I am annoyed - a bad end to a bad book. I wrote a review and somehow lost it before saving it! Here follows a second try.
Wordy, confusing and boring.I am annoyed - a bad end to a bad book. I wrote a review and somehow lost it before saving it! Here follows a second try.
Wordy, confusing and boring. Those are the three adjectives I would use to describe this book. Simplistic too.
My biggest complaint is the wordiness. Was Faulkner taking part in a contest to see who could come up with the most synonyms for each word? Someone should count how many times "or" is found in this book. Faulkner begins with an oblique statement, and then it is repeated umpteen times with other words so that the meaning is hammered into the reader. This bored me and started putting me to sleep.
The plot is straightforward and simple. Faulkner uses none of his complicated literary techniques typical of his other novels. Nevertheless, I think he likes to confuse. Why does he never say something once, simply? There is a plot twist at the end that threw me.
So what is the theme of the book? It is a coming of age story, set in 1905 in Mississippi and Memphis, Tennessee. An adventure story spread over four days. Lucius Priest, a pampered white eleven-year-old, the story’s main character, learns the difference between the real world and the ideal world taught to him by his elders. What we are told and the way it really is. That is it in a nutshell. The four days start with the stealing of a car, followed by the crossing of a muddy creek, betting, horse races, a bordello and of course prostitutes. (Reivers means the stealers!). Yet the story is so innocent, the message so cute. Too cute. Honestly, I think the book is more appropriate for kids. It says nothing to an adult.
It draws for me a rather tame picture of the South in 1905.
The audiobook narration by John H. Mayer was easy to follow, yet I detested his intonation of Ned McCaslin's "hee-hee-hee". Ned is black. He plays a central role. The intonation made him sound stupid, and he wasn't stupid at all!
An excellent fairy tale. Fairy tales should first scare you and then resolve happily. This fits that bill. It must be entertaining to both the adult rAn excellent fairy tale. Fairy tales should first scare you and then resolve happily. This fits that bill. It must be entertaining to both the adult reading the tale and the child. I admit it; I was tense, annoyed and worried ....and then happy. If the parent is bored, it is not a good fairy tale. The child will feel your own emotional response.
Hans Christian Andersen knew how to write stories for both adults and kids. I chuckled. I marveled at the author's ability to create an exciting story, ending with a comforting message. A bit simplistic, but that is in the definition of a good fairy tale. The religious message I could have done without.
Audible gave this audiobook to all its members; its 2014 Christmas present. To narrate it they chose Julia Whelan, who won Audible's best narrator prize for the year. I loved the voice she used for the reindeer, but someone could have told her how to correctly pronounce the two Nordic children's names Kai and Gerda. Kai is pronounced" k-eye", not the name of the letter K. Gerda is pronounced gpear-da, not grrrr-da. Kai could have sounded more like a little boy than a little girl. Otherwise the narration was OK. I checked out Katherine Kellgren's reading of the same story and it was a bit better, but heck that was not free! ...more
This and The Polar Express are my two favorite Christmas books. Nothing beats them. Mariana's has a soft spot in my heart. I received it as a child anThis and The Polar Express are my two favorite Christmas books. Nothing beats them. Mariana's has a soft spot in my heart. I received it as a child and read it every year. Then I read it to my kids. Sparse text and beautiful watercolor pictures on every page. I have the original publication of 1949, now all taped up of course. A teeny little book that meant the world to a little girl like me....more
This is a book for young adults ONLY. It is childish. It is about preteens and their attraction to the opposite sex. Are you going to want to listen tThis is a book for young adults ONLY. It is childish. It is about preteens and their attraction to the opposite sex. Are you going to want to listen to sentences such as the following?
"God, isn't he to die for?! I think I will let him feel me up."
There is very little about the burning anthracite coal mines in Pennsylvania.
I had trouble with the author's choice of words. Not once, but continually. Have you heard of "roly-poly hills"?! Does an eleven-year-old speak of a boyfriend's "private parts'"? A child of that age would not say, "I was about to drop down to my destiny."
This is a story of unnuanced dysfunctional family relationships.
The narration by Luci Christian is fine, but even for me exceedingly slow, and I like slow narrations!
I am quitting after listening to half of the audiobook. I cannot bear it anymore. This is a total failure for me!...more
Yes, a gem! Why I found it amazing and thus worth five stars is explained below in the partial review.
I will only add here a bit about the book's settYes, a gem! Why I found it amazing and thus worth five stars is explained below in the partial review.
I will only add here a bit about the book's setting: Georgia, 1944-45. You see the world through the eyes of 12 year old Frankie, or F. Jasmine Addams. SHE, not I, will explain to you why she appropriated this name. Not only do you see the emotional turmoil of a preteen but you also get the racial tensions in the South and the tension created by the War. We know it is 1944 from the simple line that "Patton is driving the Germans out of France". One line and so much is said. No long discourses on history.
Do you remember when you were caught between being a child and an adult and belonging nowhere? Alone....and the world is a scary place.
The narration is fantastic; it is read slowly, with feeling, and it is easy to follow. Wonderful Southern dialect.
After part two of three OR after three fourths of a 6 hour audiobook:
Lend me your ear for a moment please. I consider myself pretty hard to please. For this reason I tend to prefer non-fiction because then I tell myself I will at least learn something if the writing disappoints, if the story fails. But the most stupendous books are those of fiction where the writers create a marvelous gem all from NOTHING. They create a tale from assorted words and how they string them together, their imagination and their ability to capture human emotions that we all share. So when I run into astoundingly beautiful writing, and by that I do not mean "pretty" but rather writing that speaks to us all, that has the ability to to pull us out of our own existence and allows us to share common experiences and emotions, now that is something else. THAT is what Carson McCullers does in this book. Fantastic writing.
Do you remember your preteens, when you didn't feel comfortable in your own skin, when the whole world changed over night and all was frightening? Physical changes and emotional changes that throw you off balance. Do you really remember that period in your life? Here it is again captured in writing.
Don't read this. Listen to it narrated by Susan Sarandon. Stunning performance.
Why write a review if I am such an atypical reader?
I will keep this brief since I feel most readers will not react as I have, but isn’t it important tWhy write a review if I am such an atypical reader?
I will keep this brief since I feel most readers will not react as I have, but isn’t it important that all views are voiced?
All readers must agree that the flipping back and forth between different time periods makes this book more confusing. I believe it must be said loudly and clearly that the current fascination with multiple threads and time shifts is only acceptable when they add something to the story, when employment of such improves the story. In this book they do not improve the story. Perhaps jumping from one scene to another can increase suspense, but must one also flip back and forth in time? In addition, more and more books are made for audios, and this is not helpful when you cannot flip back to see where you are. Finally, time switches unnecessarily lengthen the novel.
Secondly, be aware when you choose this book that the book is not only about WW2 but also a diamond that some of the characters, quite a few in fact, believe has magical powers. Those who possess the stone will not die, but people around that person will come to misfortune. This is all stated in one of the very first chapters; it is not a spoiler. This aspect of the book turns the story into a mystery novel. Where is the gem? Who has it? The result is that you have a heavy dose of fantasy woven into a book of historical fiction. I have trouble with both fantasy and mystery novels. Maybe you love them. (I would have preferred that the diamond was woven into the story as one of the objects stolen by the Nazis.)
Let's look at how the book portrays WW2. It is set primarily in Brittany, France, and Germany and a little bit in Russia and Vienna. Its primary focus is about what warfare does to people, not the leaders, but normal people. I liked that you saw into the heads and felt the emotions of both Germans and French. Some of the Germans are evil but you also come to understand how living in those times shaped you. To stand up against the Nazi regime was almost impossible. There are some who try. These events are gripping. You also get the feel of life in Brittany versus Paris. They are not the same. I enjoyed the feel of the air, the wind in my face and the salty tang on my lips in St. Malo. I do wonder to what extent my appreciation of Brittany as a place is more due to my own time there or the author's writing. Am I remembering my own experiences, or am I seeing it from the words of the author? I am unsure about this.
In any case, I was very disturbed by the blend of fantasy with gripping WW2 events.
The events of WW2 are those portrayed in every book. If you have read about WW2 in numerous other books of fiction or non-fiction you will not get much new. Rape by Russians felt like the author had to include this simply so it could be to be togged off his checklist. I do think the book moves the reader on an emotional level. You get terribly angry and shocked, and this is achieved through the author's writing, his excellent prose.
And this is what saves the book – its prose. The descriptions of things and places, the particular grip of a hand, movement of a body and what characters say. Very good writing. Beautiful writing. Sometimes you laugh, sometimes you feel that wind on your skin or the touch of a shell against your fingertips or smile at the oh so recognizable words of a child. Children often see far more than adults, but they also talk in a clear, simple manner. What they say is to the point - could that diamond be thrown away? Of course not. As remarked by one of the French children, "Who is going to chuck into the Seine a stone worth several Eiffel Towers?" Even if the gem has dangerous powers!
People love reading about kids and one of them here is blind. Who wouldn't be moved by such!
The narration by Zach Appelman didn't add much, but neither did it terribly detract from the story. I appreciated how he read some lines with a beat, a rhythm which matched the cadence of the author's words. Pauses were well placed. French pronunciation was lacking.
Oh my, once I got going I told you what I felt. I believe this book will be popular, and many will like it, but it was just OK for me. ...more
A gem that glistens. Beautiful. A contemporary rewriting of an ancient Maori legend. Its messages speak of the strength of women, but even more importA gem that glistens. Beautiful. A contemporary rewriting of an ancient Maori legend. Its messages speak of the strength of women, but even more importantly of the oneness of the past and present, the rational and the irrational, what we understand and don’t understand and of all life on earth. This is young adult literature for adults.
The audiobook narration by Kiwi Jay Laga’aia was well done. There is music throughout the recording, but it is the same snippet repeated over and over again. When will we get audiobooks with varied music and numerous songs? Anybody listening out there?