Listened to the first disc and I honestly have no inclination to continue. I think I started to fall asleep around the time Bree and Diego started disListened to the first disc and I honestly have no inclination to continue. I think I started to fall asleep around the time Bree and Diego started disposing of the bodies. And it's not as if I don't already know the conclusion....more
Rebecca is a classic tale that weaves mystery, secrets, and romance into an intricate and stunning twine. It tells the story of a young girl who is swRebecca is a classic tale that weaves mystery, secrets, and romance into an intricate and stunning twine. It tells the story of a young girl who is swept off her feet by a much older man with money and possessions aplenty — and even more heartache in his recent past. Since his wife's tragic death eight months ago, Maxim de Winter has been doing everything he can to forget the horrific part of his past that has left him feeling bereft of happiness and aloof from others. But even with this kind of emotional baggage, the young heroine of the story — who's name is never revealed — still agrees to marry Mr. de Winter because she has already fallen in love with him. When our heroine moves into Manderley, the estate where Maxim lived not so long ago with his now deceased wife, Rebecca, she soon learns the story behind her new husband's late wife's death. She learns that Rebecca died by an accidental drowning while in a boat that capsized. As you can image, all of this is very disconcerting to such a young and naïve girl. And when she arrives at Manderley things are so very different from the life she had before: there's all the hustle and bustle of living in a mansion, and then there's Mrs. Danvers who doesn't like her simply because she's not Rebecca. Du Maurier's Rebecca deals with a lot of themes and raises a lot of questions, one of the most intriguing being, What happens when the woman that is haunting your husband begins haunting you, too?
For me, Rebecca was truly a delight. It is expertly crafted and beautifully written, and, while reading, I had one of those strange feelings you get when you think you're enjoying something too much, that you must be sinning because you simply can't remember the last time you enjoyed yourself so much.
What I'm about to say isn't going to juxtapose well with my earlier comment about this being a "delight," but I shall say it anyway: This book has just a little bit of a depressing atmosphere to it. This is mostly because the main character is often fixated on how she'll never live up to the standards which Rebecca set before her, but it didn't bother me in the least. No, no — in fact, it only made me want to wrap the heroine in a blanket and give a her cup of hot cocoa. Some may deem her weak for not simply standing up and being everything that she can be, but I saw her as worthy of so much and strong even in her cowardice. She starts out working for a nuisance of a woman, then all of a sudden she is married to a man much older than she and with a past for which she is unsure of all the details. I really loved the heroine in this; there were several times where my heart twisted for her character and for the situation she was in.
Do NOT read this spoiler if you've not read this book. It is the type of spoiler that will drastically take away from your enjoyment should you choose to ever read this. (view spoiler)[There is an exchange between our heroine and the resentful Mrs. Danvers about 2/3 of the way through the novel. During this discussion Mrs. Danvers informs our lead that while alive Rebecca had many male companions with whom she was physically intimate. Now, my first thought after reading that was, How, then, could Maxim mourn her to the degree that he does? How could he be so torn about her death if she cheated on him numerous times during their marriage? Well, it was because all was not what it seemed. When Maxim confesses to having killed Rebecca, I LITERALLY fell out of my seat. Granted, I let myself do so. But it was so shocking I just let myself go like a slinky. It was insane. The whole time I'm thinking that Maxim will never give up Rebecca even though she is dead, that Maxim and his new wife don't have any real chance of ever being happy because, apparently, Rebecca was just too wonderful! for anyone to compare to her. Ha! Ha! HAHAHA!! You can see that it has decreased my sanity a little. I just couldn't believe it! That revelation meant that every paling of the face on Maxim's part, every look of worry or dread was only because he had killed her, not because he was sick over her death. Gah! I shall never get over the brilliancy of this Epic Twist for as long as I live. Truly. (hide spoiler)]
The fact of the lead character's name never being revealed is just one of the peculiar things about this story. It is said early on that her name is often spelt incorrectly, making the reader think that it is perhaps a very unique name. My guess as to why this is is that, because the name Rebecca — and the person — is still so very dominant in the lives of the characters and in our heroine's mind, the author chose to leave out her name to add to the sense of inferiority the heroine feels towards Manderley's former mistress. Just a guess.
FAVORITE QUOTE: "I don't want you to bear this alone," I said. "I want to share it with you. I've grown up, Maxim, in twenty-four hours. I'll never be a child again."
Upon closing this review I want to be very clear about something: My enthusiasm and enjoyment of this novel doesn't necessarily mean that you, the reader of this review, will feel the same about this book. Rebecca is very dramatic and people that don't like classics may not find as much enjoyment in it as I have. I'll freely admit that I have a penchant for things/books like this, so I'm guessing that had a lot to do with my loving this so very much. But if you're interested in this in the least, if you think this may be something you'd like, please, give it a try.["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>...more
When I made the decision to reread Shiver and its successor, Linger, in preparation for this trilogy's conclusion, Forever, I honestly got little buttWhen I made the decision to reread Shiver and its successor, Linger, in preparation for this trilogy's conclusion, Forever, I honestly got little butterflies in my stomach just thinking about it. I originally read Shiver back in October of '09, and it hit me like nothing had before — and nothing has matched it since. Shiver mixes some of the sweetest, most realistic and heartwarming characters with a wonderfully chilly and melancholy atmosphere and it is written with stunningly lyrical prose. If every author wrote like Stiefvater, I dare say I'd get nothing else done save for reading.
What is there to say about Grace? I feel like if I call her strong it will seem unoriginal, but that is just what she is; there is really no other way to describe Grace. She holds it together even when Sam is emotionally in shambles. Even when hope seems as far away as ten light-years, she keeps her wits about her. I can't help but love Grace any more than Sam can.
And there really is no other male character quite like Sam Roth; he is one of a kind. No other boy would turn away out of respect when a girl is scantily clad; no other boy would unabashedly sing to the mother of said girl; no other boy would treat a girl with as much respect as Sam shows for Grace. As I said, Sam is one of a kind. And he's definitely my kind of guy, if you know what I mean. (Oh! how I wish there were boys/men/male specimens like him in real life! But if wishes were horses, then beggars would ride. *sigh*)
Moving on . . .
Just as with anything that is popular, not all people will enjoy Shiver. I think some people read the synopsis and expect a werewolf blockbuster — but that isn't what Shiver is; at its core, Shiver is a love story. The meat of the plot is simply Sam and Grace constantly fighting this physical transformation that is hell-bent on keeping them apart and stealing Sam's humanity. The only complexity in Shiver is the mystery behind what makes the humans turn into wolves - Stiefvater leaves the old-fashioned lore to the dogs and creates her own mythology — I, personally, have never read any "werewolf" story like Stiefvater's, and that's a large portion of why I love this series so much. Rather than
In the old days werewolves were men that were forever ruining their clothes and having to buy new ones — and all because of that blasted full moon. Stiefvater reimagines what makes these bitten but, in truth, innocent humans change form. And, to top that off, they don't get to keep changing. Eventually, they will stay in their wolf forms for the rest of their lives, thereby unwillingly having to give up their human life, loves, and wishes — forever. By writing it this way, Stiefvater has taken what was once a horror story and made it something beautiful and sad. And this reader can't help but love that.
This review would simply be too long if I added all of my favorite quotes (although you can read them all below), but if I had to choose just one it would be this:
FAVORITE QUOTE: "I fell for her in summer, my lovely summer girl From summer she is made, my lovely summer girl I'd love to spend a winter with my lovely summer girl But I'm never warm enough for my lovely summer girl
It's summer when she smiles, I'm laughing like a child It's the summer of our lives; we'll contain it for a while She holds the heat, the breeze of summer in the circle of her hand I'd be happy with this summer if it's all we ever had.
Between reading this and watching Becoming Jane the other night, my tear ducts are like dried sponges. And since I'll be reading Linger and Forever next, I felt that I should prepare myself; I had this sent to my house yesterday:
Never let it be said that I was unprepared in life.
I hear people say things about their favorites like, I've read this so many times I know all of the lines by heart. But I don't ever want it to be that way for me and this book; it is such a special read that I never want to read it and feel as if I've gotten all I can out of it. I want to start Shiver each time with the sense that it is both new and old to me, but always a favorite.
My Life Next Door is the kind of story that you expect to be light and fluffy . . . but then it surprises you. I thought this book would be very clicMy Life Next Door is the kind of story that you expect to be light and fluffy . . . but then it surprises you. I thought this book would be very cliché: little rich girl falls for the boy next door; gets a whole new perspective on life through the eyes of a financially-strained, but very happy — unlike her own — family; and learns something big about herself over the course of one short summer. In a lot of ways, that is what this book is about. But, in truth, it is about so much more.
Samantha Reed's character is, I think, one of the best — probably in the top ten, actually — YA heroines I've ever come across since I began reading YA fiction back in 2008. She stands up for herself and the people she cares about when it counts most, she thinks independently from her main influence in life — in this case, her mother — in a way that is smart and not just teenage rebellion. She is smart about sex choices, doesn't just jump into bed with the first boyfriend she gets — or even the third without some smart-shopping for Trojans (loved that scene!) — and is a generally well-rounded, intelligent young woman. I found being in Sam's head a very pleasant, refreshing, and, often times, spontaneously hilarious experience when compared to many of the female narrators of her genre. If Fitzpatrick's future heroines turn out to be even a tenth as good as Sam was, I'm in for a real treat. And Jase . . . he is the kind of boy you'd want your daughter to marry. Truly. He's down to earth, loves his family, loves his animals (he's something of a zoo-keeper), and treats his girlfriend like gold. What's not to love? I think YA paranormal authors should take notes from Huntley Fitzpatrick on how to write a good male protagonist. And Tim . . . I can't believe a debut author made me fall for a drug addict. Seriously. If the author decided to write a companion novel about Tim (maybe like Marchetta did with Thomas after Saving Francesca) and, hopefully, Alice, I'd be forever grateful to the Powers That Be.
The bulk of this novel is about Samantha getting to know — and fall for — both Jase and his family. But towards the end, as the publisher-provided synopsis says, there is a big obstacle that is dropped on Sam's and the Garrett's heads, an obstacle that is not overcome easily. I wish there could have been a bit more resolution at the end with it (view spoiler)[Last we hear of Mr. Garrett is that he's out of ICU, and Sam's mom is still checking to see how he's doing; I would have liked for there to have been a coming-home-from-the-hospital scene, or at least a mention of a full recovery (hide spoiler)], but as a whole I think the climax was handled well. And, on a side note, can I just say how utterly sexy some of this book is? I wasn't expecting that, either, but I love surprises.
Truly, I don't feel that my words can properly describe how much I loved this book, or how much I got out of it, or how much I wish more people would discover it and feel for it what I did. Does that mean this book was perfect? No, because no book is. But honestly, it was perfect for me. I'm extraordinarily pleased with it — so much so that I plan to reread it this summer — and will certainly be back for more from Fitzpatrick in future.["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>...more
So I decided to take a short break on ICoS to try this series (insane, right? I mean, who in their right mind would expose themselves to two high-voltSo I decided to take a short break on ICoS to try this series (insane, right? I mean, who in their right mind would expose themselves to two high-voltage MM series simultaneously? Leave it to Loony Lora . . .) In any case, I don't regret it, because this series is The Shit. It started off slow for me, for whatever reason, but after about 100 pages I was hooked like a fish on Sunday mornin'.
Miss Pacat's writing is superb, and as vivid as a high-definition photograph. One description of Laurent in particular stood out for me:
"Laurent was on the reclining couch, his head propped on one hand, his feet tucked up under him in a relaxed, boyish posture. A book of scrollworked pages was open before him. There was a goblet on the small table beside him. At some point during the night, a servant must have spent the requisite half hour unlacing his austere outer garments, for Laurent wore only pants and a white shirt, the material so fine it did not require embroidery to declaim its expense. The room was lamp lit. Laurent's body was a series of graceful lines under the shirt's soft folds. Damen's eyes lifted to the white column of his throat, and above that the golden hair, parting around the shell cup of an unjewelled ear. The image was damascened, as beaten metal. He was reading."
Laurent is one of those characters that you have to look closely at to see the real man underneath the façade. On the surface he appears contemptuous and aloof, but there is certainly more than meets the eye with him. I'm sure book 2 will reveal more of Laurent's facets.
I don't know what the catalyst will be in getting Laurent and Damen together, but I hope it happens soon! There is a pretty sweet mix of hatred and sexual tension between Laurent and Damen at this stage, heavier on the former's side, and I am hoping it'll start to lean more towards the latter in book 2.
I bought the ebook of this, but after finishing it I think I'd like a paperback, also! 4.5 stars!...more
Although using this trite doesn't mean that the fact is any less true, it is still at the risk of sounding cliché when I say that Jane Austen's classiAlthough using this trite doesn't mean that the fact is any less true, it is still at the risk of sounding cliché when I say that Jane Austen's classic, Emma, is like a breath of fresh air when juxtaposed to the miasmal novels in the publishing market today; especially for someone who has been on a YA binge of late. You see, the reason why I went for Emma as my first Austen read is because my mother has seen the latest movie adaptation, and she claims it to be her very favorite. Mind you, she hasn't read any thing of Austen's—but she loves the movie so very much that she kept pestering me to watch it (I suppose I'll have to pester her to read the book now, won't I?). To which I continually said that, no, no, I will not watch the movie until I've read the book; I positively hate to watch the movie adaptation before reading the book; it virtually cancels out any chance of me ever finding enough interest in reading the actual book to its completion. So, after picking up Emma at least ten times in the past year, reading the first few chapters, only to sit it back down again, I finally—the other day—decided I wanted to read something of quality and something that is truly written well. Well, that is definitely Emma.
Emma, herself, is, for me, just as stunning as she is flawed; I started out thinking her a walking vexation, but somewhere in the 400+ pages I began to warm to her like you would with any inevitably lovable—albeit, at times, antagonising—character. Emma's devotion to her father is also very admirable. And by the end, Emma seemed so much more humble and less meddling that I couldn't help but be very pleased with her character. My thoughts on Mr. Knightley are not as easily expressed; in the beginning I found him merely interesting, but somewhere in the middle he began to hold my interest as much as a mother would hold her infant (if that isn't too much of an odd metaphor); by the end he managed to surpass virtually all of the other male characters of which I've been exposed to. Granted, Mr. Knightley isn't in Emma nearly enough for my satisfaction—but when he is, the aforesaid is all too true. I can't quite place my finger on what it is, exactly, about him that made such an impression on me—other than that I've always had a strong fascination with a true gentleman, being as that sort of thing is practically extinct in this day and age; also, I've grown very jaded with the often monotonous male characters of today. And I do believe that my reaction to Mr. Knightley has left me at a wonder as to just want my reaction will be upon meeting the famous Mr. Darcy. I'll doubtlessly swoon just as countless other lasses have since P&P debuted in 1813.
I really think that my hesitation in reading this—as well as Austen's other works—has nothing to do with the writing, or the story, or the pacing; because, and I know this will sound strange, but, I've always loved a book that is just about people going about their daily lives and doing things—little trivial things, even—and simply living; people say that Emma doesn't have much story and is really just people planning balls and Emma interfering in peoples' lives—but I loved all of that! I'll take everyday living over complex plots any day. No, I think the reason for my waiting so long is that I psyched myself out of reading something like this; I kept thinking that it would be too long or too boring or too archaic or too something or another, but in reality this is the very type of thing that I love to read about. Regency, Victorian, etc. . . . I love to read about all of the historical periods, and I'm so very glad that I stopped procrastinating.
So, I enjoyed this a great deal and I've set a goal for myself to read all of Austen's works by this time next year (although I kindly ask you not you hold me to it ;)). I plan to continue with her other slightly lesser known titles, and finish with what appears to me to be the most well known and highly esteemed, Pride and Prejudice. In a summary, I plan to save the best—or what is often said to be the best—for last.
FAVORITE QUOTE: "One half of the world cannot understand the pleasures of the other."
Although I have many favorite quotes from this (the rest can be read below), that particular quote stood out the most because it is so very true. Expect to see it in my future reviews.
I highly recommend Emma to everyone; both lovers and reluctant readers of classics....more
Blood Red Road delivered exactly what I'd hoped it would: a richly atmospheric YA dystopian thriller with a non-stop pace, action sequences executedBlood Red Road delivered exactly what I'd hoped it would: a richly atmospheric YA dystopian thriller with a non-stop pace, action sequences executed by kick-ass chicks, and a light, slow-building romance that is sexy and promising.
Saba has just had the one person whom she's been closest to since birth — quite literally, in fact, for he is her twin brother — snatched from her life in what seemed like the blink of an eye. One moment they're skipping stones in what little water remains of the lakebed near the small shanty they live in, and the next her twin brother Lugh is gone. Determined to get him back from the Tonton, fierce and lethal men garbed in black, she sets off into the unknown with little but the clothes on her back. But what she finds is much more than what she set off for.
This series isn't titled "Dustlands" for nothing: while immersed in the story, it is as if the reader is walking right along with Saba on her journey to reclaim her idol, her twin, and her best friend. I positively love books that make you feel as if you're breathing the same air the main character is, and Blood Red Road does just that.
One of the things you'll notice right away with Blood Red Road is the language. Because the majority of the people in Young's dystopian world haven't received a proper education, they speak quite differently. Bitten-off, miss-spelt, and miss-placed words make up the language. This may make it a bit harder to read for some people, but I didn't have any problems adapting to it. I actually felt that it added an extra-special something to the story, that it added to the originality and even made it more enjoyable.
I mustn't forget to mention the author's inclusion of familial love and relationships. You see, in lieu of focusing the better part of her story on a romance, Young chooses to showcase the depths of devotion and love that can be between siblings. That, my dear reader, is the story at the heart of Blood Red Road; everything else comes second. In fact, the lead character, Saba, doesn't even run across her potential beau until midway through the story; the first half is focused on Saba trying to get her brother back from the clutches of the bunch of crazies who took him from her, as is much of the latter half. Honestly, I couldn't be more pleased with the progression that this novel takes. The balance between Saba rescuing her brother, Saba finding herself and realizing her true capabilities, and Saba slowly and somewhat reluctantly falling for Jack is executed to perfection.
Lugh got born first. On Midwinter Day when the sun hangs low in the sky. Then me. Two hours later. That pretty much says it all. Lugh goes first, always first, an I follow on behind. An that's fine. That's right. That's how it's meant to be.
This particular quote, which is the opening to the story, struck me in the gut immediately. I felt that it conveyed a level of low self-esteem that I could, at one point in my life, sympathize with. Saba puts herself in her brother's shadow, and is happy with being there. But of course, this isn't right. And I think that Saba gradually learning to put herself first was one of my favorite aspects of the story.
Blood Red Road is the first of a trilogy, and its sequel is already out, Rebel Heart. I will be reading it very soon....more