We're living in charmed literary times, friends! Last May, Richard Russo published Everybody's Fool, a sequel to his novel Nobody's Fool, and there was much rejoicing because it was excellent. Today, he publishes Trajectory, a new volume of short stories — only his second (after 2002's The Whore's Child & Other Stories).
Trajectory is fantastic! There are only four stories here, but three of them are longer than average short stories. This includes the near-novella length "Voices," about an aging and perhaps disgraced English professor named Nate who is visiting Venice with his older brother, a shady dude who seems to have involved Nate in one of his schemes. Nate and his brother Julian have serious reckoning to do, both with their shared past, but as well as their individual pasts as well.
All four of these stories, in fact, are about aging people — college professors, a writer, and a real estate agent. In "Horseman," an English professor named Janet catches one of her students cheating, and then begins to question whether her own academic career is a fraud. In "Intervention," an aging real estate agent, who may or may not have cancer, tries to sell a house owned by a stubborn woman who won't get rid of her stuff to an obnoxious Texas couple in the dead of Maine winter at the height of the Great Recession. Challenging, to say the least.
My favorite story in the collection is the last one, "Milton and Marcus," about an aging novelist named Ryan who has dabbled in screenplays to help pay the bills. Now, he's hoping to return to the realm of the silver screen to secure health insurance from the Screenwriter's Guild for his ailing wife. He flies to Jackson Hole to take a meeting with a famous actor-turned-producer who wants to make a movie from the start of a screenplay Ryan wrote 10 years ago for another actor who has since died. While he's there, we're treated to an account of the sneaky, cynical, backstabbing nature of the movie business, and it's utterly fascinating, if not a bit sad. This story is Russo at his best — his understanding of human nature and feelings and motivations is just unapproachable. As well, this story felt the most autobiographical of any in the collection. Really terrific.
If you're a Russo fan, this is a must-read. He's absolutely at his the height of his game here — his little jokes and folksy aphorisms ("all hat and no cattle," eg) are all here, as is his typical whip-sharp insight. He's just a fun writer to read, whether short story or novel. This is highly recommended!...more
If you don't know much the about horrific tragedy of what's happened in Syria in the last several years, Elliot Ackerman's terrific, taut, engrossing new novel Dark At The Crossing is a good first step to learning. But as good as this novel is, it's not a war novel. Instead, it's a story about the terrible, no-win choices — the trade-offs one has to make, the pangs of conscience one has to ignore — war creates for those whose lives have been devastated by war.
Ackerman's bona fides to write about the Syrian Civil War are beyond reproach — he served five tours of duty in Iraq and Afghanistan, and won a Purple Heart, Silver Star, and Bronze Star for Valor. He currently is based in Istanbul, covering the Syrian Civil War war for various news outlets.
The novel is about a guy named Haris Abadi, an Iraqi-born, American-naturalized would-be warrior who was an interpreter for US troops in Iraq, and now is attempting to cross into Syria from Turkey to fight for the Syrian Free Army. It's 2014 and ISIS is beginning its rise, creating a three-way conflict between themselves, the rebels (Free Syrian Army), and Assad's regime. Abadi, who has some demons to exorcise from his service in Iraq, hopes to earn redemption by fighting for what he sees as a just cause.
But he makes it no farther than the Syrian/Turkish border before he is promptly robbed and left to fend for himself. He's rescued by a man named Amir, a Syrian living in Turkey who works for a "research firm," preparing reports about the war for foreign governments. Amir, and his wife, Daphne's, young daughter was killed in an explosion in Aleppo, and Daphne has never quite recovered.
So as the novel unfolds, Daphne and Haris form a bond, and endeavor to help each other get across the border, each for his/her own reasons. But how will they accomplish this? What part of their souls will they have to sell?
I took a chance on this novel after writer Nicholas Mainieri recommended it, and it's one I'll highly recommend as well. It's as engrossing, authentic-feeling, and well-written as anything I've read this year. If you've read and enjoyed novels/story collections like Phil Klay's Reployment, David Abrams' Fobbit, Kevin Powers' The Yellow Birds, or Ross Ritchell's The Knife, all novels written by soldiers, you'll love this too....more
Katie Kitamura's novel about a failed marriage isn't like Gone Girl or any of the other tent poles of the recent entries into the "bad romance" genre. This is a wholly unique take on this type of novel, and it's really terrific.
A Separation, which is out today, is a slow-burning, introspective, and incredibly astutely observed look at a relationship that has gone sour. It's the story of an unnamed narrator and her husband Christopher, Londoners who have separated, ostensibly due to Christopher's multiple infidelities.
Christopher has gone to Greece to work on a book, and then promptly disappeared. Christopher's mother Isabel — a domineering, annoying woman who never warmed to the narrator because she "stole" her son — calls our narrator and asks her to go to Greece to find her husband. Isabel doesn't know the two have separated, and the narrator chooses to keep that secret.
So to keep up appearances, off to Greece she goes to find her soon-to-be-ex-husband. While she's there, she begins to slowly reconsider her separation — or at least try to better parse her feelings for it and for Christopher, now that they're even more separated than they were before. She literally has no idea where he is — didn't even know he'd gone to Greece. What's happened to him? Will she find him? Has he taken even more extraordinary means than are usually necessary to separate himself from her? Or is he just on another tawdry tryst?
Part of what makes this novel special is that it's a novel about ambiguity, but told in language so precise and carefully chosen. Kitamura is an amazingly talented writer — her narrator can spend several pages watching a conversation between two people, describing their facial expressions and cadence, and tell us what she thinks they're talking about. And it's fascinating! But again, this is not a novel you'll confuse with a thriller. Watching the introspection, watching her her puzzle things out as best she can with incomplete, indeed, ambiguous information is truly the strength of this great read.
Despite the commonality of failed relationships, this is also a novel about subverting what's normal, what's expected. To further this notion, the narrator tells a brief story about a friend who went on a date with a man she really liked. At the end of the night, he invites her up "for coffee." Instead of inventing an excuse, she tells him she can't because she's on her period, which is actually true. On the surface, it's a hilarious non-sequitur. But everyone knows coffee doesn't mean coffee — only her friend has subverted the purposeful ambiguity of what it means to be invited up for coffee. The guy never calls her back.
It's little touches like these that makes this a really terrific reading experience. There is a lot going on in this slim, taut novel, many themes (grief, loyalty, and whether monogamy is still pragmatic) intersect and augment each other. It's a savagely smart and masterfully crafted novel — very highly recommended. ...more
A Man Called Ove, by Swedish novelist Fredrik Backman is one of those odd-but-awesome book stories where the book did okay when it was first published (in 2014), but has recently enjoyed a renaissance due to word-of-mouth recommendations, as well as the hit Swedish-language movie (oh, and probably the overwhelming need for a feel-good book in these rather trying times). So, for the sake of upping my cultural literacy I gave it a shot.
Often, as I was reading it while working at RoscoeBooks, someone would see the book on the counter and comment on how delightful it is or how much they loved it.
Even after I loved the first chapter (in which Ove squares off with a sales associate at an electronics store as he tries to buy an iPad), I tried really hard not to like it the rest of it. It's a little a cheesy at times, the grumpy-old-man trope is nothing even remotely new (for my money, Sully from Richard Russo's Nobody's Fool is still the paragon), and the translation is often a bit clunky. But, then, by the end....I loved it. It won me over. I couldn't help it.
It's a charming tale of a guy named Ove, confronting what he believes to be all the various violations of good sense and decency of everyday life in his little neighborhood in a small town in Sweden. We learn in the first few pages that Ove's wife has died, and he's been forced into early retirement. So with nothing else to live for, Ove decides to exit stage left. But then life keep interceding — he can't help himself from helping other people. (The one thing that kind of shocked me about this novel is its sort of cavalier attitude toward suicide. But not a big deal...)
Ove becomes more lovable the more you learn about his backstory — chapters alternate between his current life and his history, which includes more than his fair share of tragedy and sadness. In the present, he makes begrudging friends with new neighbors, a family four with a fifth on the way. We also learn about his long-running feud with his neighbor Rune, a grouchy guy just like him. But against all decency, in Ove's view, Rune has the gall to drive a Volvo instead of Ove's beloved Saabs. The final nail in the coffin in their tenuous relationship is when Rune buys a BMW. Then it's all-out war.
In the present, Rune has fallen on tough times, and the dreaded "white shirts," government bureaucrats who have been Ove's life-long nemeses, are threatening to remove Rune from his wife and his home and put him in state-sponsored care. Will Ove help Rune, or will their long-stand rivalry be too much to overcome?
If you're for something you can laugh with, that's heavy at times, but ultimately redemptive, this is your novel. You may not totally like Ove all the time, but it's hard not to enjoy his story. ...more
Probably closer to 3.5. It's a solid if not spectacular crime thriller with a healthy side dose of social commentary (which definitely helps elevate iProbably closer to 3.5. It's a solid if not spectacular crime thriller with a healthy side dose of social commentary (which definitely helps elevate it a little). A few perspective issues, and a few implausibilities hold it back a bit. Not bad. But not something I was over the moon about. ...more
Murakami's new collection includes seven stories tied together by the common theme of lonely dudes with unusual relationships with women. Several of these stories are delightfully mundane by Murakami standards, but that doesn't mean they're in the least disappointing. There's a theater actor who hires a woman to be his driver, and unloads the story about his wife's death and possible infidelities. There a fellow who gets a call in the middle of the night informing him a former girlfriend has committed suicide. And there's even a shut-in whose care-taker comes over, has sex with him, proclaims to have been a lamprey eel in a past laugh, and tells him various stories (yeah, this last one is probably approaching the Murakami you know and love).
But my favorite in the collection is actually the most Murakami-ish. It's titled "Kino," about a guy named Kino who catches his wife cheating on him with one of his co-workers and quits his job to open a bar. Weird things happen, including a cat that shows up periodically (I told you it's Murakami-ish). There's a mysterious guy named Kamita who comes in periodically and sits at the end of the bar reading big books. Kamita eventually warns him that he needs to close the bar and escape. Which he does, though he's not sure why. And it rains a lot, and he finally feels sadness about his divorce. It's so awesome, such a strange, mysterious little story.
Another story, titled "Samsa In Love," is also just amusingly weird — Murakami imagines if Kafka's cockroach woke up as Gregor Samsa, a reverse Metamorphosis! And the Samsa character is surprised when he discovers sexual desire for a handy-woman who comes over to fix a lock.
The most serious story is "Yesterdays," which weaves Murakami's love of the Beatles with a story about how love is often about timing, and how about reminiscing about love often gives it more weight than it had in the moment. It's a really terrific, insightful story — about the most "normal" thing from Murakami I've read. I loved this one too.
There are a few misses here, but overall, I thoroughly enjoyed this collection. Murakami is just so droll, here, so strangely goofy, that you can't help but smirk along with him....more