“You ain’t gonna like what I have to tell you, but I’m gonna tell you anyway. See, my name is Karen Memery, like memory only spelt with an e, and I’m one of the girls what works in the Hôtel Mon Cherie on Amity Street. Hôtel has a little hat over the o like that. It’s French, so Beatrice tells me.”
A lot of times, it’s the books that initially fly under my radar which end up impressing me the most. This was the case with Karen Memory, whose description didn’t actually appeal to me at first. After all, as much as I love steampunk, I’ve read so much of the genre that admittedly I’ve gotten a lot pickier in recent years. It’s going to take more than just airships and clockwork gadgetry to entice me these days.
The moment I read the first paragraph though, I knew I was going to be in for a treat. It’s not even just the “Old West” feel of the setting (which I’m a sucker for and gets me every time) that caught my attention, but the distinct and down-to-earth voice of the narrator which immediately tugged at something in my heart. Right away, I knew I wanted to learn more about her. I wanted to get to know her and hear her story.
Our protagonist Karen Memery turns out to a young “seamstress” (a euphemism those around her parts use for prostitute) working for Madame Damnable at one of Rapid City’s more upscale establishments. It’s late 19th century and the Pacific Northwest is at the height of another gold rush; like any frontier town that’s sprouted up around the mining industry, life is rough and the folks even rougher. Working girls like Karen at the Hôtel Mon Cherie know that the best way to survive is to stick together and look after one another, but not everyone is so fortunate to have an employer like Madame Damnable or friends to watch their back.
The calm is shattered one night when two young women arrive at the Mon Cherie seeking help and protection. This is how Karen first meets and falls in love with Priya, a prostitute who managed to escape the horrific conditions of a rival brothel, but not without its mean and nasty proprietor Peter Bantle in hot pursuit. Thwarted, Bantle vows to make Madame Damnable and her girls’ lives a living hell, and with what appears to be mind-control device in his possession, he might be more dangerous than anyone believed. When the flogged and bloody corpses of women start appearing around town, one begins to wonder if all of this is connected somehow. A new lawman rides into town with his Comanche partner on the tail of a vicious serial killer, and together with Karen and the friends, this ragtag but resourceful crew is determined to get to the bottom of this conspiracy.
At times, Karen Memory did feel very much like my perfect book. It is imaginative steampunk that feels fresh and full of life, served up as a rich blend of mystery, suspense, action and romance. The end result is difficult to describe, but delightfully easy to enjoy. As I said before, I have a weakness for westerns and stories that take place during the expansion into the western frontier, so I was charmed at once by Rapid City, resplendently brought to life by Elizabeth Bear’s evocative and vivid descriptions. Despite a healthy dose of fantastical steampunk, we never lose sight of the distinctive characteristics or nuances of this particular era.
Karen herself is an amazing one-of-a-kind character, telling her story with a candidness that I found very charming. The narrative style won’t be for everyone, riddled with its colloquialisms and informal jargon, but it worked surprisingly well for me. It made Karen feel so real — I could practically hear her voice and imagine her mannerisms in my head. I’ll say this — whoever is narrating the audiobook will have her work cut out for her, as it’ll be hard to top what’s already written on paper. Usually prose littered with slang and grammatical errors, whether they’re intentional or not, would drive me nuts (especially my personal pet peeve, “would of” instead of “would’ve”, which Karen repeatedly commits). That I was able to overlook them in this case says a lot.
No doubt the book would not have been the same without Karen’s unique voice, but the other ladies at the Hôtel Mon Cherie surely deserve a mention too. This entire cast of brave and capable kickass women will rock your world and fill you with admiration. After Karen, I’m especially taken with the character of Madame, inspired by the real Mother Damnable, Mary Ann Conklin who ran Seattle’s first hotel and high-class brothel. For a certainty, this novel features no shortage of spirited women will go to great lengths for those they love and what they believe in, and will not back down without a fight.
Karen Memory is a book about a lot of things – solving a mystery, hunting a merciless killer, saving the city from evil, and all the spectacular drama that comes along with such activities. But at its heart, the book is also about forging friendships, growing up, and chasing one’s dreams. Behind the rollicking adventure is also a softer, more introspective side to the story that will surely resonate with a lot of readers.
Final verdict? I would definitely recommend this. It’s actually my first book by Elizabeth Bear, but regardless of whether you’re a long-time fan of the author or relatively new to her work like me, you really can’t go wrong with this one. Check it out....more
In 2013, Jo Fletcher Books sent me a copy of David Towsey’s Your Brother’s Blood and introduced me to a whole new perspective on the walking dead, and I realized I was looking at something very special. A “zombie-western series with the feels” is how I would describe The Walkin’ books, except I wouldn’t want to lead readers into a false sense of security either! Yes, while Towsey does show a more “human” side to zombies by letting them retain their emotions, intelligence and awareness of everything around them, like most tales that take place in the wild and lawless frontier, these novels possess an air of that steely grimness.
Your Servants and Your People is the sequel to Your Brother’s Blood that takes place seven years later. In that time, many things have changed. The Walkin’, or those who have died and come back, are tolerated in society, if not wholly embraced. In many towns they are still discriminated against and treated as an inferior class, though without the need to eat or sleep, most find work as laborers for the living.
Our protagonist Thomas McDermott on the other hand is a Walkin’ who just wants to be left alone. Since the end of the first book, he has reunited with his very-much-alive wife Sarah and daughter Mary, but there hasn’t yet been a happy ending for the three of them. In fact, the McDermotts are on the move again, looking for a place to settle after being forced to abandon home after home. Seems folks aren’t too accepting of a Walkin’ cohabiting with the living. Now Thomas is leading his family to a more remote part of the country, far away from the judging eyes of society, and escorting the McDermotts are a group of soldiers who are also on their way to the frontier garrison of Fort Wilson.
The series is clearly maturing, with book two differing from its predecessor in several major ways. Firstly, the years have changed the characters, none more so than Mary, who was just a child in Your Brother’s Blood. That little girl has grown into a young woman, and gone is her sweet innocence, which has been replaced by a bitter aloofness. Mary doesn’t say much, but she doesn’t need to for readers to grasp that this is one angry and rebellious teenager. Towsey portrays her character with a quiet intensity; he’s really good when it comes to “showing, not telling” and I love his subtle touch with all his characters.
The scope of the story has also expanded beyond the McDermott family. We branch into two significant threads here, the first one following Thomas, Sarah and Mary’s progress in establishing their homestead, and the second following the group of soldiers who were sent to Fort Wilson. A young man named Bryn is the focus of this second group, and he and comrades go through some awful, unspeakable things while holed up in that lonely outpost, things that I won’t go into detail here but that I will say are worthy of the most chilling of horror stories.
In spite of that, there is a lesser sense of urgency here in Your Servants and Your People as compared to Your Brother’s Blood. The first book’s premise was a lot more intense, following Thomas and Mary as they flee desperately across a forbidding wasteland, trying to keep ahead of a gang of zealots bent on killing them both. In contrast, for most of this book the plot moves at a gentler and steadier pace. Thomas and his family make their way to a new part of the country, stake their claim on a piece of land and begin the slow task of building a house. It’s the classic pioneer’s life story…well, save for the fact that the head of your party is a zombie.
These books have feeling because at their heart they are about love and devotion to family – after all, not even dying could stop Thomas from coming home to Mary, or from providing his wife and daughter a safe place to live. But there are still those who see him as an abomination and will stop at nothing to see him destroyed. I was hoping to finally see the McDermotts settle into their new life, because if anyone deserves a happy ending, it’s them. But as it turns out, the gradual pacing of this book fooled me into thinking that the threat was over, so that the bombshell the author dropped at the end crept up on me when I was least expecting it. Well played, Mr. Towsey.
The Walkin’ series is fresh, richly imagined, and sure to stand out for readers looking for a new twist on a classic genre. Beautiful and haunting, Your Servants and Your People is a sequel that brings back everything that was great about Your Brother’s Blood but at the same time feels different enough for me to see that the series is evolving. David Towsey has a knack for writing very gritty, very real protagonists with depth, and my heart is aching and anxious for the McDermotts now, wondering what will happen to them in the next book. I’m definitely not missing out on the final installment of this trilogy....more
I didn't think I was going to enjoy this book at first. Thank goodness I was wrong! Still, can you really blame me for having my doubts? After being inundated in recent years with the dozens upon dozens of movies, TV shows, video games etc. all featuring the same mindless gory battles against the shambling, moaning hordes of the undead, my initial thought was: been there, done that, now what more can this zombie book offer?
Well, this is the review where I happily eat my words! I should have known better anyway, because Ragnarok Publications has never let me down. As it turned out, Those Poor, Poor Bastards had a lot more to offer than I'd anticipated, in addition to that charming little title. The book did contain some of the usual trappings you'll find in a lot of zombie stories, but there were some twists as well, and I loved how the authors took the familiar and created something new. Also, while I haven't read enough of the Weird West sub-genre to consider myself a fan, a description like "Zombie Western" wasn't really something I could resist.
It is 1868, in the Sierra Nevada. The book begins with Nina Weaver and her father Lincoln riding into Coburn Station only to find that everything has gone to hell in a chuckwagon. The "Deaduns" have arisen and are sowing bloody carnage all over town, forcing the living to band together in order to survive. In typical fashion, you end up with a large, diverse ensemble cast. And like watching The Walking Dead, you just know before you even begin that many of them are going to end up zombie food before this whole thing is over.
Put a big group of people with disparate personalities into a stressful situation and you'll also inevitably get your clashes and alliances within the ranks. There are the good folks like Nina and her pa, the priest Father Mathias as well as the charming James Manning. On the other side of the fence you have the less savory types and troublemakers like the Daggett brothers or the scummy Mister Strobridge. Then there are those caught in the middle who just aren't sure. With tensions this high and a swarm of Deaduns at the door, it's the perfect set up for explosive conflict. Emphasis on explosive.
So far, with the exception of the western setting, things might be sounding rather familiar. But then, the authors work their magic and you suddenly realize there is way more to this story. Bucking tradition, we're actually given an explanation into the Deaduns and how they came to be. Their origins and motives, not to mention the actual reveal itself, were so unique that it completely threw me for a loop -- in a good way! I have to say this ended up being a delightfully fun read, in all its blood-splattered glory.
Those Poor, Poor Bastards also taught me something important about myself -- that I will never be too old or too jaded for a good ol' zombie story! What a fast-paced, crazy wild book. I think I'll just end this review with a suggestion to the potential reader: there are a lot of characters, so definitely try to tackle this novel all in one go if you can, ensuring that the dozen or so identities will always remain fresh in your mind. Besides, it shouldn't be too difficult -- because once you start reading, you just might find it hard to stop!...more
I usually start off my reviews with an explanation of what initially drew me to the book, and in this case it was the words "Zombies" and "Western" used to describe it that had me tripping over my feet for the opportunity to check it out. To date, I've only read a few titles from relatively new speculative fiction imprint Jo Fletcher, but they've already set themselves apart in my mind as a very special publisher, thanks to books like Your Brother's Blood which mix elements of sci-fi and fantasy with many other genres. Here, the result is something completely new and different, but I was also surprised to find this "Zombie-Western" to be quite literary and elegant at the same time.
The book is actually set hundreds of years into the future after an oft referred to but unknown apocalyptic event, and pockets of humanity now live ruggedly in small communities spread out across a vast and arid land in a style reminiscent of the Old West. A war is currently being waged between two armies, and caught in between them is the complicated matter of the dead who come back to life, those referred to as "the Walkin'".
Thomas grew up in Barkley, and at thirty-two years old he'd left to fight a war only to die and wake up again. He knows going home will put his wife and child in danger, but the pull towards love and family is too great; in the end his arrival in town sends him on the run again, with his daughter Mary in tow. It becomes a race against time as they try to evade their pursuers, because Barkley's zealots do not suffer the wicked or their spawn to live.
Other than a very few exceptions, I don't think I've come across many zombie stories that are told from the perspective of the undead, so this immediately makes Your Brother's Blood stand out for me. As a Walkin', Thomas' heart does not beat, nor does he bleed or feel a thing, but he does possess emotions, intelligence, and awareness of everything around him. He remembers Mary even though he hasn't seen her in a long time, and his love and devotion to her leads to many sad and touching scenes between father and daughter.
In this and many other ways, Your Brother's Blood is not a typical zombie novel; in fact, it shares very few similarities with other books in this horror sub-genre. Towsey's zombies aren't the mindless, shambling and brains-craving kind to be feared, and much of my enjoyment was actually the result of how much I sympathized with Thomas and related to his concerns for Mary. It's definitely a story that tugs at your heartstrings, but on the flip side there's also a sense of danger and urgency, for at the heart of this plot is the desperate-chase-across-the-wasteland factor that's so characteristic of classic Westerns.
There's just such a strange but unique mix of elements here, making this a special book unlike anything I've read before. There's just enough detail in this book to make you wonder things like, what happened to result in this post-apocalyptic world, and what's "in the blood" that makes a person more liable to rise as a Walkin' when they die? I'm hoping future installments will explore these questions, but I'd be okay too if some things are left as mysteries.
It's always interesting to me when I see authors take what's familiar and shake things up, creating imaginative characters and new worlds that lead to speculation. This was an enjoyable debut from David Towsey that not only surprised me with its originality, but also had a lot more feeling than I expected. I recommend it to anyone looking for something that's different, resonant and not "just another zombie book".
A review copy of this book was provided to me by the publisher in exchange for an honest review....more
The Doctor and the Dinosaurs is my first venture into Mike Resnick's Weird West Tales, and actually my first exposure to the author, period. Like many kids growing up, I went through a phase in my childhood where I was just nuts for dinosaurs. I suppose a part of that love has stayed with me all this time, because when I saw the cover and description for this one I just couldn't resist.
This is the fourth book of the series starring Doc Holliday of American Old West fame, but if I'm not mistaken, each installment can be read on its own. We seem to be catching our protagonist at a pretty bad time though, as the book opens on Doc bedridden and coughing out his lungs in a sanitarium, dying of the dastardly consumption. But then he is visited by the medicine man and great chief Geronimo, who grants him one more year of life in exchange for a favor.
Doc Holliday is tasked to stop two paleontologists who have been carrying out their digs on sacred Comanche burial grounds in Wyoming. Sounds easy enough. But that was before Doc learned that the two scientists involved are none other than Edward Drinker Cope and Othniel Charles Marsh, two men who hate each others' guts and are locked in eternal competition. Time is running out and the Comanche medicine men have made things clear: stop desecrating their lands or they will unleash a horde of monsters, the kind our world has not seen in 65 million years.
A crazy blend of steampunk, fantasy, alternate history and western, this book was as much fun as I thought it would be! I've never had the pleasure of reading a "true" dime novel from the latter half of the 1800s, but I wouldn't be surprised if Mike Resnick is in some way emulating the spirit and style of the popular fiction in those days. As you would expect from the above synopsis, the book's story and characters are more sensational than deep, with an entertaining plot that contains more clever, snappy dialogue than exposition. Nevertheless, that's the kind of book it was intended to be. In that sense, it does the job and does it well.
This book was also such a treat for the part of me that still loves dinosaurs. We all know there's no shortage of stories about the Old West featuring famous gunfighters like Doc Holliday, Wild Bill Hickok, Wyatt Earp, Cole Younger, and the list goes on. But while this series also features an impressive list of shootists, I loved how this particular story directed its focus to another significant event that took place during America's Gilded Age -- the Great Dinosaur Rush. For one, the hatred between Cope and Marsh was so intense, their rivalry so frenzied, that the two men actually spawned a period in paleontological history known as the Bone Wars. It's fascinating stuff! I was happy to see a spotlight on this idea, and an entire story built around it.
Is The Doctor and the Dinosaurs a little over the top? Perhaps. But is it fun? Definitely. I picked up this book hoping for an afternoon of fun, light reading, and that's exactly what it delivered....more
This book was a bit quirky and slightly odd at times, but for me it was like a breath of fresh air. It's different from the stuff I usually pick up, and ultimately it may have been a little too bizarre for my tastes, but I certainly don't regret reading it. When it comes to originality and interesting ideas, this book gets massive points.
My love for speculative fiction, especially when other genres are infused with a paranormal twist, is what drew me to this book in the first place. A fantasy western about a group of people from different times and places all mysteriously ending up in an unfamiliar world called the Wasteland? It sounded too intriguing to pass up.
Other than the fact this Wasteland is full of monsters and other unsavory types, however, I didn't know much else about the novel, so I settled back and prepared to let myself be drawn in. And that's exactly what the story did, thanks to the unusual but simply extraordinary ideas I found in here. The characters are a motley group made up of: Jack and Kitty, siblings from the Wild West; Edgar, a bootlegger from the time of the prohibition; Francis, a hippie; Hector, a former carnie; and Melody, a crazy 1950s housewife. And then there's Chloe, the newest addition to the team, who passes out one night in 2013 after a crazy night of binge drinking, and wakes up in the Wasteland.
These "Arrivals" were all ne'er-do-wells in the times they came from, but the most remarkable thing about them is what happens after they die -- or rather, what doesn't happen. Death isn't always permanent, but they don't find out whether it is or not until days later when the Arrival who died either wakes up good as new...or they don't. Their nemesis is a man called Ajani, a force of evil they have been struggling against ever since the first Arrival came to the Wasteland.
This is very much a character-driven novel, and their relationship dynamics form the basis for much of the story. Jack and Kitty take center stage most of the time and sometimes Chloe, even though I wished more attention could have been paid to the other Arrivals, such as Melody. I gathered she's pretty unbalanced through the fearful conversations the others have about her and their reluctance to get too close, but I would have loved to see more examples of Melody living up to her reputation. There are great characters here, but it's a pretty short book and it's just a shame the secondary characters don't get more screen time.
As I said, the book has many interesting and original ideas, and expect to have a lot of questions when reading this. If you're like me and prefer your books to also provide the answers, then you might find it a little frustrating, because at times you'll feel like you're only getting half the story. I was disappointed that there weren't more explanations, but the good news is that this doesn't diminish the quality of the world building. The Wasteland is not as desolate as it sounds, and the essence of the land and its creatures will constantly surprise you.
In many ways, The Arrivals is the kind of book you have to take as it is, and just go with the flow. I'm not a big fan of info-dumps, but I also like some explanations when they're warranted, and I have to say I enjoyed this book a lot more once I've accepted that I probably won't get answers to all my questions. What this novel offers, though, is a story of adventure about an unusual but fascinating group of people, and what they mean to each other. There's nothing out there like it!...more
4.5 stars. After finishing a reread of all three books of Sanderson's Mistborn trilogy, I finally felt ready to tackle this book. Sure, I was aware th4.5 stars. After finishing a reread of all three books of Sanderson's Mistborn trilogy, I finally felt ready to tackle this book. Sure, I was aware that The Alloy of Law could technically be read as a standalone, given that it's set 300 years after the events of The Hero of Ages and stars completely new characters. Nonetheless, I wanted to refresh my memory on the background of the world and especially Allomancy lore.
Good thing I did too, because even though centuries have passed and characters like Vin, Elend, Sazed and the rest of the gang are long gone, their lives and stories have become immortalized in this world's history and even religious canon. They are respected figures, with cities and landmarks named for them, and being able to recognize references such as these makes the reading experience that much better. The magic systems of Allomancy and Feruchemy are also still around, and in fact are made even more interesting by all the resulting possible combinations of metal powers that people can possess.
The protagonist of The Alloy of Law, for instance, is known as a "Twinborn", someone who has access to both an Allomantic power and a Feruchemic power. Waxillium Ladrian's set of abilities allows him to push on metals as well as change his mass at will -- a useful and powerful combination which serves him well as a crime-fighter out in the lawless frontier called the Roughs. But then his uncle dies, and Wax is recalled to the city and his noble roots. He reluctantly turns away from his lawman past and prepares to take on the role and duties more befitting a lord of his stature -- until a gang of bandits called the Vanishers surfaces, robbing trains and kidnapping hostages, and Wax realizes he can no longer stand idly by while decent people get hurt.
I'm not surprised at how much I enjoyed this. If there's one thing I can count on, it's that Brandon Sanderson gets better with each book he writes. Even though his Mistborn trilogy featured more characters and a more epic and elaborate story, I think I might have liked The Alloy of Law better than all three of those books put together. Despite its simplicity, I loved the western-like setting as well as the mild hints of steampunk I caught from passing descriptions of the new and extraordinary technology. It's always amazing to me whenever we get to see a fantasy world evolve like this.
It was also nice to see the humor between the two characters Waxillium and his friend Wayne. I don't think the book is meant to be a lighthearted read exactly, but I like it when Sanderson writes funny scenes like this with clever and witty banter. Reading this book made me laugh quite a few times, a fact I don't take for granted, especially since I make it no secret that I was not particularly happy with how things ended in The Hero of Ages. I don't deny that it might have even soured me on the whole trilogy, so to follow it up with something like The Alloy of Law definitely had the effect of lifting my spirits somewhat. The ending of the book sets things up nicely for the next installment, and I'm already looking forward to it.
Golgotha, Nevada 1869. Fifteen-year-old Jim finds himself in town after surviving the 40-Mile Desert, running from his past with just his horse and hiGolgotha, Nevada 1869. Fifteen-year-old Jim finds himself in town after surviving the 40-Mile Desert, running from his past with just his horse and his father's magical jade eye in his pocket.
Golgotha has always had a way of attracting and drawing in the supernatural. With its history of unexplained occurrences, the old town is also home to many strange denizens, including Jonathan Highfather, the town's sheriff whose extraordinary luck has always preserved him despite many close shaves with death. Mutt, his deputy, is said to be the son of Coyote. Meek and prim Maude Stapleton, wife of a prominent banker, is actually a deadly trained assassin and a follower of the cult of Lilith.
It all comes to a head when an ancient evil deep beneath the old mines of the mountain is called forth into the world, and the town's motley crew of citizens must join together to defeat the sinister force and its tainted army.
On the surface, this may sound like another one of your familiar characters-get-together-to-save-the-world books, but I have to say in all honesty I've never read a book quite like The Six-Gun Tarot. And it's a great thing. I've always enjoyed westerns whenever I read them, especially when they are mixed with aspects of fantasy and the paranormal. This book was an interesting blend of all that goodness as well as elements of theology and horror.
What makes The Six-Gun Tarot stand out is its world-building and character development. Almost the entirety of the book takes place in Golgotha and its surroundings, with flashbacks to some of the characters' pasts. The town and its population is brought to life by many of these rich backstories.
In fact, at times the book almost feels overly ambitious in these areas. I think it was a good move for the author to keep a lot about the history of the town and its people unexplained to preserve a bit of mystery, but at the same time I was left with so many questions and a desire to know more.
Take Maude's past as an example. What really was the purpose of all her training? Did she put her skills to good use on any adventures between the short time she became initiated and the time she met her husband and got married? Or what about Clay the taxidermist and mad scientist tinkerer? What's the deal there and where was his backstory?
These questions were just a handful of the many that occurred to me while reading. It felt to me that there was so much potential there to be explored, and what didn't get expanded upon seemed like wasted opportunities. This book could have been longer if only to delve more into the history of these characters, since they were what made this book so unique. Perhaps then there would also have been less frequent jumping around of character perspectives, which often got distracting.
As a debut novel, however, I have to say this one was solid. I look forward to checking out more of R.S. Belcher's stuff in the future....more
Brilliant. To me this is probably the best book Joe Abercrombie's written so far, and I'm talking like I love it even more than the First Law trilogy,Brilliant. To me this is probably the best book Joe Abercrombie's written so far, and I'm talking like I love it even more than the First Law trilogy, which is saying a lot. Until this book came along, I didn't think anything else he wrote would come close; after all, I thought Best Served Cold and The Heroes were meh and even more meh, respectively.
But Red Country simply just blew me away. Okay, so maybe it's because I have a thing for westerns. Though granted this isn't your traditional kind of western -- there are no guns or cowboys or anything -- but once you start reading, the author's intentions are unmistakeable. Joe A is totally going for his own version of the wild west, set in his First Law world, and seamlessly couples that with his "gritty, dark fantasy" approach that I've come to love.
Those familiar with the John Wayne Western film "The Searchers" will recognize the story immediately -- our main character Shy South sets off on a journey with her adoptive father to find her little brother and sister who have been abducted by bandits. But Joe A adds his own brand of style to the main conflict. Anyway, as soon as the characters join up with a wagon train and cattle drive with a Fellowship to the "far country", I just knew I was going to love this book.
Two things stood out for me that I enjoyed immensely about Red Country. Firstly, the characters. Before I go on, I'd like to say if you're a fan of Joe Abercrombie's other books, especially the First Law trilogy, you'll be delighted to find the return of some old friends. It's not actually that big a secret, even though the book never mentions a certain someone by name. All I'll say is just look carefully at the cover; if you know what to look for you'll probably be as overjoyed as I was.
There are also many great new characters -- Shy, Temple, Dab Sweet, Savian, etc. All of them are given unique personalities that set them apart and make them memorable, which I think is one of the author's greatest strengths (for example, who can ever forget a character like Sand Dan Glokta?) and is a big reason why I liked this book so much. After all, one of my chief disappointments with The Heroes was that it was pretty much about a whole lot of Northmen who were essentially all just a bunch of rough and gruff guys who did a bunch of rough and gruff fighting. With nobody really standing out for me, I felt Abercrombie's talents just didn't shine through like it did here.
The second thing I enjoyed about Red Country is the dialogue. Admittedly, Abercrombie will at times fudge a bit of the vernacular and break immersion, which I confess jolted me out of at fantasy/western world every once in a while, but I believe he does it for good reason: to make the conversations interesting, clever, and funny. There are so many awesome lines, so much quotable material in this book, and I just adore his wit so much, that well, obviously I was more than happy to let that one fault slide.
Anyway, definitely the best fantasy book I've read in a while. I was intrigued by the plot, amused by the jokes, shocked by the violence, touched by romance (well, the Joe Abercrombie kind of romance...the man certainly has a knack for writing the most hilarious and awkward sex scenes ever), surprised by the twists, impressed by the quality of writing, and most definitely sad when it all ended....more