Reading this book was an ordeal. With how little China and the rest of Asia is covered in North American history classes, portrayals like this are irrReading this book was an ordeal. With how little China and the rest of Asia is covered in North American history classes, portrayals like this are irresponsible.
I get it, a girl growing up in Victorian England won’t know much about China. But then I have to ask: why send her there? What drives the choice to send her on a mystical~ trip to find a magical flower in an “exotic” land? Adventure? Why China then? I have so many questions, but with such a poorly formed story, I don't know that finding out the answers would help....more
Sometimes expectations can make or break a book, setting up promises that the story itself can't fulfill.Into the Dimis unfortunately one such exampleSometimes expectations can make or break a book, setting up promises that the story itself can't fulfill. Into the Dim is unfortunately one such example. Pitched as "Outlander for teens," the book never really earns that comparison, and for that matter, it doesn't earn the emotional involvement it asks from its readers.
Here's the thing: Outlander is a series that promises a package of time travel, ethical dilemmas, intricate costumes, and a romance that serves more than just fuzzy feelings. Claire and Jamie's love story makes the historical backdrop that much more epic, and it humanizes these characters, giving them (and in turn, the reader) stakes to protect. We care about what happens to Scotland because we care about Jamie, and we care about Jamie because we care about Claire. We want their happiness and well-being, and we're willing to follow them across the centuries to see it happen. Without that foundation, what is left to ground us in a 1000-page novel?
It's that perspective that I brought into Taylor's novel, and it's why I found the comparisons lacking and ultimately unfair to Into the Dim. Hope Walton's story isn't nearly as alluring as Claire Beauchamp's, but it shouldn't have to try and be something it isn't. Into the Dim is a decent time-travel story, with historical details that are just specific enough to paint the set, and characters that fill predictable roles.
Hope is the centre of the novel, and the first few pages are designed solely to get her moving towards Scotland, not to help the reader connect to her. We get a list of traits--photographic memory, gift for languages, claustrophobia--but no real personality beyond that. She isn't close to her father, but the distance between them feels contrived to push her into the arms of her mother's family, which is of course convenient for the plot. As main characters go, Hope checks off specific boxes, but doesn't feel like a real person.
Her mother's secret is easy to figure out, and there is very little satisfaction in seeing Hope learn about it. Any comparison to Outlander would overshadow Hope's discoveries completely, because there's no emotional weight to them, not like Claire's as she finds herself separated from a husband she loves. Hope doesn't have a reason to care about her mother's family, or her father's. So why should the reader care? It's a hard question to answer, one that doesn't get any easier to figure out as Taylor develops a love triangle for Hope to muddle over. Neither boy is particularly appealing, nor is it clear what it is they see in Hope.
Things aren't much better with the supporting cast, all of whom are simply okay. I struggled to keep the characters straight in my head even while I was reading the book, because I could only recognize them as the traits they represented: the cynical one, the bubbly one, the wise one. We aren't given enough time to really get to know them, and Hope doesn't really care if we do either. When you don't care about the characters populating the story, it's hard to care about the story itself, or the ways it could go wrong. All in all, Into the Dim is a book that's asked to fill a position it can't, to be sweeping and epic and captivating with very little emotional connection.
...huh. Just a few thoughts if you're thinking of reading this:
1. Don't expect less gender stereotyping. 2. The representation of Native Americans sti...huh. Just a few thoughts if you're thinking of reading this:
1. Don't expect less gender stereotyping. 2. The representation of Native Americans still isn't great. 3. Jules (Jacob Black) feels much more interesting in this version. 4. Beau is less interesting than Bella, because it feels like Meyer is keeping to those gender stereotypes instead of letting Beau be a character on his own. 5. All the character names kept making me imagine this as taking place in the 1950s. 6. I have complicated thoughts about the ending. It is COMPLETELY different from Twilight, and I can't decide if that's a good thing or bad thing.