The Tribe is my new favourite series, and I am eagerly, impatiently awaiting the next two instalments. Having devoured the first, The Interrogation oThe Tribe is my new favourite series, and I am eagerly, impatiently awaiting the next two instalments. Having devoured the first, The Interrogation of Ashala Wolf, in January this year, I quickly went out to get a copy of the second book, which did not disappoint in the slightest.
Following on from the events of the first book, the Tribe is somewhat more structured, involved and purposeful - maybe it's because I'm currently reading the final Obernewtyn book, but there are similarities between the two series, which only makes me cleave to this one all the more. They are young, they have unique abilities, and they have a deep and profound love and respect for the natural world - and this is a strong component of both the world-building and the Indigenous culture from which Kwaymullina comes.
Ember Crow is Ashala Wolf's best friend and, in effect, second in command of the Tribe. Now, suddenly, she is missing, and as Ashala and the Tribe track her down they learn incredible secrets about Ember and the 'family' she comes from, secrets that open up a whole new dimension to this post-apocalyptic world still in recovery, and reveal a threat they hadn't known existed.
I honestly couldn't recommend this series highly enough. It is riveting, engrossing, exciting, surprising, imaginative, intelligent and captivating. Can I squeeze any more adjectives into that sentence? I love the concept, I love the Aboriginal aspects and I love the world-building, but I especially love the characters, who are becoming as dear to me as the Obernewtyn cast is. Speaking of, it is a relief to have another excellent post-apocalyptic fantasy series like this one to go one with, now that the Obernewtyn Chronicles is finally complete. The Tribe books are already on my "I need to re-read ASAP" list, and I'm on tenterhooks waiting for the next two....more
I only learnt of this book this year, and I’m so glad I did! Set on a juggernaut called Worldshaker, in an alternate present in which the reign of QueI only learnt of this book this year, and I’m so glad I did! Set on a juggernaut called Worldshaker, in an alternate present in which the reign of Queen Victoria continues indefinitely, alongside the Victorian mentality. Col is the son of one of the elite families on the mobile city; his grandfather is the Supreme Commander and he is next in line. Everything in his neat, ordered world is right and good. But then one night a Filthy escapes from Below and hides in his cabin, a girl called Riff. The Filthies are barely human, he’s been taught, but this one challenges his understanding. His only other exposure to them are through the Menials, silent, tongueless and lobotomised servants ‘rescued’ from Below to serve the upper classes. Col’s encounter with Riff is the beginning of something new, dark and terrifying, as everything he believed in begins to fray.
This is a wonderful adventure story containing familiar elements and tropes but still a unique, standalone novel. While you will have a greater and more cynical understanding of the workings of this world than Col does, his path to understanding is rendered so vivid and nail-bitingly tense that it won’t matter. While it utilises the Victorian steampunk tradition, the story acts as an indictment on how we still treat others, even today, not only through class systems but through words and names alone.
At the back of the book are some great maps of the juggernaut, which I wish I’d known about sooner than I did, as they’re very helpful!...more
The first book in the Maze Runner series begins with the main character and narrator, Thomas, waking up in a metal cage as it rises up out of the grouThe first book in the Maze Runner series begins with the main character and narrator, Thomas, waking up in a metal cage as it rises up out of the ground and into a glade. He’s greeted by a large group of boys, all fairly young, who have been trapped here for a few years, surrounded by a maze of towering stone walls that shift in the night, patrolled by fearsome creatures they call Grievers. While each boy has a duty and a job to perform, a select few ‘run’ the maze every day, mapping it, trying to find the way out. Thomas soon proves himself as a runner, and joins them. Time, though, is against them when the routine is disrupted by the arrival of another new kid – a girl.
Despite Thomas’s quickly annoying narrative voice, I did find the premise and early chapters quite promising – this is the kind of story I’m drawn to, but I find all too often that a clever or interesting idea can quickly fizzle out. Such is the case with The Maze Runner, which soon felt like all the other American YA spec fic out there. The answers you get at the end are a bit eye-rollingly predictable and anticlimactic. That said, I did watch the movie after finishing the book, and the book is better. There’s just more in it, more substance and character development, which the film was sorely lacking....more
Oh Laini Taylor, who do I love thee? Let me count the ways...
1. Unbelievably fantastic fantasy world-building (not to mention a globe-trotting Earth-bOh Laini Taylor, who do I love thee? Let me count the ways...
1. Unbelievably fantastic fantasy world-building (not to mention a globe-trotting Earth-bound setting! Can I get a shout of "Exotic locales" anyone?) 2. Wonderful, flawed, loveable, resilient, tortured, enigmatic, honourable, loyal, loving heroine and hero (Karou and Akiva) 3. Vivid, charismatic, believable supporting characters, no matter the species 4. A plot that feels fresh and unique, so much so that I can't think what influences have gone into developing it (specific stories, myths etc. that is - aside from the Bible of course; that book influences everything whether we will it or not!) 5. A fresh take on the classic angels vs. demons story 6. Thought-provoking in its approach to making people question their own assumptions and judgements, especially around concepts of colonialism and race - pertinent as ever to a homegrown American audience but just as valued elsewhere 7. Revenant magic (not sure I've spelled that right!) 8. Surprise! An unpredictable plot and the introduction of fresh elements hitherto unforeseen
I'm pretty sure I could go on and list ad nauseum all the fine details I love and admire in this trilogy, and this book. Dreams of Gods & Monsters is the final book in the Daughter of Smoke & Bone trilogy (you can read my review of the first book here, and my review of Days of Blood & Starlight also), and it more than delivers on the exceptional first two books. Really you aren't going to hear any complaints from me. This trilogy has skyrocketed its way almost to the top of my favourite YA fantasy book list (nothing can ever knock the Obernewtyn series from the list, not even this, but it comes damn close). I was more than relieved that Taylor's final installment was just over six hundred pages long - it was not a story I wanted to end any time soon.
Whenever you get a successful YA series like this, the last book - or indeed any of the books after the first one, to which people get so attached to - can deeply polarise. Readers build their own wishes and expectations over where they want the story to go, and how they want the characters to develop, and it's rare that that coincides with the author's intentions - how could it? Personally, I love going on the ride the author wants to take me on. I very rarely bring my own expectations to a reading, simply because I very rarely ever build any. This doesn't make me a passive reader - quite the opposite in fact, and it's a disappointing book that forces me to be one, as I've complained about in other reviews. I like to see how the story unfolds; I want to experience a story, not dictate to it.
I'm reminded of those people who care so much about celebrities. There's a similarity here, to how attached people get to certain stories, and how today's readers turn fictional characters into celebrities - with "Team xxx" badges and online discussions, often quite heated, about the characters (especially sexy male ones) - as if they really were celebrities. I must just be more old-fashioned or traditional in how I read. Yes I like to daydream about characters sometimes, or think about their motives or deeds or where they're headed, but mostly just in my own head. I mean, I'm not a fangirl, in the modern sense of the word. I keep it all nice and private and personal, between me and the book. So I keep my mind open to where the author is taking me, and yes I do judge the success of a story based on plot and character development, and how successful it was, but not against any pre-conceived ideas of where I think the story should have gone, for instance.
For me, I loved the fact that Taylor brought in whole new plotlines and developments and built new layers into her world-building. I also have a long love-love relationship with fantasy fiction, of which I read so much of while a teenager and uni student, but which I hardly read much of anymore, sadly. All the things I love about fantasy are here: the fascinating worlds, the endearing and original characters, a bit of magic and mystery, a grand, sweeping and complex plot, fine details and realism, and thought-provoking social critiques. Other reviewers are perfectly right in saying that Dreams doesn't have a tight structure and the conclusion to the plot that began in the second book (the angels using Earth to acquire weapons) ended almost anti-climatically, yet none of these things disappointed me. They could have, easily, if I didn't love Taylor's writing so much, or the way her mind works, or the characters, the world and the story so much. I loved that it went in new directions and introduced new plotlines, because it meant I got to know the world and its characters even more. This place has become so real to me, like the best kind of fantasy does. I snuggle down within its pages and immerse myself. All my senses are engaged, my emotions especially (these books make me cry, make me feel what the characters feel and more), and my brain too.
If the writing itself isn't always perfect, the storytelling is. It is a fitting conclusion to a fantastic, sweeping fantasy story, and makes me want to crawl inside Laini Taylor's imagination and make myself a nest there. I am in awe of that woman's creative ability, her imagination and her way with words. Yes I got a bit tired of the climatic, revelatory stand-alone sentences (the very same kind of sentence that turned me off Jacqueline Carey's Kushiel's Avatar, the third book in the series, mostly because I read them all too close together). Just not enough to kill my love.
Ah, I will miss Karou and Akiva and all the other characters, and this wonderful, scary, sad, tortured yet ultimately hopeful world. It's all explained and cohesive now - all the questions I didn't know I had have been answered, and while the future is uncertain it's still a lot better than what's come before. I don't want a happily-ever-after ending, it's just not realistic; this one suited the story well. All in all, a mesmerising, emotionally-intense and brilliantly-creative ending to a stellar fantasy story. Extremely highly recommended. ...more
This was a nice, quick read, quite engrossing and interesting. The format reminds me of some other story - a book or a film - but I can't think what aThis was a nice, quick read, quite engrossing and interesting. The format reminds me of some other story - a book or a film - but I can't think what and it's really bugging me. I don't mean that it's derivative, only that I think it might be inspired by an older tale, if only I could what it is! Oh wait, am I thinking of the film Brazil maybe? Dreams within dreams? I feel like I'm getting warmer.
The characters are a bunch of misfits, except perhaps for the main character and John. The mystery, then, was why they were there and what their connection was. The story follows a pattern that you think is going to get repetitive and boring but isn't because the "real" world, the dream space (the white room) gets incorporated into the scenarios. Though the characters are surprisingly slow at realising this.
It moves swiftly and keeps the momentum up, but to do so Celine had to sacrifice some much-needed character development. The characters are fairly thin sketches, a bit stereotypical, though they hint at greater depths. This is the first book in a series and while I'm not sure where the story goes from here (same characters??), it makes for fun, interesting reading.
Read in May 2014. My thanks to the publisher for a copy of this book via Netgalley. ...more