, the subplotting wise and studied, and the setting and time period imbued with such linguistic accuracy and nuance that we as faithful readers are rewarded upon every page. There is plenty of drama to hold us and the suspense chills us even as we discover along with Rogers the true nature of the crime.
That Pearl can create a universe that is uniquely his own from the shards of our own history is a treasure to behold. I am absolutely thrilled to read his every word and eagerly look forward to more of the same with "The Technologists."
Admittedly I find reading material in odd places. I always kind of knew about T.S. Eliot from peripheral reading. But never really got into him until...moreAdmittedly I find reading material in odd places. I always kind of knew about T.S. Eliot from peripheral reading. But never really got into him until I was reading The Groucho Letters by Groucho Marx. One of the letter sequences was from and to Eliot. When Grouchos insisted on calling the poet Tom, my aversion to my assumed stuffiness of Eliot's work simply withered away. Not with a whimper either.
When Andrew Lloyd Webber later turned some of Eliot's poetry into Cats, I almost went the other way, but restrained myself.
Somewhere in between I picked up The Waste Land. Although it is a little dense for my poetry taste - I nonetheless devoured it. Like many works of poesy, it is better read aloud. Even unto oneself. Set aside in the five sections, I loved the voicing that Eliot wove throughout the text. It felt not so much as poetry, as almost a jazz rendering - which would play into my love of Ginsberg and the Beats.
Some of the phrasing within is richly elegant. With nods to German, French and even Sanskrit in the text it is a mad concoction of sounds flowing at once. It feels to me oddly Shakespearean - almost like an opening monologue of one of the Bard's tragedies - and perhaps that is on purpose. Supposedly an early version was written in iambic pentameter. And of course, Eliot himself makes reference with O O O O that Shakespearean Rag!
Even at this late date and with all the Monarch Notes and Cliff Notes I can handle - I'm still not quite sure I have a real good handle on what the heck this thing means - something to do with the Fisher King and the Grail and life and death and all that, I suppose. But that does not detract from what it is! And that is darned powerful.
I guess it goes to show that you don't have to be a great academic literista to have a gut appreciation for a work of art. Just ears with which to hear.
Everything I know about about literary criticism was learned in an amazing class on American Lit I took at the University of Colorado back in the 80s....moreEverything I know about about literary criticism was learned in an amazing class on American Lit I took at the University of Colorado back in the 80s. The class itself was not so stunning. The teacher - if you can call him that - was an unenthusiastic resident assistant, and most of my classmates were bored beyond belief. They gorged themselves on Cliff Notes and Monarch Notes and tried to find the sycophantic path that the teacher was seeking from his bleary-eyed sheep.
The subject matter was standard American Lit stuff... and a large portion of it was Hawthorne. I had never really encountered his writing before, but I instantly loved it. What I loved more were the discussions lead by a rebellious class mate of mine named Amy Redford - daughter of Robert and now a brilliant filmmaker herself (The Guitar) - who passionately dissected the themes, and styles, and sheer technical writing with the most incredible display of literary acumen I have ever witnessed.
With my input from one side of the room and Amy's even more insightful commentary on the other - we unleashed a cataclysm of insight upon the great American authors - particularly Hawthorne. The teacher and our classmates knew not what hit them. For all of our deconstruction/reconstruction of the texts, the great Hawthorne's work not only survived but thrived within our oh-so-opinionated young minds.
Story by story we constantly uplifted the brilliance of the writer - and absolutely devoured his work: May Pole, Goodman Brown, the Minister's Black Veil - and particularly Rappaccini's Daughter among others. These discussions enabled the works to come alive to me and continue to do so to this day.
Regardless of our jaded contemporary ear for language, Hawthorne remains absolutely relevant and this is one of his greatest collections. For anyone who enjoys a good story - for any one who enjoys thrilling writing - this is a MUST READ. Hemingway, Twain, Steinbeck, Faulkner - sure - great American authors - but HAWTHORNE! Something a cut above.
And I have Amy Redford to thank for opening my eyes to that. (less)
Matthew Pearl is quite simply an amazing author. He writes challenging, stimulating adult fiction that talks UP to the reader. He challenges the reade...moreMatthew Pearl is quite simply an amazing author. He writes challenging, stimulating adult fiction that talks UP to the reader. He challenges the reader to heights of erudition and lyricism that is quite beautiful despite the grisly subject matter. "The Dante Club" is such a genre-bending masterwork that it almost defies any sort of easy review. Any serial killer novel that features murders committed based upon Dante's Inferno, and with 'detectives' such as Henry Wadsworth Longfellow and Oliver Wendall Holmes is an absolute hoot of a concept.
High concept aside. It is a page-churning thriller that draws the reader inextricably in with its details and nuance. The literary research of which Pearl is so well known never intrudes on the narrative but rather colors it with a rich, glorious texture.
I could not recommend this book more highly.(less)
He may recoil at the comparison, but Chuck Palahniuk is a modern day Vonnegut to me. His humor is often overlooked by pundits who concentrate on the m...moreHe may recoil at the comparison, but Chuck Palahniuk is a modern day Vonnegut to me. His humor is often overlooked by pundits who concentrate on the more extreme elements in his work - and I understand that. But they not only miss not only his humor but also his brilliant ability with dialogue and structure.
While the nonlinear structure of "Invisible Monsters" seems almost haphazard, it is a haphazard the way a jazz artist riffs on themes and timing to fit the mood. Improvisation is not without its structure and joys. Like Vonnegut at his best, "Invisible Monsters" is filled with litanies and short crisp paragraphs.
Like any Palahniuk work, "Invisible Monsters" is rife with twists and turns galore. Even when you figure out who and what various characters are halfway through - it deters not in the slightest the fun of it. And it is indeed fun.
This early novel is in some ways one of his most literary and brilliant. Not nearly as renowned as Choke or Fight Club, it is a tour de force all its own with deeper thoughts of surface beauty/ugliness.
Beautifully, hideously written... I loved it.(less)
Growing up, my great-grandmother Irene would regale us with stories of the history of our family. Among the historic treasures she told us - was that...moreGrowing up, my great-grandmother Irene would regale us with stories of the history of our family. Among the historic treasures she told us - was that genealogically speaking, we were related not only to several Revolutionary War heroes, but also to the guy who hid the charter in the Charter Oak. More exciting to us was a connection made to the illustrious Louisa May Alcott. As a youth, armed with that knowledge I forced myself to read the decidedly girly Little Women, which I thought was okay, but just so. I see why it deserves its place in literature, but it lacked a certain personal connection to me
Little Men, however, was much more in line with all my sentiments. Ostensibly it is the tale of Jo March now grown up and married with children. Based to a large degree on her own life, Little Men was a beautifully written - though episodic - look at life in Plumfield. Jo March and her husband taught a group of young boys - and a few girls - in her home where they boarded.
The beauty of the book is the obvious love that Jo had for her boys - all of them. And each brought a different - though not stereotypically so - dynamic to Plumfield. There was constantly someone with whom I as a young male reader could identify. The sensitive musician side of me reveled in Nat. The nature-lover was drawn to Dan. The mischievous side leaned ever so slightly to naughty Tommy.
The stories are bucolic but not Pollyanna-ish. There is a peace and calm and a constant reinforcement of academics and morality that is welcomed without being cloying. Although it is indeed a childrens book, it is written in a way that does not talk down. Alcott was unabashedly a rebel in her life and her writing has always reflected that intelligent and unique outlook.
It is perhaps too bad that Alcott got stuck with the stigma of being classified as a childrens author. In recent years some of her adult writing has come out - and it is quite beautifully rendered. Writing under the pseudonym AM Barnard, her writing in "A Modern Mephisopheles" demonstrates where her secret interest and passion would have gone.
In any event, Little Men is highly recommended. Clear the mind of expectations and just enjoy it for the lovely romp that it is. (less)