Despite an intriguing premise, AFTER THE END never grabbed my attention enough for me to complete reading it. If the book had stood alone on the premi Despite an intriguing premise, AFTER THE END never grabbed my attention enough for me to complete reading it. If the book had stood alone on the premise of a commune separated from the rest of the world and intent on keeping its people insular to the point of naïveté, I could have believed the storyline and what happened when Juneau left. On the other hand, had it been a supernatural tale about those who were different and who hid their powers from those who would try to abuse them, I could have also followed that. The mix of these two scenarios, however, made it hard for me to become immersed in the world or believe in it. I also found the main characters of Juneau and Miles to have no chemistry together, despite the obviously-intended romance, and their dialogue and bickering was grating and immature. I'm glad others found this an enjoyable read, but it didn't work for me....more
Unoriginal tale, but it will still likely pull in many readers
RED QUEEN follows Mare, a rough teenager who has no skills of her own but instead reli Unoriginal tale, but it will still likely pull in many readers
RED QUEEN follows Mare, a rough teenager who has no skills of her own but instead relies on pickpocketing to help her impoverished family. Like those who live around her in the slums, Mare is a Red, a person with no special powers who bleeds red. The Reds are oppressed by the Silvers, a class of people whose Silver blood gifts them with formidable powers and places them in the middle and upper class. Through a series of unlikely events, Mare finds herself living in the Silver palace as the betrothed of the younger prince and faking her way as a Silver. All the while, she is plotting ways to overthrow the Silvers and help the growing Red rebellion. Unexpected alliances form, and Mare finds herself pulled romantically between the two princes.
In the publisher letter that accompanied my review copy of RED QUEEN, the title was described as being "wholly original." Describing anything that way in a very dangerous proposition these days, but it was especially so with this book. I found nothing original about RED QUEEN, but in that, I think, will lay its success. It is a hodgepodge of character tropes, plot points, and themes that pulls from popular YA: strong, female heroine who's rough around the edges; love triangle (or, in this case, love quadrangle) with different boys; story of strife and power struggle between the haves and have-nots; and a bit of rebellion, fighting, and secret alliances. I found that the book struggled to be anything different, new, or more exciting than what I've read before, but I'm sure that many people, teens and adults alike, will love it, even though I did not.
On the positive side, Aveyard's writing is better than most I've read recently in the young adult genre. In addition, the story has the aforementioned elements that will pull in many readers: class struggle, fight scenes, the primary love triangle between the two princes, and visually-compelling descriptions of the various settings. Even so, I found the first 60% of the book incredibly slow, with little forward action in the plot or in character development. When things did start to happen and the intrigue increased, the pace picked up, but my interest level remained low. Many of the events that happened seemed implausible or ridiculously orchestrated, and I found myself frustrated with the main character for being so oblivious to when she was being tricked or manipulated. When the big twist and betrayal was revealed, I was still unmoved and unaffected.
In future books in the series, I hope that the author works to break free of the genre tropes she incorporated into this first novel and brings something new and original to her tale.
Note: This reviews refers to an advance review copy....more
Sci-fi light at its lightest. This title, a tie-in with the CW show of the same name, masquerades as a science-fiction/post-apocalyptic title that isSci-fi light at its lightest. This title, a tie-in with the CW show of the same name, masquerades as a science-fiction/post-apocalyptic title that is simply a teen romance. There were hints of worldbuilding and conflict that could have been built into an engaging plot, but the romance aspect and the characters' ridiculous decisions regarding their relationships took away from that....more
Fun & engaging third installment keeps the action & intrigue coming
Marissa Meyer’s third installment in her Lunar Chronicles, Cress, picks u Fun & engaging third installment keeps the action & intrigue coming
Marissa Meyer’s third installment in her Lunar Chronicles, Cress, picks up right where the second book left off. Cinder, Thorne, Scarlet, and Wolf have escaped Earth and are now hiding in space. Their greatest chance for eluding Queen Levana and her dangerous companions lies with Cress, a gifted hacker who’s lived alone in a satellite for the past seven years. Soon, a rescue plan goes amiss, people are captured, and satellites start crashing to earth. Old characters and new ones must work to find a way back to one another in order to bring the evil Queen down.
As with her previous installments, Meyer has created a fun and engaging story in this book. CRESS is full of action and intrigue, and the author does a wonderful job of interweaving the storylines of the two previous books with the one. It was exciting to see how hints from as far back as the first book were linked to major plot points or character reveals in this novel. All of the characters that readers have come to love (or loathe) make appearances again, and some characters, especially Cinder, begin to grapple with real issues of how to use power and how one’s personal decisions can affect others, including whole cities or nations. Though not practical like Cinder or strong like Scarlet, Cress comes across as an endearingly naïve but earnest character who mixes well with the existing cast.
While a fast and enjoyable read overall, I did sometimes wish for a bit more: more swoon, more character and relationship development, and more gravity regarding the issues being experienced by the characters. This series is a refreshingly upbeat collection when compared to many other young adult novels, but the issues it addresses (war, torture, sacrifice for others, lost identities) often felt like they were passed over too quickly. Similarly, some characters accepted certain big reveals too easily.
Even with these quibbles, I had a great time reading CRESS, and I can’t wait for the final installment to come out next year (Winter). Not only will the final book provide a conclusion (and hopefully some happy endings for the characters), but it will feature quite possibly the most intriguing heroine of the series. The few glimpses given of Winter in this book had me simultaneously riveted and unsettled. The Lunar Chronicles is a series I will be recommending to my students and adult friends alike.
Note: This review refers to an advance review copy....more
Strongest book in the series, full of action, heart-breaking moments, and romance
INTO THE STILL BLUE wraps up Veronica Rossi's trilogy with the stro Strongest book in the series, full of action, heart-breaking moments, and romance
INTO THE STILL BLUE wraps up Veronica Rossi's trilogy with the strongest book in the series, one that is full of action and adventure, heart-breaking moments, and swoon-inducing romance. Rossi creates a strong finish to the series by focusing on the relationships between the characters, including those between Roar and Aria (my favorite), Perry and Aria (the swooniest it's been), and Perry and Cinder, as well as others. Because of this, the book rings with emotion and pulled me in throughout, keeping me hoping the best for the characters in the midst of dire circumstances and dwindling resources. Despite this focus on relationships, the novel still contained significant amounts of action, and this is where it faltered a bit. I found the last 10% of the book to feel very rushed and the resolution, quite frankly, too easy. Regardless, it was an engaging three-book ride, and I look forward to whatever Rossi writes next.
Note: This review refers to an advance review copy....more
One of the most poorly-written and poorly plotted things I've ever read. I just can't even begin to describe how lackluster this was. I also don't und One of the most poorly-written and poorly plotted things I've ever read. I just can't even begin to describe how lackluster this was. I also don't understand why this was being marketed as "new adult" when it would be better suited as a young adult title; there was nothing about it, content- or maturity-wise, that would push it into the New Adult category versus YA. ...more
Overall, this novel was an easily readable but uneven addition to the YA dystopian genre with zombie-alien action mixed in. The first part of the nove Overall, this novel was an easily readable but uneven addition to the YA dystopian genre with zombie-alien action mixed in. The first part of the novel was much stronger than the second part when the world-building and pseudo-science became very questionable. ...more
Dystopian romance that seems to have it all, yet still needs a little more
In C. J. Redwine’s debut novel, Defiance, Rachel Adams doesn’t want to adm Dystopian romance that seems to have it all, yet still needs a little more
In C. J. Redwine’s debut novel, Defiance, Rachel Adams doesn’t want to admit the possible truth: that her father, the city’s best tracker and courier, may be dead. Finding herself essentially orphaned, Rachel is appalled to learn that her new Protector will be Logan, her father’s apprentice and the boy who rejected her love two years ago. When she and Logan realize that her father may still be alive and in horrible danger, they concoct a plan to slip past the gated walls of the city to find him. By doing so, they risk death in the Wastelands, the dangerous area outside the wall, or death within the city, where the cruel ruler could kill them for treason.
With its combination of action, romance, and a dystopian setting, Defiance is sure to be a hit. The novel is a very quick, easy read that flows along from beginning to end with excellent pacing throughout. Tension-filled, sometimes harrowing, action scenes move the story along, and Rachel is a feisty, capable heroine who stands up for herself and her loved ones. Redwine’s writing is strong overall and, at times, beautiful in its descriptiveness. Several important themes also underscore the story, including the importance of family (both those we are related to and those we choose) and how violence changes people.
Despite this promising combination of elements, the characters or their struggles never truly resonated with me. I had fun reading the book, but I also had an uncomfortable sense at all times that I should be feeling more strongly about the characters and what was happening to them. Though based on a solid foundation, the romance was too predictable to have much tension, and the voices of the two narrators (Rachel and Logan) felt too similar. Most notably, I was distracted by the novel’s lack of world building. The setting had many hallmarks of a popular dystopian book – a totalitarian government with a cruel leader, no fuel or electricity, tracking devices implanted into each citizen, and a patriarchal system where women are controlled by men – but the reason for this society and its development was never explained. As a reader, I could never grasp where and when this story was supposed to be taking place. When a fantasy element was introduced on top of this, it felt out of place and unnecessary. Overall, the story just felt too much like other underdeveloped dystopian adventure tales.
Even though I was disappointed in the romance and the lack of world building, I enjoyed Defiance enough that I plan to read the coming books in the trilogy to see what Rachel and Logan do next. In future installments, I hope Redwine does more to explore and expand the world she’s created and that she brings some more novel elements to her story.
Note: This review refers to an advance review copy....more
Having trouble rating this one. As a standalone, I would give it three stars for its sheer readability, but as a sequel that should be an extension ofHaving trouble rating this one. As a standalone, I would give it three stars for its sheer readability, but as a sequel that should be an extension of the first book's theme and tone, it falls flat and would only get two stars....more
Strong relationships & better world building make for solid sequel, 3.5 stars
Through the Ever Night opens just where the first novel left off: A Strong relationships & better world building make for solid sequel, 3.5 stars
Through the Ever Night opens just where the first novel left off: Aria and Perry are seeking each other through the shadows of the borderlands after months apart. Though their reunion is sweet, the relief is short-lived as they return to a tribe that doesn't trust Dwellers and where Perry's new position as Blood Lord is questioned. When distrust and danger force them apart, Aria and Perry must work separately to save the world and those around them from falling apart.
Though I wasn't impressed with Rossi's debut novel, Under the Never Sky, I picked up the sequel because I was intrigued enough to see where Aria and Perry's journey led next, and I'm very glad that I did. Not only did this novel move along better than the first, but many of the problems I experienced with the debut were absent. Quick, fast-paced plotting had me turning pages to see what happened next, and many of the world building issues were cleared up, even if in convenient ways.
The greatest strength of the novel, however, laid in its depiction of complex and meaningful relationships between the characters, including that between Perry and Roar, Perry and the band of Six, and Perry and Marron. Most notably, the relationship between Roar and Aria was a standout. Except for a few moments of hesitation or questioning from others, Aria and Roar's relationship was never fraught with unnecessary romantic tension; instead, it was portrayed as a supportive and resilient friendship between a man and a woman, something not often seen in a young adult novel. The relationship between Perry and Aria also felt less forced and more real, and talks of scents and senses added to their relationship this time instead of distracting from it.
While I did enjoy reading this, it's not a book that struck me deeply or that stayed with me long after reading - it was simply a fun, action-filled adventure-romance. The novel was very much a middle book, in that there was the expected distancing of the lovers and the fight to come back together. Anyone familiar with this genre can also foresee what lies ahead in the final book in terms of the conflict between the outcasts and those in power. As a character, Perry also seemed too perfect. Despite the described concern of his tribe regarding his ability to lead, readers will not find a single undesirable trait in him. Though I love reading about a `good guy' hero, this portrayal seemed unrealistic, especially given the rough way Perry was portrayed in the first book.
Even with these qualms, I'm glad I took another chance on this author and was able to immerse myself in the world of the Never Sky for a few days. In the final book of the trilogy, Into the Still Blue, I hope that Rossi maintains her focus on the characters' relationships as they forge ahead into an uncertain future.
Note: This review refers to an advance review copy....more
Meh. I just feel so...meh about this book and the conclusion of this trilogy. I can see what the author was trying to do theme-wise, but it still didnMeh. I just feel so...meh about this book and the conclusion of this trilogy. I can see what the author was trying to do theme-wise, but it still didn't grab me. ...more
After being disappointed by Delirium but then loving the sequel, Pandemonium, I had high hopes for Oliver’s Requiem, the final book in the trilogy. Un After being disappointed by Delirium but then loving the sequel, Pandemonium, I had high hopes for Oliver’s Requiem, the final book in the trilogy. Unfortunately, the pace dragged throughout, and I found myself not connecting to Lena’s character or those around her. Entirely too convenient plot twists in the final quarter of the book made it hard to suspend disbelief, and readers are then left with few answered questions other than an unbelievably easy resolution to the love triangle. Only recommended to those who love the series and want to see how things turn out. ...more
Too little of too many things meshed into one story, 2.5 stars
In Veronica Rossi’s debut novel, Under the Never Sky, Aria has always lived on the insid Too little of too many things meshed into one story, 2.5 stars
In Veronica Rossi’s debut novel, Under the Never Sky, Aria has always lived on the inside. Safely tucked within her enclosed city, she has been taught to fear the disease and destruction that supposedly awaits on the outside. When Aria is forced out into The Death Shop – the world beyond the glass – she expects to die. She soon meets up with a rough outsider named Perry, however, and together they discover they may be the key to each other’s salvation as long as they can work together to survive the dangers that confront them on their journey.
Under the Never Sky takes a little something from many different genres – sci-fi, fantasy, post-apocalyptic, adventure, historical, and romance – and smooshes it all into one book. Because of this, the novel could appeal to many different readers, but for me, it felt like too little of too many things meshed into one story. Explanations about how the world worked, both inside and outside the dome, seemed shaky at best, and the same lack of clarify pervaded explanations about different characters’ special abilities. Aria as a main character also wasn’t very compelling. It took me a very long time, more than halfway through the book, to become at all interested in what was happening to her or any of the other characters. While Perry was more appealing in his complexity, the relationship between he and Aria switched too quickly from a detached partnership to a devoted romance to be believable. Their relationship and how it was described was also hindered by some truly odd and uncomfortable plot points about Perry’s sense of smell and what it could tell him about Aria.
Even with these flaws, the novel did have its good points. Once I got past the halfway point, the pace picked up substantially, and I found myself turning pages more quickly to learn what happened next. Perry was a sympathetic character with real flaws, and one of his close friends, once introduced, added a lot of levity to the story. Though the world building wasn’t always clear, the mystery involving Aria’s mother and her research was intriguing, and some of the described technologies and special senses that people had were inventive. The ending scene was also done well; though an obvious lead-in to the next book, it didn’t leave things feeling too unfinished.
In all, Under the Never Sky was a basic journey/adventure story that simply didn’t have the character development or world building that I needed to enjoy it. In the books to come in this trilogy (Through the Ever Night and Into the Still Blue), I hope Rossi paces her stories more consistently and expands on her world building to let readers really understand her world and the characters she’s created.
Note: This review refers to an advance review copy....more
Lackluster mash-up of vampires & post-apocalyptic elements, 2.5 stars
In Julie Kagawa’s new BLOOD OF EDEN series, the future is a place of loss and Lackluster mash-up of vampires & post-apocalyptic elements, 2.5 stars
In Julie Kagawa’s new BLOOD OF EDEN series, the future is a place of loss and fear: most humans have died due to a world-wide plague and those who remain are controlled by vampire lords in guarded cities. Allie scrapes out a life on the edge of society as one of the humans beyond notice of the vampires. But after she is attacked, she must make a decision: die or become that which she despises? In her new form, Allie must battle between blood lust and humanity, especially as her journey takes her outside the city walls and joins her with a ragtag group of humans searching for a promised land free from vampires.
Though I went into The Immortal Rules with high hopes, I was left disappointed. Kagawa’s writing or style wasn’t bad, but neither ever grabbed me. The book also seemed too long for the tale it tells, and the premise didn’t feel very inspired. The book simply felt like a mash-up of what’s “hot” right now (vampires + pseudo-zombies + post-apocalyptic/dystopian). When the vampire or post-apocalyptic elements did appear, they felt predicable. For example, Allie’s vampire sire seemed straight out of other vampire tales (the cool, collected one who is patrician and guarded), and Allie seemed too much like the generic “tough girl” character so often seen in dystopian/post-apocalyptic novels. Because she was supposed to be so strong and hardened, some of the characterization used to describe her also didn’t feel right, like Allie’s concern for a needy, demanding refugee and her soft, reticent feelings about being kissed. The action, when it did occur, was often brutal and harrowing, but it wasn’t enough to keep me reading quickly for nearly 500 pages. The main character and those she cared about (or those who moved the plot forward) escaped true damage too easily and too often for me to be able to suspend disbelief.
On the positive side, this book might be great for Kagawa fans who are looking for her to do something darker than her Iron Fey series. The story is gritty and dark, and it doesn’t flinch at depicting gruesomely violent or harsh circumstances. The plot also includes some interesting ideas about vampirism as a disease, and the mix of that with an element of religious fanaticism among the surviving humans drew me in more during the latter half of the book.
On the whole, though, The Immortal Rules didn’t have enough positive points to make me ignore the predictability or slow pace. Despite that, I hope this book finds a warmer reception with those who like her writing or are looking for a tale that combines elements from some of today’s most popular genres.
Note: Though I didn’t take this into account in my review, I have to mention the white-washing of the cover. The main character, Allison Sekemoto, is repeatedly described as Asian, but the cover model is not.
**This review refers to an advance review copy....more
Don't know if I can muster a full review for this one, but it was sadly as bad as many other reviews have reported. A weak plot combined with little tDon't know if I can muster a full review for this one, but it was sadly as bad as many other reviews have reported. A weak plot combined with little to no dystopian elements (though the jacket claims otherwise), weak dialogue and poor writing, and little creativity did little to wow me. Much of the plot was sourced directly from ABC's The Bachelor show to the point that it felt like a paint-by-Bachelor-numbers book: the dresses, the mansion/palace, the mean girls who aren't there for the "right" reasons, the elimination processes, etc. And then it ended with no resolution and no motivation for me to read further. It felt more like the first third of a book, not a complete novel in a trilogy.
N.B.: Lest anyone think I am insensitive to my GR peeps' ordeals (you lovelies know who you are) re: this book, please know that I read it for my local indie who gives me oodles of ARCs in exchange for purchasing recommendations. I went into this with as unbiased an opinion as I can muster, though that non-bias does not extend to certain authors or agents in question. ...more
Gritty sequel failed to keep my attention like WITHER did
Fever takes readers into an even darker world than did Lauren DeStefano’s debut novel, Wither Gritty sequel failed to keep my attention like WITHER did
Fever takes readers into an even darker world than did Lauren DeStefano’s debut novel, Wither. Having escaped the confines of the mansion, Rhine and Gabriel make the run to freedom only to find that the outside world may offer even less of it. As they struggle to make their way to Manhattan in search of safety and Rhine’s twin brother, the two find that the world is populated by those both cruel and kind and that everyone is looking for a way to survive.
When I read WITHER last year, I was impressed by the author’s writing and her willingness to explore what dire things might happen in a world where all young people die early. Even with this gritty dystopian world laid out, I found the world building to be weak enough that I spent a lot of time questioning how this world came about. Unfortunately, this is the same problem I had while reading FEVER, and it seemed even more prevalent this time. Incomplete or unbelievable world building continued to draw me out of the story too often. Also, while I liked the author’s exploration of sexuality and oppression in the first book, this book’s tone comes across as even more bleak and without as much purpose. Rhine and Gabriel routinely end up in situations that felt like they were there more for shock value than for character or plot development. And when these terrible things happen, they don’t touch the main characters in the way one would expect, again making the world less believable. Because of this, I sometimes felt disconnected from Rhine and Gabriel and their struggles. I also never felt really moved by Rhine and Gabriel’s relationship, despite a few good moments. The book then finishes on a cliffhanger with little resolution. FEVER as a whole felt very much like a “middle book” where things don’t move forward a great deal.
On the positive side, DeStefano continues to show that she can write well, and her pretty prose allows readers to easily visualize the surroundings she describes. FEVER also provides much more information about the world outside the mansion, and sympathetic new characters are introduced. Although I don’t think it was as well done as in the first book, I also continue to appreciate the author’s willingness to examine the harsh realities that could result in a world where women become little more than sexual commodities.
Overall, FEVER failed to keep my attention in the way that WITHER did one year ago, and it didn’t leave me mulling over important issues in the same way. Even such, I am sure that many fans of the first novel will appreciate this sequel and where it sets up things for the final book. I know I’ll be reading it to see where DeStefano takes her characters and her story and whether she leaves readers with a sense of hope or just continued despair.
Note: This review refers to an advance review copy....more
In Insurgent, Veronica Roth’s much anticipated sequel to Divergent, the stakes are even higher. Tris and a small group have escaped after the simulation that killed countless people, but their struggles are far from over. Possible war looms between the factions, and Tris and Tobias are among those most wanted by the different sides. Tris must grapple with grief, guilt, and deception as sides are declared and choices must be made, including ones that threaten her and those she loves.
Though I enjoyed the first book, Insurgent was even better with clearer world building, stronger character development, and more intricate plots twists. Like Divergent, the story reads quickly and easily, but this installment has a much quieter, somber tone. Tris, Tobias (Four), and all of the survivors are dealing with the emotional and political fallout after the simulation, and it shows. All of the characters, including those the reader loves and those who are despised, are fleshed out more and given added layers. Tris’s struggle to move forward while burdened by grief and guilt is portrayed in a way that feels real and poignant. Though she engages in a lot of selfish or thoughtless actions in this book, all of those actions seem like honest attempts to deal with her loss, her choices, and how she should best work to honor those she loves. Tris and Tobias also continue to bring the swoon with simple words and small touches, despite having problems. Their relationship encounters major hurdles in this installment, but they are all reasonable and justified given what’s happening. The relationship they share provides a much-needed counterpoint to show that love and connection is worth fighting for and is possible even in a world that’s falling apart.
In addition to these strengths, the plot was unpredictable and gripping. The novel is full of unexpected alliances, betrayal, action, and rebellion on multiple fronts that keep the story moving. The world building also improved dramatically over that of the first book. I really enjoyed being immersed in the different factions, and the author’s description of each group allowed me to imagine them clearly. I also understand now why some information was withheld in the first book, given some of the significant plot reveals.
Even though this book was great read, I still experienced a few bumps. The story starts immediately after the end of Divergent with little to no recapping of events, so it took me a little while to remember or figure out who certain people were or what had happened previously. A few typos and continuity errors pulled me out of the story, and some betrayals/alliances/connections seemed a little too convenient to allow certain parts of the plot to move forward. The book also suffers a bit from middle-book syndrome in that it can’t stand on its own, and the ending leaves off in a dramatic place right after a big reveal.
Overall, though, Insurgent is an impressive sequel that leaves me eager to see where the author will take the story next. Given what’s revealed at the end of this novel, I can’t imagine how Veronica Roth could wrap up the series with only one more book, but it’s no matter to me, as I plan to keep reading whatever she offers....more
Well-paced adventure but could use more worldbuilding, 3.5 stars
Moira Young's debut, Blood Red Road, envisions a desolate post-apocalyptic world where Well-paced adventure but could use more worldbuilding, 3.5 stars
Moira Young's debut, Blood Red Road, envisions a desolate post-apocalyptic world where resources are limited and nothing can be taken for granted, even family. Saba has grown up on a dry wasteland, knowing only her own family and a few wayward travelers. When a dust storm blows in four mysterious horsemen, Saba's beloved older brother Lugh is captured and taken away as words about a prophecy swirl in the air. Determined to find Lugh and bring him home, Saba sets out on a dangerous journey across the dustlands. On her quest, Saba finds both enemies and allies and challenges that test her and the very foundation of the corrupt society in which she lives.
BLOOD RED ROAD delivers a fun, well-paced read that's packed with adventure. Different than many other action tales, female characters in this story were never portrayed as less capable than men; in this world, gender seemed a moot point in most cases, as each person battles to survive regardless of sex. Saba knows how to survive because she's lived a hard life, not because she's just discovered a magical power or hidden talent. This realism made me believe more in her character and made me more invested in her struggles. Saba's character was also very believable due to the author's unique writing style that uses dialect-based spelling and missing punctuation. I know some other readers found this style distracting, but I thought it provided a good sense of place and circumstance.
While the action and intrigue kept me reading, the book did suffer from limited world building and character development. The how or why of the post-apocalyptic world was never explained, and there were somewhat unbelievable character changes in Saba by the end. A simple action-adventure tale can be fun, but I wanted there to be a deeper meaning and greater exploration of issues that arose. Problems and challenges that the characters encountered were also too easily resolved. Though the romance thankfully didn't overtake the story, it felt tacked on and sometimes unnecessary or too convenient.
Though these qualms had me wishing for a bit more, BLOOD RED ROAD is a still a rollicking good time that should appeal to fans of The Hunger Games and male and female readers alike. If you're looking for a closer examination of how governments go bad or why citizens resist, you won't find it here, but you probably won't mind because the book doesn't seem to have that as its goal. It wants to entertain, and it does that well. Because of that, I'll be looking forward to reading about Saba and her rag-tag group of comrades in the next installment of the Dustlands series.
Note: This review refers to an advance review copy....more
Note: Since I posted my review of Insurgent almost a month ago, I figured it well past time to finally finish my review of Divergent. So here ya go, wNote: Since I posted my review of Insurgent almost a month ago, I figured it well past time to finally finish my review of Divergent. So here ya go, world!
Highly readable addition to the dystopian genre
In Veronica Roth’s debut novel, Divergent, Beatrice lives in a futuristic Chicago where society has been divided into factions. Each faction has a singular virtue, and at the age of sixteen, everyone must choose the one to which they will belong for the rest of their lives. After Beatrice makes a choice that shocks even herself, she is thrust into a world of competition and violence. Renaming herself Tris, she struggles through the physical and psychological challenges that come, all the while hiding a part of herself. As she becomes closer to her trainer, Four, and learns about growing unrest between the factions, Tris must decide how to survive, whom to trust, and how to be true to all the parts of herself.
Divergent is a highly readable addition to the growing dystopian genre. With compelling action scenes, quick pacing, and clear writing, I was pulled quickly into this book. Tris is a strong, able protagonist who grapples with real issues, and the story doesn't shy away from showing her as less likable or selfish at times. All of the characters are flawed in their own ways, and this made them more believable. One of the most likeable characters is Four, Tris's trainer and love interest, and the story does a wonderful job of portraying tenderness and concern between strong individuals, instead of the over-the-top mushy stuff often seen in other novels. Another strength of the book lies in its examination of larger issues, including how and why to choose your own path in life, whether all virtues are worth cultivating and to what extent, and how religion plays a role in the type of lives people choose to lead.
Even with these strong points, Divergent wasn't a perfect fit. Tris's character sometimes seemed inconsistent, and she often excelled at new skills too easily to be believable. Unclear world building also pulled me out of the story a few times and left me wondering how society had evolved to the described point. A few noticeable plot holes also jumped out regarding what the leaders did and did not notice about Tris's different abilities. The dramatic ending pulled at the heart, but it mostly felt like a way to clear up some complications and set up specific plot points for future novels. It's obvious that the plot will span the coming books, but the main conflict was revealed too late and made the ending seem rushed and disconnected from the first 400 pages of the book.
If I had judged Divergent on plotting and world building alone, I would have rated it as three stars. However, the tale's ability to sweep me up into the action, drama, and romance made it a quick read that I'll definitely recommend to others, thereby bumping it up a notch. I'm really looking forward to see what Roth does in her coming books, including Insurgent, where I hope she'll expand her world building, close up a few plot misses, and keep the swoon coming....more