Beaten half to death and left in a dungeon, Kid is positive his life expectancy is running out. Even when the owner of said dungeon and his female comBeaten half to death and left in a dungeon, Kid is positive his life expectancy is running out. Even when the owner of said dungeon and his female companion begin to express their perverse interest in him, his future remains uncertain. Little does he know how much he'll come to crave their attentions and their humiliating games.
(Please be aware, before reading further, that this review contains spoilers. I also don't condone the disturbing behaviour/events present in this book, no matter the rating I granted it.)
Despite delving into some very disturbing subject matters, The Dark Duet trilogy was truly seductive in its own right. With such character depth and development, as well as shocking sexual content, it created a maelstrom of guilty pleasures that affected me on many levels. It arose questions of "How can I possibly like this?" and concerns for my overall morality, but my conclusion was that dark and ugly things can be fascinating to even the most virtuous of hearts.
Roberts offered three volumes where love flourished in the most unexpected of circumstances, where two damaged people went through hell, yet emerged better for it. Unfortunately, whilst I understand the intention of this short story, it failed to capture my mind as powerfully as Caleb and Kitten. Instead of hundreds of pages to properly become acquainted with the characters and their questionable state of minds, it felt rushed and therefore lacked a great deal. I did enjoy it to a certain extent however, but I would've definitely appreciated it more thoroughly had it been longer; I'm of the opinion such taboo stories need more length to be fully explored and accepted.
His world had become simple: obey or be punished. Kid decides simplicity offers its own peace.
Black shadows appear within the Crystal Ring, bringing confusion and fear to those who inhabit it. Charlotte Neville and her lover Karl von WultendorfBlack shadows appear within the Crystal Ring, bringing confusion and fear to those who inhabit it. Charlotte Neville and her lover Karl von Wultendorf find themselves, despite being separated by emotional conflict, deeply embedded in the scheme of three mysterious figures that wish to preform a questionable ceremony.
(Please be aware, before reading further, that this review contains spoilers.)
The first instalment (A Taste of Blood Wine) of this darkly alluring series captured my heart, in that despite the overly dramatic tone relating to the Neville household, I found the writing itself a literary treasure; atmospherically gothic, intense and beautiful; it appealed to my utmost fondness for vampire romance. What I expected from this volume, was more of the same brilliance, yet instead of entertaining family turmoil, relationship jealously saturated every aspect of each character and unfortunately dulled my enjoyment because of such. I'm all for conflicting emotion, of mistakes being made due to overpowering feelings, yet nearly every event that transpired in this book, was more or less due to jealousy in some form - Ben and Lancelyn, Charlotte and Katerina, Karl and Violette. Perhaps I should've appreciated the fact they were realistic, and like normal people plagued by insecurities, but there's a point I began to roll my eyes at the abundance of selfish behaviour.
A happily-ever-after was not in store for Charlotte and Karl, on the contrary, in fact. They spent most of their time apart, as obstacles seemed to rise in every direction and threaten their attempt at eternal love. I didn't mind this, I actually considered it refreshing that they had to continually fight to make it work. I however believed them both mostly to blame for their unhappiness, and Charlotte became especially intolerable. From being jealous of Katerina whilst she, herself, had the audacity to lust after and stalk Violette, well, what happened to the character I actually liked and felt attached to? And when she planned to turn Violette without even asking for her permission, I was ready to throw the book across the room. The same occurred with the rest of the characters, as well; I didn't particularly feel for any of them.
This isn't to say I believed the entire book a disappointment. Some endearing elements were still present, such as the style of writing and the overall elegance of the story, but it definitely lacked some of its original charm. The plot consisted of two, seemingly separate subplots coming together, pretty much revolving around the (re)birth of Lilith. Religion was further contemplated, yet it remained a mystery if God actually existed. The exact origin of the Crystal Ring was also pondered upon yet again, raising the question of if it relates to scientific or spiritual means. I do wonder if answers will ever come to light, or if it'll remain unexplained.
At least the discovery of humans accessing the Crystal Ring was revealed, and the presence of a physic human also added to the conundrum that is Warrington's world. I'll certainly continue with this series, but I hope I enjoy further instalments more than this one.
"How can I be content to bury myself in dead mythology, after living mythology has revealed itself to me? How can I feel anything for Lamia, succubus, incubus, Lilith and her demon children or all the angels of heaven, when I have met a real being who is richer and stranger than anything on the dry page of a book?"
"Do you want to write me into a book, a thesis?"
"It's tempting, but no, no more than I'd put a bird of prey in a glass cage."
Now in police custody, John Simpson is quickly running out of options. His face is all over the news for the grisly murders of multipleBest Read 2016
Now in police custody, John Simpson is quickly running out of options. His face is all over the news for the grisly murders of multiple people, and the full moon is vast approaching yet again. If that wasn't bad enough, a squad of professional killers have been sent to take him out. He's a threat, an apparent moonstruck, with no control over his monster - or so the pack believes. John's not the only one in danger however; those that know too much must be silenced, including the law enforcement involved with the High Moor investigation.
(Please be aware, before reading further, that this review contains spoilers.)
High Moor was my one and only five star book of 2014, with very good reason. It surpassed my expectations and instantly plunged me into an exciting roller-coaster of claws and teeth. Everybody was fair game, every limb at risk of being ripped off - the extreme brutality throughout shocked me as well as thrilled me, but it wasn't just about violence and gore. It was about a man with a terrible beast lurking beneath the surface, and a society determined to remain hidden. This second instalment was no different in terms of pace and edge-of-your-seat excitement. I found myself drawn into the life and death situations of characters old and new, and a few I truly liked from the get-go. There's something about how Reynolds spins a tale, and that coupled with my love for werewolves, is the perfect combination.
The plot largely centred upon the werewolf pack, led by Michael as alpha, and their attempts to cover up the rather messy events that transpired in the previous book. Getting a more in-depth look at their inner workings and at their harsh, yet understandable, methods of taking care of the situation was thoroughly engrossing. Of course they went to great lengths to secure the secrecy of their race; realistically, we (humanity), would outright eradicate them upon the discovery of their existence. Perhaps not at first, but eventually. No matter how much it may be denied, we are a destructive force, and peace would most assuredly be merely an illusion. Because of this, I didn't dislike Oskar and his team for doing what they did out of necessity, but Connie was another matter. She was the heartless villain that enjoyed the cruelty and pain of her victims. She was so consumed by hate. I have to admit, she provided some very tense scenes, like the one with Olivia, which I couldn't read fast enough; I needed to know if the poor woman survived.
John and Marie both returned and their romance took a step further, albeit with an awkward, yet sweet moment. I appreciated that amongst the horrific bloodshed, there was at least a little bloom of love and the potential for quite the power couple. Steven Wilkinson also proved to be deadlier than ever, yet no longer did he desire an allegiance with John, but four unsuspecting policemen. I was quite fond of Phil Fletcher in particular, the older and higher ranked copper, as he seemed the decent sort. Hopefully he reappears in the final book of the trilogy, perhaps as a hunter himself. Considering the ending, there's no doubt things are going to escalate for every character.
Another aspect I favoured was when Marie admitted to there being other types of supernatural creatures; vampires included. This made me smile and wonder of the possibility of more novels being set within the world of High Moor. I'd definitely read them, as I'll be keeping an eye on Reynolds' future works.
If anything, the experience was worse going from wolf to human than it had been from man to beast. The savage fangs pushed their way back through his gums, feeling as if a dentist was drilling all of his teeth at once, without the benefit of anaesthetic. Black talons forced their way under his already forming fingernails, while every bone in his body splintered and reformed, flowing like liquid to their original shape. The worst thing, however, was the itching burn across every inch of his skin, as thousands of coarse black hairs pushed their way into his flesh. He cried out in agony, but his vocal chords were half way between human and werewolf, so all that escaped his lips was a strange combination of howl and scream.
Phoebe Stephen's life drastically changes when she awakes from an attack - an attack she can't remember. Giving in to the fear, to the emotional insecPhoebe Stephen's life drastically changes when she awakes from an attack - an attack she can't remember. Giving in to the fear, to the emotional insecurities, she strives to keep it hidden from all who care for her. But such brutal violence takes its toll and can't remain hidden for long, especially when love is at stake.
(I received this book from the author in exchange for an honest review. I give my thanks to Tammy Faith, and I wish her luck in her future writing endeavours. Also please be aware, before reading further, that this review contains spoilers.)
Upon being given the opportunity to read this debut novel, I admittedly had to mull over whether it would ultimately capture my interest. Romance as a genre can be a very extreme hit or miss with me, but I almost always prefer it involving paranormal aspects or erotic content as a focus point. Despite these factors however, I finally decided to give it a go even though the blurb didn't particularly appeal; which had nothing to do with the implied delicate subject matter, I might add, it simply struck me as rather flat, as Contemporary New Adult often does. I was happy I finished it though, as I detest having to leave a book before it concludes.
The story of Phoebe and Crisanto could've been considered a relationship fantasied about by the young and naive - it was mind-numbingly perfect and a little ridiculous. Sure, they battled through some serious issues, broke up and got back together more than once, but their connection was formed in childhood and they essentially needed each other to properly function. Over and over I was reminded how they were meant to be, how their souls were joined; mostly tedious ramblings that repeatedly played on my nerves. Phoebe's life often revolved around Cris and his rise to fame (she moved twice, following him as he succeeded in his sports career), as it appeared "his dream" was the only one that mattered. I foresaw the happy ending, thus the numerous occasions they appeared to be in jeopardy failed to cause uncertainty or concern. A lot of romance material shares this very trait, but I've found it can still be done whilst successfully creating sense of edge-of-your-seat excitement. Unfortunately, this one fell quite short.
It wasn't all bad however, as I found myself impressed with some of the dialogue and narrative that related to life's habit of being unfair and difficult; it was truly quote-worthy at times and I appreciated the good writing (even though as a whole it was rife with spelling errors). The sexual abuse was also handled well, and added a touch of mystery amongst the awfulness of the situation - yet in the end the identity of the rapist made little sense. She was friends with Cris for most of his life and never, even once, met his father? I believe such a glaringly questionable plot-hole should've probably been addressed, but I assume Faith wanted to shock her readers, therefore who better than the parent of the beloved boyfriend?
I can't say I came to care for the characters, nor the story to a large degree. It was a quick read, with the timeline regularly racing ahead and skimming over a lot of time. I became confused at a point when one of the scenes from the past didn't quite add up in the scheme of things, but that could've been my own oversight or just another problem on the list.
Whilst I definitely believe this book held potential, it needs revision and editing. I know there will be sequels, but I think I'll give them a pass.
I'm glad we didn't give up when things got ugly, because maybe love isn't supposed to be easy. Maybe it's supposed to be tough, to make you prove to yourself that this person is worth fighting for, to hold on tight when everything seems to want to tear you apart.
Four years attending the Magician's Keep, and Opal believes she's nothing but a disaster and a disappointment. Instead of being able to learn and pracFour years attending the Magician's Keep, and Opal believes she's nothing but a disaster and a disappointment. Instead of being able to learn and practice new powers like other students, her one and only ability is placing a thread of magic within the glass figures she creates, which can then be used as a means for cross-country communication. Definitely not combat related, thus she is shocked to learn the Master Magicians have an assignment for her.
(Please be aware, before reading further, that this review may contain spoilers.)
I quickly fell in love with the world of the much conflicted Ixia and Sitia all the way back in Poison Study. Not only was the book a perfect reminder of why I love immersing myself in works of fiction, but it created pleasant excitement for the future instalments penned by Snyder. It was then unfortunate that the following segments of the series only declined, leaving me disappointed and pessimistic. What my gripe essentially stemmed from was the character development of Yelena, and how she evolved drastically into a famous, almighty Soulfinder than could accomplish everything and anything. But whilst Yelena's magic varied to the extreme, Opal's was very limited... At first. It offered zero offensive and defensive capabilities, but it was extremely useful and beneficial to the Sitian council and magicians as a whole. This, after the sheer extent of Yelena's power growth, was refreshing and I welcomed the unique simplicity. Imagine my irritation that as the book progressed, new magical discoveries were made, each more powerful than the last. It's an easy assumption to make that history will repeat itself.
Opal suffered through quite a lot in her ventures, and made more one than one mistake along the way. Her insecurities could've been endearing, but I felt they became a little too much when she continuously refused to accept praise or compliments of any kind. She also displayed a hunger for power, which in itself was slightly off-putting, though to be fair, if I were considered a "one-trick wonder", I'd probably feel sour about it as well. Despite these faults, which definitely threatened her likeability, I thought she was an average protagonist with the potential for improvement. Perhaps if she was given room to breathe and grow into her own person, and not overshadowed by Yelena, which of whom played a part in this book and was mentioned regularly.
Of course the love triangle ticked me off, as they usually do. I just don't understand how they can appeal to anyone. It seemed, at least to me, that Opal settled with Ulrick because Kade didn't reciprocate her interest - it's ALWAYS selfish, in one way or another. It doesn't matter which one I favoured (Kade though), it just becomes unbelievably tedious.
However in regards to the other characters, I believed there to be a satisfactory variety. I actually became a little fond of Leif, whereupon I initially hated his immaturity. Zitora I liked, Pazia was a tad annoying, as was Ulrick. Kade was a delight, and I immediately wished him the love interest. The plot itself was eventful, yet at times confusing as it veered off into different directions. I don't think it needed to be as complicated; sometimes a straightforward story does the job just as well. I very much liked the in-depth look at the Stormdancers in particular, and I would've loved if they were focused on a little longer. Hopefully they make appearances in the next two books of the Glass trilogy.
Speaking of glass, I enjoyed the detailed scenes of craftsmanship found throughout the pages. I never thought I'd find an interest in such a thing, but the writing was very well done and inspired me to perform some additional research. I do appreciate when an author can ignite enthusiasm on a certain subject otherwise ignored.
Looking forward to delving into more Chronicles of Ixia, but let's hope they rise to the standard of the very first.
The roar of the wind and sea ceased the moment the monster wave engulfed me. For one heartbeat, my world filled with gurgling sounds and foamy green light. Then the force of the crashing water slammed me into an unyielding object. The sea grabbed my limp body and tossed it about. Confusion dulled the pain until my forehead smacked into a jagged rock.
Egotistical Mahi is beyond ecstatic when she's presented with a new phone by her father; it's top of the line and a new model, one that offers tech neEgotistical Mahi is beyond ecstatic when she's presented with a new phone by her father; it's top of the line and a new model, one that offers tech never yet seen before. However unbeknownst to the selfie-loving youth, there's more to the phone than meets the eye.
(I received this book from the author in exchange for an honest review. I give my thanks to George Saoulidis, and I wish him luck in his future writing endeavours. Also please be aware, before reading further, that this review may contain spoilers.)
Initially the synopsis caught my eye when I was first directed to this novella; it sounded like just what I wanted at the time - a creepy tale, something to pull me in and keep me entertained. In this case, it was of a frightening Greek deity stalking her victim through phone selfies (of all things, but why not?), perhaps even escalating to increasingly terrifying events, or at least that's what I expected. I was optimistic, very much so, however the execution proved less than thrilling and failed to induce the desired effects; irritation rather than fear, boredom rather than interest. I'm being brutally honest here, in that I didn't consider it a finished work, but rather a draft piece that could've been largely improved upon.
Indeed technology has become a very significant aspect of life, and I'm sure it'll continue to evolve and play a major role in everything we do, but due to the main characters obsessive and downright unhealthy attitude toward social media, I found it difficult to read her narrative. I even questioned; are the adolescents of today really like this, or is this merely an exaggeration? Do underage girls continuously post pictures of themselves for the attention of older men, and depend upon "likes" for their happiness?
It's sad, because I know the answer. All I have to do is take a look at Facebook, or some other similar website.
Mahi was such a dislikeable person. Utterly childish, painfully narcissistic and ridiculously naive, I didn't come to care for her at all. I'm all for teenagers as main protagonists, but when they're portrayed in such a way that makes me want to gouge my eyes out, then I know there's very little that can save the book in terms of my enjoyment. As for the few other characters (her two friends, mostly), they left little impression and ultimately added very little overall.
I feel that with some proper editing and development upon the storytelling, then perhaps this could've been a decent read. As it was, it lacked the build-up of tension and anything remotely eerie. The plot and ending could've been more fleshed out; the ending itself was abrupt and offered no closure. I can't say, even if I had of liked the story, that I would've been satisfied with the conclusion. No questions were answered (what did the phone have to do with anything?), and all in all, it was disappointing.