The premise may sound wacky, but "The Arcanum" was much darker and more disturbing than I expected (a definite plus for me!). Wheeler's first novel isThe premise may sound wacky, but "The Arcanum" was much darker and more disturbing than I expected (a definite plus for me!). Wheeler's first novel is a thoroughly entertaining alternative history/steampunk/horror concoction, which would indeed make a great action film. It probably helps to know something about Biblical apocrypha, hermetic occult circles, voodoo and Lovecraftian horrors . . . but if even one of those is your bag, dig in for a rollicking read which also delivers several serious cases of the creeps....more
I liked The Black Church well enough -- great creepy premise (who doesn't love a cursed object?), and what might have been a very interesting historicI liked The Black Church well enough -- great creepy premise (who doesn't love a cursed object?), and what might have been a very interesting historical frame -- but it didn't feel fully fleshed-out somehow. Too long for a short story, but not long enough to deliver enough detail to do the premise justice. I liked it enough for a solid 3 stars; I just wish Tate had gone deeper into the history and mystery bits....more
Quick and dirty review, here. I really enjoyed this, my first Clegg novel (although I do love the creepy little illustrated story Isis). I see a lot oQuick and dirty review, here. I really enjoyed this, my first Clegg novel (although I do love the creepy little illustrated story Isis). I see a lot of comparisons to Salem's Lot in the reviews here, but beyond a surface similarity involving creepy kids (among others) terrorizing a small town, I didn't get that vibe. Also take note of the cheesy stock "creepy kid" cover on this edition. It's right out of the John Saul school of the 1970s, and doesn't do much to dispel those kinds of comparisons.
Although this novel was written in the 90s, Clegg's approach is all bleak 21st century horror, and far less sentimental than King's.* Though the characters are well-drawn, and the flashbacks to their youth key to the story, there's very little romanticizing of childhood, or small town life, or of anything really, in The Children's Hour. (Okay, there is a lost first love subplot, but even that is mostly a catalyst for some seriously disturbing sh*t.) It's pretty relentlessly grim, even nihilistic at times, and comes with a vastly higher body count than any King novel I can recall.
Also, the entities that haunt The Children's Hour? Are. Not. Vampires. They are more like horrible meat puppets, vampiric in some ways, yes, but definitely not your standard-issue bloodsuckers. This menace is a lot more unsettling, unearthly, demonic. (My comparison: in an upside-down and backwards way, this book recalls Lovecraft's "The Dunwich Horror," and freakish Wilbur Whateley hiding that nightmarish entity in his farmhouse.)
I don't want to telegraph much more of the plot -- suffice it to say I was actually unnerved by some of the imagery in The Children's Hour. One night I left my bedside lamp burning after reading. That's one of my highest compliments. It's a good thing he's prolific, because I'll be reading more Clegg.
* For the record, I love King and his elegiac, nostalgic, sentimental side. This just isn't that. ...more
The tale of a mysterious and deadly "Curse" that ravages the upper crust of Princeton society in 1905 and 1906, Joyce Carol Oates' newest novel playsThe tale of a mysterious and deadly "Curse" that ravages the upper crust of Princeton society in 1905 and 1906, Joyce Carol Oates' newest novel plays with Gothic conventions masterfully. An attempt to patch together the story of those dark years, The Accursed is the manuscript of amateur historian (and descendant of a "Cursed" family) M.W. van Dyck II. He presents a series of excerpts from journals, letters, newspapers, even a coded diary, written during the time of the "Curse," in an attempt to piece together the strange and horrible events that appear to have begun with the abduction of the innocent and beautiful Annabel Slade from the church on her wedding day.
Between the covers you will find demon lovers, murderous jealousy, miscegenation, beckoning apparitions, even a fairy kingdom. Also, an absolutely enormous cast of characters, some entirely fictional, like the sorely afflicted Slade family; others "real," like Woodrow Wilson (at the time President of Princeton University); ex-U.S. President Grover Cleveland; and Socialist writer Upton Sinclair. What I did not expect to find was a darkly satirical commentary on Christian piety, ivory tower backstabbing, gaping class division, the rise of Socialism, and, of course, the "Gothic novel" itself.