Release Date: February 28, 2012 Publisher: Harper Teen Age Group: Young Adult Pages: 375 Format: Hardcover Source: ARC received from publisher
Tell Me More: Around page 301, I posted this status update on Goodreads: "I think--no, I KNOW--that everyone who I forced to read Delirium is going to hate me forever." While most people who read Delirium loved it even as they cried over its horrific twists of fate, Pandemonium is going to be a polarizing story for many readers. Those who are looking for familiar footholds in Lena's world will find themselves lost--the entire mood has shifted. This is not the hopeful side of amor delirianervosa we knew in Delirium,but instead readers will be forced to endure its pain, its struggle and eventually, its loss.
Lauren Oliver opens Pandemonium likening Lena's difficult journey through the Wilds to rebirth and a new life. While I can see why she chose to compare it to giving birth, I see Pandemonium (or Pandy, as Ms. Oliver and my fellow fans like to call it) more like an ode to grief. The ending of Delirium stunned many readers, and like Lena, I found myself crawling along trying to deal with what had happened. It didn't seem real, and Oliver doesn't expect readers to forget that loss. The Lena we follow in this book is war-torn and beaten to within an inch of her soul, and yet she is expected to pull herself together and continue to live. I think it is easy to forget that the characters in books like these are only seventeen, eighteen, barely old enough to move out, let alone fight in a revolution. And yet it is that indomitable quality, that spark of bravery that we admire so much in them. Pandemonium forced me to consider whether I could be that brave, if I could lose everything dear to me--my friends, my family, the boy I love--and still be willing to fight for the rest of the world.
And where in the world could Lena find hope after what she's gone through? The most polarizing aspect of Pandemonium, in my opinion, will be the introduction of a new character and their connection to Lena. While I can't say much without spoiling much of the book, suffice to say that I was a whirlwind of emotion throughout much of the novel. I felt deeply for Alex in Delirium and the new developments in this book both confused and enchanted me. After all that's happened, I find myself extremely invested in Lena, because I trust her to know the right thing to do. She alone still sees love as love, and not a weapon or a disease or an inconvenience. That unwavering faith in her heart assures me that my adoration for this series isn't going to waste, and that Requiem will be a conclusion worth waiting for.
That's Not All:
> That first chapter tricked me and then made me cry. Basically, you'll need tissues for most of the novel.
> Lauren Oliver's writing is even more superb in this installment. The description of the Wilds is breathtaking, despite its physical ugliness.
The Final Say: Lauren Oliver is truly a tour de force when it comes to dystopian novels--Pandemonium will leave readers breathless and amazed once again....more
Release Date: January 3, 2012 Publisher: Feiwel & Friends (Macmillan) Age Group: Young Adult Pages: 387 Format: Hardcover Source: ARC received from Macmillan Children's Publishing Group
Discovery: I've been friends with Marissa for the last few years, thanks to the Sailormoon fandom. When she first started talking about writing a futuristic fairytale for NaNo, I was amazed by her dedication to the story (three books in one month!). Fast forward three years and Cinder is now on shelves (at least here in Ontario). It's more than a little heartwarming.
+ World-building. This is actually going to be a two-part discussion (see Questions), so let's dive into the positives first. Cinder and her "family" live in New Beijing in the Eastern Commonwealth. Meyer peppers the story with amazing detail and subtle changes in mood. It's not difficult to imagine living in this era, when we all imagine technology will be at its best and everyone is content. Not so for the residents of the Earth Kingdoms, who have to deal with a terrifying scourge called letumosis. Needless to say, the descriptions alone were enough to make my skin crawl. It is a brave and unique decision to have a disease looming over the fates of the characters--Meyer never makes the reader feel secure or that their favourite characters will be safe.
+/- Characters. As the book has come to be known as "Cinderella as a cyborg!," it's pretty obvious to casual perusers that they'll find the evil stepmother, stepsisters and Prince Charming himself in the story. Plus, who could forget the iconic glass slipper and the meek girl going after her dreams? But there's the rub: I don't particularly feel for Cinder herself. I'm interested in her story so far as it fits into the bigger picture of the Lunar Chronicles. Strangely enough, reading this book reminded me of my reintroduction to Sailormoon. I don't really mind Usagi/Serena/Sailormoon, and I'm glad she's there, but her personality doesn't make me desperate to know her. Likewise, Cinder is strong and smart and sometimes a little inconsistent, but while she has some awesome traits, I don't relate to her. I do love her place in the story and I am eager to see what she does next, so I suppose my full judgment will have to wait until at least Scarlet in 2013. (Full disclosure: I am not a big fan of Cinderella-the-Disney-Princess at all.)
That said, how I love the supporting characters! I was immediately intrigued by Prince Kai (my closest friends can probably guess why) and while I was afraid that he might be a little stereotypical, I loved that he was also highly intelligent and valued integrity. I definitely want to know more about Adri and Pearl--their bitterness is palpable in every scene they're in. Queen Levana is the one to watch, it seems, and I cannot wait to see more of her in the next three books. These characters become even more fascinating to watch when they're together. Is it bad that I'm hoping for a Levana/Adri sparring match later in the series?
- Questions. I spent the first few days after reading Cinder completely enthralled. I liked the story, I liked the characters and I liked the themes. (And that cliffhanger was upsetting!) But in the month-and-a-half that followed, I've reread it and have come up with some questions that I feel have to be addressed in the next three books.
The story is a tad predictable, but that can be easily overlooked because of its readability and great writing. However, I don't think some of the story was set up as well as it could have been, especially when it comes to the Lunars. It's understandable that the reader won't get all the answers in the first book, but I don't think it would have hurt to get a few throwaway sentences about how the discovery of the Lunar Race came about. Their power seems so absolute and their presence so strong in people's lives that it makes me wonder how they could have gone unnoticed for so long. The Doctor Who fan in me likened them to the Silence of series 6, which were absolutely terrifying at first meeting, but grew less so with so few logical explanations behind their existence. Their discrimination against other races is also something I want to see explored further--there is almost always a reason for this, and if there isn't, it needs to be more obvious.
I also want to know more about how Cinder can actually exist. I've heard comparisons between this and The Adoration of Jenna Fox, which is one of my all-time favourite novels. Granted, Jenna Fox was a one-off with just a companion novel and Cinder is part of a four-book series. But I trust Meyer's iron grip on the story, especially since she's mentioned that a 60-page document with character profiles and timelines helped her to craft the series. Many of the things I wonder about are little nitpicky inquiries, and I'm hoping that Scarlet will answer some of them for me.
The final say: Dancing in glass slippers isn't the only challenge for Marissa Meyer's Cinder, and readers are sure to be enchanted by the plucky heroine and her dangerous new world. If you love fairytales, don't forget to add this one to your list!
Tell Me More: If you know me, you know I'd be hard-pressed to resist any tale that uses period elements, even if the main genre that the story residesTell Me More: If you know me, you know I'd be hard-pressed to resist any tale that uses period elements, even if the main genre that the story resides in is dystopian. So yes, my hopes were high for Landry Park, but unfortunately I found it predictable at its best and offensive at its worst.
The life of Landry Park, literally, is dependent on the class issues that permeate the story. The reader is introduced to this peculiar new world through Madeline Landry, who enjoys the lifestyle powered by abuse of the lower classes, even as she expresses a vague desire to change it. In various exposition paragraphs, the reader learns that Jacob Landry, Madeline's ancestor, invented Cherenkov lanterns as a power source after a devastating war with the Eastern Empire. What's left of America is miserable, save for the 1%, now known as the gentry, who are not the government but more powerful.
Madeline is not a very memorable heroine, and neither are many of the other characters. She fits into the trope of a dissatisfied rich girl well enough, and I understand her desire to educate herself. But what is it all for? She tells her father that it will make her a better owner of Landry Park in the future, but even her attachment to the estate feels half-hearted. I never really felt like she was a fully-formed character, capable of standing on her own. I have read of heroines like her before, and she does not do much to distinguish herself from the rest. I never felt like she was in true danger, and I was not emotionally invested enough in her to worry either way. Even the relationship between her and David was dulled by how obvious it was that they would end up together.
On a more serious note, I am particularly bothered by the seeming demonization of Asians as the Eastern Empire, even as a character espouses that "race is no longer a factor" in this futuristic world. I believe this is the first book in a series (correct me if I'm wrong), so there may still be more information to be gleaned about this war in future installments, but what I have so far is just that China, Japan and the rest of Asia decided they'd had enough of America's environmental overreaching and invaded. If this is the war that has changed the landscape of the globe, describing its impact requires more than a few passing sentences. Race can never not be a factor. Including token black and Indian characters among the gentry is not enough to claim that, especially since America's "enemy" in this story is made up of Asians. The difference alone establishes that race is a factor. Frankly, I find it is easiest for those for whom race has never been a factor to imagine a world where it isn't. So why the Asians? Why this cause? I would love to know more about the background of this war, so that I can ground myself further in the story.
The class issues that Hagen attempts to address also fall flat because there just isn't enough solid worldbuilding to hold them up. So much of the book is set in a very small area, because Madeline herself is isolated from knowing much about her life. As a reader, this can quickly become frustrating, because there isn't enough ground covered to stabilize the world the author asks us to believe in. At the very least, why did fashion in this future world return to that of the 1800s? Was it meant as a sign of how out-of-touch the gentry are with the rest of the world? I can't be sure because we get no hints as to how the social norms developed hand-in-hand with the rise and fall of certain classes. Reading this book felt a lot like being surrounded by gorgeous, filmy curtains that aren't actually hiding anything substantial or valuable or even new.
The Final Say:Landry Park may dazzle readers new to the genre, but there is not much to see past the first few fireworks, and less to remember.
Release Date: February 5, 2013 Publisher: Feiwel & Friends (Macmillan) Age Group: Young Adult Pages: 464 Format: Hardcover Source: ARC won from IndigoRelease Date: February 5, 2013 Publisher: Feiwel & Friends (Macmillan) Age Group: Young Adult Pages: 464 Format: Hardcover Source: ARC won from Indigo Teen Blog
Tell Me More: My approach to Scarlet was very different from how I usually approach sophomore novels, especially ones in series. Second installments are most often written after the first book has already been revised and edited, but if you're familiar with Marissa Meyer's publication story, you already know that she wrote Cinder, Scarlet and Cress in a month, which is a feat in and of itself. Naturally, it was interesting to learn just how the story evolved through both the rapid writing and publication process, and she does not disappoint. Scarlet is an even stronger novel than Cinder, and I think it's safe to say that any expectations you might have for it will definitely be met.
The challenge posed by Scarlet and the succeeding books in the series is to make the reader care about a whole host of characters, not just Cinder. Our favourite half-cyborg heroine is nowhere to be found in the first few chapters--instead, readers meet Scarlet Benoit, a girl who cares deeply for her grandmother, enough to pick a fight when locals suggest she's run away or killed herself. Scarlet's faith in her grandmother and the unwavering instinct that something is wrong lead her to an encounter with a mysterious street fighter who fulfills the "tall, dark and mysterious" trope frequently used in YA fiction. That said, Wolf is no typical anti-hero. He is genuinely compelling to read about because one can never be sure what he's going to do (or not do) next. Scarlet is a kindred soul, and together they are able to carry the weight of this story on their shoulders.
And what a weighty story it is: not only does Scarlet embark on a journey to track down her lost grandmother, Cinder's commandeering of a spaceship with fellow prisoner Captain Thorne fills the other half of the novel. The banter between these two characters was fantastic to say the least, witty and poignant all at the same time. Marissa's ability to write quick zingers into the dialogue is something that I greatly appreciated in such a serious novel, and the moments that made me laugh weren't few and far between. The humour in this story is perfectly balanced with the heartbreak--in fact, they only add to each other's intensity.
Scarlet and Cinder's shared uncertainty develops into a confidence that both ladies use to their advantage and which will win readers over before they even get halfway through the novel. The men might be interesting (and super cute), but there's no doubt that this is a series written about and for young women who won't be shut away or dismissed. They learn what their limits are and then they break through them, making decisions and fighting for their lives on their own terms. This book became something I wish I'd had the privilege to read as a teenager.
The Final Say: Rarely do I feel as comfortable, content with and excited for a series as I have with The Lunar Chronicles. With another pack of memorable characters led by the fierce Scarlet Benoit, Marissa Meyer proves once again that the universe is the limit when it comes to superb YA fiction.
Tell Me More: There are some books that becomes so precious to me that I can barely string two words together about how much I love them. I keep them hidden in my mind and soul, turning them over and over and always finding something new. I grow afraid of telling other people about them because they may not understand and it would be physically painful to watch them lose interest in the story. Purity is only the second book of the year to do that to me, with The Fault in Our Stars as its only rival for Angel's Favourite Book of 2012. I realize that may seem like an impossible comparison, but both of these stories connected to me in ways I'm still discovering every day. They have also challenged me to find the words I need to express those discoveries, and the effects they've had on my life.
I am religious. I believe in God, in Jesus, in Mary, in the spirit of the church that I belong to. But I'm also 23 years old and I've never lost someone dear to me, nor have I ever had to make the Promises Shelby makes to her mother. Despite the myriad differences between Shelby and I, it isn't difficult for me to understand the crisis she undergoes in the novel, and the choices she makes because of it. I know things eventually get better, but Shelby doesn't, at least not yet. Jackson Pearces has created a painfully real character in Shelby, and the story is lit up by her powerful spirit.
In analyzing Shelby and her journey, I found myself turning back to my notes on Gabriel Marcel from senior year's Philosophy of Religion class. Much of the novel is spent on Shelby's personal challenge--how can she keep her Promises without having to make a vow of purity?--but there are poignant and beautifully written moments where she curls in on herself and admits her uncertainty about everything.
How is it possible that God understands what's best for me, what I should or shouldn't do, if he isn't human? If he hasn't loved someone, hasn't lost someone, hasn't wanted someone?
How indeed. Is it fair for God to ask us to follow Him when He doesn't have to deal with the double standards that women are held to? Is it fair for God to say what's right and what's wrong and what's fair when He isn't the one watching mothers die? Gabriel Marcel studied these questions and ultimately dismissed them. To Marcel, an understanding of God and the things He does or does not do comes from our experiences with other people. Shelby's questions are to be expected from a girl who's lost something very dear, and it's the people around her that comprise her faith, not an invisible (at least to her) God.
Beyond anything else, I want to commend Jackson Pearce for taking on those inner conflicts and being fair and honest in her writing. As I read Purity, I had to turn off my instinctual disagreement when she expressed her doubts in God, because it's not something I have a right to feel uncomfortable with. I may have a strong faith, and I may know my own mind, but Shelby is still working her way to that kind of certainty. She is selfish, she is reckless, she doesn't make the best choices and she isn't always honest about it either. But I dare anyone to say that she's a bad person just because she struggles with the idea of God and purity.
It was extremely satisfying to see the topic of sex and virtue be held up to scrutiny, especially in light of the laws being passed in the United States. Girls need to know that there are people they can talk to and places they can go to consider their choices, whether it's a church or counseling offices or just their own homes. Like Shelby, so much of what girls endure daily isn't upfront, but under the surface, making them doubt themselves. Personally, I've always questioned the right of the church to dictate what I can do with my body, because they've never actually asked how women feel about those rules. Purity is a great way to start that dialogue with the girls in your life and let them know that they have agency and power over their body.
Lastly, I was pleased with the way love was brought gently, softly into the story. Shelby's two best friends may be the foil to her father's distance, but I never once doubted that she was surrounded by people who loved her. Like many of us, Shelby struggles with that belief--it was heartbreaking watching her doubt herself. With chapters that detail exactly how Shelby comes to see her own worth and the importance of loving those who have been there for her every broken step of the way, Purity shines.
The Final Say: I couldn't have asked for a stronger character or a more beautiful story. Purity is a book I will put away on a beloved shelf to give to my future daughter....more
Release Date:February 21, 2012 Publisher: Dial Books (Penguin) Age Group: Young Adult PageYou can find this review and many more at Mermaid Vision Books!
Release Date: February 21, 2012 Publisher: Dial Books (Penguin) Age Group: Young Adult Pages: 400 Format: Hardcover Source: ARC received from Penguin Canada
Tell Me More: Dying of a literally broken heart? It's the stuff Lifetime movies are made up of, and while I would normally avoid similar plots like it's my job, I had a hunch that TCHOYAM was going to be the exception to my rule. Jess Rothenberg has written one of the strongest and most heartfelt contemporary YA novels I've been privileged to read in my entire life.
One question I always ask when it comes to books about the afterlife: why should I care about this character, post mortem? If their lives have already ended, what is there left for me to read about? Seeing the family deal with their loss isn't enough--there has to be a truly compelling reason to convince me that this painful reflection on a life taken too soon is worth it. Brie Eagan is worth it all.
I haven't connected with a character so completely since Anna and the French Kiss. Brie is funny and clever, but she can also be selfish and reckless--in other words, a real teenager. Her inability to accept her death at the hands of her boyfriend (though indirectly) is understandable, and her insistence on finding the truth is admirable. I've seen reviews where people complain about how whiny she is, and all I have to say is she died when she was 16. Expecting adult, mature behaviour isn't fair, and I believe that she is a truly dynamic character who continues to have wonderful potential to grow even after her death.
Another aspect of the story that made me a bit anxious was the hint of a love triangle involving Brie, Jacob and Patrick. My own feelings about love triangles are enough to fill a whole other blog post, but thankfully, Rothenberg steered her characters in the right direction. While the reason behind Jacob's defection is a little predictable, it didn't take away from Brie's heartbreak and served to flesh out Jacob's character as well. In fact, the vibrancy of the characters is this book's greatest strength. And Patrick, oh my dear sweet Patrick Darling. Let's put it this way: given the choice between Augustus Waters of The Fault in Our Stars and Patrick? I would refuse to choose and keep them both with me forever.
Writing-wise, Rothenberg has captured the teenage voice to a T. Her commitment to telling Brie's story the right way is obvious from the first page, and I couldn't think of anything that needed to be edited down for clarity or to improve the pace of the novel. Her editorial skills must have been a blessing while writing this book. I never felt that the story could go any other way, and having that kind of faith in an author (a debut one at that!) is wonderful. I look forward to Ms. Rothenberg's future books with the same enthusiasm I give to John Green, Maureen Johnson and Stephanie Perkins. She deserves it.
That's Not All:
> That plot twist about 3/4 into the book? I burst into tears and would not be comforted. Granted, I am a crier, but I was so emotionally attached to the characters that I couldn't help myself. > I have gained a newfound respect for cheese, despite the fact that I don't eat it. > Brie's little brother Jack and dog Hamloaf are now two of my top ten supporting characters in YA.
The Final Say: This is the start of a long and loving life with The Catastrophic History of You and Me. Thank you, Jess Rothenberg, for giving me a contemporary novel that will never break mine or other readers' hearts.
Don't forget to check out my interviewwith Jess, in which we discuss theme songs, writing vs. editing and that amazing title.
Tell Me More: Female friendship is a staple in my life, but I don't feel I see nearly as much of it as I would like inI LOVE IT I LOVE IT I LOVE IT
Tell Me More: Female friendship is a staple in my life, but I don't feel I see nearly as much of it as I would like in YA fiction or comics. Enter the Lumberjanes, five best friends at a summer camp that promises not just outdoor fun, but thrilling adventures that challenge their wit and ingenuity. And by the kitten holy was it an absolute blast to read!
via Comic Book Resources
Volume 1 opens with the girls on a nighttime trek, and any reader would be hard-pressed not to be charmed by them and their interactions with each other. The Lumberjanes look out for and protect their fellow girl, even when they come face-to-face with foxes howling to "Beware the kitten holy." Tiny red-headed April says it herself when Camp Director Rosie asks them how they ended up in the woods: "So Jo and I woke up all of our friends because 'FRIENDSHIP TO THE MAX,' obviously and we went after it..." These girls value each other tremendously, and they pride themselves on being able to rely on each other no matter what.
Yes, Lumberjanes is a feminist comic, with characters that have a variety of body types and facial features, and zero slut-shaming/fat-shaming/anykindof-shaming. April might be more stereotypically feminine than Ripley or Molly, but it's never an issue. All five of them are stubborn and confident and happy with who they are, and their friendship only ever reinforces that. There's also a hint of romance between two of the girls, and its slow development through the first four issues is a joy to notice.
Noelle Stevenson and Brooke Allen's art reflects the vibrancy of each girl's personality. The colours are always warm, and the girls, as previously mentioned, are of all different shapes, sizes and skin tones. When the colours go into cooler shades, they remain just as rich:
I love April so much.
via Comic Book Resources
Lumberjanes rewards rereads, and my second time around was even better than the first, because I could spend more time noticing the smaller details and seemingly throwaway jokes. There's a cleverness to the dialogue that is never condescending. Stevenson and Grace Ellis invite the reader to laugh with the girls, and even when there were references to people or places that I didn't understand, it only made me want to learn about them, and why the Lumberjanes might have mentioned them.
The adventures they go on are similarly engaging, and they give the girls ample opportunities to share their knowledge and skills. I was especially delighted by one particular challenge in a cave, where the girls need to figure out how to safely cross between cliffs. Each girl brings something to the table, and are never made to feel less because of what they don't know and can't do.
The Final Say: I'm a newcomer to comics, and I won't lie about feeling extremely by the thousands of stories I could choose from. Picking up Lumberjanes on the strength of some trusted friends' recommendations is a decision I could never regret, and isn't that the Lumberjanes way? #FriendshipToTheMax
Tell Me More:Here is a story of unbearable pain and regret, told in musical prose and by a character whose sadness is hazy but still visible in everyTell Me More: Here is a story of unbearable pain and regret, told in musical prose and by a character whose sadness is hazy but still visible in every sentence. Ava Lavender and her tragic, luminous family are some of the most memorable characters I've ever encountered in fiction, and Leslye Walton tells their stories in short bursts, letting their strength carry the words forward.
Sorrows is not an easy book to read. The narrative follows a rough timeline, and Ava begins with the story of her great-great grandmother, with the reader trusting that this history will contribute to Ava's own tale. Other than that, it meanders, taking breaks every now and then to share a tidbit, visit an old friend, ponder the meaning of past events. Readers who want a clear-cut story with obvious conflicts and villains won't find that here, or at least not for a good long while.
In addition, Sorrows is a magic realism novel, with girls turning into canaries and ghosts silently watching their siblings live. Unlike a lot of speculative fiction, there's no obvious logic to the magic in Sorrows. Ava, like her aunts and uncles before her, deals with her inexplicable wings with the help of her family, and they keep her sane. Walton's writing style complements the tone of the story beautifully--she has a gift for picking the right word to make her sentences sing, and they will haunt you. I particularly admired how Walton handles Emilienne's story, as it stretches from her arrival in Manhatine(as her father calls it) to the warping of her family's quiet existence. Readers need an anchor, and while the story is told through Ava's eyes, it is Emilienne who grounds it in her tragedy and strength.
Female characters outnumber males in Sorrows, and while the story doesn't quite make a statement about feminism, it does make a statement about abuses committed in the name of love, highlighting the way women are used, discarded and forgotten by men. Emilienne and Viviane give their hearts to men, trusting in that love, and they are treated cruelly, rejected because of their eagerness to love. Ava is more cautious, and suffers for it anyway. There are reminders of the original "The Little Mermaid": both stories are about girls who try to go after their dreams and are punished for wanting more than what they have. Emilienne, Viviane and Ava face men who are used to getting what they want, and they all recognize that entitlement too late to save themselves in the moment that it hurts them. But they don't lose themselves in the end. More than determination, I think that Sorrows reminds its readers that having the will to survive can carry you through the worst moments of your life. And maybe it's too hard to muster up that will in your darkest times, and that is when you let someone else carry you for a while.
The Final Say: Leslye Walton is an astonishing new voice in YA fiction, much like her unforgettable Ava Lavender. Her Strange and Beautiful Sorrows will stay with you past the last page.
Tell Me More:Eleanor & Parkwas a book that came highly recommYou can find this review and many more at Mermaid Vision Books!
Source: Purchased copy
Tell Me More:Eleanor & Park was a book that came highly recommended to me by the fabulous Rebecca at Indigo Yorkdale. With comparisons to The Fault in Our Stars and Gayle Forman being made by fellow readers I trusted, I knew right away that I had to find the time to check out why everyone loved this story. Unfortunately, good recommendations don't always result in satisfying reads, and Eleanor and Park simply did not charm me as much as I hoped they would.
My reading experience can best be expressed as an inability to suspend disbelief. I couldn't lose myself in the story because everything felt too perfectly set up to tell a certain kind of story. I felt like I could see all the reasons why Rowell chose to have her characters say and do certain things, instead of discovering those hidden layers bit by bit as I read. I spent most of my reading time nodding along, thinking "of course they love the Smiths," "of course comic books are what they connect over," and the like. There's nothing wrong with those things being E&P's interests, but I feel like every single "nerd/outcast" character in YA fiction shares the same interests. Some variety would be nice--how about a self-proclaimed nerd who loves pop music or reality shows? Park's parents were pretty stereotypical too, and I couldn't quite shed my discomfort with the way the relationship was illustrated. Park' father might love his mother, but I never got the sense that he truly understood her or cared about her cultural background, and I do not agree with John Green's review where he stated that they were well-drawn adults.
Likewise, the love story between Eleanor and Park results in some adorable moments, but it never really got off the ground for me. I couldn't particularly relate to either of them, so I wasn't invested in what eventually happened between them. Some thoughts Eleanor had about Asians also bothered me enough to make me step away from the book for a little bit. The relationship between Eleanor and Park wasn't surprising either, though there were a few moments that made me go "awww." There was little to distinguish it from other contemporary YA romances, and even as I write this review, I struggle to recall scenes that made me emotional.
What I did find intriguing were Eleanor's life at home and her family. I wish more time had been spent on scenes between Eleanor and her siblings, instead of the hints of discontent and distrust that are scattered throughout the book. Her abusive step-father was the only character to garner a real reaction from me, and remembering some of the things he said and did still makes me shudder. I also would have liked to know more about her mother and the relationship they had before her mother married Richie.
The Final Say: Eleanor & Park read like a sketch of a painting: not quite whole, not quite full and not quite real enough to capture my imagination and make me love it.
Tell Me More: If you're at all familiar with this blog, then you know that my reactions to paranormal novels can go one of two ways: either I find many themes to criticize, or I love it unconditionally. Mermaids, not surprisingly, tend to be the combo breakers. My own fascination for the sea and its mysteries tends to colour my opinions in ways I don't always see. Of Poseidon, while remaining a novel I enjoyed, does have some areas worth poking a finger into and seeing what comes out.
The scope of the novel is rather ambitious for a debut author, and I must commend Anna Banks for daring to rewrite mythology and fantasy to lay the foundations for her story. There aren't many holes in the plot, and what holes exist seem to be questions that will be answered in the succeeding novels. Speaking of succeeding novels, I had no idea this was supposed to be a series when I read it, and the ending did catch me by surprise. I had fully set myself up for a standalone novel, and I will admit to moments of frustration near the end when it didn't look like things were going to be wrapped up. If I had known there would be a second and third book, I might have been a little more forgiving toward some characters and plotlines.
That said, what Banks offers in this first installment is more solid than many debut novels. There's no dancing around the big reveal of Emma's ancestry, and though the way it plays out is a bit predictable for someone who has read so many paranormal novels, it is still fun to watch unfold. The entire story is extremely enjoyable and its lighthearted nature makes it an easy read as well. Banks is particularly gifted with zippy dialogue, which won't come as a surprise to anyone who follows her on social media. I get the sense that there is a lot of Anna in Of Poseidon, from the laugh-out-loud humour to the sentiments and frustrations that Emma expresses. That extra nudge of author personality adds to the spirit of the novel in many ways. Despite the paranormal/fantastical nature of the story, it has a human heart and a very human joy, one that will please readers of all ages.
The Final Say: Surprising me with a knock-out mermaid story, Of Poseidon carries itself with grace and humour. Anna Banks is an author to watch and laugh with, as she merrily swims along....more
My thoughts on this are a pretty mixed bag. On one hand, I'm glad there's a book that young geek girls can go to for interviews with grown-up geek girMy thoughts on this are a pretty mixed bag. On one hand, I'm glad there's a book that young geek girls can go to for interviews with grown-up geek girls, and be inspired by them. On the other hand, I also think it oversimplifies the geek girl experience, at least for me. I found myself bored with the chapters that focused on the "types" of fans or "types" of trolls, and the chapters on how to be a fangirl (cosplay, room decor, etc.) I recognize that this is likely because I've been in fandom for most of my adolescence, and many young geek girls may not have had the chance to explore fandom yet. So maybe this really isn't a book that's meant for me at my age and experience. And that's fine.
I would have liked to read more in-depth interviews and the chapter on geek girl feminism almost struck the right balance I was looking for. I would also like to see more discussion of intersectionality and racism in the geek girl experience. How do we transform our fandom love into careers? How do we constructively criticize things and try to respect each other? Maybe Maggs' next book will have that?...more
If I had three wishes from a genie, I still don't think I'd be able to wish for Laini Taylor's writing ability. This is now my favourite series of allIf I had three wishes from a genie, I still don't think I'd be able to wish for Laini Taylor's writing ability. This is now my favourite series of all time. I need to reread it immediately. I probably won't have time. BUT I WILL MAKE TIME.
Tell Me More: If I had three wishes from a genie, I still don't think I'd be able to wish for Laini Taylor's writing ability. When I first read Daughter of Smoke and Bone three years ago, I was prepared to be disappointed. The sheer scale of this story was overwhelming to realize, and nothing was predictable. Fast-forward to Days of Blood and Starlight a year later, and not only had Taylor expanded Karou's worlds, but she had also laid out some truly excruciating choices for her characters. Dreams of Gods and Monsters brings it all to a close, and that close is as horrifying as it is exquisite, as painful as it is filled with hope.
As things stand at the end of Blood and Starlight, Karou and Akiva both make the same choice, just articulated and executed differently. Karou chooses to hold onto a hope for her people, helping them in the only way she knows. Akiva chooses hope in the form of quiet revolution. Taylor doesn't pit them against each other for the reader to choose the better character, but she does let their actions speak for themselves, because neither are perfect choices. The fire that drove Madrigal and Akiva all those years ago is still there, and it continues to drive the story forward, even when the characters don't realize it. Their love isn't perfect, and it takes so much of who they are, but they are and have always been stronger together.
Like most final books in a trilogy, Gods and Monsters contains the most expansive world yet, and the story is spread throughout several settings and points-of-view. While most of the book is still told through Karou and Akiva's eyes, Taylor also introduces several new characters. Eliza is my favourite among them, her backstory intriguing and unique enough to rival the seraphim for my interest. Through her, the reader sees the chimaera-seraphim struggle the way humans would, with the added dimension of religion versus science. It all boils down to belief and the awe-inspiring, terrible things done in the name of belief, whether that belief is in power or religion or hope.
In this series, Taylor gives readers characters to believe in. They might be in shapes not easily imagined or seen, but they represent the potential for their respective worlds. Karou follows her heart, even in the face of terror, even when her life is threatened. Akiva doesn't accept defeat, but charges forward to take action, even when it seems hopeless. They're inspiring not because they are powerful, but because they recognize their limitations and press forward anyway. Parallels could be drawn between them and the Faerers, who did not recognize limitations and things better left unseen. Zuzana and Mik may not be fearsome creatures like the chimaera or seraphim, but they are resourceful and clever and honourable. Hazael and Liraz make some truly difficult choices, but their belief in each other and Akiva empowers them through those choices.
The Final Say: Dreams of Gods and Monsters is the kind of story readers dream about, a once-in-a-lifetime kind of tale. The emotion and wonder of Karou and Akiva's worlds are laid out in gorgeously rendered prose that will live in your dreams long after you close the covers. Laini Taylor has made me an admirer for life.
Tell Me More: I would like to preface this review by telling you all that this novel made me sob like a child. I just wanted to get that out there before I start with my usual critique of the story and characters. This is not a novel you read on a trip to the beach; this is a novel for a thunderstorm, a day to curl up against your favourite pillows and some hot chocolate. Because while Taylor's story takes place over the summer, the emotional depth needs an anchor to hold on to.
I was only nine years old when I last visited the Poconos, but the weekend I spent there made a strong impression on me. I can still imagine the swerving roads, the shadows of the trees on the path as we carefully drove up the side of the mountains. Reading Second Chance Summer was like pulling aside an old curtain and seeing a quiet grove come alive again. Morgan Matson lays the groundwork beautifully, and as Taylor remembers the details of her summers there, the reader feels as though they are remembering something lost as well. Of course, my own memories weighted down her descriptions, and I loved being able to return to a place where I was happy too.
The title of the novel makes the themes quite obvious--second chances and new beginnings are rife in this contemporary story. What makes them remarkable is the care that Matson takes to be true to her characters and their choices. I feared that Taylor might have immediately swung towards trying to be the perfect daughter and sister, that her father would become a Nicholas Sparks staple, that her family would become a trite cliché, et cetera. It's such an easy plot that the temptation to settle for an easy conclusion is always present. But throughout the novel, you get the feeling that Matson herself needed to push the story to the right ending, even when it was too raw to touch. There are emotions that we all need to experience and sink ourselves in, and Matson builds enough of them to make a lasting impression.
However, a story like this would not have worked without a character as quietly beautiful as her setting. Taylor doesn't seem like a friendly character from the start, but sticking through to the very end of the novel is paramount to understanding her. She is broken in ways she doesn't even understand yet, and for someone older, it can be a little disheartening to see her give up so early. I've known people like Taylor, who were afraid to accept their pasts and make it a part of themselves, who were frozen in their fear and lost in uncertainty. As Taylor discovers, there's only so far you can run before you have to face things and decide. This is a girl who wants so much of what life has to offer, but can't quite muster the strength for a head-long leap. Matson writes Taylor's journey with an intimate understanding of what Taylor feels and fears--she gives Taylor room to continue to make mistakes and mess up. The faith Matson has in Taylor is unlike anything I've ever seen, and it strengthens my belief that a story can only be unforgettable when it has the right character.
And really, I would be remiss if I went without mentioning the outstanding cast of supporting characters in Taylor's life. Her family is charming, but it is easy to see the pall of the news they have to deal with, and I grew to love them as much as Taylor does. The friends she had in the Poconos are so expertly drawn from teenage memories that they come to life with barely any prodding. Dear friends, I was almost overwhelmed by how SA-WOON worthy a certain someone was, even when he and Taylor were just kids. As Taylor discovers, that kind of charm doesn't wear off, and it was wonderful to see her learn to be happy with other people again.
In the end, I think Matson's true strength lies in the creation of characters that become more than the sum of their pasts, presents and futures. She understands people and the myriad joys and pains that stitch themselves into our souls, and she always, always gives them a second chance.
The Final Say: Second Chance Summer is a novel that will leave you changed in ways that may not always be visible, but will always be important. Morgan Matson is one to watch for all the stories that she has left to tell, and all the characters that she finds in us.
Discovery: I’ve known about this series for a few years now, but have been studiously avoiding it. I know about Cassandra Clare’s fanfiction history aDiscovery: I’ve known about this series for a few years now, but have been studiously avoiding it. I know about Cassandra Clare’s fanfiction history and accusations of plagiarism and although many of my favourite authors are friends with her, I’ve come to distrust her work on principle. My decision to read these books now come from my desire to be a fair and honest reviewer. I won’t tell anyone a book is badly written unless I’ve read it, so I figure this is as good a place as any to start.
+ Humour. I was pleasantly surprised by how funny the dialogue was in this novel. Most of what I’d heard about the Mortal Instruments focused on the romance between Jace and Clary, so I wasn’t expecting to find much humour. Clary has a biting wit when she wants to use it, and Simon made me crack up more than once. I loved the interaction between Clary and Isabelle and I’m pretty sure Isabelle is going to be one of my favourite characters.
+ Supporting characters. Again, Jace and Clary might be the main characters, but I found myself more interested in Alec, Isabelle, Luke and Hodge. Alec is especially important to me because I like the inner conflicts he undergoes. At the beginning of the novel, he seems older and more burdened than Jace, but as the story progresses, he becomes a young boy who has insecurities galore. Isabelle is the same way. Luke reminds me a lot of Remus Lupin and his problems, and I don’t know how I feel about that comparison.
- Cliches. I’ve never seen so many copied ideas/cliches in my life: the girl who all the (bad) boys want, the evil villain who wants to “purify” the world, the tortured bad boy, the twist in the romance (which, by the way, I laughed at for ten minutes straight–people are going to feel so weird walking out of the movie). Mundies are Muggles too. Everything seems ripped straight from popular culture. Even the Mortal Instruments aren’t unique, as J.K. Rowling did it first with the Deathly Hallows. I felt like Cassandra Clare made a list of all the tropes that made books and films successful and decided to dump them all into her novel.
- Writing style. I am a grammar freak. Seriously, seeing grammatical/spelling errors in any text makes me twitch. If there is a pen handy, red or not, I will correct it. If I owned this book, it would be a sea of red. Misplaced commas, awful phrasing and repeated words. When I read Twilight, I played a game where I kept a tally of how many times certain words–golden, smell, eyes, topaz–were repeated. After the first three chapters of City of Bones, I wanted to break out my tally sheet again. The chapter from Luke’s point-of-view was also jarring and nothing more than a massive info dump, which seems clumsy.
Recommendations: I’m reserving my recommendations for when I finish the series, which should be around next week. For now though, it’s not looking good. The characters need to be more developed than they are to make up for the negative points.
Release Date: August 27, 2013 Publisher: Katherine Tegen Books (HarperCollins) Age Group:You can find this review and many more at Mermaid Vision Books!
Release Date: August 27, 2013 Publisher: Katherine Tegen Books (HarperCollins) Age Group: Young Adult Pages: 330 Format: Hardcover Source: ARC from publisher
Tell Me More: There are some books for which you know exactly what's going to happen, the secrets which will be revealed, the main overarching journey that the protagonist takes, and you love that book anyway. The Beginning of Everything was not that book. It dances on the edge of being something breathtaking without actually jumping off and losing its breath, and does so in favour of a rushed and unsatisfying ending.
Ezra is not a difficult character to decipher: he slides in perfectly with the typical hero of this subgenre, and you could recognize him in a heartbeat. He's used to life falling into place just so, without complications or complexities. The novel's first chapter hints at the supposed development of his personality with careful, poignant writing, and it was precisely those first few paragraphs that sold me on the book when the premise had not. That said, I didn't feel that his character development was explored as deeply as it could have been, and I didn't get the sense that he had truly matured. In fact, the experience was quite similar to how I'd felt at the end of (500) Days of Summer. I won't spoil it for anyone who hasn't seen the film, but Tom Hansen and Ezra share quite a few traits. They're not horrible people, but they are very self-centered in the most basic sense of the term. Unlike Tom, Ezra takes on more responsibility for his choices and his perspective of the world by the end of the novel. And that's great, but the development is crammed into the last 20 pages of the book, as though the reader is just expected to take his word for it without seeing proof.
Cassidy Thorpe, on the other hand--I was never quite sure what Schneider had intended for her character. We get a portrait of a girl painted in very broad strokes, with the occasional quirk to make her relatable to the reader. She enchants a cynical and tired Ezra almost effortlessly, though I enjoyed the banter between her and Toby more. But she's selfish, in a way that the titular Summer Finn never was (Tom Hansen's bitter viewpoint nonwithstanding). She was unsettling to me, because I could sense there was something off about her from the beginning. At first, my fear had been that she would turn out to be another manic pixie dream girl, but as the book went on, it became clear that she was faking that too. And again, that's fine and I applaud Schneider for steering away from that trope. But there is very little time to digest that revelation before the book has ended and the reader is faced with questions they didn't think (they had) to ask. The big plot twist was obvious from the start, and it didn't have the impact it probably should have had because there wasn't enough time spent on building it up/making the reader care about it in the first place. Instead, the reader is caught up in the relationship between Ezra and Cassidy, which only adds to the dissatisfaction when things don't exactly work out the way you think they will.
The plot is heavily centered around the mental and emotional journey that Ezra embarks on, so it isn't heavy on the worldbuilding. I highly enjoyed the scenes during the debate tournament because they felt the most real, even when Ezra didn't know what was going on. And oh, I could sing praises about Toby for nights on end--he practically leapt off the page, his energy and enthusiasm so palpable that they were almost contagious. But though parts of the novel were very well-drawn and substantiated, the fact remains that this is Ezra's story, and it never achieved the closure it should have.
The Final Say: Though the original title--Severed Heads, Broken Hearts--would have been an eye-catcher, I do think that the current title of this story fits it perfectly. The Beginning of Everything is full of false and fresh starts, but you may want to avoid it if you want a novel that pushes itself to the limit and past.
Initial thoughts: 2 for 2 with your 2012 books, Jackson Pearce. You are quickly becoming one of my favourite authors AAAAAAAAND I think I would read anInitial thoughts: 2 for 2 with your 2012 books, Jackson Pearce. You are quickly becoming one of my favourite authors AAAAAAAAND I think I would read anything you wrote, including but not limited to a reinterpretation of the phone book.
Release Date: September 4, 2012 Publisher: Little, Brown Books for Young Readers Age Group: Young Adult Pages: 304 Format: Hardcover Source: ARC received from publisher
Tell Me More: Human beings are funny things. Hand us a mystery, we'll not only preoccupy ourselves with solving it, but as frustration builds, we'll also come up with myriad explanations for all the things we cannot understand. The vastness of the ocean is one particular mystery that has enthralled people for centuries, and even as we make our marks on planets in the galaxy, knowing what lurks in the depths of the sea is still a challenge. Likewise, the human mind never quite lets us in all the time, and it can even turn on us as quickly as a storm can develop in open sea. Jackson Pearce's new novel Fathomless is a brilliant study of identity and memory through characters that are tied to the water in ways they can't comprehend.
Upon beginning this story, I was struck with the poignancy of the title Pearce chose. The word is lyrical, reminiscent of sea shanties and old tales, and yet it always seemed to hide something more. Celia and Lo's story is much the same: both girls are aware of their lives, and they can locate themselves through what they do, but there is something deeper that neither of them feel comfortable poking at. Neither of them are comfortable with their identities. Celia is tired of being a triplet, simply "Anne and Jane's sister," and Lo struggles with the memory of a name, Naida, and what it means for her own identity as Lo. It's a confusing and discomfiting experience for both girls, as adolescence always is. I particularly enjoyed the fact that Pearce used a third-person POV in the prologue--which introduces Lo--because it sets up the distance between Lo and the human race, of which she is no longer a part. While the rest of the story alternates between Celia and Lo's point-of-views, the prose remains beautifully written.
One of the most interesting themes of the novel is centered around how memory gives us our identity. Celia has the ability to see anyone's past, but her own father loses his memories because of Alzheimer's. She can't help him get those memories back, and so his identity as her father is lost as well. Lo's memories as Naida quickly force her to choose who she will be, because they cannot both exist in the same body. Celia would do anything to help her father remember, but she can't--Naida pushes Lo to kill a boy to get Naida's soul back. Memories set up a powerful dynamic between the girls and make them decide once and for all what they are willing to do to be who they want to be. Can you grow without knowing what came before? Can you be different without knowing how you've changed? Is giving up the past for a new future the right thing to do?
As easy as it would be to focus on the paranormal aspects of this novel, I think that would do it an injustice. Disney's version of The Little Mermaid is sanitized for children, and Pearce's choice to base the story more on Hans Christian Andersen's tale was a wise one. It asks the same questions without diluting the consequences of the mermaid's choice, and it ties into Fathomless' themes of transformation and identity. Like the titular mermaid, Lo wants to know more than what she is expected to believe. She goes in search of knowledge, of memory, and she makes choices that aren't always wise. But I absolutely loved the development of her character, and I think it works better than Celia's own journey, which was more connected to the love story. The relationship between Jude and Celia was the weakest part of the story, in my opinion, and I think it would have benefited with a bit more time spent on that development. I do believe that the core of Fathomless was the connection between Celia and Lo, and it succeeds with aplomb.
The Final Say: Jackson Pearce brings some tough questions to her third fairytale retelling, and the result is a nuanced, passionate story of the choices we make and the connections we forge in our need for identity. Fathomless is one of her strongest novels to date. ...more
Tell Me More:2013 brings another trilogy to its long-awaited conclusion inClockwork Princess,and like many YA readers, I was eager to know exactly howTell Me More: 2013 brings another trilogy to its long-awaited conclusion in Clockwork Princess, and like many YA readers, I was eager to know exactly how Cassandra Clare would tie up all the loose ends in The Infernal Devices. Unfortunately for me, only disappointment lay down that path.
It’s been about 15 months since I last read Clockwork Prince, but I do still think of it with fondness, mostly because so much of that story was centered on Jem Carstairs. He has consistently been the most developed character, more than anyone else in the series, and I enjoyed getting to know him better. But in Clockwork Princess, Clare tries to bring the story back to focus on Will, Tessa and Jem, and it doesn’t quite work so well.
Got up to chapter 37 (178 pages in) before I gave up. After is not romantic. It chronicles an emotionally abusive relationship, romanticizing the "terGot up to chapter 37 (178 pages in) before I gave up. After is not romantic. It chronicles an emotionally abusive relationship, romanticizing the "terrible, hateful person" (the MC's own words) that Hardin Scott is. He is cruel to Tessa in many ways, not the least of which is pushing her into situations that she doesn't want to be in, and I just could not take any more of it.
The prose is stilted, and the story moves along at a snail's pace. Not every thought needs to be elaborated upon.
I love fanfiction. There is a lot of fanfic out there worth publishing. This is not one of them....more
Release Date:April 3, 2012 Publisher: Little, Brown Books for Young Readers Age Group: YoYou can find this review and many more at Mermaid Vision Books!
Release Date: April 3, 2012 Publisher: Little, Brown Books for Young Readers Age Group: Young Adult Pages: 368 Format: Hardcover Source: Finished copy received from publisher
Tell Me More: When discussing books in literature classes or book clubs, it's often a given that the words "human experience" will be brought up once or--let's be realistic--a dozen times at least. The people who insist that stories are just reflections of human experience are correct. We read stories to see how other people react to situations we can only imagine, but which have a basis in our own reality. It's fun to imagine oneself in the middle of the barricades in Les Miserables, but given the chance to actually do it, not many people would volunteer. But what happens when a reader is asked to imagine an absence of human experience, a lack of that unnameable quality that separates us from animals?
Murder is a fascinating subject for many people, I imagine, because it sits in that realm of possibility which we have been conditioned never to touch. Sentences like "I'm going to kill him" have entered the common lexicon because we consider it a joke, just a cathartic turn of phrase. To Jazz, death has always, always been something tangible. Lyga's previous work seems like the tip of the iceberg now, after reading I Hunt Killers--he burrows deep into the psyche of not just one, but two sociopaths and draws out the shadows for readers' judgment. Where Lobo's Nod is concerned with the uncanny similarities between Jazz and his imprisoned father, Lyga insists that his readers take no piece of information for granted and gives all his characters credit for their actions. That kind of approach is so important to a story like this, because it could easily devolve into just another crime thriller on the shelf.
Jazz is forced to come to terms with the idea that his father may have forced the experience of murder onto him as a child, and the thought of the possible victim is just one of the lashings he has to take in the course of the story. In many ways, I Hunt Killers is a story of uncertainty and our reactions to that confusion. Some people have midlife crises. Billy Dent, Jazz's father and an infamous murderer, speaks of "not knowing" if people are truly alive until he's killed them, that the blood flowing onto his hands and the sigh of their last breath are the proof of their life. When faced with a serial killer who is copying his father's crimes, Jazz himself crashes into a mountain of doubt and distrust in his own ability to see people as living, unique beings. It is a realistic and painful journey to witness from page one to 368, and one that needed a writer brave enough to slash away at bad metaphors and easy cliches. Barry Lyga was the perfect writer for this story, because he made it more than just a story about murder. He reminds his readers that humanity is something we choose first, and not something that chooses us, no matter whom we were born to or how we grew up.
The Final Say: A story this tough will find a true home with readers who need something to hold on to, and readers who know how important it is to never take our lives for granted....more
Release Date:January 24, 2012 Publisher: Doubleday Canada (Random House) Pages: 256 FormatYou can find this review and many more at Mermaid Vision Books!
Release Date: January 24, 2012 Publisher: Doubleday Canada (Random House) Pages: 256 Format: Paperback Source: ARC received from publisher
Tell Me More: In recent years, The Taming of the Shrew has become one of Shakespeare's highly contested plays. Readers are split over whether Petruchio was horribly sexist or if Katherine was bullied into submission. Of course, it's easy for those of us who grew up with 10 Things I Hate About You to believe that love has the power to change one's attitude, but what happens when we can't tell the difference between love and abuse?
Plot-wise, I was extremely impressed with The Taming. It introduces the idea of infatuation so subtly that you can get through half of the book without realizing that Evan has suddenly become a creepy presence. In fact, he's quite easy to fall in love with as a character. He is charming and smart and realistically, he'd be at the top of the social ladder. His charisma is so strong that even the reader's head is turned, and who could blame them? Was Katie wrong to fall for him? Just as the reader starts to realize that something is terribly wrong about Evan, he turns into someone we don't recognize, someone who might actually be a victim himself.
It's that kind of topsy-turvy perspective that many victims of abuse develop toward their partners, and it is portrayed so starkly in this novel. Love needs trust to grow, and Evan doesn't even trust himself. I have heard negative feedback about that aspect of his personality, and I don't blame readers for being angry with Evan. But I do think that to simply dismiss him as a messed-up boy is wrong too. He is, whether we like it or not, mentally ill, and deserves our compassion, if not our respect. The ending was spot-on in that regard.
However, I do think that Toten & Walters could have done a little more with Katie. Her transformation from shy wallflower to instant center of attention was too fast for my taste, and I would have liked to see her grow into that confidence. As Katharine is one of my favourite Shakespeare heroines, I wanted to see more of that unconquerable spirit in Katie. Because, yes, I am firmly in Camp True-Love-Can-Overcome-Obstacles when it comes to this story. To me, Katharine and Petruchio are a great example of realistic love: they fight, they argue, they even hate each other sometimes, but in the end, they would sacrifice their former reputations for the joy of being able to love one another. That's something that Katie and Evan will (I think) have learned to value after meeting each other.
That's Not All:
> SERIOUS geekery over reciting Taming of the Shrew lines as I read the book. > Hilarious supporting characters!
The Final Say: Teresa Toten & Eric Walters take on the tough subject of relationship abuse through the eyes of Shakespeare, and it truly is a poignant and powerful combination....more
Tell Me More: Distance is a familiar motif to anyone who has left the country of their birth. But whatever distance leaves in shadow, it also brings nTell Me More: Distance is a familiar motif to anyone who has left the country of their birth. But whatever distance leaves in shadow, it also brings new perspectives to light. Kseniya Melnik writes of her birthplace, Magadan, with perspective and a fresh new gravity in these nine short stories.
It’s hard to write about a place that lives in memories. In Melnik’s hands, Magadan is a vibrant place with unique characteristics and characters. Each piece of the setting seems to complement its respective story, and the lilting, rhythmic dialogue is at once humourous and sharp. “Kuruchina” is especially powerful, serving as a dual commentary on the challenges of immigration and being a woman. The stark cultural differences are potent enough to drive the story, and it was easy for me to relate to Katya, as different as we are.
The characters are memorable, so much so that I’ll remember them on the train in to work and still smile or laugh. Among my favourites are Tanya of “Love, Italian Style, or in Line for Bananas” and Olya of “Strawberry Lipstick.” There’s a hardiness to the female characters in these stories, born of practicality and sensibility in the middle of political and economic unrest. Still, there are hints of their idealism and need to dream of something more. Melnik draws links between them through several stories: Olya’s daughter Marina is in “Closed Fractures” and her daughter is the center of “Summer Medicine,” which brings us back to Olya herself. The connections provide a sense of history and solidarity for these women, and their stories tend to be the strongest in the collection.
My favourite stories:
“Love, Italian Style, or in Line for Bananas” “The Witch” “Kuruchina” “Our Upstairs Neighbor”
The Final Say: Just reading one story is impossible in this collection from Kseniya Melnik–-Snow in May will draw you closer, like the first flakes in October draw us to the window to wonder....more
Tell Me More:You never remember things the same way twice. One day, you might focus on a single detail, your emotional investment tied directly to theTell Me More: You never remember things the same way twice. One day, you might focus on a single detail, your emotional investment tied directly to the existence of that detail on that particular day--a red scarf, a white drink, a brush of fingers against your arm. Another day might find you recalling the feeling of contentment or overwhelming anger or despair mixed with a strange taste of relief. Memories shift and grow as humans do, and it is the indelible impact those shifts have on us that Kazuo Ishiguro considers in his newest book.
Let me be clear: this is not a book you read for straightforward answers. The Buried Giant meanders much like its protagonists, and it doesn't really wait for you to catch up. You're either on the journey with Axl and Beatrice or you're not. Should you commit to that journey, it might take more than the first few chapters for you to really find your bearings, as Ishiguro lays out the path in slow, sweeping paragraphs. The setting is both familiar and strange, reminiscent of Tolkein's descriptions of the Shire but with a touch of fog, similar to the mental fog that seems to dog Axl, Beatrice, and their fellow villagers. The writing style that Ishiguro employs can make it difficult to remember exactly what is happening and what has happened as you move through each chapter. While this style might be fitting for the story, when it comes to enjoying it, your mileage may still vary.
Ishiguro uses several fantasy tropes to highlight themes in Axl and Beatrice's journey, not the least of which is an appearance by a legendary knight of King Arthur's court. It doesn't feel like Ishiguro ever truly commits to these tropes, however, and while I could see what he was trying to accomplish on a technical level, it wasn't emotionally compelling to me. The Buried Giant seems to want to rest within a peculiar middle ground between fantasy and realism, but isn't quite magic realism either. Axl and Beatrice are the nucleus of the story, and the various magical creatures eventually felt like small distractions.
Were the distractions worth it? Again, your mileage may vary. Never Let Me Go, another Ishiguro novel, only ever gave vague hints as to the true nature of its protagonists' school and their secret, and I found it more effective than if he had stated it clearly from the beginning. The Buried Giant, on the other hand, fills its pages with new shiny things to look at, and it was hard not to feel impatient after getting to the halfway point of the book.
The Final Say: The Buried Giant may be best consumed without expectation or knowledge of Ishiguro's previous work. Fantasy fans will likely enjoy the throwbacks to the genre, though Ishiguro doesn't quite commit to those tropes wholeheartedly.
A lovely fairy tale, with melodic prose and themes that resonate beyond childhood.
Tell Me More:Any fairytale worth its pages is capable of making thA lovely fairy tale, with melodic prose and themes that resonate beyond childhood.
Tell Me More: Any fairytale worth its pages is capable of making the reader feel like maybe, just maybe it could happen to them too. It calls up a realm of possibilities just strange and magical enough to let the reader step out of their world, while remaining grounded in reality. Beastkeeper is one such tale, and in Cat Hellisen's capable hands, it is the kind of story you could easily read over and over again.
Sarah is a protagonist reminiscent of those oral traditions: she is curious and observant, always on the edge of tipping over into dangerous ground. Despite that, she seeks safety and stability, and when her mother leaves the family and her father begins to change, she has to learn how to find that stability in herself. The voice that Hellisen chooses to employ for Sarah highlights that hidden steel in her--it's steady, carefully paced and honest. It grounds the reader even as Sarah begins to discover the curse and its challenges.
Beastkeeper doesn't just refer to the person whose love prevents the monstrous transformation. Sarah discovers that she is a beastkeeper in her own right, that her determination and strength of will keep despair at bay. She doesn't lose herself in self-pity, but keeps going. Those qualities drive the story from being a simple fairy tale into a commentary on the value we place on our abilities and self-worth. Sarah acknowledges that she is important and that she is worth fighting for, and before she asks anyone else to fight for her, she'll fight for herself. She fights for the right to keep her consciousness and to continue living. She makes the choice that her family has struggled with for decades, and she makes it with a remarkable confidence.
The Final Say: Cat Hellisen's take on Beauty and the Beast is a powerful statement on the strength and determination we carry in ourselves, hand in hand with the beasts of our own anxieties and fears.
Ugh my heart hurts so much. I am not coherent enough to write a proper review right now, but I LOVED IT.My original post:
I can't believe it's over.
Ugh my heart hurts so much. I am not coherent enough to write a proper review right now, but I LOVED IT. Thank you, Melissa, for such a wonderful, thought-provoking series.
A proper review:
Discovery: I’ve been patiently waiting for this novel, the final book in the Wicked Lovely/Tattoo Faeries (depending on who you ask) series, for years. I first read Wicked Lovely in November 2007 and it remains one of the best birthday presents I ever bought myself.
+ Ensemble/world. One of the things I love most about this series is the vibrant cast of characters. Only Fragile Eternity (Book 3) served as a real sequel–Ink Exchange and Radiant Shadows opened different curtains on the WL stage. Darkest Mercy brings all the fey and humans together for one final satisfying stand. I really enjoyed the character development, especially in Niall, Irial, Donia and Keenan.
On a related note, I will be forever in awe of the world that Melissa Marr created. It’s creepy and passionate and so very alive that I’m scared the translation from text to screen (Wicked Lovely is going to be a movie!) will either take it too far or not far enough. The fey and their courts are perfectly nuanced in their presentation and it’s not hard to imagine this other world surrounding us.
+ Seth. It’s no secret that for the last four years, the teenager in me has harboured a tendre for Seth Morgan. This is a point for Melissa Marr’s characterization because I’ve never really found tattooed and pierced guys attractive. His attitude and actions speak far more than his appearance, though, and of all the characters in the series, he undergoes the most startling transformation.
I suppose what I like most about Seth is his determination. Wicked Lovely introduced him as Aislinn’s friend-who-wants-something-more, but didn’t stop there and that’s the best thing about it. The five books have seen him grow and experience pain and make decisions that speak of his maturity and acceptance of the faerie world around him. More than anything, his devotion to Aislinn isn’t blind: he pursues her and her world actively, making sure that when it all ends and whether either or both of them die, they see each other as equals.
+ Conclusion. I will argue with anyone on this, because I feel like it was the one of the most satisfying series endings I’ve ever read. I can’t say much without spoiling anyone, but I loved the simplicity and integrity of it. One of the themes in WL is the importance of compromise. These days, so much of the world is coloured gray and it isn’t easy to live a black-and-white existence. Marr’s faeries reflect our own on-the-fence choices and in the course of the series, they are each faced with decisions they don’t want to make. How they deal with it brings about conclusions none of them can foresee and the sheer bravery they display in return is commendable.
- Action scenes. In the course of reading this novel, I couldn’t help but compare it to Radiant Shadows, the previous book which I’ve read maybe 20 times. At times, it felt as though I was watching the action scenes happen through a blurry glass window. They didn’t feel real enough and I found myself wishing it would end so I would know who survived. In Radiant Shadows, I could barely keep myself from whimpering as my favourite characters took hits.
Recommendations: A stellar conclusion to a gorgeous series, this chapter will satisfy young adult readers, and provide lots of discussion, especially for faerie lovers.
Release Date: June 14, 2012 Publisher: Dial Books (Penguin Canada) Age Group: Young AdultYou can find this review and many more at Mermaid Vision Books!
Release Date: June 14, 2012 Publisher: Dial Books (Penguin Canada) Age Group: Young Adult Pages: 395 Format: Hardcover Source: Library
Tell Me More: The boy-next-door has always been one of my favourite tropes in literature and film, so it won't come as a surprise that I wanted to read this book immediately after I heard about it. In fact, I even dedicated a Waiting on Wednesday post to talking about this book. There was a certain je ne sais quoi about that synopsis that assured me I would love Samantha's story, and thankfully, I was right.
Samantha Reed is a wonderful character, layered with very real insecurities and doubts. Fitzpatrick's careful reveal of Samantha's family life is necessary to the integrity of the book, and it allows the reader to make their own conclusions about Samantha's decisions. Fitzpatrick doesn't ever excuse her characters for the things they do, but neither does she convict them unfairly. I loved the way the author handled the mother-daughter relationship without reducing it to a tired cliche--even as I grew annoyed with how her mother treated Samantha, I wanted them to fix things and love each other.
The idea of love reveals itself as a main theme in My Life Next Door, though maybe not in ways you would expect. There's Exhibit A: the love of and within a family, as illustrated by the Garretts to great success, though not so much by the Reeds. Exhibit B: the love of power and ambition, as illustrated by Clay Tucker, and Grace Reed to a lesser extent. Exhibit C: love in a friendship, as shown through Nan and Tim's respective relationships with Samantha. And lastly, Exhibit D: the love between two young people.
I thought Exhibits A and B were done extremely well in this book. The saying "It's lonely at the top" popped into my head multiple times as I read about Grace Reed's attempts to become a powerful person, with Clay's "help." The stark differences between the Reeds and the Garretts were never clearer than in the moment when Samantha realizes how far her mother was willing to go to feel good and confident about herself. Instead of finding strength and joy in her family, Grace Reed falters and places her faith in a man who admits to always backing the highest bidder. Samantha faces the same decisions, and she chooses to love and to heal with the help of people who accept her for who she is. It's a powerful decision, and one that gives power to Samantha without destroying her integrity. Strangely enough, it reminded me of how Ron and Hermione from Harry Potter insisted that they would go with Harry wherever he needed to go, because they were his best friends. They drew strength and comfort from each other.
Unfortunately, the friendships in this book did not have positive results. Twins Nan and Tim, Samantha's closest friends, are predictable at the start of the novel--it was very easy to side with smart, confident Nan against loser Tim. But as the novel progressed, I found it extremely gratifying that Tim would turn out to be more than what people assumed he'd be. Teenagers (and adults, for that matter) still make assumptions based on past mistakes and first impressions, and I loved that Fitzpatrick chose to illustrate how people you trust can still betray you, even when they don't seem like they will. Nan's fears made her into exactly the kind of person she didn't want to be, but Tim's solid decision to do the right thing helped him to become a good person.
The romance between Jase and Samantha is likewise a tale of opposites, but happily, they manage to fix things for the better. Jase was utterly enchanting, almost too perfect at times, but it was just so easy to love him. He was kind without being a saint, and he was understanding and loving towards everyone in his life. He cares for his family with consideration and compassion, and always, always protects them as best as he can. What young man would have the patience to deal with his terrified younger brother or a sister whose first word was poop? That requires a lot of courage, and beyond the physical and emotional appeal of such a character, it's Jase's willingness to make the best of everything he has that made me love him completely. He learned from Samantha, even as she learned from him, and I foresee them being very happy together in their imperfections. I don't want perfect characters. I want real ones, people that make mistakes and get angry and still try their damnedest to be good people and love one another.
The Final Say:My Life Next Door is the perfect summer romance, on par with Sarah Dessen's The Truth About Forever and Anna and the French Kiss by Stephanie Perkins. If you know me, you know that this is the highest compliment I can give a contemporary novel. In the last six months, I haven't found many novels that can make me stop whatever I'm doing just so I can read, but I wouldn't give back the three hours I spent savouring this novel for the world.
Release Date:April 5, 2011 Publisher: Dutton Juvenile Age Group: Young Adult Pages: 260 ForYou can find this review and many more at Mermaid Vision Books!
Release Date: April 5, 2011 Publisher: Dutton Juvenile Age Group: Young Adult Pages: 260 Format: Hardcover Source: Personal copy
It's been three years since the devastating accident . . . three years since Mia walked out of Adam's life forever.
Now living on opposite coasts, Mia is Juilliard's rising star and Adam is LA tabloid fodder, thanks to his new rock star status and celebrity girlfriend. When Adam gets stuck in New York by himself, chance brings the couple together again, for one last night. As they explore the city that has become Mia's home, Adam and Mia revisit the past and open their hearts to the future - and each other.
Told from Adam's point of view in the spare, lyrical prose that defined If I Stay, Where She Went explores the devastation of grief, the promise of new hope, and the flame of rekindled romance.
Discovery: After finally finishing If I Stay, I immediately--and I do mean immediately--went to the bookstore and bought Where She Went.
+ Intensity. Where If I Stay was poignant and pensive, Adam's story is deeply devastating. The pages bleed with his emotion. It's commonly assumed by people that artists feel too much (Van Gogh is just one depressing example out of many) and in this case, they would be right. Adam Wilde's torment is a silent kind, which he himself has difficulty voicing. The reader quickly realizes that only one person can understand him, and it's the one person he can't bring himself to be with. All in all, these factors make for an explosive and emotional book that I devoured in a single hour.
+ Romance. Contemporary romance is something I've always struggled to enjoy, because it can feel very cheesy and uncomfortable to read. It's also rife with cliched dialogue, which is one of the biggest turn-offs in my reading experience. Thankfully, Gayle Forman succeeds with another beautifully-written story of love in all its forms. Just when I thought I'd reached a threshold for adorable and emotional moments between Mia and Adam, another one would break through my defenses. I was reduced to speechless hand-waving and head-holding. The pages fairly sizzled as Adam and Mia talked and wept and existed with each other for the first time in three years. To be honest, I couldn't take this book in all its unashamed, gritty glory, dear readers. It was simply too much for my fragile heart to handle--it was so very real.
The final say: Gayle Forman concludes Mia and Adam's story with emotional gentleness and incandescent prose, ensuring that readers' hearts will never be the same again.
Release Date:February 7, 2012 Publisher: Putnam Juvenile (Penguin) Age Group: Young AdultYou can find this review and many more at Mermaid Vision Books!
Release Date: February 7, 2012 Publisher: Putnam Juvenile (Penguin) Age Group: Young Adult Pages: 326 Format: Hardcover Source: ARC received from Penguin Canada
Tell Me More: Out of all the paranormal entities in popular culture, the witch has to be my favourite. The word itself conjures (pun very much intended) up images of cauldrons and broomsticks, but it's their role as female icons that draws me in.
At first glance, the feminist dialogue seems to dog your every step--the reader can't go a page without being told that Cate and her sisters are different, that the Brotherhood would kill them if they knew their secret, that they are trapped in a patriarchal society, et cetera. The foreshadowing is also quite obvious. This emphasis does make the first half of the novel a bit tedious, and it's the reason I couldn't read the book in one sitting. I believed in the message from the start, however, and it was awesome when Cate finally grew into her own voice.
Born Wickedis a curious novel in that it never really gives the reader a charged climax. I see similarities to Marissa Meyer's Cinder: both novels are the first book in their respective series, they are narrated by wonderfully strong young women and more than anything else, they are there to set up the story for an extensive and detailed conclusion. It didn't take much to get me invested in Cate's life and I appreciated the care Jessica Spotswood took in molding her character. Her confidence and willingness to dance to her own beat is something young women should see in their own female role models. I never worried about her, because I myself was confident that she would be strong enough to deal with anything that came her way. It's so refreshing to be able to say that about a character in YA fiction.
And of course, no review of Born Wicked can go without mentioning the illustrious Finn Belastra. When I first heard about the book, my initial reaction was "Of COURSE, Cate falls in love with their gardener." It's a very common trope in romance novels, especially ones set in the Victorian or Regency era (which Born Wicked is based on). However, I was quite pleased with the direction Jessica Spotswood took in her story, and I do feel that the love story is a fulfilling one. I'm crossing my fingers against any love triangles!
That's Not All:
- So much LGBTQ love! - Okay, can I just talk about how smooth Finn is? He's redeemed that name for me.
The Final Say: Wonderful character development, intense romance and a protagonist that leaps off the page in all her glory--Born Wicked has it all!...more
I'm mailing this to my best friend tomorrow, that's how much I loved this book.
Tell Me More:Few things call to me the way a Morgan Matson novel can,I'm mailing this to my best friend tomorrow, that's how much I loved this book.
Tell Me More: Few things call to me the way a Morgan Matson novel can, and Since You've Been Gone is no exception. Where Amy & Roger's Epic Detour was romantic, and Second Chance Summer was poignant, Matson's third book is brave, much like its protagonist.
Emily is a character that I could relate to as soon as she was introduced. Her shyness and timid nature is familiar to me, and it wasn't hard to imagine how she felt when Sloane disappeared. Sloane isn't just a best friend--she also represents the things that Emily wishes she could be. She draws Emily out of her safe corner and takes her on adventures, giving her something to hold on to. Their friendship is so much of Emily's own developing identity that Sloane's sudden disappearance stuns and confuses her. The list that she receives becomes her sole link to her friend, and the catalyst for her growth into her own person.
Being shy is challenging, not only because interacting with others is hard, but because when you have someone like Sloane in your life, it's easy to let choices slide to that friend. You're along for the ride and you're safe, because you know that your friend will never lead you astray. Emily believes that even without Sloane's presence, the list will be enough to bring her back. And so she trusts in her friend through petrifying tasks like hugging a Jamie (relatively easy) to going skinny-dipping (crazy hard), because she believes that Sloane has a reason for this, like she has for everything else they've done together. Matson doesn't throw Emily into change--she paves the way, as Sloane does, for Emily to find her own way around life.
Flashbacks illustrate Emily's tendency to draw into herself and Sloane's charismatic personality, and Matson's writing style is similarly nuanced. The list is expanded upon in each flashback, and while Emily isn't as quick to realize it, the reader comes to see just how much Sloane believes in Emily. I would go as far as to say that Sloane believes in Emily more than she does in herself, and that she sees Emily as the kind of person she can never be. And while Sloane is the louder presence in Emily's memories, the list proves just how deeply Emily has influenced and inspired Sloane. I loved that even as Frank and other supporting characters help Emily through each task, they show her how she is capable and strong and everything she thought only Sloane could be.
The Final Say: Morgan Matson captures the doubts and thrills of adolescence, letting them breathe through the story of two girls who see the best of themselves in each other. Since You've Been Gone is a story about true friendship and all the myriad ways that it teaches us to believe in ourselves as much as we believe in our friends.