I got to around 26% before I DNFed. It's not that it's a terrible book because it's definitely not on Starcrossed or Fallen's level. But I did feel thI got to around 26% before I DNFed. It's not that it's a terrible book because it's definitely not on Starcrossed or Fallen's level. But I did feel the writing and characters lacked a certain bit of depth that I prefer. Otherborn does have a very interesting premise, but it failed at building the right amount of anticipation to hold my attention. ...more
Whenever I look at What's Left of Me and Once We Were's covers, I can't help but to think that the cover artist truly gets this series and how clever Whenever I look at What's Left of Me and Once We Were's covers, I can't help but to think that the cover artist truly gets this series and how clever he/she is. This always gets me excited because I love seeing the cover actually mean something to the book. As much as I love pretty dresses, it's the depth and complexity that I really crave. It's the kind of cover that you don't quite understand just by looking at it, but as you start reading, pieces of the puzzle fall into place. If What's Left of Me's cover shows Eve, the recessive soul, struggling to find her voice and strength, then Once We Were depicts two souls (the outlines of the face), two distinct personalities, searching for their own identities. But how independent can you be from someone who you share a body with? Someone who has a different set of hopes, dreams and goals? And what if you were the recessive, finally in charge of some of the bigger decisions? How do you cope with the newfound responsibility? And what if you screw up?
"Maybe I really had been meant to fade away."
In Once We Were Addie and Eva are presented with something they'd never thought were possible: the ability to "go under", where one soul would purposefully fall into an unconscious slumber to allow the other privacy. This works out well for relationship purposes, allowing Eva and Ryan some much needed alone time (because, yikes!, talk about awkward when you're trying to make-out with your boyfriend), but it also allowed something Addie and Eva never really encountered before, keeping secrets. And unfortunately, those very secrets continued to push them further and further away from each other.
And unlike in What's Left of Me, I found myself growing increasingly more frustrated with Eva as she and Addie continued to go in different directions. Their chemistry, bond and fierce determination for one another was what made it easy to connect with their story. But this time around Eva, who now gets a taste of freedom, becomes very wrapped up in the plans for a revolution that she forgets to pay attention to Addie. It's interesting how the two have switched roles in that regard and how it's Addie who begins to take more of a backseat. It's also interesting how different they really are and how little I realized this in book one.
“But the thing is, sharing hands doesn't mean sharing goals. Sharing eyes doesn't mean sharing visions. And sharing a heart doesn't mean sharing the things we love.”
I'll admit, it was difficult for me to connect with Eva due to the decisions she made and risks she took. However, Once We Were was Eva's time to find out who she is, and in that search, mistakes were to be expected. My biggest issue was the fact that she continued putting not only herself and her sister in danger, but the people who rescued her and her friends as well.
As soon as an opportunity arrived for Eva to be apart of something big where she could help change the system, she stopped thinking things through, started keep secrets, lying to those who cared about her, agreeing to compromising situations that put her sister at risk. At times, I started having conversations in my mind with Eva, going all Uncle Ben on her: "With great power, comes great responsibility." Yada, yada, yada. But I had to keep reminding myself that this is a character who isn't used to making such HUGE decisions. The redeeming factor is that she does recognize how terribly she's been to her sister and to others. She does try and fix her mistake at great sacrifice to her own person. So, Eva is far from being a terrible character, but Once We Were does show her flaws more, and sometimes at a more frustrating degree.
As expected, Kat Zhang's writing is beautiful, fluid and mesmerizing. It was one of the things that caused me to fall in love with What's Left of Me and I was so happy to see that continue here. This time around we were also treated to some sections of prose that's written in verse to show the passage of time when Eva "goes under." During that time the verses had a whimsical quality, that made me think of
in a pool
hot summer day
relaxing in the sun
Still, Once We Were didn't capture my attention the same way What's Left of Me did, and I did struggle a little to get hooked. Thankfully, the last third does pick up, but I was disappointed to have waited so long for it to do so.
What I was really curious for was more world building. I wanted to know how the rest of the world views hybrids, and since Eva and Addie's knowledge is limited, so is the reader's. This time around there we have a new character named Henri from central Africa who's able to give us a small glimpse at how the other nations few the Americas. However, their conversations are few and far between and I would have loved to know more about the other countries' views on hybrids. I'm hoping that'll be discussed more in book 3.
Final thought: Once We Were mainly focuses on Eva and Addie as individuals instead of just one person. They spend more time apart, losing the connection I had with them from What's Left of Me. But I do think this experience has really brought them closer and has set the stage for the final book in the series. With so many questions remaining unanswered, I'm eager to find out what happens next!
For whatever reason I didn’t quite enjoy Champion as much as I loved Prodigy. Trilogies have to be incredibly difficult to eActual rating: 3.5 stars.
For whatever reason I didn’t quite enjoy Champion as much as I loved Prodigy. Trilogies have to be incredibly difficult to end and this one didn’t wow me. Cons? The explanation for Day’s brother’s blood and June’s was very rushed. I would have loved to know more, but it seems most of the focus was on the war. Understandable, however, it left the book feeling incomplete. The action was pretty fantastic and Lu is excellent at building anticipation as she did in Legend and Prodigy. There were times when I didn’t know who would survive. For those that are wondering if this features a similar ending like Allegiant, I’m not telling. :P But I will say that you’ll either feel satisfied or unhappy because it’s a semi-open ending end. I ended up enjoying it, though....more
Dystopian novels disappoint me the most out of any other sub-genre.Arclight has to be one of my most anticipated books of 2013 and I was not disappoinDystopian novels disappoint me the most out of any other sub-genre. Arclight has to be one of my most anticipated books of 2013 and I was not disappointed. Despite the fairly predictable plot twist, Arclight does offer strong writing and imaginative creatures: The Fade. Which basically means this review will be a lovefest of all things Fade.
The strongest point in Arclight is without a doubt Josin's writing style and her beautiful descriptions. Every scene was so visual in my head and this was so important because by only reading the blurb, it's hard to understand what the book is really about. The world is so different and it's covered in darkness. Josin slowly reveals to the reader how things came about while still maintaining some sort of ambiguity. I really think that is where a lot of dystopian novels fail to grab me. Some don't seem to let the reader know anything about their world. It's just usually a "My world is terrible, people die. Deal with it." kind of thing. But not in Arclight. The reader finds out more as Marina does and that part was not predictable.
You may have heard that there is a love triangle and that is true, but it's not a bad one. There are two guys who are vying for Marina's affection, Tobin who I wasn't really sold on and the other is... "Honey Bunches". That is what I will call him because he was filled to the brim with sweetness! Both guys do have their faults. Tobin carries a chip about on his shoulder and blames Marina for something that happened in the past. And on the other hand, "Honey Bunches" is the jealous type, but I honestly can't blame him for his anger (you'll have to read the book to see what I mean).
And then you have the Fade themselves which was nothing short of brilliant. I absolutely love them and it's what really sold me on this novel. They are so different and fascinating. I especially love the way they communicated and their ability to say so little, but their words packed so much punch. It was the way they viewed the world and each other and the way their names transcended human language that made me truly believe Josin did an AMAZING job developing them. And OMGosh, I just want to tell everyone about my favorite part, but spoilers! I will say it was right before the ending when secrets are being revealed and Marina has this moment of clarity. She looks at "Honey Bunches" and ahhhhh!!! My feels and that scene made sweet, sweet lovin'.
Now that isn't to say that Arclight was perfect. It's one of those books that dives into the whole "I'm the new girl in this strange world and I don't know who I am". I really love those books for the mystery and for finding out the story behind the main character's memory loss. The problem is when you already see it coming and that anticipation that should have been building for a good period of the novel is all for nothing. However, even though this was Arclight's biggest problem, it didn't really bother me that much and gave me similar feelings to how I felt about the plot twist in Cinder. By the time the Big Reveal came around, I was already so invested in the story and the characters.
But strangely, there was a good that came out of the predictability. I was very surprised about all the characters' reactions to the twist, especially Marina's. She chooses one guy over another and I did not approve. All throughout the novel, and particularly the second half, I was shipping Marina and Honey Bunches hard. Like, there was no doubt in my mind that Marina would end up with the guy I was rooting for. And yet, she didn't and I was so unhappy. I felt all my feels melting faster than the Wicked Witch of the West. Thankfully, I did discover the other day that there is a sequel, Meridian, and I honestly couldn't be happier because knowing this completely changes my original thoughts on the ending. All is not lost and dammit, THIS SHIP SHALL SAIL ON. *pumps fist* Plus, I need to read more about the Fade. Overall, I *really* enjoyed this book and I can't wait to find out more about the characters.
"I believe that anyone who reads the novel will understand its strong stance against racism." -Victoria Fyot (Judging A Book By Its Cover Gives Birth
"I believe that anyone who reads the novel will understand its strong stance against racism." -Victoria Fyot (Judging A Book By Its Cover Gives Birth To Racism)
Well, I hate to be the bearer of bad news, but you failed. Badly. To say Revealing Eden is offensive is such a massive understatement. I couldn't even stomach more that a few pages at a time. It was like taking a spork to your eye, but then it breaks leaving you with only the handle to carry out your dark deed. Even with the obvious racism aside, the Revealing Eden is simply not good. From the dialogue to the characters to the plot, it was very badly written. A tragic mess.
There are a few things you should know before reading this review:
1. I am an African-American. 2. I went into this book knowing I would probably dislike it. Why? -Because I'm obviously masochistic. -Because I'm taking one for the team. You're welcome. -Because Foyt made a statement that not many African-Americans had read her book. Here I am and yes, we still exist. 3. I will most likely address a few statements made by Foyt about her novel as it pertains to Revealing Eden. 4. Oh, and this review is kinda long. Sorry about that. LOADS to cover. >.<
Apparently, according to Victoria Foyt the population of white people have plummeted due to an increase in sun radiation, leaving black people in charge. My first issue was with the lack of science in that premise. (And no. Throwing out random scientific names of insects, animals and plants does not signify that you've done your homework.) If the sun's radiation was *that* bad, being black won't do you that much good. What's even more odd is that for majority of the novel, Eden is hanging out outside in the sun without her coating (more on that later).I kept waiting for her to complain about how hot it was or that her skin felt burnt, but it never happened. Her father is working in a lab attempting to genetically alter people so that they have animal traits and no one has created a better sunblock or, I don't know, CURED CANCER?! Where is the logic in that?
Whites in this novel are considered a burden to society since they have such a low rate of survival. If one does not have a mate by age 18, they are to be sentenced to death. There seems to be an obvious solution to this hypothetical problem: breed out the weaker genetics. But instead white people are oppressed just for the sake of oppression. And even though Eden knows she has had two mating offers, she refuses to accept either one, choosing to wait for her "Dark Prince" in hopes that he will pick up her mating option. Her reasoning?
"Because I don't want my child to be all Pearl. I'd rather be dead than mate with one of my kind."
*sigh* I can't believe I have to break this down, but if a black person and a white person have a baby, that doesn't automatically guarantee a dark-skinned baby. In fact, some may have very fair complexion. Funny thing the way genetics works. But what did I expect? Almost all the dark-skinned people in Revealing Eden were black as night. The one person who is mentioned with brown skin is assumed to be mixed. *Shaking my head* It was then I should have realized that logic was not going to be Revealing Eden's strong point.
In order for Eden to fit in, she walks around with a coating of "Midnight Luster" on her skin and hair. She talks about dying her hair black and I couldn't figure out why she was doing that. Doesn't Foyt know that black peoples' hair is not actually black? Is that a common misconception even today? It's weird because it's something I've never thought of before. Sure, there are some whose hair is black, but it's not very common at all. It was the little things like that were I noticed a trend beginning: Foyt did absolutely no research on African-Americans or any other race for that matter. It is very evident by her constant reliance on black stereotypes applied even to white characters.
*Warning: Many quote-inducing headdesking ahead.
Applying black stereotypes to a white female to generate sympathy for the main character:
"White people were lazy good-for-nothings with weak genetics."
A black woman's figure categorizing her status in society:
"Voluptuous, with raisin-colored skin, everything about Ashina screamed ruling class."
"On the main stage a band of Coals performed in whiteface."
Oh and I can't forget about the constant theme running rampant that black people are out to get the white people. As if black people, that are now in charge, have nothing else better to do with their time than antagonize others. White women everywhere are doing the "White Woman's Workout." >_>
Every black person in the world is out to get white people:
"She suspected that each and every Coal passerby wanted to hurt her..."
It's always black people:
"All of a sudden, she heard two men behind her. Coals, she figured by their careless, drunken laughter."
Songs about black men raping a white girl:
Little Pearly whirly, lost inside the mines; tossed from Coal to Coal, in fear, she whines, "I'm sorry, Mother, he said he only wanted to see my white skin shine."
Even more rape comparisons:
She felt more violated than if she'd been raped.
Go on and scream. Let it out.
And on and on it goes. But then it gets worse when because there doesn't seem to be any indication that slavery or the Civil Rights Movement ever happened. How was she being oppressed? Well as far as I can tell, white people were well-fed, had their own places, had jobs etc. The biggest thing against them was the mating age, having to wear their "coating" (I'm not sure if that was a law or anything) and getting rude remarks from black people. On a few occasions Eden even wishes the world could go back to a time where white people were free to go outside with their white skin without being persecuted. She frequently says that a black person couldn't possibly understand what it was like to be in her shoes. *slow blink*
"Someday, when you're locked up in a cage, Bramford, maybe you'll understand what it feels like to be an outcast."
If only Bramford knew what it was like to be an outcast.
Maybe now he would know how it felt to be judged by your appearance.
What did Bramford know about disappointment?
Yeah, that's not offensive at all. Not one bit. #sarcasm
And then there is the issue of the FFP A.K.A. the Federation of Free People, "a militant organization of Coals that vowed to rid the planet of Pearls." Pause. *deep breaths* How am I supposed to take that? The Federation of FREE People? Get me off this planet. I'm just going to leave that alone before I start seeing blood-red. Too late, I just saw red. Excuse me.
Okay, sorry about that. That was a tad awkward.
I also want to address the titles given to the races.
Latino- Tiger Eyes
Are you kidding me? Coals? As in black as coals? Pearls? As in precious pieces of jewelry? Cotton? As in what my ancestors were forced to pick in the fields? Do I even need to explain how offensive that is? And Foyt's response to the backlash of these titles?
"Why are whites called Pearls, while blacks are called Coals? Imagine a gritty, post-apocalyptic world where all that matters is survival. What good will a pearl do you when luxury items have no use? Coal has energy, fire, and real value. It is durable and strong, not easily crushed like a pearl. Pearl is a pejorative term here. Coals are admired. Coals oppress Pearls because they fear that those with light skin will add to a population unable to survive “The Heat,” and drain meager resources."
No, no, no, no. NO! You do not give a title that has been used as a racial slur to a people who have been oppressed. You do not do that. And if you think any of that is okay, something is deeply wrong with you. By no stretch of the imagination can "Pearl" be considered a racial slur. Unless, along with common sense, this society has happened to lose every dictionary in existance. In which case, I shall provide the definition.
pearl1 [purl] noun 1. a smooth, rounded bead formed within the shells of certain mollusks and composed of the mineral aragonite or calcite in a matrix, deposited in concentric layers as a protective coating around an irritating foreign object: valued as a gem when lustrous and finely colored. Compare cultured pearl. 2. something resembling this, as various synthetic substances for use in costume jewelry. 3. something similar in form, luster, etc., as a dewdrop or a capsule of medicine. 4. something precious or choice; the finest example of anything: pearls of wisdom. 5. a very pale gray approaching white but commonly with a bluish tinge.
Yup, that is just the title I would give to a group that is being oppressed. Tell them they're worthless while giving them a name that literally means precious. Moreover, if "Coal" supposed to be a positive title, highlighting their strengths, then why is "Cotton" considered derogatory? By definition cotton is a very useful resource. It's strong, durable, able to withstand cold and hot temperatures. So what's the deal here?
Only Cottons, the derogatory word for albinos, were lower, and they were extinct.
I don't think for a second Fyot didn't know what she was doing when she wrote that because in the beginning of the novel she calls "Coal" a racial slur herself.
Before she knew it, she blurted out an incendiary racial slur. "Gets your hands off of me, you damn Coal!"
First of all, I'm surprised she was still alive after saying that to someone of the elite class. Surely if Pearls are so worthless and oppressed, there would be severe consequences for an action like that? Second, Foyt is again baking her cake and trying to stuff her face with it too. Which one is it? It's either a positive term or a racial slur. It cannot be both. I'll tell you what I think. I think Foyt was just trying to smooth things over with her choice of words. And failed, I might add, because my bullshit meter is about to explode.
In the second half of the novel I had no idea what was going on half the time. The scenes were very jumbled with no clear direction of where the plot was headed. World building left way too many holes in the story. Because surely there are more races on Earth that just the ones listed in Revealing Eden. Character interactions were much of the same confusion. But I think that it mostly had to do with the fact that Eden was a fucking idiot. Her stupidity burned. For real.
From this day forward I can never say Bella Swan was the worst. Eden is the worst protagonist I have ever read. Not only does she completely miss the point over and over again, regardless of how many times it is spelled out, but she is extremely selfish and all around unlikable. There is a scene in the novel where Eden happens across an anaconda and I felt myself rooting for the snake. Sadly, he didn't win. *weeps*
One thing that was clear was how Eden suddenly became attracted to Bramford after he became half beast. One minute she is talking about how sexy he is and the next she is calling him names, even after he saves her life several times. (Bold is mine.)
That dumb beast had been gone since yesterday afternoon.
And why had she thought the dress would please such an insensitive brute?
"Is this where you lock up your victims? You're an animal, Bramford."
The selfish beast simply dropped the subject and ignored her.
Also she likes to ride him like an animal:
She sunk her fingers into his long silky hair, like reins on a horse. As if she controlled the beast. Eden knew it wasn't true, but she enjoyed the illusion just the same.
What. The. Hell. A black man is turned into an animal and you have your white protagonist daydreaming about riding him like a frickin' pony? I just... can't.
When I finally finished reading Revealing Eden I had to ask myself what kind of person would think any of this would be remotely okay? Foyt says:
"So yes, this book is meant to provoke the white community that has never experienced racism or been oppressed because they have been in the majority in this country."
I take issue with the white community only able to be provoked by featuring a white girl who is oppressed by black people using the very same stereotypes we fight against everyday. So, yes. I taking extreme offense to that. If Foyt is indeed "color blind" as she claims then making readers connect with a black character shouldn't be a problem for her. But instead she chose to "turn racism on its head" and say, "Black folk, I know you guys have dealt with some really rough shit in the past, but what if it happened to white people?" No, just no. The African-American community exists *because* of the oppression. It is our history, our roots. It is the one thing that must be left alone. You can't just take that away from us and apply it yourselves and make us look like the bad guys in your novel! This is one of the few times where I had to sit back and wonder who could possibly enjoy this book.
"And if you ask if all these reviewers are white then consider that you have a racist point of view."
Oh, really? Racist point of view? Racism isn't dead. It's something that many of us has to face everyday. As a people, it is ingrained in our society that our features are less desirable than that of whites. There are somethings some people will never understand. They have never had to walk in the shoes of another race and therefore they have limited understanding on what it means to be a Person of Color. When you get followed around in a clothing store because of your skin color, when you can't go into the 7-11 with your hoodie on, when a job tells you your natural hair is "unprofessional," when your 4-year-old daughter asks you why her hair doesn't "go down like a princess" as if hers could never be considered as such, when you see celebrities of your race white washed in ad campaigns, when your male relatives are arrested for looking suspicious, when you see your grandparents cry after Obama was elected because they thought they would never live to see the day where a black man held office, when you know there are some parts of the country where you are just not welcome because of your skin color, or when you walk down the aisle of your local book store and all you see on the book covers are white people, with a small section devoted to African-Americans, you realize you are living in a white world. Racist point of view? Wherever would one have gotten that?
I think this goes without saying: NO STARS FOR YOU!
You didn't think I'd just leave it on that unhappy note did you? Pfft, as if!
Ay yo, if black people truly ruled da world we damn sure wouldn't be toting 'round some whack name like "Coals." Naw, we'd go for something MUCH more gangsta like, ChocolateThundas. Then we'd go n' elect Snoop Dogg as our president and Dave Chappelle as our VP, ya feel meh? We'd give women back control of their bodies. We'd legalize MJ and the national anthem would be "Young, Wild and Free." We'd move the capital to the ATL, where we like to "throw dem bones." Grillz would be covered by dental insurance. Free health care to all citizens. Oppress white people? Naw, we ain't got time fo' dat shit, man! We'd be too busy spending our reparation money from da Gov'ment, giving back to the economy.
Chicken spots n' drive through liquor stores would be on every corner. You welcome! (So what, we get drunk...). 12pm would be a mandatory nation wide nap time, which no one would pay any attention to. Fuck the system! (So what, we don't sleep...). Though dey should 'cause "The Itis" is a very serious condition affecting 1 out of 2 black folk e'rywhere. And finally, random flash mob dances would be to songs like "Lean Wit It, Rock Wit It" and "We Fly High" (We just havin' fun and we don't care who sees...).
We stay fly. No lie. You know dis...
Book was provided by publisher/author via NetGalley for an honest review.
DNF at 57%. This is one of those times where I legitimately think I’ve read a different book that my friends. In theory, ControlAbsolutely terrible.
DNF at 57%. This is one of those times where I legitimately think I’ve read a different book that my friends. In theory, Control should have worked for me. I really loved the idea of a conspiracy and the secret being in Zel’s genes. I really thought these were great ideas and I was completely looking forward to reading about it. Then I started reading and my happy cat died.
Zel, our main protagonist, is constantly slut-shamming another girl named Vera, who is very shapely and has no issues with flaunting it. From the first time they met, Kang used a the common “slutty, mean girl” trope as Vera’s characteristic. I didn’t see this as anything else as a plot device to make Zel seem more spechul and spark sympathy from the reader. I already felt bad that Zel lost her dad and sister in the car crash (this isn’t a spoiler since it happens in the very first chapter), but when she constantly went around and said things like this, I was less and less inclined to root for her:
I’m not shocked by the fact that she’s wearing the latest fashion from Hookers-R-Us.
Insta-love with a terrible love interest
Zel almost immediately falls in love with the resident bad boy. I wouldn’t have had too much of a problem with that if he also wasn’t a dick to her. Like a HUGE dick. He’s rude to her and she continues to pine over him and make excuses for his behavior. Then later, he just happened to really care about her too, because of reasons.
I don’t know if things improved from there, but I was too disgusted to care....more
Without a doubt Crewel is the most creative novel I've read so far this year. When I first read the blurb I thought, "A dystopian society where people Without a doubt Crewel is the most creative novel I've read so far this year. When I first read the blurb I thought, "A dystopian society where people are weaving time?! YES! Gimme! Tell me more!" The dystopian genre has really taken off lately and sometimes it can be hard to find a novel that separates itself from the pack. Crewel does just that and does it well. It completely stands out with its complex concept, feisty heroine and a plot that kept me guessing over and over. Whoa. Can I pull out the winning gif?
The beginning of Crewel reminded me a lot of Matched by Ally Condie. Now before you start cringing and exiting out of this browsing window, let me assure you that it's not what you think. The set up is only similar because both societies involved tight monitoring of its citizens. This means they are given a small pool of marriage options, limitations on the amount of children they can have, restricted access to other parts of the society, jobs chosen for them, etc. That's where our similarities end and where the awesome begins.
Adelice, our main character, has the ability to weave time on an actual loom. It is a highly coveted ability in her society because it pretty much guarantees a woman a higher social status and a comfortable lifestyle without needing a husband. I'll admit I was worried about how Albin would pull off a society that was generally misogynistic. There are really only two outcomes for that: fail really hard or win. Even though woman were considered second-rate in this world (needing a husband, only having secretarial type jobs, no real positions of power, can't travel without a man, etc.) and were held to unfair higher standards than their male counter parts (Spinters had to remain "pure", women were expected to always appear a certain way in public: Make-up, dressed up and heels, act like a "lady") I never felt that this was ever accepted by the main character or by other secondary characters. And while I contemplated how I could ever survive in a society that forced me to wear heels ALL THE TIME (I freakin' live in my Converses, dude), I realized that these ideals were being challenged especially through Adelice's character. She was a strong, formidable heroine who did not back down or allow anyone to push her around. She took action at her own personal risk. She was bold, gutsy and witty. I was like, "YES! You tell that man, girl. Give 'em a piece of your mind!"
As for Arras, this is yet again another book that makes talking about the world building difficult, mostly due to how Albin tells the story. She doesn't lay out the world building in the beginning over the first few chapters like most dystopians. In fact, for the first half of the book I still had quite a few questions on how the society in Crewel actually functioned. But the reader is given pieces bit by bit. As I learned more about the world, the plot continued to open up along the way. At first I wasn't sure how I felt about that style because I like my world building straight up, but it grew on me and by the end of the book I had an appreciation for how it was told.
One thing I have to mention was the plot twist. This is again why I'm reminded of Matched because they were forced to either marry or stay single. Anyone see a problem with that? I almost thought Albin was going to go down that same tired road Condie did with an unrealistic world. But then Albin threw in that plot twist when I was least expecting it. She must have known I was questioning the validity of a society that didn't even mention gay people. Then BAM! The plot twist came out of nowhere and backhanded me. All I could do is sit back, ice my face and nod my head in silent approval.
Oh, Albin, I totes see what you did there.
"But, Steph!" you say. "Why aren't you giving Crewel 5 stars? This book sounds amazeballs!" Why, yes it was amazing, but I still had a few questions (if the neighborhoods are segregated by gender of the children, what happens if a couple has a boy and a girl?) not to mention I didn't fall in love with the *gasp* triangle of love. That really doesn't shock me because I'm usually not a fan of love triangles in the first place. I could probably count on one hand how many I actually did like. Crewel's love triangle didn't bother me to the point of "headdesk-ation", but I did feel that the relationships were underdeveloped and generally unnecessary. To me it felt like you could easily take out the romance of at least one beau (preferably Jost) and the story wouldn't suffer one bit. But the story is not yet over. Who knows what could happen!
Overall, I really like Crewel and think dystopian fans who are looking for something completely different, will eat this up. I don't usually say this that often, but Crewel is definitely a debut that lives up to the hype and will have readers hungering for more. I know I am.
ARC was provided by the publisher for review. Thank you, Macmillan!