Cora is on the run from a bad situation and the only place she can think to hide in is with her dead brother’s marine friend. How is she to know thatCora is on the run from a bad situation and the only place she can think to hide in is with her dead brother’s marine friend. How is she to know that said friend, Stig (sans the helmet), is about to go into a heat and be turned into a dragon against his will? Of course the two of them sharing a bathroom leads to sexy times, and because this is a novella it happens very quickly.
I’m sorry to say this didn’t work for me. Truly sorry, because my usual gripes are absent. There’s quite a bit world building with a long and complex history that promises to be expanded in the sequels. The main characters are pretty well sketched with dreams and fears of their own even if I had trouble believing an immortal being that keen on joining a war after another. Due to the length of it, the story is rushed but it remains logical and believable within its world’s rules.
No, this time it was the erotica part of the book that failed me. More accurately, the erotica vocabulary:
…yeah, no. Because I couldn’t lean on the insta-lust crutch, I didn’t buy the insta-love angle either. I simply couldn’t enjoy roadrunner fast the romance. Too much of a stretch even for my active imagination.
It’s too bad, because had the smut adjectives and nouns been less repulsive to me, I’d have wanted to read more about the world Lopez has created.
I received an Advanced Readers Copy of this book from the publisher through NetGalley.["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>...more
Rather than being a novel about charThis book did not pull me in like Maurice and A Passage to India did, but the allegories won me over. Eventually.
Rather than being a novel about characters and their individual fates, Howards End is like a mirror made of fractured pieces that show the truth about society in small details and in the lack of a full picture.
“The poor cannot always reach those whom they want to love, and they can hardly ever escape from those whom they love no longer. We rich can.”
If this is what you take away from it, you’ve not read the same book I did. No, my experience is closer to these two quotes:
“The poor are poor, and one’s sorry for them, but there it is.”
“There are just rich and poor, as there always have been and always will be.”
Aside from the monetary aspects, it’s always sad to read about a woman who sacrifices so much of herself for companionship and deludes herself to being in love. Yet, maybe the true tragedy lies not in the characters and their fate, but in the people who criticise Margaret for her choice and fail to see that women of today still marry their Mr Wilcoxes. Maybe the the most poignant of it is that they never ask why. ...more
What the hell did I just read? Where’s the rest of it? I need the rest of it NOW!
On a more rational note, this is another better novel of the Peter GrWhat the hell did I just read? Where’s the rest of it? I need the rest of it NOW!
On a more rational note, this is another better novel of the Peter Grant series. As ever, the strength of the writing and story lies on Peter’s narration and sarcastic voice, so if that hasn’t won you over by now, don’t expect the scattered plot threads to dazzle you. If you’re invested in the long plot, however, sit back and enjoy the ride.
The story is of the slow sort and reminiscent of Sherlock Holmes in a way that doesn’t make a good mystery novel. Not in the puristic sense. Too much is hidden for the readers to piece together the puzzle for themselves and they have to wait for the genius to guide them through the intuitive steps of logical deduction.
Broken Homes also suffers from the middle book syndrome but because this is the fourth in the series let’s call it the set up syndrome. Everything, and I do mean everything is set up for bigger things to come and even the explosions at the end aren’t enough to release the underlying tension. It feels like things are going to get a lot worse before they get better and Peter needs to improve on his policing as well as his magic lessons. And fast.
Personal note: This review was scheduled a month ago and I promised the publisher. So, this is my last review on Goodreads. I've unsubscribed to all nPersonal note: This review was scheduled a month ago and I promised the publisher. So, this is my last review on Goodreads. I've unsubscribed to all notifications and emails, and I won't be logging into this account again. If you wish, you can find me on Booklikes, or the blog. Links are on my profile. Adieu.
Last year I was searching for something new to watch and decided to search the internets for recommendations. I started hearing buzz about Arrow and decided to give it a try. I loved the pilot episode and decided to stick with it as the show searched a firmer footing. I have my favourite characters like Felicity Smoak who keep me interested even when the main plot flounders with the clichéd romantic plot.
Arrow Vol. 1 offers a collections of scenes from the editing room floor in a graphic novel form, which explains its episodic nature. There’s the quick recap almost beat for beat from the pilot, but after that show creators show glimpses of things that were only alluded in the show like Helena’s trip abroad and how China White got that white hair of hers.
I’ve never read the classic comics about Green Arrow or any other comic superhero. I might have glanced at an occasional graphic novel, but I was always more interested in the written word only—I’m trying to learn better now.
This is why Arrow Vol. 1 works for me. I’m reading it just to learn more about the world the show writers have created and its characters. Reading this I got to see what had happened to Diggle before he was discharged and on what kind of tightrope Moira was balancing on. I especially appreciated the absence of detailed island scenes. Those flashbacks are my least favourite part of the show.
Mostly I liked the graphics. The characters resembled—even if only distantly—the actors of the show and even the fight scenes had the familiar choreographic feel to them. The panels were clear and detailed if somewhat grainy on my ARC copy. One thing I didn’t like was the neverending quest for Diggle’s skin tone. David Ramsey who plays Oliver’s bodyguard John Diggle on the show is black, but I couldn’t have known that from looking at most of the panels. At first he was depicted like a barely tanned white person—in Afghanistan—then he was noticeably black on the plane and Russian scenes, but soon went back to lighter shade of brown. The changes in colour couldn’t even be explained by differences in ambient lighting and colouring. It was simply sloppy work.
I received an Advanced Readers Copy of this book from the publisher through NetGalley....more
This is a biased review: I am blinded by the beautiful language and awestruck by the reach of the story and its implications.
Dr Aziz is quite far froThis is a biased review: I am blinded by the beautiful language and awestruck by the reach of the story and its implications.
Dr Aziz is quite far from a likeable character. He is thoughtless, he has a high opinion of himself and definite opinions of others. He also copes with the English authority by the means of humour. He laughs at them and lets them laugh at him. Dr Aziz meets Mrs Moore in a mosque when he scolds her about keeping her shoes on. When it becomes clear that she’s not wearing any footwear, apologies are made and an honest dialogue begins. That discussion comes to an end when Dr Aziz has escorted Mrs Moore back to the Club into which Indians aren’t allowed.
Through Mrs Moore Dr Aziz meets Ms Quested—a newcomer to India like Mrs Moore—and ends up escorting them both to the Marabar Caves. It is at the caves where something happens.
Like so often in real life, even today, it’s never made perfectly clear what exactly happens at the caves. All that is known is that Ms Quested fled from the scene quite upset and that Dr Aziz is to blame. Or maybe not. He claims he’s innocent and Ms Quested isn’t quite sure herself what happened, but she’s the victim and beyond reproach. She’s a naïve young woman but more importantly she’s an Englishwoman and he’s an Indian.
Watching the events unfold was like watching a documentary from the year 2013. I’m serious, nothing’s changed in ninety years. When a white woman is attacked the dark man is to blame. He’s guilty until proven innocent and maybe not even then. The courts may let him go but that’s a failure on their part not evidence of his blamelessness.
It’s still true today that while individuals may bridge that gap between the races and become friends, society as a group almost never does. Old prejudices die hard.
While the legacy of colonialism is quite foreign to me, I could still identify with Adele Quested because she’s a woman. She’s someone who wants to see the best in people and ends up making a horrible mistake. She’s also the one whose word weighs least when it comes to the crime she’s the victim of. As soon as she’s uttered one accusatory word, the men take over. The Englishmen. They’ve arrested, put Dr Aziz on trial, and judged him before the first hit of the gavel. Dr Aziz is guilty and thus every Indian is. The English are better. Even the women but who listens to the women? Certainly not Dr Aziz who is furious to be accused by someone so ugly.
Contradictions. This book is full of contradictions, but so are people. I just wish we’d learned to know better by now. ...more