I've come to realize that I have sort of a "love-meh" relationship with Neil Gaiman's books.
While I absolutely adore his books that are targeted towaI've come to realize that I have sort of a "love-meh" relationship with Neil Gaiman's books.
While I absolutely adore his books that are targeted towards a younger audience (Coraline; The Graveyard Book; Fortunately, the Milk), I somehow cannot bring myself to be more than mildly interested in the others, which are mainly for adults (American Gods, Anansi Boys, Good Omens).
Maybe it's because Gaiman is PHENOMENAL at writing for kids. His words, the imagination behind his stories bring out the kid in you that the jaded experiences of life has buried deep within. It is a pleasure to just open this book and get lost in a time-travel adventure involving pirates, a Stegosaurus, volcano Gods, globs of gooey aliens and confused piranhas, all because someone went out to buy some milk, one day.
I wish Gaiman wrote more books for children. This is SUCH a delight to read. And the accompanying, brilliant, almost Tim Burton-esque illustrations by Skottie Young make it even more so!
If you've ever lost someone you love, perhaps to a long, drawn-out illness, then please, please, read this book. It is heart-breaking, gut-wrenching,If you've ever lost someone you love, perhaps to a long, drawn-out illness, then please, please, read this book. It is heart-breaking, gut-wrenching, healing and possibly life-changing, all at the same time, and you'll be glad to have read it at the end....more
There are five things I can say that'll make you want to read this book -
1. It's BRILLIANTLY written by (the always awesome) Jonathan Stroud. 2. It'sThere are five things I can say that'll make you want to read this book -
1. It's BRILLIANTLY written by (the always awesome) Jonathan Stroud. 2. It's a deliciously eerie spookfest, just in time for Halloween. 3. Main characters don't fall in love with each other. 4. Speaking of - BEST. CHARACTERS. EVER! 5. It has a sequel (Eep!)...more
I'm going to be honest here - I hadn't even heard of this book until the Internet went crazy over the reveal that Jo wrote it.
Two things - a) Jo wroteI'm going to be honest here - I hadn't even heard of this book until the Internet went crazy over the reveal that Jo wrote it.
Two things - a) Jo wrote this. b) It's a whodunit involving a private eye. So, naturally, I simply HAD to read it.
Somehow, branching out (again) and writing a crime-mystery novel seems natural for Jo (because, come on, who saw that Peter Pettigrew plot twist in PoA coming, amirite?). Not surprisingly, she manages to pull it off with panache. For those of you who have read The Casual Vacancy, after the bleak world of Pagford, it is a pleasure to see Jo's dry wit on paper again. While it is certainly less "adult" than TCV, fair warning - there is still a healthy sprinkling of f-bombs throughout the book (but, honestly, that should hardly matter at this point)
Imposing and, yet, vulnerable at the same time, the bear-like protagonist of the novel, Cormoran Strike, private eye, is immediately likeable. He is exactly opposite to Poirot in appearance but just as sharp when it comes to details. It is such fun to watch him piece together the clues to the murder of one Lula Landry, along with the help of his personal assistant, Robin, who, I might add, is perfectly adorable. The relationship between Strike and Robin is extremely endearing, and can I just say, I ship them SO HARD!
While the plot of the book is not exactly fast-paced, it has enough things happening to keep the reader from getting bored. Fans of Agatha Christie will find nothing new in this novel and, indeed, will have guessed the killer(s) way before the big reveal, but Jo has taken a tried and tested story and turned it into a refreshing read nonetheless, with her trademark writing. The level of detail in each description is amazing and her gift of creating solid, complex characters - as always - astounds. Observe -
“Another minute passed, and then a small black man was suddenly crossing the floor towards Strike, catlike and silent on rubber soles. He walked with an exaggerated swing of his hips, his upper body quite still except for a little counterbalancing sway of the shoulders, his arms almost rigid.
Guy Somé was nearly a foot shorter than Strike and had perhaps a hundredth of his body fat. The front of the designer’s tight black T-shirt was decorated with hundreds of tiny silver studs which formed an apparently three-dimensional image of Elvis’s face, as though his chest were a Pin Art toy. The eye was further confused by the fact that a well-defined six-pack moved underneath the tight Lycra. Somé’s snug gray jeans bore a faint dark pinstripe, and his trainers seemed to be made out of black suede and patent leather.
His face contrasted strangely with his taut, lean body, for it abounded in exaggerated curves: the eyes exophthalmic so that they appeared fishlike, looking out of the sides of his head. The cheeks were round, shining apples and the full-lipped mouth was a wide oval: his small head was almost perfectly spherical. Somé looked as though he had been carved out of soft ebony by a master hand that had grown bored with its own expertise, and started to veer towards the grotesque.
Brilliant. I loved it. Looking forward to the sequel!...more
It's like the seventh book didn't even happen. Eoin Colfer is back with a bang, and how!
The Last Guardian 4.5 stars for the entire series as a whole!
It's like the seventh book didn't even happen. Eoin Colfer is back with a bang, and how!
The Last Guardian has :
- Criminal Mastermind Juvenile Genius, Artemis Fowl, back in full form and all his brainiac glory. - Captain Holly Short, as kick-ass as ever. - Butler, still hoping his primary's end-of-the-world shenanigans stop for good, soon! - Myles and Beckett Fowl, Artemis's four-year old siblings. Twins. (God help the world!) - Foaly, as vain and awesome as ever (Seriously. How cool was his rescue of Caballine in almost-but-not-quite-the-end? Dude!) - Mulch Diggums, still saving everyone's backside (pun intended) after they've gone and messed things up (as usual), thank you very much! - Evil Mastermind, Opal Koboi, the deranged and psychotic pixie who wants to be the Empress of all and refers to herself as "Mommy" to her minions. (Guys, she is baaaaaaaaaaaaaaaack....) - Beserkers, Opal's unwitting minions. Ghosts in need of a body to possess for killing humans and who will not be put off by the choice of bodies available, be it alive or dead, and be it human or a couple of oblivious, and extremely unlucky, ducklings. - Non-stop action. - Extremely hilarious and witty zingers peppered generously throughout the book.
The thing I LOVE about Colfer is how brillaintly planned his stories are! For example, a completely innocuous thing that happened in the first page of the book will turn out to be important to the plot in the very last page. This, in sharp contrast to some "authors" I could mention who make things up by the page and hope that we wouldn't notice!
But, the ending of The Last Guardian. Hmmm. I don't know, you guys. I'm conflicted. On one hand, I liked it - there was closure (sort of), BUT, on the other hand, I also...didn't like it?
It was missing an epilogue and, trust me, the book really, really needed one, in my opinion. (view spoiler)[I wanted to know what happened to everybody and how they set about coping in the "new world" what with technology everywhere being destroyed... (hide spoiler)]
Judge it for yourself when you read it. Which should be any second now. Why are you still here? GO READ!["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>...more
The good stuff: 1. An admirable end to the trilogy cycle, with a fair amount of action, intrigue, magic aIt was better than I expected and then some.
The good stuff: 1. An admirable end to the trilogy cycle, with a fair amount of action, intrigue, magic and dragons. 2. The epic battle at Uru'baen was skillfully done and kept me at the edge of my seat. 3. Loved both Murtagh's and Nasuada's storyline. 4. Paolini's writing has picked up immensely; there was never a dull moment in the book - everybody was always on the move. 5. I'm glad the focus was more on Eragon and Saphira in the book. It was getting too crowded. 6. Angela Mooneater.
The not-so-good stuff: 1. The editing was shoddy at first. It was painful going through the recap at the beginning. 2. The reveal of the final dragon was a bit of an anticlimax. And I SO saw the identity of last dragon rider coming. 3. (view spoiler)[The whole deal with the hidden dragon eggs seemed like a deus ex machina to me. There wasn't enough ANY foreshadowing regarding that or that their memories had been tampered with. (hide spoiler)] 4. I skimmed through most of the chapters which focused on Roran. (I know I'm in the minority here but he just bores me. Somehow, I could never get invested in his character as much I was invested in Eragon's. Brisingr was totally ruined for me because of him.) 5. There wasn't enough about Angela in the book to my liking. Grrr. 6. (view spoiler)[I kind of found it hard to believe that Galbotorix could be so easily defeated. If that was the case, why hadn't anybody else done it already? (hide spoiler)] 7. The ending. (HOW COULD YOU, PAOLINI????)["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>...more