Sadie moves to Salt Lake City from Houston and finds a journal in the attic that belongs to Helen, a girl who lived in the same house during the flu pSadie moves to Salt Lake City from Houston and finds a journal in the attic that belongs to Helen, a girl who lived in the same house during the flu pandemic of 1918. Set in 1980's, for reasons on which I was unclear -- but at least it made it a little more difficult to research who Helen was for Sadie, her sister Zuzu, and her new friend Bella/Kristin, since they couldn't just Google. Funny usage of Jackie O. as the model of all beauty by Sadie's step-mother Sherrie, a Bonnie Mae beauty consultant. The journal entries by Helen are lovely, and the story ties together well (if a little conveniently) with Helen's acceptance of her grief-stricken circumstances helping Sadie to process her anger over her mother's death. Quiet, thoughtful, pretty good character development....more
**spoiler alert** I wanted to like this more than I did, but I did not find the setting, the characters, or the central mystery as compelling as I did**spoiler alert** I wanted to like this more than I did, but I did not find the setting, the characters, or the central mystery as compelling as I did with "Shakespeare's Secret." The characters were broadly drawn; the first chapter tells us that the oldest brother Simon is a bossy know-it-all, the middle brother Henry is a quiet reader, and the youngest brother Jack is a willful kid with a temper, and the rest of the book relies on those initial characterizations without giving us any further development.
Once the first chapter has hastily set up the premise -- the Barker brothers have just moved to Superstition, Arizona, and adults' repeated warnings to stay away from Superstition Mountain have just made them more curious about it -- the pacing moves along briskly. The boys head up the mountain twice -- once right at the beginning, in pursuit of their runaway cat, and once near the end, to try to recover three skulls that they found on their first visit. In between, they make a new friend, Delilah, who helps them to investigate the history of the mountain with trips to the library (as a librarian myself, I did enjoy the depiction of the creepy Superstition librarian) and to a local geologist.
There was a good balance of resolving one mystery/adventure while leaving overarching questions to be explored in the trilogy's other books. The author's acknowledgments state that she was hoping to create "Twin Peaks for kids," and in this attempt I did not find the book successful. An intriguing concept, but the atmosphere never got too creepy or quirky.
I must admit, I might be assessing this book a little more harshly than I otherwise would, because I just read "Well Witched," in which Hardinge so masterfully crafted true-to-life characters and a pervading sense of eerieness. An interesting question for me is which of the two books a kid would prefer -- as an adult reader, I find that "Well Witched" is far superior, but is that based on adult criteria of style and craftsmanship that would not necessarily translate to a kid perspective?
**SPOILER ALERT** Since I found some of the clues scattered throughout to be rather obvious, I would just like to predict for the record that the following will happen in the two sequels: a) Hank found the Lost Dutchman's Mine ; b) Hank's box of coins with the "surprisingly shallow trough" (167) will prove to have a secret compartment; c) Officer Myers is in search of the Lost Dutchman's Mine himself and is perhaps responsible for the gunshot heard by Henry and Delilah....more
This is one of those books that I want to pick up and re-read immediately, as I know the reveal at the end will give me a whole new perspective on theThis is one of those books that I want to pick up and re-read immediately, as I know the reveal at the end will give me a whole new perspective on the beginning. I just kept assigning tags to "Moon Over Manifest," as the book encompasses so much - it's like a two-for-one historical novel, with the setting bouncing back and froth between southeast Kansas in 1936 and in 1918. As the 1936 characters try to solve one mystery about the events of 1918, they unravel a town's secrets and learn about the power of stories and the true meaning of home.
In 1936, Abilene, our 12-year-old narrator, has been sent to Manifest, Kansas by her father, Gideon, after a childhood spent as a hobo riding the rails. Vanderpool paints a vivid picture of life during the Great Depression, with empty storefronts and never enough food to go around in the parched Dust Bowl of the Midwest. Abilene tries to learn why Gideon has sent her to Manifest and what the town means to him as she makes friends with two classmates and does some work for the mysterious Gypsy woman, Miss Sadie, who lives on the outskirts of town.
As she works for Miss Sadie, Abilene listens to the older woman's stories about life in 1918. She learns about another wayward stranger who arrived in Manifest after a life of wandering, just like her. This young man, Jinx, quickly becomes friends with high school senior Ned and begins to make himself the first home he has ever known in Manifest. Again, the plentiful historical details give life to the era. Manifest is a mining town with over 20 nationalities represented in the ranks of the mine workers, most of whom have immigrated from Europe, yet anti-immigrant sentiment is running high as World War I continues to sweep local boys off to the trenches. We witness a meeting of the Ku Klux Klan, watch a bootlegger ply his trade, and see the tragic toll of the influenza pandemic.
Abilene attempts to figure out where her father figures into these stories of Ned and Jinx. Why does Manifest mean so much to him that he has chosen to send her here? Just when I thought I had figured it out and was a) surprised that the solution was obvious so early in the book and b) annoyed that Abilene had not figured out the obvious, Abilene revealed that she was thinking along the same lines as I. Intrigued, I continued, only to find that a second mystery had been hiding in the background all along. The resolution of this second mystery added to the compelling and satisfying finale.
There are certainly a few bones to pick with "Moon," such as the "Rattler" spy subplot. I need to go back and re-read Ned's initial letter to Jinx teasing him about figuring out the identity of the spy, because I am thinking/hoping that Abilene misinterpreted it. Ned and Jinx are certainly the last people I would expect to go rooting around for spies during WWI, as they certainly knew how immigrants were unfairly tagged as spies and how the misinformation and propaganda contributed to the kind of anti-immigrant sentiment they despised. I tried not to pick apart a few of Jinx's "cons," as they seemed liable to fall apart at the seams if looked at too closely. And I wondered about how Ned's compass ended up in the hands in which it ended up.
But overall, I think "Moon" is worthy of its Newbery win. There are some passages of lovely writing that seem authentic to Abilene's perspective. The flow of the different formats of writing, from Abilene's present-day narration to Miss Sadie's stories to Hattie Mae's newspaper articles to Ned's letters, carries the story along at a nice clip. The setting is beautifully imagined and realized. No loose ends are left hanging in either of the mysteries, and yet nothing feels artificially resolved. Large themes of home and story are gracefully intertwined in the narrative, and Abilene's growth in her understanding of these themes feels realistic. Secondary characters are well-drawn; I particularly loved Shady and Eudora. I will certainly be booktalking it up and trying to get it into the hands of my upper elementary and middle school students....more
This is the first book in ages for which I've been motivated to write a full review! First of all, I can't believe I didn't read this as a kid -- I woThis is the first book in ages for which I've been motivated to write a full review! First of all, I can't believe I didn't read this as a kid -- I would have been the ideal reader for it, with my love of the Victorian era, orphan/orphanage stories, and vibrant female characters and friendships. I was struck, reading it in this current era of bloated fantasy novels, by Aiken's economy and sense of discipline -- there was not a single wasted word. The beginning world-building was impeccable, and then once Sylvia was on the train to Willoughby Chase, the plot took off like a rocket. Somehow Aiken managed a mix a truly creepy setting, with the threat of wolves always menacing in the background, with a humorous awareness of the over-the-top Gothic-ness of it all, e.g. when Sylvia says: "We had quite a pleasant journey. A wolf jumped into our compartment last night, but Mr. Grimshaw stabbed it to death and we moved into another compartment." What a debt Lemony Snicket and Maryrose Wood, among many many others, owe to this delightful book. I can't wait to read the rest of the Wolves Chronicles! ...more
One sentence review: A sense of menace pervades this finely composed and beautifully paced Victorian ghost story from the very first pages, when well-One sentence review: A sense of menace pervades this finely composed and beautifully paced Victorian ghost story from the very first pages, when well-drawn siblings Molly and Kip discover that their new employer's decrepit home lies in the midst of the fear-inducing "sourwoods," through a satisfying denouement in which Auxier raises provocative questions about our deepest human wishes and asserts the power of stories in our lives even as he grants his characters the opportunity to show true courage and to gain hard-earned insights into their own strengths and frailties....more