**spoiler alert** This started off really well and had so much promise. The beginning was action-packed and interesting, but that's just it; the start**spoiler alert** This started off really well and had so much promise. The beginning was action-packed and interesting, but that's just it; the start is the strongest scene in the entire book. After that, everything became slow and dragging.
The characters, themselves, are not as interesting as I thought they would be. There isn't really much growth; it's as if they were just there to further the plot, which is, unfortunately, a bit lackluster. As the story progressed, I found myself wishing that they'd just get on with it. When they do solve the mystery, I've left with, "What? That's it??"
I did enjoy reading a little bit about the history, but as for the story, itself, it's just okay....more
**spoiler alert** Overall, this was all right. I liked the plot and was intrigued enough to keep reading. (I suppose time travel is really just my cup**spoiler alert** Overall, this was all right. I liked the plot and was intrigued enough to keep reading. (I suppose time travel is really just my cup of tea.) Writing-wise, I felt like there was too much information that's being told instead of being shown. There were numerous info dump moments that I wish could have been handled in a better way.
While this was a nice read, some parts of it bothered me. I felt like the main character Kate was way too much trusting and believed in what she was told almost immediately. The same goes for the people around her—Trey, for example. Their reactions just doesn't seem believable. How could someone simply swallow that "I have time traveler genes" story? Granted, the photo, in the case of Trey, did disappear right in front of him, but the actions and dialogue felt lacking. I wish there was more. I wish it felt more... human. The same goes for when Kate tells her dad about her adventures and how quickly it was received.
I'm also not fond of how the romance is handled, and the fact that there is this sudden love triangle. The Kate+Trey romance was way too fast; the Kate+Kiernan thing escalated too quickly. In fact, the romance subplot felt like it was thrown in there just to have it. To me, when it comes to these things, either make it essential to the story and characters and handle it well, or take it out altogether.
I think that's what is lacking in this book; it is more plot-driven than character-driven. I want to really like it, and I do like it, in the sense that I want to know what happens next, how the time traveling works, what the master plan really is. I don't care for the characters, however. There's just nothing that makes me connect with them. They are just there, advancing the story and not really much of themselves. I'd still read the second book though just to see this series through and get to the end (but I'm hoping that this would only get better.)...more
I became emotionally invested in this book at page 109.
(view spoiler)[I honestly have no idea where to begin because there's so much to say. I actuallI became emotionally invested in this book at page 109.
(view spoiler)[I honestly have no idea where to begin because there's so much to say. I actually prefer keyboard-smashing my love for this book, but I doubt my "asdjalskdadkasjl;d"s would translate well into actual thoughts.
But yes. I like this. I like this a lot--or grew to like it. Whichever.
I admit that I was a bit apprehensive at first, mostly due to it being a YA novel in 1st POV. My personal taste can be quite a snob when it comes to this combination. I'm not exactly a fan of it since sometimes, the character comes across as an obnoxious spazz monster of irrationality and/or angst. Vera, on the other hand, is surprisingly not like that at all. She comes off as, for lack of a better word, rational amidst the sadness and bitterness and other terrible feelings without having the need to yell in your ear all the time. And I think that's really nice. (I'm actually amazed at how the author handled all the issues well. Dealing with the loss of a loved one? The choice to "ignore" the Bad Things because it's the easiest thing to do? Domestic violence? Parental absence? Alcoholism? All handled well.)
After 109 pages, I finally got the hang of the fiction world again. I did mention before that the POV shifts every other chapter was lacking in the voice department, but as I progressed... well, haha. That was just me after all. I think the shifts were good. I especially enjoyed the Pagoda's chapters, and Charlie's. Without those, I probably would have hated him more. He was such a jerk--I mean, who on earth throws dog poop at their best friend? This intense anger of mine was quickly tempered by succeeding chapters of him showing much remorse, and showing how much he loved (and still loves) Vera, and I think that redeems him a little. Or a lot. (The little notes made me almost tear up, and I kind of wish that he wasn't dead. Ugh. What could and should have been, but will never ever be. Ever.)
Jenny Flick is a psychopath. o.m.g.
I also want to say that that Vera's dad is just adorable? sweet? with his constant worrying, self-help-book-hoarding, and parenting attempts. A favorite part of mine featuring the father-daughter tandem was during the doctor's visit when they were roleplaying each other and it suddenly clicked that they were skirting around the mother issue. I think that scene was clever. It was a nice way to get them to finally see what they've been avoiding all along. I loved the ending too, with them going off on a trip and being free and happy and less parsimonious (oh this word), in general.
I have more to say about this book, and I'll possibly come back at a later date to further pick it apart and point out the nice things. Again: I like this. I like this a lot. (hide spoiler)]...more
1. Oh, wow. Did I just find a good, interesting topic to pursue for my art history research paper? ApTwo reactions after I finished reading this book:
1. Oh, wow. Did I just find a good, interesting topic to pursue for my art history research paper? Apparently, this is one of those instances wherein procrastination yields some very nice results. Great intuition, dear self. I will go forth and do some research about her paintings now.
2. I really, really like this.
"Mesmerizing" is probably a good word to describe it. The book made me feel--from the yearning and desperation of Lavinia/Vini Fontana to become a painter in a male-dominated society, her frustrations with her father, her struggle to find a connection with her mother, and her fears of being overshadowed by her unborn baby brother, the male heir her father had always dreamed of. I find it amazing how the author brought these characters and the Renaissance period to life. I felt like I was there, myself--and this is probably one of the nicest things I could say about a book.
1. There was one part that really stuck to me, which is the scene where her father finds the anatomy book she wasn't supposed to have, and in which he finds out that she tricked him and had one of his students pass her work as his own.
"When? Why?" He is not looking at her; his eyes still scour around the room, searching, searching.
"Because it was meant for me." She is sobbing now, writhing in his grip. "It was meant for me, Papa."
Good grief. The raging and the yelling... I really felt scared for her and for her partner-in-crime, Paolo Zappi. It was also during that time that I realized how (for the lack of a better term) pretty cool Hawes' portrayal of him was. In this piece of fiction, he did, after all, nick art supplies for her (and in the actual historical sense, gave up his career to support and promote her works, which was pretty nice. The coolness was captured well.)
"You said the painting needed work, Master." Paolo is stammering, desperate. He continues to look at Vini, and that is when she realizes he is not afraid for himself, but for her.
She may do whatever she wants; he will not judge her.
2. I really wanted to smack Vini's father a few times with how he treated his wife, Antonia.
3. I also wanted to smack Antonia too for not having a backbone.
4. But hey, it sort of worked out in the end, I suppose--even if the end was such a bittersweet thing. I'm not sure what to feel about it. Part of me finds it fitting, but part of me is just so curious to know how they are going to deal with Antonia when she finally wakes up from her delusions. (But oh well. I guess that's what imagination's for.)
"Whatever his future, he is fortunate indeed to have such a mother ... and such a sister."