I loved this book. It was well written and I can't wait for the next book. I am loving the last few books where we not only have chapters with Kinsey'I loved this book. It was well written and I can't wait for the next book. I am loving the last few books where we not only have chapters with Kinsey's point of view but chapters from other character's points of view.
A spiderweb of dangerous relationships lies at the heart of V is for Vengeance, Sue Grafton's daring new Kinsey Millhone novel.
A woman with a murky past who kills herself-or was it murder? A spoiled kid awash in gambling debt who thinks he can beat the system. A lovely woman whose life is about to splinter into a thousand fragments. A professional shoplifting ring working for the Mob, racking up millions from stolen goods. A wandering husband, rich and ruthless. A dirty cop so entrenched on the force he is immune to exposure. A sinister gangster, conscienceless and brutal. A lonely widower mourning the death of his lover, desperate for answers, which may be worse than the pain of his loss. A private detective, Kinsey Millhone, whose thirty-eighth-birthday gift is a punch in the face that leaves her with two black eyes and a busted nose.
And an elegant and powerful businessman whose dealings are definitely outside the law: the magus at the center of the web.
I liked this book. I think the sub-plot was a little more interesting than the main plot.
She's every lover's feisty girlfriend. She's every father's cI liked this book. I think the sub-plot was a little more interesting than the main plot.
She's every lover's feisty girlfriend. She's every father's courageous daughter.
She's every woman's tough, vulnerable, and spirited alter ego.
She's Kinsey Millhone, familiar to millions of readers around the globe, and she's back in full stride in P is for Peril, her latest venture into the darker side of the human soul. Mordant, mocking, and deceptively low-key, hers is a voice we know we can trust, from a character we've come to love.
Through fifteen novels, Sue Grafton has gone from strength to strength, never writing the same book twice. So it's no surprise that she has taken on new territory in her sixteenth, this time entering the world of noir. It's a world cast in shades of black amid shafts of steel and silver, a shadow land in which the mysterious disappearance of a prominent physician leads Kinsey into a danger-filled maze of duplicity and double-dealing as she taps into the intricacies of a cunning Medicare fraud.
P is for Peril: the novel in which Millhone stakes her life on a thin thread of intuition because the facts glint elusively out of reach and only guesses offer any shot at the truth.
"Unlike many detective series, Grafton's seems only to get better each time out," wrote Entertainment Weekly, and P is for Peril is a case in point. Pushing herself, reaching further with each new book, Sue Grafton delivers every time. ...more
The core tale, based on fact, is as unsettling as it is gripping: Eighteen years ago, the unidentified body of a young girl was discovered decomposingThe core tale, based on fact, is as unsettling as it is gripping: Eighteen years ago, the unidentified body of a young girl was discovered decomposing in Grayson Quarry of Santa Teresa, California. Detective Stacey Oliphant and Lt. Con Dolan, two driven cops who've hung with the case for most of their careers, have never been able to learn who the woman was or catch her killer. Battling age and health issues, they ask Kinsey to take a crack at solving the "Jane Doe" mystery. Although all leads are long-cold by now, Kinsey follows every one of them up, interviewing witnesses whose memories of events have either dwindled or become wholly fictitious with time. One of her only clues is the woman's prominent teeth, which she hopes will spark someone's recollection. At the center of the puzzle lies not only a killer but also a link to Kinsey's own troubled past.
Q Is for Quarry eases you into its plot with Grafton's smooth writing style and swift plotting. Grafton knows her characters and their situations and explores them thoroughly -- it's those relationships that become the cornerstone of the novel as the mystery grows more intriguing and the investigation progresses. This is an author who understands how to let police procedure form the gist of the story while never allowing it to overshadow the humanity of her cast. The result is another impossible-to-put-down Grafton mystery....more
I loved this book way more than the last one. It was nice to get a little more info about Kinsey's past. Very good book!
Through fourteen books, fans hI loved this book way more than the last one. It was nice to get a little more info about Kinsey's past. Very good book!
Through fourteen books, fans have been fed short rations when it comes to Kinsey Millhone's past: a morsel here, a dollop there. We know of the aunt who raised her, the second husband who left her, the long-lost family up the California coast. But husband number one remained a blip on the screen until now.
The call comes on a Monday morning from a guy who scavenges defaulted storage units at auction. Last week he bought a stack. They had stuff in them--Kinsey stuff. For thirty bucks, he'll sell her the lot. Kinsey's never been one for personal possessions, but curiosity wins out and she hands over a twenty (she may be curious but she loves a bargain). What she finds amid childhood memorabilia is an old undelivered letter.
It will force her to reexamine her beliefs about the breakup of that first marriage, about the honor of that first husband, about an old unsolved murder. It will put her life in the gravest peril."O" Is for Outlaw: Kinsey's fifteenth adventure into the dark side of human nature....more
I really liked this one. I loved that it jumped from present day back to 1953 when Violet "vanished". It was very well written. Though I wish we couldI really liked this one. I loved that it jumped from present day back to 1953 when Violet "vanished". It was very well written. Though I wish we could have found out more about how the characters ended up in the end.
Thirty-four years ago, Violet Sullivan put on her party finery and left for the annual Fourth of July fireworks display. She was never seen again.
In the small California town of Serena Station, tongues wagged. Some said she'd run off with a lover. Some said she was murdered by her husband.
But for the not-quite-seven-year-old daughter Daisy she left behind, Violet's absence has never been explained or forgotten.
Now, thirty-four years later, she wants the solace of closure....more
It was a little slow at the beginning but it got very good. I loved how all the characters were linked in the end. Can't wait for the next one.
CallingIt was a little slow at the beginning but it got very good. I loved how all the characters were linked in the end. Can't wait for the next one.
Calling T is for Trespass “taut, terrifying, transfixing and terrific,” USA Today went on to ask, “What does it take to write twenty novels about the same character and manage to create a fresh, genre-bending novel every time?” It’s a question worth pondering. Through twenty excursions into the dark side of the human soul, Sue Grafton has never written the same book twice. And so it is with this, her twenty-first. Once again, she breaks genre formulas, giving us a twisting, complex, surprise-filled, and totally satisfying thriller.
It’s April, 1988, a month before Kinsey Millhone’s thirty-eighth birthday, and she’s alone in her office doing paperwork when a young man arrives unannounced. He has a preppy air about him and looks as if he’d be carded if he tried to buy booze, but Michael Sutton is twenty-seven, an unemployed college dropout. Twenty-one years earlier, a four-year-old girl disappeared. A recent reference to her kidnapping has triggered a flood of memories. Sutton now believes he stumbled on her lonely burial when he was six years old. He wants Kinsey’s help in locating the child’s remains and finding the men who killed her. It’s a long shot but he’s willing to pay cash up front, and Kinsey agrees to give him one day. As her investigation unfolds, she discovers Michael Sutton has an uneasy relationship with the truth. In essence, he’s the boy who cried wolf. Is his current story true or simply one more in a long line of fabrications?
Grafton moves the narrative between the eighties and the sixties, changing points of view, building multiple subplots, and creating memorable characters. Gradually, we see how they all connect. But at the beating center of the novel is Kinsey Millhone, sharp- tongued, observant, a loner—“a heroine,” said The New York Times Book Review, “with foibles you can laugh at and faults you can forgive.” ...more
It was great in the beginning and middle, but the end confused me. I re-read it a few times and still didn't make sense of it. It's the first time thaIt was great in the beginning and middle, but the end confused me. I re-read it a few times and still didn't make sense of it. It's the first time that this has happened with this series.
Kinsey Millhone should have done something else--she should have turned the car in the direction of home. Instead, she was about to put herself in the gravest jeopardy of her career.
Tom Newquist had been a detective in the Nota Lake sheriff's office--a tough, honest cop respected by everyone. When he died suddenly, the townsfolk were saddened but not surprised: Just shy of sixty-five, Newquist worked too hard, smoked too much, and exercised too little. That plus an appetite for junk food made him a poster boy for an American Heart Association campaign. Newquist's widow didn't doubt the coroner's report. But what Selma couldn't accept was not knowing what had so bothered Tom in the last six weeks of his life. What was it that had made him prowl restlessly at night, that had him brooding constantly? Selma Newquist wanted closure, and the only way she'd get it was if she found out what it was that had so bedeviled her husband. Kinsey should have dumped the case. It was vague and hopeless, like looking for a needle in a haystack. Instead, she set up shop in Nota Lake, where she found that looking for a needle in a haystack can draw blood. Very likely, her own."N" Is for Noose: a novel in which Kinsey Millhone becomes the target and an entire town seems in for the kill....more