Anyone with small children (and older ones too, I'm sure) will be familiar with Julia Donaldson, in particular The Gruffalo and The Gruffalo's Child,Anyone with small children (and older ones too, I'm sure) will be familiar with Julia Donaldson, in particular The Gruffalo and The Gruffalo's Child, which - along with Room on the Broom - have been made into animated films that regularly show on the ABC. My son, at three, enjoys the books but finds the movies too scary - he's still young like that.
Room on the Broom is about a witch with "long ginger hair in a braid down her back" and a cat and a broomstick and cauldron. They're flying through the sky, having a peaceful, calm trip, when the wind snatches off her hat. A dog helps her collect it and in return she offers him a ride. Next she loses the bow from her hair, and a green bird brings it back. It, too, gets "room on the broom". And so on, until the broomstick is heavy and snaps in two. They all fall to the ground, and the witch encounters a big, red, terrifying dragon who wants to eat her. Her new friends save her, she makes a spell for a new broomstick, and off they go again - in style and comfort this time.
I love it when picture book authors work closely with the same illustrator for their books - like Roald Dahl and Quentin Blake, or Mem Fox and Julie Vivas; you start to instantly recognise their books based on the style of drawings, and come to associate the drawings with the author. (From a marketing perspective, it's a perfect way to make an instant connection with buyers as they scan the shelves.) There's also a comfort aspect at play - the same can be said of authors like Alison Lester, who do their own illustrations and also have a distinctive style. Such books tend to stick with you longer.
Room on the Broom has a delightful rhyme that almost sounds like song, or music - any picture book that rhymes like this is a pleasure to read out loud. The story just flows so well, it's fun to read, and pleasurable to the ear. Doesn't stop a kid from interrupting, though!
Over the fields and the forests they flew. The dog wagged his tail and the stormy wind blew. The witch laughed out loud and held on to her hat, But away blew the bow from her braid - just like that!
Julia Donaldson is another children's author I find myself gravitating towards whenever I'm looking for a new picture book - between her, Alison Lester, Mem Fox, Oliver Jeffers and a few others, you're never short of titles to consider! ...more
I hope everyone recognises this book. I had forgotten all about this series until I saw it in Dymocks back in July and was immediately transported bacI hope everyone recognises this book. I had forgotten all about this series until I saw it in Dymocks back in July and was immediately transported back in time to my childhood. I LOVED these books, they were big when I was in, what, prep? Grade 1?
Originally published in 1972, this is the first book and I decided it was a good place to start - I've since added Mog's Missing, Meg's Eggs and a three-in-one volume that includes Mog at the Zoo, Meg's Veg and Meg Up the Creek. They are bold and distinctive and I'm so, so happy they're still in print! Here is the first page, or half of it as they're all double-page spreads that don't fit in my scanner:
Meg, a witch whose spells often backfire in interesting ways, lives with her cat, Mog, and Owl. They creatures of habit and routine who enjoy their breakfasts. Meg has four witch friends: Jess, Bess, Tess and Cress. She has a broomstick and a cauldron and her spells are very ... inventive.
The pages are solid blocks of colour, primary colours mostly, and the text has a distinctive lack of punctuation that you just have to go along with. Dialogue is in the form of speech bubbles, so when you're reading out loud you have to ad lib a bit. There's always a lot to point at in the illustrations and plenty of comments, conjectures and opinions to share as you read it, because the stories imply much but leave a lot of it unsaid. My son loves these books and with their big, bold and unstructured text, it makes for a good book for kids learning to read. Helen Nicoll died a number of years ago but I believe Jan Pieńkowski, who illustrated the books, is still alive. There are 16 books in the series (that I know of, anyway) and each one is similar - and familiar - in terms of style and storyline, yet also distinctively different.
Having the chance to relive the fun of these books through reading them to my three-year-old is an absolute joy. There's something wonderful about sharing a story you loved as a child, with your own child, and watching them enjoy it just as much....more
Oliver Jeffers writes very grown-up picture books, the kind that kids love and that can make adults cry. Okay, so he can make this adult cry - especiaOliver Jeffers writes very grown-up picture books, the kind that kids love and that can make adults cry. Okay, so he can make this adult cry - especially with The Heart and the Bottle.
It's the story of a little girl, "much like any other, whose head was filled with all the curiosities of the world." Her grandfather takes her to the forest, the beach, and listens to her stories and all her many questions. But then one day his armchair is empty.
She puts her heart in a glass bottle so it can't be hurt, and grows up into a young woman who has no curiosity about the world at all. But her heart is safe. Then one day she encounters a little girl, a girl just like she had been, full of questions about the world.
There was a time when the girl would have known how to answer her.
But not now.
Not without her heart.
She decides to get her heart back, but she doesn't know how, she can't remember. She tries all sorts of things. It is the little girl who has an idea, a way - and this answer will, to adult readers at least, represent a profound metaphor that will really make you appreciate the open curiosity and sense of wonder that children naturally possess - and maybe refrain from quashing it.
This book is sad - and poignant - to me for several reasons, all of them powerful and all of them due to the skill and artistry of Oliver Jeffers. With so few words and such beautiful illustrations he can say so much, about the spirit of childhood, about the love between children and those they look up to, about how precious curiosity and appreciating the world is, and that locking away your heart to keep it safe is no way to live. The book shares the joy of wonderment, the joy of listening to children and taking the time to talk to them, and how important it is to let yourself feel, and live, and love and, yes, hurt too, because that's part of life, and if you don't let yourself hurt you're probably not letting yourself love, either.
That's not to say that children don't get a lot out of this book. The best picture books are ones that both adults and children can enjoy - and Jeffers is one of those contemporary picture book writers who is treasured by both. While the stories about the boy and his penguin are a delight to read, and also beautifully illustrated (as is How to Catch a Star and This Moose is Not For You), there's something utterly beautiful and utterly tragic about The Heart in the Bottle that makes it such a powerful story, full of truisms and life, death and coping after the death of a loved one, about growing up and dealing with loneliness. Children can relate, because they are just like that little girl, and they're going to experience the loss of loved ones, especially - sadly - grandparents, who are so looked up to by children. Jeffers presents a gentle and insightful look at love, grief and being alive. A must for every library....more
My son is a big fan of Peppa Pig, a five-minute cartoon featuring a family of pigs and their various animal friends. British, and featuring lots of joMy son is a big fan of Peppa Pig, a five-minute cartoon featuring a family of pigs and their various animal friends. British, and featuring lots of jokes and irony for an older audience to enjoy (watch out especially for Mr Wolf with his deep and slightly creepy voice and all the innuendos), the show is very good fun. My three-year-old often laughs himself silly while watching it - between Thomas the Tank Engine, Peppa Pig and Bob the Builder, there's always something age-appropriate, 'accessible' and non-scary for him to watch.
Peppa is four, I think, but as is the way with cartoon characters, she never ages. This spin-off book is about her fourth birthday and the party she has with her friends, including magic tricks from "Magic Daddy" (who wanted to be called The Amazing Mysterio). It reads very much like one of the television episodes, and kids familiar with the show will delight in this picture book. Just remember to make the noise every time you see the word "snort!"...more