Young Tristran Thorn (who's birth is maybe not as...aboveboard...as Victorian society would like) is desperately in love with Victoria Forester. He scYoung Tristran Thorn (who's birth is maybe not as...aboveboard...as Victorian society would like) is desperately in love with Victoria Forester. He screws up his courage one night to ask her to kiss him or marry him or just--something! He is met with laughter. In desperation, he offers to slay dragons and bring back treasures for her, each adventure more outlandish than the last. Finally, as they see a shooting star, he offers to bring back the fallen star for her.
And so Tristran goes over the Wall for which his village is named and into Fairyland.
Tristran is woefully unprepared for what he finds there, but he's an adaptable boy. Maybe suspiciously adaptable? He finds the star and sets off with her toward home and Victoria. That's right--her. In fairyland, the stars are beautiful young women. Tristran's particular star is named Yvaine, and she is unwilling to help him on his quest for true love. Other, more sinister, people are looking for her as well, and many an adventure and near-miss follow.
I have loved this book since I first read it when it was a new book at my local library. I had to have my own copy, and this has to be at least the third or fourth time I've re-read it.
I love the adventure and the unexpected romance, the ghosts of Stormhold, the desperate witch, the humor, the quirky inhabitants of Fairy, and the way that wishes granted rarely turn out as we expect. Tristran grows so much as a character. He goes from a shallow boy whose head is turned by a beautiful face, to a man who places others' happiness before his own. He follows Gaiman's own Instructions about offering aid or accepting help as the situation dictates and finds that things usually turn out for the best that way.
Part of me wishes that Gaiman would go back and fill in some of Tristran's adventures that are only hinted at in the epilogue. Who can resist a story that is summed up with, "Have been unavoidably detained by the world." Intriguing, right? I want to know where he's been in the world and what he's seen. But the rest of me thinks that this book is just perfect the way it is and I don't want it to become a story that is ruined by later installments.
This was my first time reading the Charles Vess edition. Oh my goodness. It is gorgeous. I personally wouldn't really call it a graphic novel. That, to me, implies panels and dialog bubbles. This was more of an illustrated novel. I adore Vess's artwork. His detailed paintings are a delight to pore over. I was fortunate to meet him at an artist signing when his collection, Drawing Down the Moon, was published. He was very nice and I loved hearing him talk about his work. He talked a little about this book, and pointed out some details that I might have rushed over in my eagerness to read the story. Since I knew to look out for the details, I took my time and enjoyed each illustration as its own piece of art. (Hint: look for Gaiman himself in the first fairy market scene. You can take it from there.)
I love this story, and Vess' illustrations just increased my love for it. I highly recommend it....more
As the second book in the Soldier Son Trilogy, Forest Mage was better than Shaman's Crossing in that it moved a little better and it wasn't quite as fAs the second book in the Soldier Son Trilogy, Forest Mage was better than Shaman's Crossing in that it moved a little better and it wasn't quite as full of rationalizations. I still felt like I was slogging through a lot of unnecessary description and repetition. I understand that the magic is supposed to make people do weird things, but some of the complete reversals of characters' personalities were hard to swallow. I don't know if I'll bother with the third one when it comes out....more
Aza was abandoned at an inn when she was an infant. Luckily, the innkeeper and his wife decide to adopt her as their own. Aza grows up to have an unbeAza was abandoned at an inn when she was an infant. Luckily, the innkeeper and his wife decide to adopt her as their own. Aza grows up to have an unbelievably beautiful singing voice, but she does not have a pleasing appearance, to put it nicely. Other Ayorthians value her for her voice, but they're appalled by her looks. They like beauty in every aspect of their lives and are downright offended by non-beautiful things and people.
Aza, in a strange twist of fate, finds herself attending the King's marriage, where she becomes the Queen's lady-in-waiting. But Queen Ivi has her own plans for the country, and those plans might just spark a revolt. Can Aza help to save her beloved country?
I can't quite make my mind up exactly what I think about this audio. I loved the full cast narration, and this book was perfectly suited to that. Sarah Naughton did a fantastic job as Aza, and I also really liked the voice of Prince Ijori. The Ayorthians are constantly singing. Constantly. Just everyday conversations will randomly have a sentence or two sung. For that reason, I think I did a little better with the audio than I would have with print. I find it frustrating to read songs in the middle of prose. (I'm looking at you, J. R. R. Tolkien. That's probably part of the reason I never finished reading The Lord of the Rings. You and your endless songs.) I love to watch musicals, so this should have worked a little better for me than it actually did, and I can't put my finger on why. The singers all did a great job. The lyrics weren't always perfectly metered, for lack of a better word. I could hear the singers trying to fit that extra syllable in somewhere, and it sounded rushed. I think part of my problem is that very few of the songs were fast. They were mostly ballad-y, which worked fine, but there were just too many. One or two, "The Song of Ayortha" in particular, just dragged on and on and on. It was more of a dirge than an anthem. It was actually sung so slowly that I couldn't half understand the words, so I just wanted this song to freaking end already!
The story was pretty cute though. Aza got a little tiresome with her constant obsession about her looks. She's at that awful age where it really, really matters though, so it was understandable. There's a good message for young girls here, but it's not something that bashes them over the head. I liked the twist on Snow White. It was a very original take on the tale, and I never really knew where it was going. The love story seemed to happen a little too fast, but then, they always do in fairy tales, don't they? At one point, I started to feel like the judgmental Ayorthians were only getting what was coming to them. Okay, so we all judge based on appearances, but they never even try to get to know Aza or let her give her side in any story. They were maddening! Prince Ijori was a prince worthy of the title. I really liked him.
I recommend this if you don't think the songs will throw you off. While I had some issues with it, I did like it, and I even recommend the audio. Feel free to skip past "The Song of Ayortha" though!...more
The Masque of the Black Tulip continues the story of spies and lovers begun with The Secret History of the Pink Carnation. Henrietta Selwick (sisterThe Masque of the Black Tulip continues the story of spies and lovers begun with The Secret History of the Pink Carnation. Henrietta Selwick (sister to Richard Selwick, who was the spy known as The Purple Gentian) is corresponding with her cousin Jane (who is living in Paris and spying on Napoleon's government in the guise of the Pink Carnation). Got that? Through their coded correspondence, Jane sends messages of intrigue to the War Office in Britain. One such message notifies the War Office that the French have deployed their best and most dangerous spy, The Black Tulip, to London. A search for the spy follows.
Okay, without giving away anything, that is the bare bones of the plot. But that makes it sound a lot more serious than it is. Sure, the spying and disguises and coded messages do happen, but this book is pure, unadulterated, fun chick-lit. I raced through it, waiting to see if the Black Tulp is caught in time, but really, I just wanted to see who ends up in love with whom. The plot is fun, the characters are maybe not too well-developed, but they're fun too, and the pace is just right. If you don't take yourself or your books too seriously, this is an amusing, easy read. It would be great to read on the beach....more
I ripped through this pretty quickly. It was definitely a page turner and an easy read. The story was enjoyable, I just feel like Mercedes Lackey's acI ripped through this pretty quickly. It was definitely a page turner and an easy read. The story was enjoyable, I just feel like Mercedes Lackey's actual writing could be better. But she does come up with good plots....more
Dream's kingdom is being threatened by a vortex, an entity that can rip apart the Dreaming. He also finds out that a few of his major, and monstrous,Dream's kingdom is being threatened by a vortex, an entity that can rip apart the Dreaming. He also finds out that a few of his major, and monstrous, subjects, have escaped his kingdom. He must look for them all and save the day before it's too late.
Darn it, GoodReads, I need half stars! This was better than Preludes and Nocturnes, but still not quite a four.
The arc of the story flowed much more smoothly. This volume really encompasses one big storyline rather than the three or four rather disjointed ones found in the first volume. This one was definitely creepy--I'm desperately hoping that the Corinthian stays out of my nightmares!--but it wasn't as over-the-top horrifying as Preludes. All pluses in my book. I also liked the way Gaiman took a storyline from the first collection that I had completely forgotten about and expanded it into something unexpected but fitting.
I liked that we got to see a little more of the family dynamics among Dream's family, the Endless Ones. They aren't really gods because gods die; these beings don't. They have always been around and they always will be. Some of Dream's past is told, and we're left with the feeling that his younger siblings aren't through messing with him and the other two Eldest.
I'm not a big fan of the art of the actual story. The colors are a little too garish. Sandman is still very cool, but the other characters, (well, except for the Corinthian) were just too much. This was written and illustrated in the late '80's, early '90's though, so that probably has something to do with it. I did, again, find myself poring over Dave McKean's gorgeous cover illustrations. I really, really like the mixed-media work he did for these.
This is a good young adult novel. I didn't realize that was the target audience until I really got into it. Not as good as his "grown-up" work, but stThis is a good young adult novel. I didn't realize that was the target audience until I really got into it. Not as good as his "grown-up" work, but still good....more
Dr. Montague, a researcher into paranormal activity, has rented the fabled Hill House for the summer. The house has a reputation for being haunted. VeDr. Montague, a researcher into paranormal activity, has rented the fabled Hill House for the summer. The house has a reputation for being haunted. Very few people have managed to stay in it for more than a night. In order to sort of help the house do its worst, he invites people to stay with him who have had paranormal experiences. The only two who take him up on his offer are Theodora and Eleanor. Luke, the future heir to the house, also comes along. It does not take long for the house to show what it's made of.
I think this might have been ruined for me by the narrator, David Warner. The book is in third person, but is told from Eleanor's point of view. Why on earth did someone choose to have a man narrate? For the right book, he would be fine, and he did what he could with this. An older man with a deep voice is just not the right person to lead us down Eleanor's thoughts when she's so very--weak, maybe? No, uncertain is the better word. She's uncertain of her place in the world, in the house, in the group. She's also a dreamer who has a tenuous grasp on reality at best. The narrator definitely needed to be a young woman.
Eleanor herself is something else. Her thoughts get to be a little disturbing. She's definitely an unreliable sort-of-narrator. I never really knew what was happening in the real world and what was only happening in her head. For that matter, I never knew what she was actually doing.
Aside from that, I think I expected more of a horror angle. Sure, the house does get up to some crazy things, but nothing as bad as what I expected. I don't feel like there was a very good reason for all the previous renters to leave after one night. But then I'm not actually in the house, am I?
The retainers were probably the freakiest things about the house. The old man was downright scary when Eleanor first encounters him!
I'm not sure what I expected at the end, but it wasn't what I got. I just sat in the car and blinked for a few minutes after it ended. It definitely made sense, but wow. Unexpected.
Read this if you're in the mood for something that's walking the line between gothic and horror. Just don't listen to the version narrated by David Warner....more