This was a nice, quick read, quite engrossing and interesting. The format reminds me of some other story - a book or a film - but I can't think what aThis was a nice, quick read, quite engrossing and interesting. The format reminds me of some other story - a book or a film - but I can't think what and it's really bugging me. I don't mean that it's derivative, only that I think it might be inspired by an older tale, if only I could what it is! Oh wait, am I thinking of the film Brazil maybe? Dreams within dreams? I feel like I'm getting warmer.
The characters are a bunch of misfits, except perhaps for the main character and John. The mystery, then, was why they were there and what their connection was. The story follows a pattern that you think is going to get repetitive and boring but isn't because the "real" world, the dream space (the white room) gets incorporated into the scenarios. Though the characters are surprisingly slow at realising this.
It moves swiftly and keeps the momentum up, but to do so Celine had to sacrifice some much-needed character development. The characters are fairly thin sketches, a bit stereotypical, though they hint at greater depths. This is the first book in a series and while I'm not sure where the story goes from here (same characters??), it makes for fun, interesting reading.
Read in May 2014. My thanks to the publisher for a copy of this book via Netgalley. ...more
I didn't enjoy this as much as I'd hoped, partly because I was hoping it was more along the lines of speculative fiction (it certainly hinted at it!)I didn't enjoy this as much as I'd hoped, partly because I was hoping it was more along the lines of speculative fiction (it certainly hinted at it!) and partly because I was reading a galley on my Kindle, and I struggle to interact with stories electronically. The other reason would be that I simply wasn't all that interested in the characters. Deenie is perhaps the central character, but her father, Tom - a teacher at her school - also gets his point-of-view chapters. His side story is his status as bachelor and a vague flirtation with the French teacher. Her older brother, Eli, gets some air time too. No one character was particularly well developed, and the shift between such different characters gave it a choppy, uneven feel.
The plot itself started strongly, and built great atmosphere, but fizzled all too soon. It became fairly predictable, or rather, the build-up at the start created high expectations that didn't hold. That said, I could have had a very different reading experience had I read this as an actual print book. The other issue is that, as a story about young adolescent girls and their complicated psychological make-up, I felt I'd read better, more thought-provoking stories. The Fever didn't add anything or teach me anything new. Overall, simply disappointing.
Read in February 2014. My thanks to the publisher for a copy of this book via Netgalley....more
This is a fresh, realistic and enjoyable romance currently only available as an e-book - though I was happy to see it had been picked up by Harlequin'This is a fresh, realistic and enjoyable romance currently only available as an e-book - though I was happy to see it had been picked up by Harlequin's Escape Publishing imprint since I'd read it, though with a more conventional cover. This is a romance but not a tired one - there's something earthy and real about Jenn and her story, and not just because she's essentially a single mother of a toddler. Her boyfriend and the father of her child, Jack Bannerman, is easy to dislike and even though I can't say I've ever known someone like him, he felt familiar. He was also a source of tension in the novel, he and his awful mother, which helps propels the story forward without reducing it to melodrama.
One of the pleasures of the story was the realism, and the break from a more common formula. This felt like a real woman's journey to self-discovery and not a happily-ever-after trip to find a better man, which plays out in the ending. For those who are looking for something with solid character development, good pacing, humour and an authentic touch of realism in their romance, I highly recommend this - yes, even if, like me, you don't care for golf. Meanwhile, I really must hunt down some of Malone's other titles.... ...more
Cara Sweeney is at the top of the academic ladder at Midtown High and is all set for a final year of excellence when the principal hands her an unexpeCara Sweeney is at the top of the academic ladder at Midtown High and is all set for a final year of excellence when the principal hands her an unexpected - and not entirely welcome - assignment. As part of the fledgling treaty with an alien race two years after the L'eihrs first made contact, three top students from across the world have been picked by the aliens to host three of theirs, ambassadors on an exchange program of good will and mutual education. After which, the human hosts will travel to the L'eihr homeworld, a much smaller and tightly controlled planet, on exchange for the same reasons.
The student ambassador who Cara and her family will play host to is an eighteen year old boy called Aelyx. The other two ambassadors will stay with host families in China and France. Cara's parents are overjoyed - ever since her mother's life was saved when the L'eihrs gifted humans with the cure for cancer, they've been pro-alien (and on their humble income, the stipend for hosting helps, too). Not so many others in Cara's town and across America. Anti-alien sentiment continues to grow as the school year starts, and unbeknownst to Cara, it's mutual.
Aelyx and his friends, Syrine and Eron, have their own reasons and plans for destroying the alliance and severing the newly-forged ties between their people and the puny, barely civilised humans. Over the weeks, though, Aelyx finds himself drawn to his friendly host, and even appreciative of her efforts to cook him something he can actually eat. He's not concerned by the growing group calling itself HALO: Humans Against L'eihr Occupation - if anything, it plays perfectly into their plans of sabotage.
With her older brother, Troy, a Marine, on the L'eihr home planet, her boyfriend, Eric, joining HALO, and her best friend, Tori, caving under pressure and ditching her, Cara finds that soon her only friend in the whole town is Aelyx himself. Being in each other's company so much, they're learning more from and about each other than they could have dreamed - and discovering that there's more to their friendship, and more to the treaty, than they had expected or understood. But is it too late to fix things, repair the damage - and stay together?
I'll admit that, going into this, I didn't expect a whole lot. Another American teen drama featuring young love, obstacles and misunderstandings, nothing fancy but hopefully entertaining. I wasn't sure I should expect realism or believability as well. But actually, or maybe because of those expectations, Alienated proved itself to be more than just entertainment and teen drama - though it has plenty of that. Grounded in familiar sci-fi tropes, Landers has nevertheless managed to make it feel and sound fresh and not all that predictable. Cara is a strong, likeable heroine for whom it's not surprising that Aelyx would develop deeper feelings for - or that her ex-boyfriend and her best friend would remain loyal to her, albeit secretly.
By keeping the sci-fi elements simple and relatively straight-forward, Landers avoided many common pitfalls and plot-holes. You might find a few minor ones, but nothing that's going to aggravate you and distract you from the story. You learn enough about the aliens for it all to make sense, which provides a well-grounded context. And of course the human side and its varied reactions rings true as well, with the xenophobia, suspicion of (literally, in this case) the "alien Other" and fear-mongering: you can clearly see that a group like HALO would form and build steam, paranoid about alien weaponry and ulterior motives, and would quickly lose control. Threaded through the story is a pleasing sense of humour that adds the right - and realistic - edge to the novel's tone; humour both lightens and darkens a scene, all in one go.
Dad hooked his thumb toward the back door. "You two go for a walk or something." In other words, he didn't want their guest to witness the fury he was about to unleash. Cara grabbed Aelyx's sleeve and tugged him into the kitchen. "Hurry," she whispered. "You don't wanna be here when he explodes, trust me." As they hurried outside, she heard Ron's hysterical voice calling, "He has a weapon! I saw him hide it in his sweater!" What a lunatic. No wonder [his son] Marcus was so screwed up. Her dad's voice boomed from inside the house. "I've got a Glock, a shovel, and five acres of woods, Johnson!"
Naturally, a story about aliens allows us to take a closer look at ourselves, from another's perspective. Aelyx's views and perspective are a consistent blend of alien and familiar, and his judgements of human behaviour and how we've treated our planet ring true, to our deep sense of shame. But even more than that, it is watching Aelyx grow, develop and mature as a character that really helps flesh out this story. He begins as a stiff, rather uptight kind of person, hard to figure out without understanding his culture and history, but intriguing. His people, the L'eihr, have spent centuries creating a harmonious society, breeding out unwanted genes and breeding in the best ones, creating an intelligent, strong and attractive race. But they've lost a lot in the process, and their wise elders understand what an alliance with untempered humans can give them, aside with strengthening their weakened gene pool. Humans might seem like children indulging in one selfish tantrum after another, but the L'eihrs - for all their sophistication and mind speech - are yet another kind of child, a sheltered, arrogant, inexperienced kind that has sacrificed the headier, impassioned emotions without realising - or appreciating - all the things they have lost alongside them.
Aelyx had once heard [Cara's father] Bill Sweeney say, A little knowledge is a dangerous thing. As he sat beside Cara on the sofa, watching her face tipped toward the makeup artist, her full lips parted to receive a coat of lipstick, he began to understand why. Ever since his research into kissing and other human mating rituals, his mind had relentlessly fixated on Cara, flashing manufactured sensations of how her soft, wet mouth might feel against his own. He could almost taste her on his tongue, and when his traitorous body responded to the fantasy, he had to pull an accent pillow onto his lap and force himself to recite Earth's periodic table of elements. Gods, what had he unleashed? How would he survive the remainder of the exchange like this?
As much as both Cara and Aelyx grow and change, by the end they still remain true to themselves, their culture and their people. Landers successfully and realistically matured them, making them much more interesting characters, strengthened by their exposure to each other. Not only that, but they actually have chemistry! Yes I know, you'd think that would be a necessary given in a sci-fi romance wouldn't you? But it's not always there. Another reviewer described the romance as a "beautiful mixture of sweetness and steamy", and I find this a very apt description. It's not overdone, it develops nicely, and there's a real depth of feeling to it.
The supporting characters are never much more than simply that, supporting. You never really get to know any of them very well, which was a bit of a shame. Of them all, though, it was Tina, Cara's best friend, who was the most disappointing. She's a short, petite Latina (I'm never sure what that means, specifically - of Mexican heritage? South American? Spanish-speaking, anyway) with the same characteristics that I've come across in other American YA novels. I can't remember which books, but I know I've come across Tina before, pretty much exactly. (The House of Night books come to mind, and another that's eluding me.) The cultural, or racial, stereotyping is lazy and disappointing.
Overall, though, this was an interesting story featuring two strong main characters who I really came to like and enjoy. I didn't find the ending predictable - it seemed like the story could go in various directions, and I was happy to go along and stay in the moment - but it has certainly added a whole new layer of tension and intrigue to the overall story arc. The first book may have ended, but the story as a whole has a whole universe to explore - and I'm definitely interested in seeing where it takes us. Cara and Aelyx's story has really only just begun in this well-written debut novel, and I think it's only going to get better from here.
My thanks to the publisher for a copy of this book via Netgalley. Please note that quotes in this review come from the uncorrected proof and may appear differently in the finished book....more
It has been three months, seven days and nine hours since Ophelia Jane Worthington-Whittard's mother died. Susan Worthington was a prolific horror wriIt has been three months, seven days and nine hours since Ophelia Jane Worthington-Whittard's mother died. Susan Worthington was a prolific horror writer who died young, and Ophelia, her older sister Alice and their father, Malcolm Whittard, are still grieving.
In an effort to help them recover and give them a chance of scenery, Ophelia's father accepts a last-minute posting to a museum in another country to finish setting up the greatest-ever exhibition of swords. Malcolm Whittard is, according to his business card, the "leading international expert on swords", but with only three days to go before the opening of the exhibition on Christmas Eve, it's a demanding job that takes up all his time.
Alice seems content to sit and brood, but Ophelia spends the time exploring the museum. It is a cold place, in a city caught up in a perpetual winter, and the museum is a weird and wonderful place. The guards in each room are old ladies with black handbags who spend most of their time knitting or sleeping, so Ophelia is free to wander into parts of the museum she isn't allowed to be in. It is during her exploration that she encounters a peculiar room, with a little door and a big keyhole through which is the eye of a boy, staring back at her.
The boy, who was dubbed "the marvellous boy", has been alive for over three hundred years. He was sent here on a mission by the wizards of east, west and middle, who took his name to keep him safe. He no longer remembers it. They gave him a sword, a relatively plain and heavy sword with a carving of a closed eye near the hilt, and certain instructions. He was to find the "One Other" and give them the sword, with which they would defeat the evil Snow Queen.
The Snow Queen was unable to kill him because of the protective spell on him which also prevents him from ageing and dying, and so she had him locked up here in the museum, and the sword taken away. She need only wait out the time of his protection spell, then she can kill him and be free to take over more of the world, as she did to his homeland and this place, where she has reigned ever since.
Ophelia, unlike her mother, is not prone to fantastical flights of the imagination. She is a member of the Children's Science Society of Greater London and believes in logic and reason and science. But little by little, she finds herself on small but dangerous missions to find the key to his room, to set him free and find his sword before the Wintertide Clock strikes on Christmas Eve and the Snow Queen's plan comes to fruition. But Ophelia is only eleven, she's not courageous and relies heavily on her asthma inhaler. She's a little girl up against a frightening woman, with only the whispered words of comfort from her mother for encouragement.
In her search for the hidden key and the missing sword, Ophelia might just find her hidden courage, and save her sister, her father and the world.
I don't read enough of stories like this one; or rather, I don't make enough time to read stories like this one, which is a sad mistake. Ophelia and the Marvellous Boy was utterly wonderful, a delightful story of adventure, danger, loss, grief, wizards who think a lot, deception, sibling love, resilience, courage and the classic fight between good and evil. It is fantasy in the tradition of the Chronicles of Narnia and similar works, a children's story that will engage and entertain readers of all ages, an old-fashioned tale given new life.
Ophelia is a timid and sensible girl, and the request made of her by the Marvellous Boy requires her to not just be brave, but to put aside all things rational, suspend disbelief and trust the word of a strange boy who claims to be several centuries old. The more involved she becomes, the more danger she is placed in, and the more her old certainties come crumbling down. She doesn't become a new person, or a vastly different person, she simply becomes her full potential as Ophelia. She's a great protagonist, suffering through the classic coming-of-age trial-by-fire that fantasy stories are best known for.
Wizards, [Ophelia] thought, when she gained her composure. What good were they if they couldn't tell you how to do stuff, if they were always talking in riddles and saying they knew everything before it even happened? It wasn't very helpful.
If she were a wizard, she'd write reports for people. She'd make sure everything was very clear. She'd write, Looking for a magical sword? No problem. Go to the fifth floor, turn left, open a large wooden chest, et cetera, et cetera. She'd have check boxes. Found your magical sword? Place X here.
The Marvellous Boy himself remains something of an enigma, and a sad one at that. He tells Ophelia his story in segments, and the vivid rendering of his life before being locked in the little room really brings him to life. He is quite clearly something of a sacrificial lamb, a boy hand-picked by the wizards who must sacrifice everything with little say in the matter. As such, he is an infinitely sympathetic character, a little boy lost who stays calm and friendly and positive in the wake of dire circumstances. I felt so sad for him, but also proud. Foxlee deftly captures the characters and their motivations within the confines of the fantasy formula, a fantasy that is none too clear about place and time. Any apparent plot holes - a never-ending winter somehow sustaining a human population, never mind the trees, is hardly believable - simply don't get in the way of the story. Such is the strength of Foxlee's writing, that it all comes together and works, much like a fairy tale still carries the strength of its own conviction despite the fact that the details don't really make sense.
Ophelia and the Marvelous Boy oozes atmosphere and tension, suspense and the thrilling bite of danger. Among it lies the fragile workings of family dynamics and confused love, vulnerable to the atmosphere, which makes it all the more precious. While Ophelia is off exploring and adventuring, fifteen-year-old Alice is being lured in by the museum curator, Miss Kaminski, who gives her princess dresses and flattery and helps drive a wedge between the two sisters while also flirting with their father. Miss Kaminski - and it's no spoiler to say this - is the true enemy. Beautiful and elegant but infinitely cold, Ophelia sees glimpses of the woman's true self but is too young to understand it.
While the overall plot is as predictable as any fairy tale-fantasy story - whether or not you have ever read "The Snow Queen" fairy tale (which I have not, strange to say, though I don't think there are all that many similarities really), this story does follow a fairly standard fantasy formula - the story is brimming with imagination and you never really know what's going to happen next, or how things will play out. The writing is strong and near-perfect, the pacing fluid and smooth and not too fast, and the characters fleshed-out nicely. I grew quite attached to Ophelia, and the Marvellous Boy, and welcomed the satisfying conclusion. With such rich detail and atmosphere and action, the story played out like a movie in my head, and I can easily see this being adapted to film one day. It would be a costume- and set-designer's dream come true, to bring this magical story visually to life. As it was, my humble imagination did a pretty good job of it!
My thanks to the publisher for a copy of this book via Netgalley. Please note that passages quoted here may appear differently in the finished book. ...more
Natalie Porter is a Ph.d student of history who has been working two restaurant jobs to help pay for private investigators in Russia, searching for heNatalie Porter is a Ph.d student of history who has been working two restaurant jobs to help pay for private investigators in Russia, searching for her father, whom she's never met. She's lost contact with the latest investigator, Zironoff, but hasn't given up hope of tracking down her dad.
While out one night at a bar with her friends, Nat sees a man who steals her breath. Everything about him screams "danger", from his dark looks, brooding glare and tattoos. But he's far more interesting than all the jocks in the place, with that sexy Russian accent, so she makes an approach only to be shut-down swiftly. It's a shock, then, to find him in her apartment later that night.
Aleksandr Sevastyan - nicknamed "The Siberian" - is in America to guard Natalie from her father's enemies; only now does he make his presence known because his orders are to get her on a plane to Russia immediately. Her father, Pavel Kovalev - known as the Clockmaker in his own circle - is high up in the Mafia and his enemies, having discovered the existence of a daughter through Nat's last PI, are closing in on her. Sevastyan is Pavel's right-hand man, an orphan he took in when just a boy and raised like his own. Pavel's excited to learn that he has a daughter, and trusts no one but The Siberian to bring her "home".
I'm a major fan of Kresley Cole, but I have to admit I wasn't sure about this one when I first heard about it - or even when I started reading it. It's all so ... outlandish. But then I remembered: it's romance. It's almost always outlandish, especially the good ones. Unless there are really noticeable flaws and plotholes and stupid decisions in the story, it's easy to go with it and enjoy. And I need not have worried in this case: this is Kresley Cole, after all. She writes so well, she can overcome even the most outlandish of premises (I mean, since when did the Russian Mafia become sexy?!).
I'll put aside my real thoughts on learning that Pavel, Natalie's father, is a lovely man who became a crime boss in order to protect people from the other crime bosses - he's a little bit too good to be true. He lives in a real palace, centuries old, one rescued and renovated, on a vast estate outside Moscow. His nephew and Nat's cousin, the incredibly handsome Filip Liukin, is living there as well - he seems to have a gambling problem as well as a flirtatious eye for Nat. There's also the slight implausibility of Nat being okay with her father being a crime lord, though granted she didn't have much choice in relocating. But she's certainly putting aside any ethics (or morals, for that matter) and getting on board with the whole thing.
But like I said, I put all that aside and just went with it, and as a result got a highly enjoyable story full of steamy scenes and fraught with sexual tension (and I'll admit, the Russian Mob angle is very exciting and a nice change for me). Cole's skill at writing stories you can really immerse yourself in, and characters who don't drive you nuts, comes to the fore. Her trademark humour is present, though not quite so much as in her excellent Immortals After Dark series. There's enough detail for realism but the pace is tight, smooth and fast ("that's what she said" - sorry, couldn't resist!). There's a hint of danger and tension - not from without, as we haven't seen it yet, but from within; I'm much more alert than Nat, clearly, and am picking up on something suspicious in the air. I'm expecting betrayal any moment, though not from Sevastyan.
Mmm and isn't he a dish? Certain descriptors may sound a bit cliched - the tats, the leather clothes, the dark brooding glare - but somehow Cole makes it all feel fresh and exciting. Nat, despite being a virgin, is sexually experienced in every other way and doesn't resist her attraction to him. This is erotic romance (not erotica, that's a different kettle of fish entirely and not half so fun as erotic romance), so the sex scenes are steamy and edgy; Sevastyan likes it a bit rough and intense, and Nat's learning that how much it turns her on, as well. Another trait of erotic romance (as opposed to other forms of romance) is the proclivity of sex scenes, or steamy scenes - even within this novella, there are plenty to keep you satisfied. And it's only just getting going.
Where the story will go from here I don't know, but I can't wait to find out with Part 2. I'm not a big fan of serialising romance stories, but it does seem to be the new "thing" for e-books, and I can understand the appeal to publishers. It's hard for readers, though, to get so far in a story only to have to wait to keep reading the same story. But once all the e-book parts are out, the complete novel should be printed. That's how it worked with Beth Kery, another erotic romance writer I love reading, so I hope that's how it will go here as well.
My thanks to the publisher for a copy of this book via Netgalley....more
This companion novella takes place after book two, Unravel Me, and before book three, Ignite Me. The previous companion novella, Destroy Me, whichThis companion novella takes place after book two, Unravel Me, and before book three, Ignite Me. The previous companion novella, Destroy Me, which follows from book one, Shatter Me, was told from Warner's perspective and was extremely intense and absorbing, and perfectly set up my high expectations for Unravel Me, which weren't just met, they were exceeded. Unfortunately, this was not the case with Fracture Me.
Told from Adam's perspective, it doesn't add a whole lot to the story and didn't flesh out Adam's character in the way that Destroy Me did for Warner. As if all Mafi's creative power went into creating Warner and there was nothing left for Adam. I liked Adam in Shatter Me, I liked him a lot, and things got a tad messy in Unravel Me which really upped the ante, but in Fracture Me, Adam backs off entirely as he puts his brother first, and seems to lose all interest in Juliette.
Is this Mafi neatly getting rid of the love triangle that dogged the first two books? If so, it works, and I'm all for tying up that loose thread. But what really disappointed me was that Fracture Me felt inorganic, constrained by its need to fill in a bit of background that Juliette's unable to witness, and overall, a bit pat.
Where were the feelings that had seemed so strong, before? Where was his passion (other than that for his brother)? Where were his ideals, even? This novella not only failed to flesh out Adam, it added nothing to my understanding of this post-apocalyptic, dystopian world, either. If Warner was able to give us a bit of insight into the Reestablishment, Adam should have been able to give us insight into either the rebel organisation, or what life was like for regular people. I've been getting increasingly absorbed by this world and the players in it, but reading Fracture Me was decidedly anti-climactic. (It didn't help that I got my memory of the ending of Unravel Me mixed up - now I'm not sure what I was remembering, exactly, and I don't have the books on hand to check, but I kept expecting Adam and Kenji to break into the house and rescue Juliette; it wasn't until I started reading the teaser chapter one for Ignite Me that I remembered what had happened.)
I also find it disturbing that, in the machinations of the plot, so many people are killed and then forgotten. If you've read this far in the series, you know what I'm referring to. I should hope that they had an evacuation plan, an escape route, since Castle's so smart, but considering how he fell apart, it doesn't look like it. Juliette, in her self-absorbed, self-indulgent way, would probably care more than the more "human" Adam, whose only thought was for his brother. Understandable, but what about after finding him safe? Adam always struck me, before, as a young man of integrity, feeling, compassion, morals, generosity of spirit - all good things. Such is my disappointment with this novella, that not only did I not get to know Adam better than before, but that my impression and understanding of him was so greatly diminished. (Likewise, he didn't offer much of a perspective on Juliette.) Though I did like this bit:
A shot rings out. [...] A guy on the far left falls to the ground and I'm shaking with anger. These people need our help. We can't just hang back and watch thirty unarmed, innocent people get killed when we could find a way to save them. We're supposed to be doing something, but we're standing here for some bullshit reason I can't understand because Juliette is scared or Kenji is sick and I guess the truth is we're just a bunch of crappy teenagers, two of who can barely stand up straight or fire a weapon, and it's unacceptable.
Still, despite all these complaints, I am still just as enthused for Ignite Me as before. With a series like this one, it's clear that Mafi can achieve great heights, and great lows. I will shelve my expectations, then, and try not to hope too much for a book to match Unravel Me. If you're reading the series - and, again, despite my complaints - it is worth reading the novellas, including this one, as they do help flesh out the plot and fill in some gaps between books, things Juliette's not privy to.
And in the meantime, I am rolling my eyes at any and all projected hypotheses regarding Kenji. If Mafi turns him into a new love interest for Juliette, I will be utterly disgusted and will lose all respect. I'm certainly not convinced Juliette's got that much going for her that she attracts so many, very different, men, but more than that, doesn't Kenji deserve his own story? His own love life? It's the way everything revolves around Juliette that starts to annoy me. Can't she just be friends with him and leave it at that?...more
Cricket Whittier works for a short little gargoyle of a man called Oscar, who runs his own ad agency in San Francisco. She got the job after the agencCricket Whittier works for a short little gargoyle of a man called Oscar, who runs his own ad agency in San Francisco. She got the job after the agency she worked for went under and her wealthy and influential Uncle Jonathan, who had given Oscar the seed money to start his business years ago, asked Oscar to hire her. Which might be why he hates her and constantly tries to provoke her into resigning.
To soothe her rattled nerves, Cricket resorts to making up new and interesting ice cream flavours in her kitchen, and then inviting her best friends, Lindsay and Nora, over to try them. For years they've talked about Cricket's dream of opening her own ice cream shop and turning her passion into an actual business, but Cricket is overwhelmed by all that's involved in starting a small business and is focused instead on saving what she can towards her own start-up costs - because no way is she asking Uncle Jonathan for help. If she's going to do this, she's going to do it without his help.
Nora, once a high-powered lawyer who left her job when she married a filthy-rich investor, and Lindsay, a teacher, encourage Cricket to look into it anyway, to make the "one day" become "today". Nora finds a shop front in an ideal area and invests some of her own money into making Cricket's dream come true - as an equal partner. Next Lindsay jumps on board with a small inheritance; it's the summer and she's not working, and if it works out she might just quit teaching altogether. Soon, the plans for opening Cricket's gourmet ice cream shop are in full swing.
But her parents, true hippies who eschew business, are not encouraging - not that she expected them to be. Her two brothers, Dusk (who changed his name to Daniel) and Sage, are like her: they've ditched the hippie lifestyle they grew up in for the bigger world and money. Sage works in LA as an actor, but he comes to help with the renovations on the shop with his background in construction. His friend from years back, Bax, arrives to help as well - and offer advice from his own experience opening his own cafe.
Bringing her dream to life is as exciting as it is scary, and it's not without its hiccups. But Cricket is determined, and giving her boss her resignation is one of the most satisfying moments of her life - along with the sheer pleasure of tasting her ice cream and making her dreams come true.
There's something about Anna Garner's books that I really enjoy, something non-formulaic and un-generic, even within the genre formula that she works with (in this case, chick-lit). Perhaps the focus on starting a small business wouldn't be enough for some readers, without some big drama or more emphasis on romance - to be honest, I don't read much chick-lit at all, so I don't have a lot to compare this to, and I couldn't say what combination of elements actually works for me. I can only tell you the elements of Sugar Spun Sister and why they worked.
This book has the lightness, the fast pace and entertaining characters and scenes that you would expect of chick-lit. There's humour, great friendships, some drama (but never melodrama!), a little side dish of romance, and the right balance of ups and downs. Moreover, it has, in Cricket, a strong, realistic and very human heroine. She is easily relatable, but not so familiar that you'd be bored reading about her (I have read the occasional story, sad to say, where I had to wonder why the main character was worth writing about in the first place).
Cricket is someone I could certainly relate to. There are things I'd love to do in my life, but I have all the same reasons as Cricket for putting off doing them. She's seeing a man called Jimmy - or rather, sleeping with him - in a mutual arrangement whereby no one at his record company knows they're anything other than friends, while her friends tease her about "Jiminy Cricket" and urge her to break up with him, as they all know - including Cricket - that it isn't going anywhere. Cricket likes Jimmy a lot, and enjoys spending time with him, be it dinner, sex or making ice cream together. But there's no future with him, she knows that. She's no idiot, though she does put off making changes in her life out of a kind of fear - again, something I could relate to (I'm sure many people could: it's a very human thing).
Likewise, the process of starting a small business was realistic and informative, without being dull. I felt like I learned a lot - maybe I'm a nerd, but I always want to know things and hear about people's experiences actually achieving things like this, so this really satisfied in that regard. There were no easy short-cuts for Cricket and her friends. I really like the way Anna Garner can write such a nice balance of realism and entertainment. It can't be easy to achieve the right kind of balance, but the writing was strong, humorous and smooth.
In response to certain things in her life or, later, catering jobs in the prelude to opening the shop, Cricket devises ice cream recipes to either meet a request or as therapy. The first one, which headlines Chapter One, she calls "Anaphylactic Surprise" (AKA the ice cream that would kill my boss). It's full of pretty much everything her hyper-allergenic boss, Oscar, is allergic to. Chapter Two's ice cream concoction is called "Edible Rage" (the ideal choice when you're at your wit's end) and includes Red Hot candies, beetroot and as much organic red food colouring "as you need to achieve a blood red hue". I loved seeing what she'd come up with next, and trying to imagine what the ice cream would taste like (which is hard for me: I'm not particularly adventurous and I'm not a natural cook, I need a recipe).
There is a part of me - there's always a part of me - that would have liked a bit more romance, or rather, a bit more of a lead-up to the nice little romantic ending. It's not that it was a big surprise, or felt like it came out of nowhere, and there were hints leading up to it, but it did feel a little too tidy. Nice way to end things, though! For this book at least; the next two will focus on Nora and Lindsay, and I'm keen to read their stories - and continue to follow the ups and downs of their ice cream shop, Sweet Dreams.
My thanks to the author for a copy of this book....more
It's the year 6036, and thirty-three year old Fran is regretting leaving her comfortable, if dull, life in Adelaide for a colonising expedition in spaIt's the year 6036, and thirty-three year old Fran is regretting leaving her comfortable, if dull, life in Adelaide for a colonising expedition in space. Her ship has been captured, she's separated from almost all of her fellow space-settlers, and the future looks dire. Locked up in a bare cell with a number of other females from different species on the planet of Olman, Fran can only keep young Margaret company as they listen to the sounds of alien warriors being tortured in a nearby cell.
Fran isn't one for sitting down and taking it, though, and she riles up the others to think of escape and freedom. One of her cellmates has an idea, but it requires Fran's willing participation. The warriors are Darkons, and while at the moment they're barely surviving, if they are awakened, sexually, then they become almost invincible. They would certainly be their best bet at escape.
There aren't many options available, and as one of the only human females there, it's up to Fran to awaken the warriors. At the time, she's thinking mostly of escaping this hell-hole, but all too soon the reality of what she's unwittingly committed herself to becomes clear.
I have to be clear: I haven't read Legend Beyond the Stars, the full-length story that begins this series and establishes the whole premise, and I think my reading of this novella suffered for it. The problem was that this was too short a story - too short to explain things, establish anything, create a clear context or even develop the characters. I feel a bit unfair, but all I can do is speak of my experience reading this novella.
While Fran's situation is explained, albeit in short detail, the broader context is missing. There's no explanation for why her ship was captured and all the colonisers imprisoned, or why any of the other females were locked up either. I don't think this would be explained in the first book. There're hints that there is a major inter-galactic war going on, when one of the aliens mentions that the Darkons are resisting and the Elite Guards of Olman are planning a major strike against the Darkon home world. But nothing is explained, and without the right context the scenario of Awakening the Warriors didn't quite hold up. I would hope that the first book fills in these gaps.
But let's take this as the erotic space-opera novella it is. It has a conventional, simple plot structure divided into three short sections: the prison, where Fran sexually awakens the warriors, and from which they flee amid much gunfire; on board the ship they escape on; and the last stage on the space station where Fran and Margaret are nearly captured again. There's not a whole lot to it, which made me think that I prefer longer stories to novellas. But mostly I was disappointed by how formulaic it was. I've read quite a few stories generally classified as Paranormal Romance, and this shared many of the same tropes. The Darkon Warriors could have been alpha vampires, or werewolves. The two Darkon who survive and are awakened by Fran are called Jarrell and Quain. Jarrell is younger, sweeter; Quain is older and very alpha - macho, even.
Since this is a novella, there isn't all that much sex in it - two scenes only, though with two men involved it feels like more. Again, the condensed nature of the novella format made the lusty writing come across as a wee bit silly. I often had to stop myself from rolling my eyes and work at going along with it. Again, the problem with a novella is how squished it feels, how rushed the sexual attraction and progression becomes, and how dependent the story is on romance conventions and familiar language. If you had enjoyed the first book and got into the world-building and set-up, it would be easier to enjoy this for its own sake and not worry about any of these quibbles. I didn't realise it was a sequel or a novella until I started reading it, but for all my criticisms, there were enjoyable elements to this story.
Fran is likeable, she rises to the occasion and becomes a strong heroine. She's got a sense of humour, and she doesn't over-think things or get self-indulgent in her thoughts and reflections. The writing is capable and flows well, and regardless of how corny you might find some of the lines, they are fun and Gilchrist made an effort to add a dash of originality. I found myself more curious about the world and its politics then this short story allowed, and rather wish there was a more serious, lengthy story available that really developed it. It makes me both interested in reading Legend Beyond the Stars but also wary, afraid that my questions won't be explained and I'll come out of it even more confused and frustrated.
Aside from anything else, this is a snappy and exciting story. The fast pace and novella format don't allow for dull moments, and the sex is quite steamy. Unfortunately, the Darkon warriors are under-developed as characters, and come across as mere muscle-men-with-demanding-cocks. Like any other intelligent woman, I find that sexy men are only sexy when they have personality and some brains, too. So overall, this was a frustrating mix of good and unsatisfying, exciting and disappointing.
My thanks to the publisher for a copy of this book via Netgalley....more