Yep, I finished this book already. I was only going to read a littler bit, but then couldn't stop. Until I had to when I suddenly realized someone hadYep, I finished this book already. I was only going to read a littler bit, but then couldn't stop. Until I had to when I suddenly realized someone had put anchors on my eyelids when I hadn't noticed. I only had two or three chapters left, so that was a total buzzkill. Even though the first chapter had me giggling like a loon (do loons giggle?), it's not all laughs in Hyperbole and a Half, but has some truths about depression and self. I never caught Allie Brosh's blog when she was updating it, but I'll definitely be checking it out now. ...more
Adulthood is a Myth gave me some serious lolz. I had never heard of Sarah Andersen before but since I'm over thirty and still don't feel like a real,Adulthood is a Myth gave me some serious lolz. I had never heard of Sarah Andersen before but since I'm over thirty and still don't feel like a real, actual adult, thought I'd give it a try. The cartoons are simple, yet well done, and remind me a little of Matthew Inman's art at The Oatmeal. Each page has a different anecdote usually composed of two to five panels. The subjects range from new responsiblities reaching adulthood to relationships to procrastination. The ones I most gravitated towards were introversion, love of books, and love of animals.
I'm so glad I requested this book, it was short, funny, and I had a good time reading it. I now have a new artist to check out. I'd definitely recommend this book to anyone, most especially those in their twenties, thirties, and forties; there's a little something for everyone to relate to in Adulthood is a Myth.
Received from NetGalley for an honest review....more
Judging by thickness of the book, I thought there might be more story than there ended up being (74 pages, the rest sketches and the script). While thJudging by thickness of the book, I thought there might be more story than there ended up being (74 pages, the rest sketches and the script). While the plot was decent, it seemed more like a prelude than a finished story. Though it had a beginning and middle, there was no end, just another beginning. I would have liked more. The artwork serves the story well and I had no trouble following the layout, though it is the color schemes that stood out to me. They were fantastic. From the subdued blues of darkened rooms to the sunnier colors when Paul is having a more carefree moment, they really brought the panels to life. Overall, a fine story but not something I'd care to read again.
This might just be me, but every time the C.I.A. Director, Michael Beesely, popped up, I thought "Principal Flutie!" (Ken Lerner) from Buffy the Vampire Slayer TV series. :D...more
Surprise, surprise, surprise. I actually ended up enjoying this. Sorta.
The Good: * The dialogue was a big improvement over the last few installments anSurprise, surprise, surprise. I actually ended up enjoying this. Sorta.
The Good: * The dialogue was a big improvement over the last few installments and some of it actually made me laugh, which hasn't happened with this season lately. * While the artwork still isn't terrific, I could differentiate between the characters better than the last volume. * The villain, Twilight, is finally revealed. Finally. * The dig at the Twilight series. I got a chuckle out of it. [Buffy: "You listen to me, Twilight -- My God, is that really the name you picked? Twilight? Y'know I lived that idea first, right? (And my vampire was so much better.) - pg. 69] * As seen by the cover for this volume, Angel's back. Always a good thing.
The Bad: * There's still ridiculousness, although it was a little tamer here therefore easier to deal with. * Some relationship developments I'm iffy about, one of which I'm not sure I buy and definitely don't like, but I'll attempt an open mind.
The Ugly: * Amy and Warren aren't dead yet. Boo, hiss.
The Verdict: The stories were mostly interesting, though also could be quite weird, and I am curious to how it will develop in the future. Just when I thought this series wouldn't get better, this happened and now I genuinely want to know what happens next instead of the can't-turn-away-from-the-trainwreck state of mind I've been employing for the last several issues. ...more
Sorry, this is kinda more ranty then when I started out, and probably not very well-written. You've been warned. Also, no spoilers are revealed in mySorry, this is kinda more ranty then when I started out, and probably not very well-written. You've been warned. Also, no spoilers are revealed in my rant review (though that was hard not to do ;P).
Why do I keep reading this series? Why do I expect it to get any better? Or even come close to resembling what the show was about in the first place? What in the Sam Hell is wrong with me that I persist in reading this travesty? Ack!
Again, the plot is ludicrous, the characters don't always feel true to form, the witty banter is nearly non-existent, and the illustrations are making the characters indistinguishable from one another, most especially the darker haired girls, such as Faith, Dawn, and Kennedy (Why exactly isn't she gone yet?). The villain, Twilight, isn't very interesting and I wonder how much longer it's going to be before the big reveal. Just get to it already, will ya? Amy and Warren also need to go. Lame is the word that comes to mind when I think of them. Old characters who have long exceeded their welcome, and Amy in particular doesn't add anything anymore; she's run her course, let's move on now. Oz was a mixed bag, I liked some of what happened to him since he left Sunnydale and some...not so much. The interactions between him and Willow were rather weird and didn't seem to fit where they had left off exactly. Willow herself was quite angsty and I don't understand how she got to that place at this time. Perhaps I've forgotten something from a previous entry.
Gone is the show I've known and loved, instead they've decided to pull out all the stops, literally, and we're left with this bizarre mess. I don't know if they made a deal with the devil or what, but everything has been thrown into this story, including the kitchen sink, with no rhyme or reason. Do they know what control is, or careful selection, or do they just not care? I don't expect graphic novels to be as detailed as a TV show, but this whole season has gotten more and more ridiculous as it has went on and I cannot fathom why I'm torturing myself. Oh, I know, it's great entertainment. I want to see how much further they can destroy the memory of a great show. Does this deserve two stars? Probably not, but I can't help myself, apparently. Bah!!...more
Hmm...how to start? The first graphic novel featuring Mercy Thompson is a mixed bag; the story as a whole is perfectly fine, it may not be great but iHmm...how to start? The first graphic novel featuring Mercy Thompson is a mixed bag; the story as a whole is perfectly fine, it may not be great but it's serviceable. The illustrations are very good and attractive, however Mercy herself is not. Well, okay, the girl(s) is actually drawn well, but she's not Mercy. My first thought was, "When did Mercy go from being Native American/white to Hispanic?" Even though there are different artists and styles of Mercy used in this book, like many graphic novels employ, none of them come close to matching her description. Save the cover illustration which is done by the same artist who does the full-length novel covers, Dan Dos Santos. Since she is the main character, I really think that is vital and hope the artists work on that for the next book. As for the dialogue, it's rather mediocre, sometimes choppy, and a few times didn't follow a logical sequence. I'd be reading along, then a sentence or statement would pop up that made me think I missed something somehow, so I'd proceed to go back, then find out I didn't miss anything after-all, and it just didn't make sense with everything around it. My last complaint has to do with how the book reads and the panel progression. The way the panels and speech balloons were set led to much confusion, I'd read one panel, move on to the next just to find out I should have read that one first. I have read graphic novels before and never had as many problems with them as I did with this one. I felt that more panels would have helped tell the story and there wouldn't be so much confusion as to what had actually happened. Still, the book isn't totally bad, it's a good starting place, but hopefully everyone involved will learn from this first graphic novel so the next will be better executed. I'd say that if you're not into graphic novels, that you should give it a pass unless you absolutely must read everything Mercy Thompson related....more
Maybe if I hadn't read any of the After the Fall books I would have liked this better. But I have read them and they are much superior. The stories inMaybe if I hadn't read any of the After the Fall books I would have liked this better. But I have read them and they are much superior. The stories in this omnibus aren't very interesting, they're passable but nothing special, the dialogue so-so, and the artwork is pretty disappointing. Half the time, I had to use my mighty powers of deduction to figure out who's who. Out of the artists featured, I think David Messina's are the best. However, I did like most of the stories in Spotlight, which featured select characters in small tales of their own, specifically everyone's but Gunn's, which were about Illyria, Wesley, Doyle and Connor. Auld Lang Syne was the best of the "bigger" books in this and had a fairly interesting plot. Truth be told though, I'll probably forget most everything in the book, and while it's worth the read, I'm glad I didn't pay for it....more
So far my opinion of the Angel continuation is much higher than the Buffy graphic novels. The plot is a lot more engaging and makes some sort of senseSo far my opinion of the Angel continuation is much higher than the Buffy graphic novels. The plot is a lot more engaging and makes some sort of sense, (most of) the artwork really grabs me, and I just enjoy them a whole heck of a lot more. I enjoyed reading what happened to everyone immediately 'after the fall' into Hell and liked the different feel to each story. This had the Trifecta of Angel-y goodness: it had drama, it had action, it had humor! *singing: "It had style, it had grace, it had Gwen give good face." LOL Clearly I am insane.* And I giggled even more at Brian Lynch's 'ramblings' at the end, which includes a drinking game for anyone interested. I especially loved the continuation of titles, and I'll share the first one so I don't muddle up an explanation: Angel: After the Fall: First Night: Curse of the Black Pearl. How can I not laugh at that? Remember, if you have your own logo, you've really gotten somewhere. :D...more
I have to say, this was bloody awesome! The style was there, the characters, the vibe, it all felt like Angel. Season eight of Buffy feels a bit 'outI have to say, this was bloody awesome! The style was there, the characters, the vibe, it all felt like Angel. Season eight of Buffy feels a bit 'out there' as far as the plot goes but this actually is a continuation of the series, and even though it didn't start right where the show (and action) left off (although, I think volume two of After the Fall does), it did a great job getting back into a groove. Not to mention the artwork is fabulous and the whole look of the book is beautiful. Great job, I hope the others in the series hold up as well....more
Interesting, but not the best of this particular series. I hadn't heard of Mary Rogers before, so the case was intriguing (I just love historical trueInteresting, but not the best of this particular series. I hadn't heard of Mary Rogers before, so the case was intriguing (I just love historical true crime :P). As always, the illustrations are great, even if one of the witnesses/suspects has a more than passing resemblance to Abe Lincoln....more