THE AMULET OF SAMARKAND & THE GOLEM'S EYE BY JONATHAN STROUD: So I met Jonathan Stroud last Friday, author of the Bartimaeus triology, of which th...moreTHE AMULET OF SAMARKAND & THE GOLEM'S EYE BY JONATHAN STROUD: So I met Jonathan Stroud last Friday, author of the Bartimaeus triology, of which the first two are out: "The Amulet of Samarkand" and "The Golem's Eye." He came to the bookstore I work at in Petaluma, Copperfield's, and was pretty entertaining. He was the classic English guy writing about a doomed England of magic and magicians and the regular people known as "commoners": average English accent from near London area with some clipped Cockney when speaking, but when reading clear, upper class southern England accent; a very ordinary looking guy in a t-shirt and slacks, totally unassuming and seemingly unaware that he's a big famous author who's growing and growing in notoriety. I was talking to him about how I really liked that in his fantasy books involving magicians being separate and higher in social stature than ordinary people like you and me, Stroud pays more attention to what is happening socially with the paradigm, than just telling a story about a hot-shot wizard doing great things. And he seemed happy to know that I had spotted this in his books. That they took a different direction to most of the kids fantasy books out today involving the Harry Potter character, which has now practically become an archetype.
In the world of the Bartimaeus triolgy, magicians don't actually have that much power. They have all their control and magic from summoning djinn from another world and using them to do magical things, and all the summoning of imps, djinn, and higher level afrits is done through reading incantations from books. So in this world, the magicians really don't have that much power. The magicians control the entire government from Parliament to the prime minister.
And then you have the ordinary people, the "commoners" who are a subjugated people who work in factories and any and all jobs that involve labor. And are meek and always do as they are told, and it comes off as an almost Orwellian distopia. Except there are a few that somehow possess some ability to take attacks from magicians and djinn and not be killed by them and that they are able to see on multiple planes. There are seven planes, humans can only see on the first, and magicians with the aid of lenses can see the first three, while the djinn and afrits are on all seven planes. And this group are known as the "Resistance," as they try to overthrow the magicians and take back control of the country.
And then there's the nebulous rest of Europe in which you have the east consisting mainly of the Czechs who are warring against the English and have been for a long time, but are now at truce.
So it's a very interesting world with lots going on instead of just some tough wizard kid fighting a bad guy. I recommend it to all who want to read a different kind of fantasy.
THE AMULET OF SAMARKAND & THE GOLEM'S EYE BY JONATHAN STROUD: So I met Jonathan Stroud last Friday, author of the Bartimaeus triology, of which th...moreTHE AMULET OF SAMARKAND & THE GOLEM'S EYE BY JONATHAN STROUD: So I met Jonathan Stroud last Friday, author of the Bartimaeus triology, of which the first two are out: "The Amulet of Samarkand" and "The Golem's Eye." He came to the bookstore I work at in Petaluma, Copperfield's, and was pretty entertaining. He was the classic English guy writing about a doomed England of magic and magicians and the regular people known as "commoners": average English accent from near London area with some clipped Cockney when speaking, but when reading clear, upper class southern England accent; a very ordinary looking guy in a t-shirt and slacks, totally unassuming and seemingly unaware that he's a big famous author who's growing and growing in notoriety. I was talking to him about how I really liked that in his fantasy books involving magicians being separate and higher in social stature than ordinary people like you and me, Stroud pays more attention to what is happening socially with the paradigm, than just telling a story about a hot-shot wizard doing great things. And he seemed happy to know that I had spotted this in his books. That they took a different direction to most of the kids fantasy books out today involving the Harry Potter character, which has now practically become an archetype.
In the world of the Bartimaeus triolgy, magicians don't actually have that much power. They have all their control and magic from summoning djinn from another world and using them to do magical things, and all the summoning of imps, djinn, and higher level afrits is done through reading incantations from books. So in this world, the magicians really don't have that much power. The magicians control the entire government from Parliament to the prime minister.
And then you have the ordinary people, the "commoners" who are a subjugated people who work in factories and any and all jobs that involve labor. And are meek and always do as they are told, and it comes off as an almost Orwellian distopia. Except there are a few that somehow possess some ability to take attacks from magicians and djinn and not be killed by them and that they are able to see on multiple planes. There are seven planes, humans can only see on the first, and magicians with the aid of lenses can see the first three, while the djinn and afrits are on all seven planes. And this group are known as the "Resistance," as they try to overthrow the magicians and take back control of the country.
And then there's the nebulous rest of Europe in which you have the east consisting mainly of the Czechs who are warring against the English and have been for a long time, but are now at truce.
So it's a very interesting world with lots going on instead of just some tough wizard kid fighting a bad guy. I recommend it to all who want to read a different kind of fantasy.
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