This is the rating I usually give to Young Adult novels that are pretty much your run-of-the-mill fare, but for all their conventionality and clichés, I still had a decent to good time reading. A lot of YA seems to be falling into this category for me lately. Being typical of its kind isn’t always a bad thing, though. At the very least, I know what I’m expecting. And while it’s true that The Young Elites probably didn’t exceed those expectations, it did meet them, and for that it gets my kudos.
The book is filled with familiar tropes, though to Marie Lu’s credit, she attempts to put a unique spin on some of them. A decade ago, an illness swept through the kingdom of Kennetra, killing many it infected. A lot of those children who survived were marked forever by distinctive scars and other features. Protagonist Adelina Amouteru, for example, had her once black hair turn silver, and physicians also had to remove her left eye in order to save her life. These youngsters who also came away with magical powers were labeled the “Malfetto”, and today they are persecuted and looked upon with contempt by much of the main population.
As one of the marked, Adelina’s status makes her undesirable for marriage, leading her cruel and unfeeling father to try and sell her off to become some nobleman’s mistress. After finding out about the plot, Adelina attempts to run away, only to wind up manifesting her powers and accidentally killing her father in a horrific accident. And so, we begin the book with our protagonist locked up in prison, awaiting her execution. Before she makes it up to the block, however, Adelina is snatched out of the Inquisitors’ grasp by a group of vigilantes known as the Young Elites, so called because their members are all like her – marked Malfettos who are empowered with special magical abilities.
It feels like we’ve seen this story many times before. A young woman is a part of an oppressed group because the rest of the world does not understand and are frightened of their powers. She gets taken in by others like her and is forced to prove herself to them. The main leader – a guy, naturally – is ultimately impressed by her force of will and decides to mentor her, becoming a love interest along the way too, of course. In this case, it is the mysterious and broody Enzo Valenciano, whose stone-cold heart starts thawing the moment Adelina comes along. Then throw in the beautiful Raffaele to drum up some of those tense emotional moments, though it is interesting to note that his relationship with Adelina never truly ventures into the romantic sphere.
Still, while much of the premise is well-traveled territory, there are actually a few major surprises. I for one was a bit caught off guard by the darkness of this story, but in the best way possible. It’s quite something to encounter a heroine who is not your average goody-two-shoes, and in fact, Adelina has a mean streak to her which makes her more frightening than anyone in this novel, even the villain. It came out occasionally and I was delighted whenever it happened, because these parts were always written so well.
Lu perfectly balances Adelina’s struggle to do the right thing with the cruel, dark and ugly blackness that lurks within her character, and also manages to convey the resulting guilt and doubt. There was always this suspense hanging over me, of wondering just when Adelina will snap because her roiling emotions are like a tightly drawn bowstring and there’s only so much abuse and pushing around a personality like hers can take. I love how we have a heroine that’s so complex, and likewise the story presents a lot of grey areas for readers to consider.
The ending is perhaps the strongest part of the book. It puts all the focus on Adelina, and she’s the only one who matters now, which is the way things should be. The moment of truth is at hand, and it’s anyone’s guess what she will do next. It’s tempting to wish for the obvious path, which is that she will do the noble thing, but I also confess that I’d be thrilled if she just up and decided to go completely dark side on everyone – and I wouldn’t even blame her for it. The fact that it could realistically go either way is a testament to Lu’s writing talents and her ability to develop her main character. The epilogue is also intriguing, and sets up a likely scenario for book two. Even though I can predict where the story might be going, I’m looking forward to it.
This was my first book by Marie Lu, and while I might not have been swept off my feet, it was still a very good experience. At the time I wasn’t really looking for a YA novel to blow me away, just something quick and fun to read in between some heavier adult fantasy novels, and The Young Elites delivered, and managed to throw in a couple surprises too. I’ll most likely pick up the sequel....more
I was a bit taken aback by the tepid to cool reviews I’ve been seeing for this one. Not that my own review is all that glowing, I realize, but while Talon probably won’t rank among my favorite Young Adult novels read this year, I had a lot of fun with it. By all means not a bad book. Surprisingly, most of the disappointment appears to be from fans of Julie Kagawa’s other series. I’ve never read anything else by her though, so there’s really nothing for me to compare this to.
But let’s move on to what the book is about. Talon is about dragons…but also not really. If you’re looking for a novel featuring these magnificent creatures in all their winged and scaly fire-breathing glory, you’re not going to find much of that here. What you have instead is a small group of dragonkind who spend most of their time in human form, hoping to infiltrate our society and one day take over the world again. A secret faction of dragon slayers called the Order of St. George is determined not to let that happen, and their members continue to hunt dragons like they have for time immemorial.
The book begins as two young dragon siblings, Ember and Dante Hill travel to California in their human forms to begin training for their future positions to serve their home base of Talon. Ember is fascinated with humankind, and wants nothing more than to enjoy the summer living out the full teenager experience – beaches, arcades, ice cream parlors, the whole shebang. Her brother Dante on the other hand is a lot more disciplined, and does not like it one bit when a rogue dragon shows up in their territory, distracting Ember from her training. Meanwhile, St. George has received the rumors of new dragon recruits in the area, and the young soldier Garret Xavier Sebastian and his partner are tasked to hunt these Talon agents down and kill them.
Encouraged to mingle and blend in with other teenagers, Ember and Dante spend most of this book as humans. But unlike other books with shape-shifting dragons (like Rachel Hartman’s Seraphina for example, which I thought did a really good job developing the culture and world of the draconic characters), it’s difficult to think of the dragons here as anything but human. This is what I meant when I cautioned not to think of Talon too much as a “dragon” book. Despite a few scenes of Ember thinking as a dragon and being a dragon – and they are quite few and far between – the author often seems to put her human persona before her draconic one. Plus, the setting is modern and urban. Ember’s life revolves around surfing, parties, friends and boys. Very little is known about the dragon home of Talon and Kagawa doesn’t really get into it. For those craving a bit more fantasy and world building, I can see how that could cause some frustration.
As such, this ends up being your rather typical contemporary young adult novel with a light fantasy twist, complete with love triangle and just a dash of forbidden love. Despite being exactly what I expected, it was undeniably entertaining.
After reading this, however, I admit to being skeptical of Kagawa’s writing. It’s obvious that she can spin a good yarn, but there were some plot elements that were so illogical and downright silly, it can be difficult to take these characters seriously. First of all, if you can take any form and you’re trying to covertly infiltrate and gain influence in human society, I would not do it as a teenager. Good luck gathering any useful information to bring back to your overlords, unless they’re interested in how your airheaded friend thinks so-and-so is so totally gorgeous and has nice abs. Talon is also so bad at this undercover secret agent stuff, I’m not surprised St. George managed to narrow their search down to Ember and Dante and their group of beach bum friends in like all of two seconds. You’re a dragon spy, and you’re seriously going to stick with Ember for your name? You might as well paint a target on your back and wear a big sign that says “I’M THE DRAGON!” and hang it around your neck. The Order of St. George doesn’t seem that much more competent either. At one point, Garret admits to his partner that he is getting too close to Ember and recommends stepping back from the mission. Instead of allowing Garret to do so, what does his partner do but tell him to take advantage of this new development to go even deeper into the case. Um, no! As soon as one of your soldiers gets emotionally involved and becomes compromised like that, you pull them the hell out. A lot of the problems that St. George experience near the end, they brought most of them on themselves.
These little moments aside, not much else detracted from the experience. Yes, the story is pretty standard but ended up being more interesting than the description made it sound, and it held my attention to the end, which isn’t something I can say for a lot of YA. The next book, predictably called Rogue, looks like it will delve deeper into the both the secret Order of St. George and the dragon organization Talon, so hopefully readers get the world building we want there....more
I’m disappointed to say the least. Stiefvater’s Wolves of Mercy Falls was a trilogy I read a few years ago, and while it might not rank up there as one of my favorite Young Adult series of all time, it had its moments. One of the highlights was the supporting character of Isabel Culpeper who was a bit of a queen bee, plus she’s angry and bitter to boot. And yet, I found her to be a lot more interesting than the very blah protagonist of Grace Brisbane, and I was rather fond of Isabel. I was also intrigued when I found out she would be starring in her own book Sinner along with Cole St. Clair, the rock star/werewolf with whom she started a budding romance towards the end of the Mercy Falls trilogy.
Sinner begins in California, where Isabel has started her new life, going to school preparing to be a doctor while working part time at a clothing designer’s store. Cole on the other hand is trying to make a comeback to the music scene after being rehabilitated from a life of booze and drugs, by — ugh! — agreeing to be the focus of a godforsaken reality TV show, of all things. When he arrives in LA, the first thing he does is look up Isabel, hoping to rekindle what they had from their days back in Mercy Falls, Minnesota.
There’s really not much else to say about the plot. The story zips along at the speed of molasses, and for the longest time I tried to figure out what the conflict was, only to resign myself to the fact that there really isn’t one. Cole does his reality TV show thing while acting like a prima donna, and Isabel goes about her daily life putting up with his crap.
To be fair, Sinner ended up being a completely different book than I expected it to be. First of all, it probably falls more into the New Adult category instead of YA, following the characters like Isabel in their post-high school life, and werewolves or not, the themes are more contemporary rather than related to speculative fiction. It has very few paranormal elements compared to the Mercy Falls trilogy, so few that I was just barely able to label this one a fantasy.
My main issue, however, wasn’t the lack of fantasy elements or the fact that there was hardly any story. My problem was the vacuous, insufferable prat that was Cole St. Clair.
For the love of God, I don’t remember him being so annoying in the original trilogy. A big pet peeve of mine is bad boys who try oh so very hard to be a bad boy. Let’s face it, if Cole hadn’t gotten lucky and become a rock star, he would have ended up living in a cardboard box in some alley, offering to take your verbal abuse for chance at a bit of change. And who knows, he still might end up that way. He’s already washed up at this young age, reduced to dancing-bear status on an insipid reality TV show.
The sad part is, I still really like Isabel’s character, which made it doubly hard to watch her fall for this joker when all I wanted to do was scream at her to run, run away! Get as far away as you can from this idiot because God forbid if you end up marrying him he’ll end up a worthless thirty-five-year-old has-been, having pissed away his royalties on cars and parties, with no aspirations other than to be a professional layabout because working for an honest living is just sooooo lame. He’d probably let his looks and physique go too, because exercise and taking good care of one’s health is something, like, everybody does! And we all know Cole’s just too cool to go along with everyone else!
I feel kind of bad for being snarky, but it just makes me so ANGRY. I think this was my problem with the Wolves of Mercy Falls series as well. The trilogy started well enough, but things went downhill in the last book Forever when the characters suddenly developed these horribly bratty and angsty attitudes. To a certain extent you have to expect a fair dose of youthful naiveté in YA, but this whole “OMG I hate everyone and everything!” and “Adults are stupid morons and I totally know better than all of them!” kind of thinking gets a bit old, especially in Sinner when we’ve supposedly left high school far behind. Frankly, Cole’s behavior towards his parents made me sick, especially considering how by all accounts they are perfectly good, sensible people. The worst thing Cole can think of to happen to him is if he became his dad, because apparently, Cole thinks being a responsible contributor to society is boring. Go figure.
As a novel, it saddens me to say this, especially since according to her foreword it sounds like a pretty important book for the author, but Sinner felt kind of pointless. For me, it was also 300-ish pages of teeth-grinding aggravation, thanks to the big, cuddly ball of phony that was Cole. Read this if you’re fan of the Mercy Falls books because you’ll probably want to see what happened to two of the more important side characters from the trilogy. That’s what I told myself I wanted to do, and I don’t regret reading this because at least I got to follow up with Isabel, but unfortunately not even her chapters could make up for her co-star....more
When I finished Storm Siren, I was speechless. If I am correct about what the ending implies, I just could not believe the story had the audacity and boldness to say, “Oh YES indeedy, I am going to go there!” And honestly, it’s refreshing whenever a Young Adult novel surprises me. I like unpredictability especially when it comes to my YA, and weird as this may sound, I admit I do get a little thrill in my heart whenever I get completely blindsided.
It was, however, a journey to get to that point. One of the reasons why I think Storm Siren will be a very successful book is because it mixes the familiar with the new. Yes, we have some unexpected plot twists and bombshells, an incredible world with a rich magic system, and a heroine with a unique superpower. But balanced with this is also a novel that feels distinctly like it belongs in this genre, with archetypal characters and the usual tropes of YA. Despite this, I believe YA readers will feel comfortable with it and love it for what it is.
The book opens with our protagonist, a seventeen-year-old Elemental girl named Nym, facing her fifteenth sell as a slave. An unfortunate incident triggers her storm-summoning powers while she is on the auction block, resulting in chaos and panic. After passing out, Nym wakes up inexplicably in a luxurious bedroom in a mansion, and is informed that she has been purchased by Adora, the rich and influential noblewoman and court advisor to the king of Faelen.
Throughout this entire novel, we are told that Nym is special. This is practically thrust into our faces the entire time, from the fact that she shouldn’t even exist, since Elementals are all supposed to be only born male, to her role as the only person who can save Faelen in the war against the neighboring kingdom of Bron. But Nym isn’t the perfect savior either. She’s reluctant to use her powers even in defense of her friends due to her inability to control the storm. She has also already caused no small number of deaths in her life, albeit accidentally, and hates the idea of killing more people even if they are the enemy.
Storm Siren features a great story, encompassing a lot of political intrigue and epic battles. The story itself is definitely a winner. But that isn’t to say it couldn’t have been stronger, and perhaps it is a credit to the book and author that my only issue was that I always felt like wanting more.
I mentioned the world and the magic earlier in this review, for example. When Nym is sent to train with a tutor to hone her Elemental abilities, her classmate as it were is a boy named Colin who is a Terrene, someone from his land who can manipulate the earth and stone. Terrenes are also always born as twins, with one twin having abilities and the other not. Apparently, there are even more “brands” of magic users in this world, each with their own specific types of powers and presumably interesting facts about their backgrounds. I mean, this stuff is great! It’s world-building gold. Unfortunately, we just don’t get to learn much about them at all. This is possibly due to limitations like book length or the fact the author couldn’t work those details into the plot, but I sometimes also felt like she may have been trying to put too much into her story.
I also think more emphasis could have been placed on supporting characters. We only have a total of about five characters we really get to know, and I found Breck and Eogan interesting but a few others were quite superficial, like Adora the classic cold villain or Colin with the heart of gold and a personality of a golden retriever puppy. I thought some of the other characters of the court, like the king and a couple of visiting nobles and a princess could have been developed more as well, since relatively they weren’t given much attention but they all had pivotal roles to play by the end of the novel. It would have given the politics and the brewing war between the different kingdoms that extra oomph, and perhaps made things less confusing.
Like I said, I wanted more – but I’m also the kind of person who constantly asks questions when I’m reading, especially when it comes to a book’s world and lore. Did I need all this information to enjoy the story? No, the story itself is solid, even though I felt more world building could have enhanced it. Just when I thought for sure I had everything nailed down, just when I figured it was all going to end the same neat and tidy way that all YA books do, the last few chapters with the final showdown threw me for a loop. I learned that Mary Weber is someone who is not afraid to do things with her characters, even if it means shock and heartbreak to the reader. And I just have to admire and raise my glass to that.
The issues I mentioned notwithstanding, I did have a good time with this book. It started out like the YA novel it’s meant to be – feels like YA, reads like YA – but then went and gave me a surprise at the end. So ultimately I got exactly what I expected, plus a bit more as a bonus! 3.5 to 4 stars from me....more
Horror in Young Adult fiction is tricky territory, so whenever I see a novel getting some buzz, I can’t help but take notice. Shutter ended up surprising me. While it probably wasn’t the book I was expecting, there’s absolutely no denying that Courtney Alameda has delivered a high-octane read that’s at once superbly written and full of interesting new ideas. This is the first YA novel in months to stand out for me. That’s not to say there weren’t a few areas that I thought could have used improvement, but I’m impressed especially given how this is the author’s debut.
Shutter introduces us to Micheline Helsing – yes, she is indeed a descendent of that Helsing – a tetrachromat girl whose ability allows her to identify different types of undead by the color of their auras they give off. Her family along with other such illustrious lineages like the Stokers and Drakes have always sworn to hunt and destroy monsters, and in time their organization has grown to occupy an entire island off the coast of San Francisco, complete with itsown medical and research buildings, training yards, and other such facilities. This means that besides her powers, Micheline and her pals are also armed with state-of-the-art monster hunting tech and equipment, all the better to do their jobs. Mundane firearms are usually enough to bring down the corporeal baddies, but dealing with the spiritual undead sometimes requires a bit more finesse.
As such, Micheline never goes anywhere without her camera, her weapon of choice when it comes to fighting ghosts. By capturing their “ghostlight” on film, she can steal their energy bit by bit until they are gone for good. Until now, her trusty SLR has never failed her. But then a run-in with a particularly nasty entity leaves her and her team cursed and marked by soulchains, and Micheline has seven days to figure out how to exorcise the entity or else they will all die. With her relationship with her father already on the rocks since the deaths of her mother and brothers, Micheline is forced to go on the run in order to save herself and her friends.
One of the favorite aspects about this book is how seamlessly Alameda has managed to incorporate the Reapers into the modern world. With the Helsings being in the open and publicly known as the go-to guys for all your ghost and monster problems, we avoid the kinds of pesky problems that arise when authors try to construct a believable scenario around a secret society. But while I am sold on the Reapers and their place in the world, I also thought the book stumbled on providing some of the finer details. Take the mechanics behind the use of mirrors and camera lenses to exorcise ghosts, for example. It scores major points with me for being a new and innovative idea, but at the same time the explanation behind the process is rather touch-and-go. To be fair, I do tend to feel this way about a lot of concepts in YA novels, and I can be excessively critical when it comes to world-building elements. I wish the camera-as-a-weapon idea had been more robust and better developed (no pun intended), especially since it so central to the book, but I was also fine for the most part just going along with it.
However, when it comes to the writing, I have nothing but good things to say. It’s hard to believe this is Courtney Alameda’s first novel. Her writing style is wonderful and easy on the eyes, and she keeps such a fine consistency on her character’s voice as well as pacing behind her storytelling, it honestly led me to believe she’s been doing this for ages. Another observation is that despite its categorization, I wouldn’t exactly describe Shutter as horror. Generous amounts of blood, gore and guts aside, there’s simply none of that atmosphere behind it, though I don’t doubt Alameda could have managed it if she wanted to. There are definitely traces of Horror elements in the plot, but quite simply, I got the feeling she was more interested in telling an action-thriller, and she certainly succeeded in that. Sure, there are parts that are predictable (mainly who the big bad entity was, as well as the identity of the mastermind pulling the strings behind the scenes), but I could not spot any lulls or breaks that hindered the flow of the story.
There are things I wish could have been different – Micheline’s character, for example, is the typical YA heroine ruled by emotional impulses, who leaps into dangerous situations without thinking about the consequences and insists on taking matters into her own hands even though she makes a bigger mess of things in the end. Not long ago, I also read an insightful guest post by another author about friendships between strong female characters, and ever since then I have become more aware of how many YA female protagonists are kickass, smart-talking girls who are inevitably surrounded by only male companions, with other girls in the story only serving as rivals or someone getting in the way and/or someone for the heroine to protect. I really think this trend has to change. To its credit, at least this book had a romantic side plot that was not convoluted or poisoned by a love triangle or any such nonsense, and the relationships between the characters, particularly the one between Micheline and her father, reached me on a deeper level.
The strengths, most notably the strong writing and the fast-paced, action-oriented plot, overcame all the minor weaknesses and made reading this novel worth it, though. Sure to appeal to fans of supernatural/horror themed TV shows and books, you won’t regret picking this one up....more
Few subsequent installments in a Young Adult series have lived up to the bar set by their first books, so color me impressed by the way Heir of Fire has managed to do this while at the same time helping me get over the bad taste that Crown of Midnight left in my mouth.
This is going to be a difficult review to write without stomping all over spoiler territory for the previous books, but I’ll do my best not to divulge anything beyond what’s already in the book’s description. So much has happened in the series since the beginning. We last left Celaena on a ship bound for Wendlyn, sent there by her former lover and captain of the King’s Guard Chaol Westfall. Significant events as of late have also marked Wendlyn as her destination for answers to her past, and a way to thwart the King of Adarlan’s nefarious plans.
Not only has Heir of Fire sparked my enthusiasm to follow Celaena on her adventures again, it’s also now my favorite book of this series. I noted as well that this third book was remarkably light on relationship drama and all that bullshit. Coincidence? Probably not. The incessant shoving of an unimaginative, hackneyed romantic side-plot down my throat in Crown of Midnight was what almost made me lose my patience with that last book. It’s a welcome change to be somewhat free of that stuff this time around, and I’m glad Heir of Fire switched gears to focus on more action and rigorous story-development.
Of course, there were a few close calls with Rowan Whitethorn, introduced here as the warrior tasked by the Fae-Queen Maeve to train and guide Celaena to control her magic, but Celaena thankfully manages to remember that the remains of her poor and battered broken heart still technically belongs to someone else. I honestly thought Rowan would be yet another blip in the long line of male-mentors-to-YA-female-protagonists, but rescued from being labeled as yet another possible love interest (boring!), he actually ends up becoming a formidable mentor, ally, and friend to Celaena (much more interesting!) Getting to that point was also quite the journey, their interactions punctuated by ups and downs, but then some of the strongest and most loyal partnerships are forged in this manner.
Back in Adarlan we also have a couple storylines threaded with mystery and intrigue, as Chaol does some sleuthing and uncovers several important revelations about Aedion, the newly arrived general at the royal court. Meanwhile, Prince Dorian struggles with his own secret, one that could cost him his life if his father the king ever found out about it. He strikes up a friendship and later a romance with a palace healer who tries to help him. It would cheapen the experience to give way any more detail than that, but suffice to say, both Chaol and Dorian’s storylines ended up converging in a shocking, gut wrenching climax that seriously knocked me for a loop. Looks like things in this series has started moving away from the predictable throwaway elements, and is instead focusing on working in bolder and weightier developments that might actually cause major ripples further down the road.
It also wouldn’t be right to talk about this book without mentioning the Manon Blackbeak, another character who makes her first appearance in Heir of Fire. The King of Adarlan’s latest plans for domination involve Manon and her people, the wyvern-riding witches. Vicious, bloodthirsty and completely determined to prove herself as the most capable Wing Leader, Manon became an instant favorite, despite her role thus far as an accessory to a tyrant. I loved the side story in here of how she ended up with her wyvern – kind of like How to Train Your Dragon, except considerably less heartwarming and with 500% more brutality. But the bond between rider and mount is well-written and convincing, and the circumstances behind how Manon actually ended up with her wyvern made for an amazing sequence, and it’s one of my favorite scenes in the book.
This one’s much longer book than its two predecessors, but almost everything in the story was important, with hardly any dithering around. It’s a step up from both Throne of Glass and Crown of Midnight, dealing with heavier and more developed themes. We also go deeper into each character, with the new players like Rowan, Aedion and Manon getting the introductions they deserve, and even familiar characters like Celaena, Chaol and Dorian getting much love and attention from the author when it comes to building up their stories and personalities. So whaddya know, looks like a series can indeed mature with time and subsequent novels, and Heir of Fire is exemplary....more
Excellent. A little predictable and I'll forgive Abercrombie's occasional awkwardness when it comes to writing a teenage girl (albeit a rough and tougExcellent. A little predictable and I'll forgive Abercrombie's occasional awkwardness when it comes to writing a teenage girl (albeit a rough and tough one) but until the last few chapters I was set to give this one a solid 4 stars. Have to now at least bump it to a 4.5. Full review to come. ...more
A little bit like Lord of the Flies meets The Breakfast Club meets The Mist, Monument 14 is about a group of children holed up in a superstore after a freak hailstorm causes a chemical leak from the nearby weapons manufacturing site, leading to contamination of the whole town.
On the surface, this book seemed like it had a lot of potential. Books featuring kids in stressful, survival situations always seem more chilling and disturbing to me than books starring their adult counterparts. Children, after all, are the picture of ultimate innocence; in an ideal world we wish to protect them from all the troubles and anxieties of adulthood. Even most adults would be ill-prepared to handle a sudden disaster, so I can’t even imagine how much worse the burden of responsibility would be to a teenager. Without strong guidance and a lack of organization, it’s not surprising how quickly a group situation can devolve.
The kids in this book range from ages 5 to 17, all stranded passengers from a couple of school buses that were wrecked by the severe storm. Naturally, a hierarchy of leadership develops, with the older teens taking care of the young’uns. The dynamics are made more interesting by the differences not only in the characters’ ages, but also in their personalities, backgrounds and upbringing. Unfortunately, this does mean that almost everyone is pigeonholed into rather predictable and clichéd stereotypes. Main protagonist and narrator Dean is the “booker”, a quiet and somewhat awkward late-bloomer who has long harbored a secret love for Astrid, the popular and perfect hot girl. Astrid however is the girlfriend of Jake, the football jock. Among the high-schoolers, there’s also the bully/bad boy Brayden, the solemn and live-by-the-book Boy Scout Niko, who happens to have a thing for the kind and motherly Josie. The roles are cast, and the stage is set for some serious teenage drama.
The younger kids actually proved more intriguing and to have more well-rounded personalities. A couple of them genuinely surprised me, displaying a level of maturity and problem solving skills that even surpassed some of the teenagers’. In fact, I think one of the book’s main weaknesses is its gradual divergence from the “we’re all in this together” theme towards a greater emphasis on the relationships and soap-opera aspects of the older kids. The story was a lot more engaging at the beginning when the whole group dealt with the challenges of surviving together, addressing issues like mob mentality, who should be in charge, and how to explain the situation to the elementary children who are frightened and don’t understand why they can’t go home. Once the focus shifted to become more about “who’s crushing on whom”, the book became more typical and less special in my eyes.
While I loved the premise, another strike against this book is the whole reason why Dean and the other kids are trapped in the superstore. The explanation given – that the chemical leak is a gas causing different reactions based on the exposed victim’s blood type – is a bit weak and unconvincing. Victims with O-type blood will become mindless violent savages, while another type would break out in boils and blisters, while yet another type would experience no outward signs but may suffer infertility and reproductive difficulties, etc. Leaving aside how such an absurd model of symptoms made me want to bash my head against the wall, the theory of the chemical disaster did not feel that well thought out. It felt like the author needed a reason to put the kids in this particular jam, and seized upon the first idea to come to mind without fleshing it out, giving it more logic or detail. Perhaps that’s why the book also threw in the extreme weather and a massive disaster on the east coast, just to make the situation bigger and severe than it is.
As expected, Monument 14 also left off on a cliffhanger (these days, I’d be shocked if a YA novel didn’t). Still, it’s a strong start, with a great idea to work with, and just a tad wobbly on the execution. I haven’t decided if I want to continue with the series yet. Looks like it’ll be another short, quick read, so if the opportunity arises, I may take it. ...more
When I think about Young Adult books from Pyr, words that spring immediately to mind are “distinct”, “unconventional” and “unique”. I guess that’s why I’ve been counting on this book to lift me out of my YA slump. I’ve been feeling rather burned out by the love triangles, broody heroes, and paranormal/fantasy settings in this category lately, and Earth Girl looked like the perfect cure to this particular malaise.
My instincts proved correct.
The story of Earth Girl takes place in the far-flung future, narrated by eighteen-year-old Jarra. There are many names for people like her. Handicapped. Throwback. Nean. Ape. All of them mean one thing: that she is among the one in a thousand born with an immune disorder that confines her to earth. Humans have developed portal technology at this point, using it to colonize a multitude of worlds, but Jarra can’t visit any of them. If she traveled anywhere she would go into anaphylactic shock in seconds, and die if not returned immediately to earth’s atmosphere.
But even in the year 2788, humanity has its bigoted attitudes. So when the time comes to enroll in university, Jarra chooses her preferred subject History, but decides to invent a fake military background for herself to apply at a school on another planet whose class of norms who would be on earth for the first year of practical studies. Jarra is sick and tired of being looked down on for being handicapped, and she’s determined to show a bunch of stupid Exos just what an ape girl is capable of.
There is therefore nothing subtle about the social message in Earth Girl. This is a book infused with emotion and meaning. But even beyond this, there is so much more to love. While the plot may be a bit predictable at times, very little else about this novel falls prey to clichés, especially when it comes to the characters. You meet Lecturer Playdon, for example, and might immediately label him a hardball professor, bent on giving our protagonist a hard time – because adults obviously are in YA novels just to get in the way! Or take Dalmora Rostha, daughter of a rich, famous vid director. She’s totally going to be the snooty, spoiled and annoyingly fake arch nemesis in this story, am I right? Now the lascivious pair of Betas though, surely they are there just to provide comic relief, cause trouble and flunk out?
Nope, nope, and nope, wrong on all counts. This book will surprise you at every turn, and I can’t tell you how refreshing that is.
I also confess, I have another reason for loving this book. For you see, in the context of Earth Girl, Jarra’s “practical prehistory studies” is just another word for Archaeology. And I love Archaeology. While studying it and going on digs in college, I’d always entertained thoughts of future archaeologists excavating our modern cities and wondered what they would make of our civilization from the things they find. It’s like the author was reading my mind! When Jarra and her class dig up the ruins of New York, the methods and technology they use may be very different, but still the systematic methods are there and so is the culture and spirit of a dig site. World building is fantastic in terms of creating a great atmosphere.
My only quibbles are minor. The dialogue can be stunted at times, making Jarra and her friends sound and act like they are much younger than their eighteen years. Fian, the romantic interest, is probably the worst offender. Jarra also seems to be an expert at everything. A character even makes a joke about this at one point in the novel. As well, there is a tendency to tell instead of show and moments of overt info-dumping, but as many of these instances are worked into a classroom setting, they were easily forgivable. Other than that, as you can see from my rating, this book was close to perfect.
Thank you, Janet Edwards, for breathing some new life into YA for me. Earth Girl was a very enjoyable read and I’m looking forward to the next book. ...more
Jarra has carried out a successful rescue mission, saved lives at the risk of losing her own, and received the Earth Star and the highest honor of the Artemis medal. But still our protagonist finds herself defined by her disability.
I’d been eagerly waiting to read this book ever since I read Earth Girl. Earth Star is the sequel, picking up right where the first book left off. Things have pretty much returned to normal after the events of the unprecedented solar storm that put the New York dig site and Jarra in the spotlight. The whole world knows she’s Handicapped now, that she is among one in a thousand born with an immune system disorder that confines her to earth. But while most of her classmates have come to terms with learning her secret, not everyone has been so accepting of Jarra.
I continue to enjoy this series for its ability to engage as well as its departures from the usual YA conventions. Unsurprisingly, these books probably won’t be for everyone, though I do wish more people knew about them. Not only is there an important message, I also love the universe Janet Edwards has created, and here she expands the idea further by throwing humanity a curveball – the possibility of aliens on Earth’s doorstep. When the military discovers a strange sphere in orbit, the planet goes into high alert and Jarra is drafted to help.
You would think that the arrival of an extraterrestrial presence might bring humankind together, but that isn’t the case. The book continues the theme of showing how deep-rooted bigotry and intolerance can be, even though Jarra has proven herself to be as capable as any Norm time and time again. The prejudice against the Handicapped has been ingrained in this society for generations, and Earth has become a second-class planet, with those who have the immune disorder somehow seen as less than human.
But there is hope yet. There are plenty of those who don’t share those close-minded views. Jarra and her boyfriend Fian have gotten much closer since the first book; the two have pledged their commitment to each other and Fian continues to be Jarra’s strongest and most loyal supporter. But like I said, we aren’t going to be treated to the same old tropes here, so Jarra and Fian’s relationship also has a completely different dynamic than your typical YA novel. I wouldn’t recommend going into these books expecting a strong romance plot. It’s just not that kind of book, and I’m cool with that. Still, that doesn’t mean that it is completely devoid of romantic tension. A private person by nature, Jarra still struggles with opening up to Fian, and Fian comes across as almost insecure in his desperation to get through to her. His role feels slightly diminished here, but then I suppose the force of Jarra’s personality has a way of overshadowing those around her.
For make no mistake, these books are all about Jarra’s journey, her own exceptional fight against adversity, from without and within. But I also like the fact she is not painted as the invincible hero. Reviewers including myself have noted in the first book that her character seems to be an expert at everything and know all the answers. In spite of that, I see now that she has her fears and doubts. The message is clear: as a Handicapped, Jarra is nevertheless able to do everything that a Norm can do, but it works both ways. She’s also just as liable to fall victim to her own anxieties and lose confidence in herself, just like everyone else. After all, she’s only human. Like all of us. ...more
I’m a mythology buff, so naturally I became drawn to Kendare Blake’s Goddess War series. The first book introduced us to the concept that the Old Gods of Greek Mythology have always existed, and that well-known deities such as Athena and Hermes have lived among us since time immemorial. But all of a sudden, the gods are losing their immortality, dying slowly in the most bizarre and most horrific ways. All eyes turn to Kincade, New York, home of Cassandra of Troy…or the reincarnated version of her, anyway. As the gods take sides and prepare for war, the psychic teen may hold the key to everything.
After reading the first book, I could say I enjoyed it unequivocally. This second book, however, left me with mixed feelings.
Issue 1: Pacing. It falls on the slower side, especially at the beginning. Looking back, the biggest criticism I had with Antigoddess was that it ended with absolutely nothing resolved, closing with a cliffhanger of sorts. Happily, Mortal Gods picks up right where it left off, but then spends an excessive amount of time just trying to build back up to the level of suspense and excitement that we experienced right at the end of book one.
Issue 2: A book like Mortal Gods that has parts taking place in far flung and exotic locations across the globe should feel vast, epic, HUGE. At times, I sense this vibe struggling to come through in the narrative, but it never quite manages it. I love Kendare Blake’s writing style and she generally does a great job with her world-building, but for some reason the scenes that took place in the jungles of Malaysia or the outback of Australia felt rushed and glossed over.
On the other hand, she seems to do a much better job with fantasy settings. I adored the scenes that took place in Hades’ Underworld or at Mount Olympus, they were amazing.
Issue 3: The character of Cassandra. What happened? Granted, her life has been turned upside down and she’s experienced a lot of terrible things, including the loss of someone she loved deeply. All these events have shaped her, and while she’s a much deeper and well-rounded character now, she has also transformed into a downright bratty kid. Her anger and impulsiveness makes her say and do dumb things, and that makes it really hard to sympathize with her.
The final thing I want to talk about isn’t really an issue, but might be something to consider if you’re thinking of picking up this series. This is a Young Adult novel and it really shows. Most of the main characters are teens, including the incarnations of the Greek Gods, and there’s practically no adult presence. For some readers, this is of little to no importance. For me, it does take away some of the realism and immersion. If you can buy (or don’t care) that a teen can go jetsetting across the world, miss school and disappear for days on end without her parents even getting a tiny bit suspicious – or alternatively, they’re actually okay with it – then you shouldn’t have a problem at all.
I don’t want this review to sound too harsh though, because I did have a good time with Mortal Gods. My favorite part of it is still the unique and interesting take on the Greek Gods, and I really enjoyed how certain snippets of the story would play out like a very loose version of the Iliad, particularly when it involved the relationships between characters.
Bottom line: a pretty good book and sequel, though I still liked the first book better. I’m looking forward to the next one....more
Antigoddess is the second book I have read by Kendare Blake, after the fun times I had with Anna Dressed in Blood earlier this year. And as much as I appreciate a good ghost story, I have to say Antigoddess was more up my alley.
Funny story, though: When I first added this book to my reading list, I only saw the cover and thought it was going to be a story about angels. Damn feather threw me off. It wasn’t until I read the description that I realized I was wrong, but that it was actually about something even better! Not angels, but gods. Greek gods. The mythology buff in me was tickled pink. And that feather on the cover which originally misled me turned out to be a symbol for something much more sinister…
At the heart of this novel and series is an ancient conflict stemming from the events of the Trojan War. So before reading this, it might be a good idea to brush up on your Greek Mythology 101. Or rent Troy. It’s all good! In any case, you don’t have to be an expert on all the details to enjoy this, as Blake uses her prerogative to do some very cool and unique things to the legend and the characters involved. For one, the gods themselves are dying – and in the most bizarre ways. We learn of their plight through mainly Athena and Hermes’ perspectives, the former experiencing impending death by way of random feathers sprouting in her body like a cancer. This is making all the gods a little desperate, and some are driven to insanity.
Even from the very start, we’re presented a mystery. What do the gods have to do with a teenage girl named Cassandra from Kincade, New York? Granted, she appears to have some freaky psychic powers, but the character perspectives going back and forth between Athena and Cassandra cannot be any more different. The latter’s chapters show life in your typical small town high school, while Athena and Hermes’ chapters (at least in the beginning) have an almost abstract, dream-like quality to them which I really enjoyed. While the characters’ connections are revealed early on, the plot doesn’t explode until gods and mortals meet. And then the revelations are even more mind-blowing and unexpected.
The book’s greatest strength is its characters. I suppose if you’re a god you can choose to be whoever you want to be. I liked how Blake gave her gods all different and interesting identities – from Athena’s stern demeanor to Apollo’s loyalty or Hermes’ fun-loving personality and fondness for pop culture.
Most obvious weakness? This had the feel of “first book of a series” all over it. In other words, it read like one big long introduction. Voracious readers of YA fiction will probably know exactly what I’m talking about, and probably won’t find this all that surprising. It’s not hard to guess whether a book will have a satisfying ending or leave things wide open for the sequel; once it became clear that there was no way any of the conflicts would be settled by the end the novel, I admit my interest waned a little as that “let’s just bring on book two” attitude settled in.
That said, I am on board for book two. It’ll probably be one of my higher-priority sequels too, because let’s face it – how often does a book with a good Greek mythology angle come along?...more
Ruin and Rising was good, but perhaps it was just good…enough? I sat on this review for several weeks trying to gather my thoughts about this book hoping to figure out exactly how I feel about it. And in the end, I finally realized why I was so conflicted. I liked this book – and heck, up to now this series has been one of my YA favorites – but as badly was I wanted this to be the grand finale, I just couldn’t convince myself to love it.
As you would recall, Siege and Storm had the unmistakable feel of a second installment within a trilogy, with our protagonists experiencing a momentary setback. Last we saw Alina, she was in pretty bad shape, having lost her powers as the Sun Summoner. She and Mal have retreated underground with their allies, surrendering themselves to the power of the Apparat and his band of zealots who worship Alina as a Saint. But while Alina may be weakened, she is far from broken. Her mission remains the same: to capture and secure the third amplifier, the elusive firebird that would be her key to defeating the Darkling thus freeing Ravka from his iron grasp.
In truth, I had my reservations from the very beginning. The first couple of chapters almost drove me to return the book. Looking back, these were so clearly “transition” scenes that served no other purpose than to link book two with book three. As an antagonist, the Apparat was almost a non-entity, used to accomplish what was required, and then quickly forgotten. I just wanted this obligatory intro done and over with as quickly and painlessly as possible, and fortunately and unfortunately, it seemed Leigh Bardugo had the same idea. We always knew Alina’s goal was to hunt the firebird, and this brief little romp through the tunnels and caves felt like nothing more than a throwaway distraction.
Thankfully, we soon get back on the right track. We meet up with Nikolai, the outlaw prince of lovable arrogance and smart-assery, and now we can finally ask the really important questions. How are they going to go up against the Darkling? And what would a future Ravka look like if they succeed? Alina has some difficult decisions before her. What is she going to choose? Or rather, ugh, WHO is she going to choose?
In some ways, I feel validated. I still love YA, but not long ago, I told myself I can’t read them for their romances anymore. And I’m a much happier person for it. Enjoying a novel mainly for its story and characters is how I’ve come to approach YA, because if you rely on the outcome of a relationship to satisfy you, you’re bound to be disappointed. Time after time after time, predictability and tired clichés have ruined YA romances for me, and I’ve found it much easier now to just NOT CARE. It also helps that I’ve never really felt much connection to the men in Alina’s life. I’ve failed for three books to see the Darkling’s appeal. And Mal was ruined for me in Siege and Storm (you can’t get stinking drunk and kiss another girl and expect bygones to be bygones, Mal – you only get one chance with me). Nikolai was perhaps the most interesting and had the best personality out of everyone, and that told me right there he was obviously all wrong for Alina, so I never took his role as a suitor seriously.
I’m not going to say what happens, naturally. But I will say Bardugo took the “safe” route. Which was pretty much what I expected, so I’m actually not too upset with the ending. I’ve come to accept the status quo in YA fiction, and it hadn’t even occurred to me that this series could end any other way. It’s entirely possible I would have rated this book higher if it had been a bit bolder and strayed from conventions, but I’m also satisfied if not entirely blown away. And if this had been the author’s plan from the start, I applaud her for sticking to her guns and telling the story she wanted to tell. Everyone deserves their happily-ever-after, and Alina got the one perfect for her which is all that matters.
I’d still recommend this series. It became increasing more predictable as the story progressed with each installment, to the point where there were really no surprises left for me by book three, but it’s an entertaining trilogy as a whole. I wish it had ended with less tepidness considering the incredibly strong start that was Shadow and Bone, but I have to say it’s worth experiencing from beginning to end....more
I make it no secret that I’ve been in a bit of a YA slump lately. This year saw a few of my favorite YA series finishing their runs and I’ve been flitting around checking out more books to fill the void, and it’s been difficult finding anything that clicked with me. This has led to discouragement and no small amount of burnout, so I’m really glad for books like Joe Abercrombie’s Half a King and now Chuck Wendig’s Blighborn to come along and snap me out of my funk.
If you’ve read the first book of The Heartland Trilogy, you’ll know what I’m talking about. Under the Empyrean Sky was a real shaker-upper for me, making itself stand out from a lot of Young Adult dystopians novels by being surprisingly candid and authentic. The Heartland is a rough place that breeds rough folk, a place where killer corn, deadly Blights and piss-blizzards are an everyday reality. After several YA sequels have disappointed me earlier in the year for having plots that are unimaginative and contrived, Wendig’s refusal to sugarcoat or hold anything back is exactly what I needed. Blightborn was interesting and unpredictable, much like life in the Heartland.
The book picks up where the first one left off, with Cael, Rigo and Lane on the run, looking to find a way skyward to the Empyrean flotilla. Right on their heels are Boyland Barnes Jr., Rigo’s father, and Wanda, who all have their reasons to pursue the three friends. Boyland wants revenge, after believing Cael killed his father. Rigo’s father just wants his son back. And Wanda hopes to be reunited with Cael, her “Obligated”. However, Cael’s heart already belongs to Gwennie, who is living the life of a Lottery winner on the floating city of Ormond Stirling Saranyu and is realizing it’s not all it’s cracked up to be.
As you can see, interwoven between the various plot threads are these intricate relationships between the characters which add a lot to the story, so I highly recommend grabbing the Under the Empyrean Sky before reading Blightborn to fully experience all the underlying nuances. Wendig continues to explore and develop these relationships, especially when it comes to the dynamics between Cael, Lane and Rigo. As their fight for survival intensifies, the three friends learn to trust each other. Over a number of intense and sometimes touching scenes, they discover new things and gain a deeper understanding of each other and themselves in the process.
Romance also isn’t a central focus of this series, but love and devotion certainly plays a part. It’s the motivation behind so much of what the characters do, after all, with Cael and Boyland both going after Gwennie, Wanda after Cael, etc. Usually, I have very little patience with stuff like love triangles – or God forbid, love squares – but I’ve come to appreciate the complicated emotions flying between all these characters and the fact that they never remain static. Cael and his friends do a lot of growing up, and with growth also comes a more mature way of looking at the world and others. Cael, for example, is much less self-absorbed in this book, learning to put himself in his friends’ shoes, and sometimes even in his enemy’s. While he and Boyland have always been at odds, Cael can still admit to himself that what the other boy feels for Gwennie could be genuine and respect that, which is a huge step for him as a character in my eyes.
Another thing I loved about this book is the expansion of the readers’ world into the skies. We’d heard over and over about the corruption and decadence of the Empyrean in the first book, and now we finally get to catch a glimpse of how the elite live. It was important to see the huge disparity between life on the flotilla and life down in the Heartland as it builds the story up quite a bit, setting up the stage for new players like the Sleeping Dogs rebels, who do their share of stirring things up both in the skies and on the ground. No dystopian novel is complete without an uprising, and the pressure that has been around since the first book finally boils over in Blightborn, culminating in a stunning climax, but not before Wendig takes us on a crazy wild ride to get to that point.
I highly recommend this series, especially if you’re a fan of Chuck Wendig. I’ve always loved his writing style and characters, and that hasn’t changed even with his venture into YA dystopian. Books like this one keep me excited about the genre!...more
I admit it, I read this book for FORBIDDEN LOVE! Turns out though, it was not exactly the kind I had in mind. I expected a little more chemistry, perhaps? A little bit more of that "it's you and me against the world"? The Winner's Curse ended up giving me two lovers who actually spent more than half the book locked in conflict with each other, and so their romance lacked some of that je ne sais quoi which makes forbidden love so scandalous and delicious.
Meet the two star-crossed lovers in question: Kestrel, the seventeen-year-old daughter of a Valorian general, who one day visits a slave auction and spontaneously decides to buy Arin, a native of the Harrani lands her people conquered. Their meeting, however, was no accident. Unbeknownst to Kestrel, Arin is actually a high ranked member of a group of Harrani rebels, planted purposely at the auction to draw her in. As a slave in the Valorian general's home, Arin would be in a position to gather intelligence and plan his people's uprising.
What neither of them counted on was that their master and slave relationship would eventually evolve into friendship, deepening into love. But that journey was far from passionate for me; instead, it felt tepid and sometimes even bordered on awkward. It's tricky creating chemistry when both your characters are torn between their loyalties to each other or their own people, and the story never managed to convince me that there was ever really any trust between Kestrel and Arin. Seeing as The Winner's Curse is essentially a romance, that's a pretty vital ingredient to be missing for me.
Okay, so their relationship was not as swoon-worthy as I would have liked, but no matter. The world, the characters and the story soon won me over, and I enjoyed this book a lot. While it is what I would classify as "standard" YA, it still contained plenty of surprises within its pages. I did love the setting, with the flavor of a historical fantasy. A martial civilization like the Valorians which also encourages women in their army fascinates me. If anything, I wish the scope of the story was bigger to encompass more of the events in the wider world. There's a lot of potential for world building here; because of the narrow focus on Kestrel and Arin, we only get to see a tiny slice of what's happening.
Forbidden Love just happens to be a trope I can't resist, but the comments I made above notwithstanding, if you are a fan romance I would still highly recommend The Winner's Curse. But if it's excitement or a thrilling adventure you're looking for, you might want to reconsider. The pacing is a lot more quiet, with a decent chunk of this book dedicated to getting Kestrel and Arin together, and it's a gradual process not achieved through any wild or fierce means. There's perhaps a slight pick up in pace in the final handful of chapters, but keep in mind the story itself isn't about providing a lot of action, it's about character development and building a relationship. The careful way in which Marie Rutkoski does it is undeniably this book's crowning glory, and even though the romance itself fell a bit flat for me, I'm sure for many others it will be the most engrossing aspect.
Despite the shaky love story, I really liked this novel, and I'll no doubt pick up the next book when it comes out. I'm still holding out for an exception forbidden romance to emerge triumphant from this series, and I think it still has a chance, not to mention things end just as the story gets even more interesting....more
So I don't usually read contemporary Young Adult, but when I saw the description for Second Star I was instantly intrigued. My tastes typically run towards speculative fiction, but I figured a reimagining of Peter Pan, one of my favorite fairy tales, is still close enough to be in my comfort zone. Then I heard there was also going to be a Peter, Wendy and Hook love triangle in it and ... well, okay, my curiosity just got the better of me.
I'm so glad I read this one, though. Speaking as someone who can count on one hand the number of contemporary YA books I read in the past year, I liked this one a lot more than I thought I would. But keep in mind, if you're looking for a story that stays true somewhat faithful to the Peter Pan mythos, you might not find it here. Second Star isn't so much a retelling but a complete reinterpretation, with a lot of elements that are only loosely based on the original classic.
Firstly, the characters are all surfers. Wendy Darling, newly graduated from high school, takes off on a search for her missing brothers John and Michael, twins who disappeared months ago, suspected to have drowned in a surfing accident off the coast of California. But Wendy believes they are still out there, and follows a series of clues to their whereabouts. Her search leads her to meet Pete, a mysterious boy who takes her to a secret cove called Kensington (presumably a reference to Kensington Gardens, where Lost Boys who fall out of prams when their nannies aren't looking are swept off to Neverland to live with Peter Pan) where he lives in an abandoned house with his gang of surfers, all young runaways and squatters who have no place else to go. One of Pete's constant companions is a quick, small and blond girl named Belle, who immediately dislikes Wendy out of jealousy, and is always trying to turn the other boys against her. On the other side of the beach lives Jas (a short form of James, as in James Hook) a surfer dude and drug dealer. Jas' peddling of a new drug called "fairy dust" had led to a falling out between him and Pete, and now the two are bitter enemies. Oh, and there's also a dive bar in this book called The Jolly Roger, described as "a bad scene".
There are tons of other little references like this, which are really fun to spot and to see the author spin the various elements of the fairy tale to make them fit in the story. The title Second Star and how that term was used in context is in itself one of the best examples. Of course, the only downside to a book like this is that the characters themselves are limited to an extent by their roles and archetypes in the original story. After all, you can try adding depth but only go so far before they become totally unrecognizable from the characters that inspired them, but I think for what she had to work with Sheinmel did a really good job putting her own flair and originality while staying as close as possible to the spirit of Peter Pan.
I also don't know much about the author, but I would not be surprised at all if she surfs. I thought the idea of using surfing as a metaphor for flying in this book was simply brilliant. Surf culture fits this story so well, and the way the author describes the feeling of being on the waves is so realistic and passionate, I can practically smell the salt water, suntan lotion and surfboard wax. The exhilaration that comes from riding a huge wave is so palpable I can see why Sheinmel chose to compare it to flight.
As always, there will be no spoilers in my reviews, but I just have to say the ending kept me awake for two hours even after I finished the book. I just couldn't get it out of my mind. I thought about the many ways one can analyze the story of Peter Pan and how J.M. Barrie himself had explained in the novel the nature of Neverland, a boundary-free and adventurous place in the minds of children that are never the same from one child to the next. In the end, I can't say the conclusion in Second Star was really what I wanted, but I suppose it was also very fitting.
This book was fun, but also poignant, which I did not expect. I don't regret picking it up....more
You might have noticed that I featured the third book of The Grisha earlier in the month in one of my Waiting on Wednesdays. It goes without saying, I continue to enjoy this series very much! Still, it's only natural for readers to compare sequels with their predecessors, and the truth is I did not think Siege and Storm was as strong as Shadow and Bone.
There are several reasons for this. I don't want to single this book out because this is certainly not the only time I've felt this way, but it does serve to illustrate a pattern I've been noticing with me and a lot of young adult novels lately: Book One manages to make me fall in love with the characters and impresses me with a sweet, endearing little romance, and then invariably Book Two will show up with teenage melodrama and start stirring the pot.
Thing is, I haven't stopped rooting for Alina and Mal. I still love the fact they started out as childhood friends first, and that their trials and tribulations in the first book brought them together and made them see that their relationship might be something more. But of course, YA conventions dictate that NO ONE can ever be allowed to remain in a loving, happy relationship, dammit! Seems to be the case especially when it comes to middle books of a trilogy.
Now, don't get me wrong; I appreciate a bit of dramatics here and there to help spice things up. But why do they always have to stem from some form of silly misunderstanding or a simple case of miscommunication? You two are best friends, maybe you should try talking to each other. And a love triangle? I thought we'd dodged a bullet with that one when the Darkling turned out to be a nasty in the first book.
Thankfully, Sturmhond, the third wheel in question, doesn't seem like a bad sort, especially given his secret and intriguing background. Dashing, confident, and just tolerably vain, I actually thought he was a great addition to this series. That I preferred his character over Mal is a testament to just how far the latter had fallen. Oh, Mal, Mal, Mal. What happened? I have very little patience for characters who drown their sorrows by getting so severely smashed that they can hardly even remember their own names. Or those who kiss other girls when they are supposed to be in love with someone else, for that matter.
Alina doesn't get away scot-free either. This book sees her going through some big changes, after she and Mal are intercepted from their escape and taken back to the heart of Ravka to gear up for their fight against the Darkling. A darker side of her emerges, and though this is a result of certain events in the story, frankly her personality change disturbed me. Her arrival and new-found status also meant instigating a lot of social posturing within the egomaniacal ranks of the Grisha, giving the court an unpleasant dynamic, one reminiscent of a hormone-fueled high school cafeteria. Slipping deeper into her role of the Sun Summoner and the savior of her country, she begins to lose sight of what's really important. This mostly means Mal, really.
While this review may sound critical, know that I really did enjoy this book. In embracing a lot of the YA conventions, it also fit my mood like a comfortable glove, much like the first book did. The story may have been a tad too focused on the drama between Alina and Mal, but it also did a couple things really well, mainly in 1) expanding the world of The Grisha and 2) ending things with a bang. If the pattern continues with this series, as the third and final book of the trilogy, Ruin and Rising should be amazing....more
I thought Lumière was fantastic, so much so that I read the whole book in a day. Some parts even made me want to give this one a 4.5 or 5 stars, simply because for an independently published Young Adult novel I thought this was really impressive.
As you know, I'm a pretty picky reader when it comes to the YA category, plus I don't always jump on board with self-pubs or indies. Still, this book's description drew me in when it was brought to my attention; something about the story just struck the right tune with me. Right away, I knew I had something good when the prologue opened with an introduction to the heroine Eyelet (what a charming name!) at age eight at the time, looking upon a brass mechanical steam-powered elephant at a carnival. What else will I find in this world?
Fast forward to the first chapter and we see Eyelet as a seventeen-year-old, nine years after that fateful day at the carnival where a mysterious flash lit the skies and changed the world. Troubled by occasional seizures and desperate to hide her illness from the authorities, Eyelet is determined to hunt down the Illuminator, a fantastical machine that was invented years ago by her brilliant scientist father. The machine may be her only chance to cure herself, but first she has to find it before her father's old nemesis gets to it first.
Jacqueline Garlick made it easy for me to root for her characters by giving them such endearing and energetic personalities. Not far into the story we get to meet Urlick Babbit, the young man who unwittingly rescues our heroine as she escapes capture from her enemies. The poor guy had no idea what he was in for! Even with Eyelet and her total disregard for other people's privacy or some of the churlish questions that spills out of her mouth, I couldn't help but find myself amused by the dynamics between these two, as something deeper begins to develop between them. I also like that they're not a conventional couple. Eyelet has her nettlesome qualities and Urlick isn't your usual drop-dead gorgeous Prince Charming, having experienced injuries during his birth that marred his appearance. I found their relationship very unique and refreshing.
Again, I just can't get over how rich the setting is. It's an original world packed with amazing qualities, flavored with a healthy dose of magic and steampunk. Here and there you will find all sorts of quirky mechanical creations and bizarre creatures -- some that are helpful like Eyelet's ravens, others that aren't so friendly like the zombie/ghoul-like Turned. There's also a good chunk of the book where Eyelet is holed up at Urlick's place, trapped there because of the dangerous Vapours storms, where she discovers all sorts of gadgets and other wonky inventions designed and constructed by the strange boy. Even though this section was a slower break from the action, I was kept interested, never knowing what Eyelet would find next in Urlick's hideout.
I very much appreciated the nice blend of fantasy with the action-adventure elements of this one. And I was honestly surprised with the quality of the writing and storytelling; whatever polish it requires is very minimal, and as a whole the story was presented exceptionally well and flowed naturally. I wouldn't have devoured this book so quickly if it hadn't, and certainly the fun factor of the plot didn't hurt. I knew I was hooked when as soon as I finished the book, I went online and checked if there was an estimated release date for the next book. Alas, it won't be for a while yet, but definitely something to look forward to....more
I wish I could say this book just wasn't for me because I'm not into YA paranormal romance, but that wouldn't be true. In fact, I quite enjoy this genre. Nothing beats a good love story for giving me all the warm and fuzzy feels, and the best ones do just that. On the flip side, however, there are books like Sweet Evil that somehow manage to diminish the mood by pushing all the wrong buttons. There were a couple things about it that I found off-putting, though I'm aware it's a matter of personal taste and that others might not feel the same way.
Unfortunately, the characters Anna and Kai too closely resemble a couple of my biggest pet peeves. Pet peeve the first: a weepy, insecure female protagonist. I have no problems with Anna being the living embodiment of goodness (in fact, I admire her all the more for it) but naivete and innocence does not have to translate to neediness, ceaseless pining, crying or completely falling to pieces over a guy. Especially when the guy in question has done so little to deserve such obsession. So many times I just wanted to shake her and ask her where she has misplaced her self-respect.
Which brings me to pet peeve the second: male love interests that are pure scum, just wrapped in a pretty package. Take away Kaidan's good looks and hot accent and all you'll have left is arrogance and patronizing smugness. I'm not even taking into account his (literal!) life's work to sleep with as many women as possible. Seeing as he is the half-human son of the Demon of Lust, I'll just let that one slide as an ingrained part of his nature. Still, regardless of whether he can help it or not, most sane people tend to find that sort of behavior repellent. So what does that say about Anna, who falls head over heels for this guy anyway?
All right, with that out of the way, now I can tell you about the things in the book that DID work for me. Sweet Evil offers an interesting take on angels and demons and how they interact with us mere mortals here on earth. It's a deliciously sordid affair involving the demons of sins/vices taking over the bodies of men in order to have children with human women, resulting in the half-demon sons and daughters called Nephilim. The intricate system and hierarchy of fallen angels described in this book shows that much care and effort was put into world building, proving Sweet Evil is not just about the romance, and that there is actually quite a lot of substance behind the story as well.
In spite of this, the plot flounders in many places for being too convenient and coincidental for my tastes, as in it's very obviously done for the sole purpose of forcing the characters right where the author wants them to be. Otherwise, you know there would be no story. For example, Anna's demon father who has been behind bars for the last sixteen years suddenly has a parole hearing coming up, well-timed to be just right after Anna meets him for the first time. And then, of course, there is Anna's mom Patti. What mother in her right mind would allow her teenage daughter to go on a road trip alone with a seventeen-year-old boy (son of the Demon of Lust, no less), just the two of them driving across the country and staying in hotels by themselves, to visit a total stranger in a penitentiary? That's just a little too hard to swallow.
I will give the story this, though: at no point did I want to stop reading. That I was going to see this whole thing through was always a foregone conclusion, despite the character flaws and the hitches and holes in the plot. I was entertained, even if I felt little sympathy for either Anna or Kaidan. Like I said, I had some pretty idiosyncratic reasons for why this book ultimately didn't work for me, but I can also see how other readers with a penchant for the young adult genre and paranormal romances may find plenty to like. ...more