Hamlet, Prince of Denmark is a reworking of Shakespeare's Hamlet. The story has become more of an action-fI enjoyed this. It was fun. I recommend it.
Hamlet, Prince of Denmark is a reworking of Shakespeare's Hamlet. The story has become more of an action-filled thriller, while the ethical and psychological issues still remain. As explained in the two afterwords, one by each of the two authors, Shakespeare's Hamlet has been reworked, just as what we today most commonly see on the stage is also a reworking of Shakespeare's original. There exist in fact several “original versions”; scenes and lines present in one are lacking in another. Furthermore 1800 and 1900 interpretations have changed the originals. It is also pointed out that the history, as it is presented in the story, is not correct. Neither was it correct in Shakespeare’s original. Norway never controlled Denmark; the reverse is true. It is also mentioned that the story is based on an earlier legend, the legend of Amleth, chronicled by Saxo Grammaticus in the 1200s. The afterwords are great!
I recommend this book because you get a fun, exciting retelling of the Shakespeare’s Hamlet. The relationships are filled out. Events that happen off stage in the play take front stage in the book. The dialogs are modern, and this did bother me occasionally, but not often. I admit, when Hamlet exclaimed "Bullocks!" I was a bit thrown. A few additional characters are thrown in (Yorick and Gregor). Yorick is a clever invention. Why he was added is also explained in an afterword. He is a wonderful addition! Voltemand’s role is expanded. The central questions – is Hamlet sick, is he feigning insanity and why does he feel as he does - are fleshed out. Polonius is wicked, but how should we view Claudius? Ophelia is an interesting character. This is not only a tragedy and an exciting story, but also a character study too. Pirates and ghosts and murders galore. A story of revenge... and love.
Well known lines which we have all heard before are thrown into the dialogs.
Richard Armitage reads the audiobook. Well, I don’t seem to love his performance as much as others. He doesn’t just read the lines, he acts them. Most people love this. I could hear when Yorick, the jester, was speaking. I loved his voice. Others I could not distinguish between. It bugged me that Öresund is not correctly pronounced, but I doubt this will bother non-Scandinavians. The Danes sounded so darn English!
I know I absolutely loved this book, but I fear I will be unable to properly explain why.
It is all in the lines. Some are beautiful, and yet their beI know I absolutely loved this book, but I fear I will be unable to properly explain why.
It is all in the lines. Some are beautiful, and yet their beauty is not the main thing. It is that each line had me thinking. Something happens, a person does something and then a line expresses the dilemma a person now faces. This is what made the book for me. Life is complicated, people are complicated and I like books that show you this. I felt that over and over again, in every paragraph, I was drawn into a character’s search for understanding. War, nature, friendship, love - all pull you in more than one direction. Look at the sea. Look at the havoc and destruction of a storm there. Flip the coin and look at the beauty it holds. Even during war there can bee kindness and goodness. Love can rip you apart. Am I comprehensible?
Does this above sound way too philosophical? It is done with a light touch. Never heavy.
The characters are not good or bad. Each is good and bad, all in the same person.
This is a book filled with adventures – storms and travel and murder and love and friendship. Superb description of ten year-old boys….and what they get up to. Their escapades are equally exciting! The plot keeps moving. I was constantly surprised at the twists and turns of the events. There is history too. The story starts and ends and intermittently returns to a small town in Denmark. That town really exists. It is Marstal on the island Ärö. It is a seafaring town. The book can be classified as historical fiction too, following the events of the townsfolk from 1848 through 1945. It starts with war, the German invasion of Denmark in 1849, the border moved further north in several steps, continues through WW1 and concludes with WW2. Shipping in wartime is an unbroken thread. Dangers at sea too. How did the wars and a seafaring life affect not only the men but also the women and children of the island? What holds these people together? That is a central theme. Over a century you watch generations of boys learn how to become men. Women learn how to cope without men. Yet look at the title: We, the Drowned. That first person plural means something. It says something very strong. Community. “We” are the people of Marstal.
There is a touch of magical realism woven into the book. This makes it a piece of art, of imagination. It frees the reader from the restrictions of logic and reason. Through the addition of magical realism the events don't have to conform to reality, which is something I usually want, but I don’t need it here, not in this book. The magic is cleverly woven into the story. It serves a purpose. It leaves a message.
The audiobook narration by Simon Vance is absolutely stellar. You never think about it; it flows so smoothly. It is read slowly when it should be read slowly and fast when it should be read fast. It is read with pretty good Danish pronunciation. I only know Swedish, but it sounded right. To my ears the name Knud, sounded occasionally like Knuth, just a minor blemish though.
Read the second chapter of this review again. That is why I love this book. ...more
This YA book did not work for me. There was a lot of talk about the Crow-Girl books by the Norwegian author Bodil Bredsdorff in the Comfort Reads GrouThis YA book did not work for me. There was a lot of talk about the Crow-Girl books by the Norwegian author Bodil Bredsdorff in the Comfort Reads Group of which I am a member here at GR. There is an overall gloom that I did not enjoy. I am NOT one to shy away from a book that focuses on "difficult times". It is not enough for me that a story ends on a positive note. No, I even prefer a novel that ends half-way happy as long as the passage through the book isn't dismal and provides a chuckle or a smile curls my lips. I think this is essential for a child's book. I want them to see that even at bad times it is possible to find something good around you if you take the time to find it.
The main character, Crow-Girl, was always ever so righteous! Most of the adults she encountered were so unbelievably nasty. I found these NASTY people heartbreaking! I simply could not deal with the depressing nastiness! Remember this is a child's book …… Why is it that I can stomach evil behaviour when I read history, but not when I read fiction? I think it is b/c in fiction an author chooses how he will portray a character. The author can make them human, with good and bad qualities OR so wicked that the reader cringes at all contact with these bad-doers. In this case it was the latter, and the brunt of all this evil was children. I know that most fairy tales for children follow a pattern where good conquers evil. So maybe I am wrong, but I was very uncomfortable reading this book! And the characters felt too black or white.
Think about it – how often do you become close to the evil personages of history? Usually there is a distance between you and them! Here, in this novel, they were too close for comfort. I can only give this book two stars.
I should add that some adults did manage to straighten themselves out. Consistently children were the ones to suffer from the behaviour of mixed-up or mean adults.
I must be crazy to add another kids book, I have so many sitting around, but actually it is me that will read it first. I was enchanted by the text snippet I read. I like the grandmother's no nonsense advice to follow one's intuition. So yes I have added this to my highest priority shelf, the wishlist. Gundula thank you for shoving me a bit....more
On completion: WOW - what a way to learn history! This reads like a horror story or a political crime novel. But NO!, this is history. I apNO SPOILERS
On completion: WOW - what a way to learn history! This reads like a horror story or a political crime novel. But NO!, this is history. I applaud Per Olov Enquist's talents. He presents all the facts, all the events of the "Danish Struensee Era", and yet not once do you feel you are reading anything but a political crime novel. And yet.... I don't enjoy political novels or crime novels or horror stories, either - but this I adored!
The imagery is stupendous:
The revolution that Struensee initiated was quickly stopped. It took only a few weeks for everything to revert to the way it was before, or to even earlier times. It was as if his 632 decrees, issued during the two years known as the "Struensee era" were paper swallow, some which landed, while others were still hovering low over the surface of the field and hadn't yet managed to alight on the Danish landscape. (page 310)
The theme focused upon Christian's insanity has the reader continually asking: Is he insane? Yes, he is! No, he can't be, not when he is capable of such reasoning. This is not a criticism of the quthor's description of Christian. It is instead the author's ability to keep us pondering: What is insanity?
The book offers intriguing philosophical insights. The following text concerns a painting of the Swedish King Gustav III by Carl Gustaf Pilo:
Is it the darkness that is light or the luminous that is dark? A choice must be made. The same is true of history; people choose what to see, what is light and what is darkness. (page 304)
This is of course very relevant to the events of the story.
There is superb character portrayal. The writing is very Swedish/Scandinavian. Characters simply cannot reveal themselves to one another. There is always an atmosphere of tension and the prevalent suppression of communication.
Christian, Caroline Mathilde, Struensee. Those three.
They seemed to be observing each other with curiosity and suspicion. The court observed them too. As they observed the court. Everyone seemed to be waiting. (page 137)
I don't like political novels. I don't like horror stories. I usually shy away from Swedish authors since I have read a fair share of them. Thus, I shouldn't like this book, but I really, really did. 5 stars!
Through page 100: I don't quite see how you can possibly give spoilers for this novel. Right at the beginning the reader is told what will happen. The Danish King Christian VII, born 1749, was found to be crazy. A royal physician was called in to "protect" and care for him. This physician was the German doctor Johann Friedrich Struensee. It was he who along with Christian brought the ideas of the "Enlightenment" to Denmark. Laws were passed supporting these theories. What did the "Enlightenment" stand for? It was an attempt to bring freedom of thought, tolerance and liberty into government. It supported beliefs in reason and empiricism witnin medicine, physics and mathematics. Struensee held his position as the Royal Physician for four years from 1768-1772, after which he was tortured and beheaded. He had an affair with the Queen Caroline Mathilde. This was a convenient excuse for removing him from power! You see, before Christian, the Danish Kings were weak in power and the Danish Court were the ones who in fact held the reins. Christian was very young when he became King. If he wasn't crazy from the start, he certainly had to be brought to this state by those responsible for his uppbringing. I am telling you, the description of how this was brought into effect is hair-raising! I guess what is fiction is the exact words and the personification of the characters..... The author does this so well that you never doubt a smidgeon! The elegance of the author's words is astounding. When revealing the facts he is short and precise. When describing the love affairs you are there too. The prose is wonderful. I guess the translation is too, because I am reading the translated version, by Tiina Nunnally. I will give you a taste by quoting from pages 99-100 when Struensee first meets Christian:
Their first encounter was extremely odd.
The King was staying at the mayor's residence. One evening when he asked for the courier Andreas Hjort, he was informed that the man had been recalled home. No explanation was given. The courier's action was described as inexplicable but might have been prompted by illness in his family.
Christian suffered a recurrence of his peculiar spasms and then began furiously demolishing the room, throwing the chairs and breaking windows. With a oiece of coal taken from the embers in the fireplace he wrote Guldberg's name on the exceedingly beautiful silk tapestries, although deliberately misspelling it. During the tumult the King's hand was injured and started to bleed, so that Struensee's first task on the journey was to bandage the monarch's hand.
The new Royal Physician had been called in.
His first memory of Christian was this: the quite slender boy was sitting on a chair, his hand was bleeding, and he was staring, straight ahead.
After a very long silence Struensee asked kindly:
"Your Majesty, can you explain this sudden...anger? You don't have to, but..."
"No, I don't have to."
After a moment he added.
"They tricked me. She's not anywhere. Even if she is somewhere, that's not where we are going. And if we do, they'll take her away. Perhaps she is dead. It's my fault. I must be punished."
Struensee writes that at the time he didn't understand (though he did later) and that he simply and quietly began bandaging the King's hand.
"Were you born in Altona?" Christian then asked.
"In Halle. ButI cam to Altona at an early age."
"They say," Christian continued, "that in Altona there are nothing but freethinkers and men of the Enlightenment who want to smash society into rubble and ashes."
Struensee merely nodded calmly.
"Smash!!! The existing society!!!"
"Yes, Your Majesty," replied Struensee. That's what they say. Others say ir's a European center of the Enlightenment."
"And what do you say, Doctor Struensee?"
The bandaging was now done. Struensee was on his knees in front of Christian.
"I'm a man of the Enlightenment," he said, "but first and foremost a doctor. If Your Majesty so desires, I will leave my post at once and return to my normal medical practice."
Christian regarded Struensee with a newly sparked interest, not in the least annoyed or disturbed by the man's almost insolent bluntness.
I took the time to give such a lenthy quote because I believe the prose will appeal to some readers and not to others. You determine. I think you also see from this quote that this is a work of fiction for portions cannot be known facts. The author has umade his own suppositions. Tere is no author's note at the end. ...more
I adored this book. Fabulous writing - even better than Out Stealing Horses. I have added In the Wake by the same author, simply because he writes soI adored this book. Fabulous writing - even better than Out Stealing Horses. I have added In the Wake by the same author, simply because he writes so well. Read this book. Read it soon. Read it now. This is one of those books that every second spent reading is enjoyable. It is about a family and the people making up this family. And it is about the wonderful strong relationship between brother and sister, a relationship that glows in the cold harsh Scandinavian landscape of the 40s. This relationship shines, bringing warmth to the cold, eccentric family of which the brother and sister were an integral part. Families, all of them, really are amazing and strange each in their own way....more