Imagine, you have just died. I know, kinda crappy, right? But! At least all your earthly suffering is over. Whatever caused your death is no longer trImagine, you have just died. I know, kinda crappy, right? But! At least all your earthly suffering is over. Whatever caused your death is no longer troubling you and you are restored to the prime of your youth and deposited into a vast, almost infinite library filled with every book that could ever be written and where you do not age, you have perfect memory and are able to recall every word you have ever read and every event that has ever happened to you, your every injury and even death are healed overnight, your every culinary desire is met by an automated kiosk and you are surrounded by people who are pretty similar to you in background. You would think that you are in heaven, wouldn't you? Or at least a book geek's version of it. Yet, you'd be entirely and completely wrong. Because you are actually in hell. Or one version of it based on a short story by Borges The Library of Babel.
Until I read the book, just the concept of a library as hell was complete anathema to my mind. The story tells you straight up, however, that this is hell, as you are greeted by a polite but very red demon against the backdrop of bodies burning endlessly in tar and lava and told that you are here because the one true faith is Zoroastrianism, so bad luck for you unless you worship the Lord of Light and Wisdom Ahura Mazda. Here he is by the way:
(I seriously need to go read up on this stuff as this is the second book made of awesome which I have read in the last year which is based, at least in part, on Zoroastrian mythology).
The devil, of course, is in the detail and comes down to how you define a "book". Because for me, you see, in order to be a "book" something needs to not just be shaped as a book (in fact, with the advent of e-books, it doesn't even need to be shaped as a book at all) but also have content capable of conveying meaning (even if it is meaning which I am not capable of understanding). Whereas in the Zoroastrian hell library, a "book" is essentially a paper book of a set size, 410 pages long and with a set number of lines per page and letters per line consisting of about 95 characters on the standard English keyboard arranged in all possible variations which gives us 95 to the power of 1,312,000 possible books, i.e. quite a bit more than there are electrons in the universe and a library that's about 7,16 to the power of 1,297,369 light years wide and deep but the vast majority of which are just a random arrangement of letters and symbols which carries no meaning whatsoever.
Your task in this hell is to find your earthly life story without errors. "If your story is accepted, you will be admitted into a glorious heaven filled with wonders and joys beyond your imagination." Oh, and "you are here to lean something. Don't try to figure out what it is. This can be frustrating and unproductive".
This book was mind-blowing. It is a book about philosophy and religion and the meaning of life – all things that normally make me cringe and move slowly away but here it was all done in such a gentle non-patronising non-head-bashing way, it was fascinating. My only complaint is that it was not long enough. At the start, it is described as a book found by the narrator in the library. So where, I ask you, are the other 302 pages then? Yet, this is a minor complaint. For all its brevity, there is so much packed into the pages of this book. Love, loss, violence, horror, insanity, cattle mentality, sorrow, hope, hopelessness, infinity are just a few of the themes. I'm sure I will be picking this up again sooner rather than later....more
So, another series is over and, I'm afraid to say, for me the ending was just meh. Unfortunately, this appears to be the fate of so many series theseSo, another series is over and, I'm afraid to say, for me the ending was just meh. Unfortunately, this appears to be the fate of so many series these days. The Soookie Stackhouse, Georgina Kincaid and Dante Valentine books all immediately spring to mind. Like the first two of these three, the main problem with the Parasol Protectorate series, I think, is that there just was not enough plot for the five books and the series went on for longer than the author is convincingly able to sustain the storyline.
This last instalment takes place two years after the ending of the previous book with Lord and Lady Maccon still residing in Lord Akeldama's closet. The latter is the legal guardian to Prudence, the infant inconvenience who is now a toddler causing a lot of havoc and keeping Lord Akeldama, all his drones and the majority of the Woolsey werewolf clan on their toes. That is, until Alexia receives a summons from Matakara, Queen of the Alexandria hive and the oldest living vampire and the Maccons, along with the Tunstells and their troupe whom they take along as cover, set out for Egypt where, inevitably, they encounter adversity, mystery and adventure, leading to the series being very neatly wrapped up and tied up with a bow (a very oversize one with pink and turquoise stripes, to fit in with the general atmosphere).
Where with the previous book I was a teensy bit bored, with this one, I was a lot bored. In fact all of the first half of this book was just filler, with the author re-visiting some of the more memorable places and characters from the previous books - the hat shop now run by Biffy, the Woolsey Hive (with notable appearances from Countess Nadasdy and Mabel Dair), the fleeting return of Felicity Loontwill in a flurry of spite, the sudden reappearance of Lady Kingair (in the nude in certain placess, no less!) and a single appearance of Guatve Trouve (to deliver a replacement parasol) to name but a few.
The charm and humour of the earlier books has fizzled to a point where a lot of it read like bad panto tipping over into complete absurdity at several points (yes, I am talking about the hideous trouser ripping episode involving Tunstell and the overabundance of silly names). Most of the book could have been illustrated with images like these:
Not a great visual backdrop.
After the leasurly self-indulgent intro, the actual story and the wrap up were far too rushed and felt desperate and emotionally manipulative. (view spoiler)[Two major caracters die or are on the point of dying only to be miraculously rescued a few pages later, for crying out loud. (hide spoiler)] But the most disappointing thing of all, is that the main mysteries of the books - the Order of the Brass Octopus, the nature of the soulless/soulstealers (what/why/how are they?) etc - remain unanswered pretty much completely, unless you count the fact that Alexia's abilities are discovered to be cancelled out when she is submerged in water (I am not even going to mark it as a spoiler because, really, after five books, that is what we find out?!?).
Having said that, there were a few things that I liked which saved this from being a one star disaster. While I still feel that too many pages were dedicated to it, I did like the relationship between Biffy and Lyall. It was nice to have a homosexual relationship which was genuinely sweet and not reduced to riduculousness. I admire the fact that Alexia stays human and the elegant solution introduced by Carriger to deal with Connall's immortality and that Alexia never descends to the depth of Bella's vanity to obsess about her aging. But the thing I like most of all is the fact that, unlike in the vast majority of urban fantasy and PNR, Alexia remains very much her own person, with her own separate interests, friends and responsibilities and does not immediately turn into a woman-sized appendage of her virile sexy werewolf of a husband, entirely subsumed into his world, beliefs and persona. I can respect that. And I still love certain characters enough (Madame Lefoux and Lord Akeldama please make your way onto the stage) to be content to simply watch them. I almost feel nostalgic already. Almost.["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>...more