This series is just so entertaining and fun. It's not a perfect series but it has steadily improved with each succeeding book. Rose remains the highli...moreThis series is just so entertaining and fun. It's not a perfect series but it has steadily improved with each succeeding book. Rose remains the highlight for each book and the series itself but Richelle Mead really brings her plotting and action skills to the fore here with the third novel.
A lot of foundation, but that's to be expected with a series opener in epic fantasy. Still, inventive and unique (though the real-life counterparts ar...moreA lot of foundation, but that's to be expected with a series opener in epic fantasy. Still, inventive and unique (though the real-life counterparts are a tad obvious), engaging and left me quite anxious for book two, The Scarlet Tides.(less)
I just couldn't make it through before my ARC expired. I will try again when it is published because I am interested in the story, but this is one of...moreI just couldn't make it through before my ARC expired. I will try again when it is published because I am interested in the story, but this is one of those books you have to read a little bit at a time to save your sanity.
So, no rating for the 200 pages I read, just a placeholder til I can buy my own copy. (less)
One of the better novellas I've read set in between books of a series. I liked the closer glimpse into the time between the prologue and chapter one o...moreOne of the better novellas I've read set in between books of a series. I liked the closer glimpse into the time between the prologue and chapter one of Firelight. It just needs more Archer to be perfect. While I quite liked this, I can't rate it higher than a 3.5 out of 5 because it is quite short, if well developed. Longer review to come.(less)
This book is made of FEELS and FLAILS and chills and epicness.
I sped through it in just under 18 hours, with 8 of those unable to read. It is GOOD. I...moreThis book is made of FEELS and FLAILS and chills and epicness.
I sped through it in just under 18 hours, with 8 of those unable to read. It is GOOD. It is sprawling and can take time to get some momentum, but no one creates a fully realized world like Brandon freaking Sanderson.(less)
Short but sweet, The Alchemy of Forever is deceptively simple and remarkably engaging. The plot may no...moreRead This Review & More Like It On My Blog!
Short but sweet, The Alchemy of Forever is deceptively simple and remarkably engaging. The plot may not be entirely the most original, nor the writing the most striking, though it certainly has its moments of sparkle, but this was an unputdownable read. Finished in under three hours, my first experience with the series of the Incarnates was like the perfect sugary snack between actual meals: filling while eating and left no feelings of guilt or shame when I was finished. With both a great title and a new spin on teen immortality that isn't vampires or even vampire-adjacent in its immediate favor, I obviously found The Alchemy of Forever to be a very entertaining novel.
Seraphina and her story are instantly energetic; her story begins on a night of death but it is far from the end of Sera's existence. Alchemy, an ancient (and real) fruitless search for gold/youth and immortality among others, is successful in this alternative world of Williams's imagining, and wonderfully so. In this fantastical London, science and magic are indistinguishable, and fit in wonderfully with Sera's tale of escape and redemption. Sera and Cyrus have a core, selected group with which they share fellowship: Charlotte, Sera's BFF for 200 years; Jared, a pirate from the 1660's and a sort of enforcer for Cyrus; Sebastien, a reticent and largely unseen and mysterious member of the coven; and lastly, Amelia, an icy blonde that seems to harbor ill will toward both Charlotte and Sera. With each member needing a new body roughly every ten years, this is a group with many ghosts in the closet, though only Seraphina is shown to have any remorse for the killing left in their wake. While this seems to be set in an alternative world to ours, different only in the successful alchemy, I thought I caught a reference to Bram Stoker's Dracula - a dog named Harker that doesn't seem to take to Kailey/Sera... As I've mentioned I find the Incarnates condition and modus operandi (stalking/killing victim to replenish own lifeforce) and vampires to be very similar, I wonder if it is an intentional mention. There's not enough evidence to be sure yet, but I will be on the lookout for more clues/conspiracies in the sequel.
By virtue of becoming 'Incarnates' aka basically "body snatchers" with original souls in tact with her first love Cyrus, Sera endures centuries of life - but not real love, nor true happiness despite all the exotic experiences had and places she has been. Cyrus emerges as controlling, insane, volatile type of man - but happily, instead of mistaking this psychotic behavior as the danger it is and not misconstruing it as love, Sera attempts to free herself from his clutches. Even the act of hiding petty change gives her a thrill, to "have something that was mine." From the moment I realized Sera's plans, I liked her. For the first time in centuries, Sera dares to make her own decisions, dare to dream for herself instead of fearing what Cyrus will do to her as punishment. Her naivete at 14 haunts her for the most part of her endless centuries of life, and her maturation from selfish, thoughtless girl into an actual woman takes longer than eighteen years. Sera is a very introspective woman, as can be expected from someone downtrodden and controlled for so long, and that means much of this book is not action. As I adjusted to Sera and her style, I appreciated more the inwards-bent of her thinking - this is another of those characters that sneak up in your affections.
The Alchemy of Forever is a very engaging if all too brief, novel both in terms of character, and the unique, entirely welcome new spin on immortality. But this is also slightly disquieting book. The notion of "body snatching" is itself pretty creepy - the actual person is dead but the shell remains, with another inside, unbeknownst to anyone else. How is that not the height of creepitude? There are no less than three movies since 1945 devoted to just how horrific this concept is to us. Sera herself seems very aware of this, commenting internally and often that "the daughter they knew was dead and they had no idea" in several different reiterations, with just Sera wearing her skin around them. And the fact that there is an entire coven of immortal-body-snatching-murderers-with-permanent-wanderlust out there adds another level of menace to the novel it otherwise lacks. Cyrus certainly makes for an adequate villain and foil for Sera - more than adequate when he's actually present on the page instead of a ghost or memory- but the threat of him doesn't inspire as much tension as it could otherwise.
While I can't say the "relationship" between Sera/Kailey and Noah the black-haired neighbor-boy with a heart of gold smacks of the long-sought-after and advertised "true love" from above, there is a clear chemistry and sweetness between the two. I think I found Noah a bit too wide-eyed and perfect to entirely believe in him - or his continued attraction to Kailey after it emerges how shoddily she treated him for years - but overall I liked his character and could see the appeal even if I stood outside of it. From what is alluded to about Kailey pre-Sera she seems like a hard-to-like girl as well, so I wonder why Noah didn't remark upon the abrupt and 180 degree attitude changes that "Kailey" experienced in the novel...? I also wonder at how this thing between the two will develop - how will Sera reconcile Noah to the fact that the Kailey he knew is gone but the "Kailey" he loves is an immortal murderess hundreds of years older than himself? But while I found the 'love' between the 'teens' to be somewhat lacking, the home relationship and dynamic of the Morgans is refreshing and warm, and real. They present a stark and very bleak comparison to the 'love and family' that Sera has known for centuries with the coven, and it's nice to read a non dysfunctional family once in a while.
The ending is abrupt, let's just say that. It comes to a screaming and ominous cliffhanger right at the very moment you most wish to keep reading. While I can understand the cutoff as an incentive to read the next novel it left me somewhat dissatisfied with this first in the series. Unfortunately, many, many threads are left wide-open after that bastard of a cliffhanger for an ending and no main conflict is resolved - the book just ends. What happened to the magical book Sera had the night she switched bodies? What happened to Taryn, who might know all of Sera's secrets? What was Kailey doing the night she died? The questions are endless and enough to ensure, above all doubt and frustration with this finale, I will be continuing this series. (less)
I loved this. Absolutely. Frikkin. Loved it. I tried to draw out the experience and couldn't make mysel...moreRead This Review & More Like It On My Blog!
I loved this. Absolutely. Frikkin. Loved it. I tried to draw out the experience and couldn't make myself stop reading the second day. Without a doubt, this impressive second novel in the newer Ministry of Peculiar Occurrences series is going into my "best of 2012" shelf as well as my much less used "all-time favorites." I think I may even have loved this book like I love my hallmark series of steampunk, Gail Carriger's formidably funny and inventive Parasol Protectorate series. I literally have nothing to complain about here, and that is rare. That's a lot of praise for a book to live up to, but The Janus Affair is that rare novel, the one that manages to be delightful, zany, action-packed and original from inception to execution. Please excuse and recognize my blatant and epic fangirling for what it is -- that classic kneejerk reaction of happiness that happens right after finishing an unexpected treat - not everyone in the world will be wowed with this foray into Edwardian steampunkery but boy I was. Though the first novel Phoenix Rising wasn't quiiiite as perfect, this is the steampunk series everyone should be reading now that Alexia has wrapped up her five novel arc hung up her written parasol duties. While the main events of book two of the MoPO were neatly and explosively wrapped up without my predicting the outcome (once again, thanks to the amazing Eliza Braun), I will count the minutes wait patiently until I can get my grabby little hands on whatever else next springs from the fertile minds of Pip Ballantine and Tee Morris.
By far and away, a third of my love for this book is due entirely to the two main characters at the heart of everything, Eliza Braun and Wellington Books. (The other 2/3rds are reserved for steampunkery, excellent/unpredictable and intelligent antagonists and sheer madcap adventure.) Their banter and genuine camaraderie are prone to bustups and petty fights, but it's the underlying respect and genuine feeling of friendship between that makes reading these two feel less like characters and more like real people. It helps that Eliza is a heoine to shame most other heroines - she's brash and coarse and willful and exactly whatever she wants to be. I love Eliza - I always liked her, from the first chapter of book one, but midway through this, I knew I loved her. (This was the exact moment: "In New Zealand, there had been such sweetness to their courtship, but back then she had been quite a different person. Still a little reckless, but in the way of a young woman not yet as familiar with black powder and explosions.") Her characterization is seemingly blunt and obvious (EXPLODE ALL THE THINGS!), but through interactions and over time and pages, with her Ministry Seven, Welly, and the women she relentlessly helps, Eliza is revealed to be much more than just a mere colonial or pistol-loving walking armoury. Wellington Books has been my absolute favorite character from the start and that is only reinforced through his evolution during the last two novels, but The Janus Affair particularly illustrated him as a man of many facets. His dry humour is still very much in tact ("Once more into the breach.." "Sorry, Welly, what was that?" "Shakespeare. I always recite it just before placing my career in harm's way.") but other, less...gentlemanly aspects of his character are brought to the fore. These are definitely not stagnant characters - they grow and change, make mistakes and adapt, and most importantly, they help one another. The working relationship between the two has evolved to be effective and natural - Books can more than count on Eliza to save him from danger as many times as he saves her.
Steampunk itself seems to be evolving to blend quite naturally with two other, less fantastical genres - mystery and romance. The Janus Affair does have more than a bit of both and handles each element quite admirably - as Books would say, with aplomb. I never felt that one was cheated at the expense of the other - never does any romantic entanglement supersede the plot, nor does the mystery overwhelm the sense of compatibility and chemistry between the Sherlockian main characters. I have to think that these two authors work together more cohesively than any other pairing I've yet come across - Tee Morris and Pip Ballantine complement each other naturally. Though a lot of steampunk novels have the secret organization paired with "agents" used to protect Old Blighty from the supernatural (Parasol Protectorate, Newbury & Hobbes Investigations) and solve paranormal crimes, co-authors Pip Ballantine and Tee Morris go to extremely awesome lengths to create a wholly enveloped and imagined alternate universe for their characters to play within. (They even have a ton of novellas - often by other authors - in the same universe with different characters! There are editions you can purchase, or as free podcasts.) Much like their imagined version of 1800's Britain, the steampunk machines and gadgets used by the cast are wholly original, fun and useful without becoming deux-ex-machinas. I especially liked that something from the first book was referenced and used as a slight part of the plot for the second (the "aethergates" anyone?) - it reinforces the feel that this version of England is an ongoing world, not just unconnected vignettes into random episodes.
The Janus Affair, simply put, is a book that has a lot to offer across a wide variety of areas. Original plotting, genuinely twisty and murky mysteries with a high body count, several strong female characters, amusing banter, original and highly creative use of steampunk and gadgets, veeery smart and fully capable antagonists, the slight but oh-so effective romance, double agents, explosions and more. As I said, the main events and plot of this book have been neatly and effectively wrapped up, but there are some few exceptions to the rule. I don't want to spoil anything from the novel because this really is a fun mystery to try and solve independently, but there are juicy, unresolved plot tendrils enough to ensure that readers from books one and two will want to read the planned third to figure out the Maestro's plans.
I bought the first book, Phoenix Rising, on sale for Nook for a $1.99 late last year and waited several months to dig in. (I guess I like to wait on my books before I read them? Sit on them like a dragon with its hoard, jealously guarding any potential enjoyment I might have when/if I start...? I have 100+ bought and waiting to be read...I'm crazy.) The publishers were generous enough to send me an ARC copy of The Janus Affair just in time for me to realize how much I was going to love this book, series, characters and how much I needed the sequel the second I finished book one. After the last 800 pages with Wellington Books (whom I always call "Boots" in my head before I realize) and Eliza, I can say that I will be buying my own physical copies of both these books because I love them that much. Hey now that I've finished book two, any chances of a draft of book three? Philippa? Tee? Anyone? Please? In the meantime, I'll have to go read the short stories and wait patiently for whatever these creative authors are cooking up for round number three.(less)
Firelight is a great read! I didn't have high expectations going in, but I am glad to say that I was on the wrong foot when starting the gem that is t...moreFirelight is a great read! I didn't have high expectations going in, but I am glad to say that I was on the wrong foot when starting the gem that is the first in the Darkest London series. One I am both enthusiastic about after finishing and also feel comfortable, almost eager, to recommend to others. With two such dynamic leads as we have in Archer and Miranda, an enthralling and very fast read, further coupled with a fresh take on 1880's London, Firelight adds up to a prime recipe for both easy reading and instant enjoyment. This is a retelling of the classic tale of Beauty and the Beast, but with a unique supernatural bent. The subtle and/or dry humor spiced throughout ("Think of England, darling.") is a nice touch added to balance the darker story of murder, mystery and betrayal that permeates through Ms. Callihan's evocative read.
The writing of the novel immediately caught my eye - in a very favorable way. Sentences like:
"Mud-thick fog hung low on the ground, refusing to drift off despite the crisp night breeze. It never truly went away, ever present in London, like death, taxes, and monarchy."
appear often and early. Ms. Callihan can certainly set a scene and her version of London at the turn of the century is both compelling and amusing. Most of the time the writing in the novel is pretty and flows with remarkable ease. However, this is a first novel and it is not free from errors. While I just stated my love for the prose, I have to admit at times it did wax occasionally florid with descriptions and dialogue -which is, by rights, a small complaint when the majority of the novel is carried so well. The beginning of Firelight is also a bit rough in comparison - cliches abound and might scare off less forgiving readers, but Callihan hits her stride early on and rarely veers off course after. Firelight may stumble out of the opening gate, it more than gathers steam (and steamy scenes!) as it progresses.
One of the things I enjoyed so much about Firelight right from the beginning is that the book makes it quite obvious that the beloved story of Beauty and the Beast (even the original La Belle et la Bete) is itself a retelling of the legend of Psyche and Eros. Many retellings are either unaware of the genesis of the story or gloss right over the origins without a nod - which I mean clearly, I am being nitpicky here as such details are not required - just enjoyed by myself. But Callihan does it so well, without detracting from the forward momentum and I liked the subtle allusions and reminders the author inserted into Miranda and Archer's tale. Archer himself is the best part of the whole novel: reimagined and intriguing London and mysterious powers having no claim on the charismatic but tortured hero. I was more iffy on Miranda, especially at the beginning (Aaah - the cliched girl in pants! Can we just please retire this trope already?!) but her strong-headed independence and good attitude quickly catapulted her high in my estimations. Both Archer and Miranda are wonderfully realized characters for the most part: neither one is perfect and neither one should be taken at appearance value. I did have issues with the immediacy and the passion of Archer's feelings for Miranda based on little but looks - it smacks of insta!love - but happily, and against all expectations, their relationship much more complicated than it appears initially. Miranda, perhaps for the first time, sees in Archer someone that will value a true equal, someone who looks beyond her outside and finds value within. For Archer, Miranda represents acceptance and love in a world that has spurned him - really, the two complement each other quite well and have a relationship to root for.