Great atmospheric story set in the period of 1857 during slave era, setting is great on-board a grand steamship with a few vampires mixed in to boot,Great atmospheric story set in the period of 1857 during slave era, setting is great on-board a grand steamship with a few vampires mixed in to boot, what more could you ask to have in a novel! This was the first of a few vampire books i was going to read in a row just felt in a bloody mood, then i would go on to Dan Brown in time for the movie release....more
When i read this i was not on goodreads so a review now would not do justice, so this is up for a re-read. Matheson is such a good writer and this ta When i read this i was not on goodreads so a review now would not do justice, so this is up for a re-read. Matheson is such a good writer and this tale of one man's struggle to preserve the human race and find a way to stop the spread of the hungry beings is short but legendary. There has been quite a few adaptations but most have played with the story and changed some important parts the book is much better. I Am Legend has been adapted to a feature-length film three times (or four, if one includes the Direct to Video film I Am Omega, which does not credit Matheson as the source).
Robert McCammon has set the stage, L.A is the setting, vampires are the dark element in this story. His vampires are not that of a teen romance urbanRobert McCammon has set the stage, L.A is the setting, vampires are the dark element in this story. His vampires are not that of a teen romance urban fantasy kind but traditional in the sense that they use coffins, summon by mind control, you will find the traditional garlic and crosses as their weakness. This is longer than your usual 300 page novel but it is in no way felt long due to McCammon's great ability to keep you hooked and with the characters involved. Many of his novels are in depth and long but a joy to read, no matter the length he holds your interest and keeps you reading. This story has a dark eeriness to it and is one to rank up there with the big supernatural tales.
"The sun reached its zenith and instantly began to fall, deepening the shadows that clung like a precious autumn chill to the eastern facades of the massive stone and glass buildings at the centre of Los Angeles. In the slow decay of hours and light, the sun shone red on the smooth lakes of MacArthur park; clear, golden beams wafted through the windows of shops and boutiques on Rodeo Drive in Beverley Hills; dust stirred lazily in the air among the cramped, boxy tenement buildings of east L.A., and clothes strung on lines from window to window caught bits of flying grit; the Pacific surf that rolled up to the edges the Venice Beach boardwalk, where the kids darted and spun on roller skates like human tops, slowly turned orange, then red deepening toward purple; lights began to glimmer like hot jewels along Sunset and Hollywood boulevards; the San Gabriel Mountains were jumbled piles of light and darkness, the western face of stone glowing red, the eastern exposures almost black. And above the whole metropolis with its eight million separate lives and destined sat the Kronsteen Cattle on a throne of rock. It was a huge, sprawling edifice of black weather-beaten stone high turrets, arched Gothic roofs, broken gargoyles leering from towers or contemplating the patchwork of humanity in the valley below. Many of the windows had been shattered and replaced with boards, but some of the windows at the higher elevations had survived vandalism, and those that were is stained glass glowed red and blue and purple in the strong, hard light of the setting sun. A chill gathered in the darkening air and began to grow vicious. The wind hissed and whispered around stone battlements like a human voice through broken teeth."
And many maybe guilty of wishing these abilities the Vampire King possesses.
"Soon, though-very soon-he and the others would learn some of the secrets that Vulkan had kept for almost eight hundred years-how to summon dogs and rats, bats and flies in thick, noxious clouds; how to peer into the mind of a human and read the secret thoughts waiting to be tapped. How to tell from a single drop of blood how old a human was, or what his diet had consisted of-the tastes a hundred thousand complex variations of sweet and sour, coppery and salty, tart or flat, poor or fine like wine aged in old Belgian kegs. How to drain the blood from a living human to the dregs and in so doing transform that person into a brother or sister of the night. So many things to learn."
The story started of really good and promising but by midway nothing really starts to happen great and story goes flat and writing mediocre, oh well yThe story started of really good and promising but by midway nothing really starts to happen great and story goes flat and writing mediocre, oh well yet another hyped up book due to movie exposure....more
Three criminals arrive to Pine Deep, one of them is more sinister than the rest, a wanted Killer! Is that all the evil that lurks in Pine Deep? No! ThThree criminals arrive to Pine Deep, one of them is more sinister than the rest, a wanted Killer! Is that all the evil that lurks in Pine Deep? No! This is a dark atmospheric supernatural thriller. I can see why Maberry was awarded the Bram Stoker award for this, he's a great writer really immerses you in the blood pulsing thrill, a real page-turner. The story plays out like an episode of Supernatural. I am hooked, line and sinker! He's developed a really good protagonist and characters like The Bone Man, Tow-truck Eddie, and The Dark Man all written in a good prose.
"Evil don't die it just waits"
that's what the Boneman says in this story and it's more gripping thriller stuff than being a haunting or gory story. You feel we only get glimpse of a lot of his characters in this book due to it being a trilogy I am looking forward to reading Bad Moon Rising the second book of the PIne Deep series.
"Hells a coming and we all gotta learn the blues" "Dark Hollow was as dark as a tomb and as inviting as an open, beckoning grave; yet there were worse places in Pine Deep, places where the shadows were darker still and the air hummed with a malevolent tension. But these places were never named and they were never thought about by choice. Dark Hollow, a doorway to those other places, remained as the darkest place known consciously to the people of the town, and in its Way it was dark enough."
This story was told by the same guy who had read the audiobook for The Gunslinger by Stephen King. It was a really good narration he really puts you iThis story was told by the same guy who had read the audiobook for The Gunslinger by Stephen King. It was a really good narration he really puts you into the mind of Lestat. A tale of the coming of age/vampire of Lestat, you are taken through different timelines of his life through centuries. It was a very deep memoir of his, Anne rice really knows how to use words elegantly in this story. There were times that the life story became a bore and felt like he was self loathing. It brings me back to the Dexter books and his insight as a killer and all his dark passenger rambles. I enjoyed the first book Interview with a vampire more....more
This story is not scary or thrilling and I felt slight let down due to so many high ratings. Just did not hold my interest and it is more of a straighThis story is not scary or thrilling and I felt slight let down due to so many high ratings. Just did not hold my interest and it is more of a straight family drama than supernatural....more
It reads like a bullet hitting bang on target. No messing around, strip away the usual vampire history or romance this story goes straight to the kil It reads like a bullet hitting bang on target. No messing around, strip away the usual vampire history or romance this story goes straight to the kill in POV mode chapters are divided by switching through the eyes of the prey and predators. Worst case senario to have is the turned let loose in a hospital with the young weak and old to feast upon, it's too late for Benny the Clown and Oasis the young girl, she wants candy now red candy. This is what the novel The Passage was missing just good old human struggle with a chainsaw too hand. Characters are developed well, the story doesn't let up momentum and real page burner. A Dracula story on steroids! I wander if a sequel is on the way. Make sure you have few hours spare as once you ride the gauntlet you won't want to stop! I am sure this one will end up on the big screen. I imagine the words painting images played out in my mind and i hear that classical track "O Fortuna" by a guy named Carl Orff playing in the background.
Forget the tag of 'Young Adults fiction' as the only thing you are going to miss is unwanted foul language and sex scenes. This story gets to the meat and bone of what is a really good thriller about zombie hunters, many of today's fiction that i have read for the Young Adult genre have cheesy one liners and cliché scenes, in this one gem you would not find this. Maberry takes you straight to the heart of the story and the action of the moment in this flowing and page-turning story. This has the makings of a TV series, similar to ‘Supernatural' where you also have two brothers who hunt out demons and ghosts instead. There is something more worse out there than zombies, more of an enemy for the Imura brothers, this enemy is killing off family members. A few of these bounty hunters, evil individuals have started something called the Gameland and are taking everyone down without rules.
With really good locations like 'The Hungry Forest' the author has created an interesting and engaging story. All I need now is to buy myself one of those Zombie cards from the story, they are like picture cards on the front of each was a portrait of a famous bounty hunter. On the back was a sort bio and the name of the artist. The next book in the series has all the makings of something even better!.
"It's not safe anywhere Benny. Not unless you're generation makes it safe. My generation gave up trying."
"Out here-I kill. Walkers, bad men. I kill and I live. I'm safe here"
"Cadaverine was a nasty-smelling molecule produced by protein hydrolysis during putrefaction of animal tissue. Benny remembered that from science class, but he didn't know that it was made from actual rotting flesh. Hunters and trackers dabbed it on their clothes to keep the zoms from coming after them, because the dead were not attracted to rotting flesh."
"The pair of them-Charlie and the Hammer-were the toughest bounty hunters in the entire Rot and Ruin. Everyone said so. Except for a few weirdoes, like Mayr Kirsch, who said that Tom Imura was tougher."
"Most of the hunters were paid by the town to clear zoms out of the areas around the trade route that linked Mountainside o the handful of other towns strung out along the mountain range. Others worked in packs as mercenary armies to clear out towns, old shopping malls, warehouses, and even a few small cities, so that the traders could raid them for supplies. According to Charlie the life expectancy of a typical bounty hunter was six months."
" 'Quieted' was the acceptable term for the necessary act of inserting a metal spike, called a 'silver', into the base of the skull to sever the brain stem. Since First Night, anyone who died would reanimate as a zombie. Bites made it happen too, but really any recently deceased person would come back. Every adult in town carried at least one silver, though Benny had never seen one used."
"Every dead person out there deserves respect. Even in death. Even when we fear them. Even when we have to kill them. They aren't 'just zoms,' Benny. That's a side effect of a disease or from some kind of radiation or something else that we don't understand. I'm no scientist, Benny. I'm a simple man doing a job." "Yeah? You're trying to sound all noble, but you kill them." Benny had tears in his eyes.
" The world is bigger and harder to understand than you think, Benny. It was before First Nigh and it still is now. You have to keep your mind as wide-open as your eyes, because almost nothing is what it seems."
"She may answer to the name Lilah or Annie. Approach with caution, she is considered dangerous and may suffer from post traumatic stress disorder."
On writing ROT and RUIN By Jonathan Maberry - September 27, 2010 I started laying the groundwork for ROT & RUIN when I was ten years old.
That’s when Night of the Living Dead opened in Philadelphia. October 1968. I snuck into the deserted balcony of the old Midway Theater, one of those vast old Art Deco theaters. No one was supposed to be up there, and no one my age was supposed to be in the theater.
By age ten I’d seen just about every monster movie there was. Vampires, werewolves, giant bugs –the works. I was kind of jaded. I thought I had a good working plan for how to deal with monsters. Crosses, silver bullets, that sort of thing. Then George A. Romero made all of the dead rise to attack the living. Not one, not a pack…all of them.
Talk about game changers. Sure, I could figure out how to deal with one or two. But legions of flesh-eating monsters?
That movie scared me more than anything I’d ever seen, read or imagined. Scared me almost sick. So….I stayed to watch it again.
Since then, I’ve seen every zombie flick, read all of the books and movies, and I’ve spent an absurd amount of my time thinking about how I would survive a zombie apocalypse. That ten year old kid in me was still trying to out-think Romero.
As I grew older and (I hope) wiser, I applied what I knew of forensic science, martial arts, basic survival, and common sense to the problem. I thought of what to do during the crisis and what could be done after –especially if zombies completely overwhelmed civilization as we know it. I’ve discussed this as a guest on scores of zombie panels. I wrote about it in books like ZOMBIE CSU: The Forensics of the Living Dead and PATIENT ZERO.
But all of that was really tackling it from the point of view of an adult. I’m a very big guy, I’m an 8th degree black belt jujutsu master and former bodyguard, and I have over fifty years of life experience to draw on.
It still left me with the question of what would I have done if this happened when I was a kid? Or, what if it had happened when I was a baby and my whole life had been lived after the fall of mankind. Tough questions.
I’m a writer, and when I have something tough to figure out, I tend to write about it. Which is how ROT & RUIN got started. To explore it, I wrote it.
I started with a kid –Benny Imura-- who was a toddler when the dead rose and is now fifteen. Everything in his world has been changed because of that. Benny doesn’t truly know what life was before the terrible events of ‘First Night’. Almost all of the adults he knows have lost all faith in everything that had been part of their world: society, politics, religion, technology, the military. They are all suffering from a kind of post-traumatic stress disorder. But Benny is fifteen. He expects to have a life and a future. He and his friends may have been handed a broken world, but it’s the world they’re going to have to live in. They don’t accept the idea that there is no future.
At the same time, everything in Benny’s world is defined by death. Everyone has lost someone (and even Benny has vague memories of his parents from First Night). The specter of death looms over everything and pollutes Benny’s world. This is where we meet him, and ass Benny explores this world –dealing with the constant threat of zombies, entrenched fears, violence, and the enduring corruption of evil men…he learns what it means to be alive. And to be human.
Benny Imura is an ordinary teenager, but ‘ordinary’ is a funny word, because when you scratch the surface of every single ordinary person you find an extraordinary uniqueness. Benny discovers his own weaknesses and learns the value of courage, trust, love, optimism and honor as he struggles to survive in world where zombies are really the least of his problems. http://authors.simonandschuster.biz/Jonathan-Maberry/67600213/voice