If I could, I would kneel at Ann's feet and worship her as a god. I would sit there for hours, or for as long as she would let me, and absorb all theIf I could, I would kneel at Ann's feet and worship her as a god. I would sit there for hours, or for as long as she would let me, and absorb all the knowledge and wisdom I'm sure she exudes. Because that's the only way I could ever find the talent and capability to write as well as she, if I ever could, that is.
Enclave is Ann's first YA offering and it kicks serious ass. Frankly, and as much as I loved The Hunger Games, if the two were matched in a head-to-head smackdown, Enclave would win hands down and leave The Hunger Games limping, bruised, with a couple of black eyes and perhaps a torn-off ear. It's that good. Then again, Deuce, the protagonist of Enclave, is the natural heir to the bad-assery shown by the star of Aguirre's other series, Sirantha Jax.
Deuce lives in the enclave, an underground dwelling built into the remains of the New York subway system after the second holocaust, in the near (or far) future. It's a hard life: only if you survive the first fifteen years do you get a name; until then, you're only identified as a 'Boy' or 'Girl' brat and a number. During those years, you train as either a Breeder, a Builder, or a Hunter. When you get your name, you also get your arms scarred, the number of which identifies you for life: two for breeder, four for builder, six for hunter. Hunters have the most dangerous life, having to go outside into the tunnels in order to find food, all the while braving the marauding monsters called Freaks. Almost-human, but yet not, with razor-sharp teeth and claws for fingernails, they eat the dead, even their own, and attack anything that moved. They've always been a threat to the enclave, but lately the Freaks are becoming more bold, more intelligent, which makes them even more terrifying.
Deuce is proud of becoming a Huntress, proud that she can now justify her place in the enclave. But she's not so proud to become the partner of Fade, an outsider who joined the enclave after surviving for years in the tunnels on his own. Of course, Fade's not too happy either, especially when the two of them discover some unsettling truths about the Freaks' behavior and it seems as though all Deuce wants to do is carry on the enclave's party line, one of defiant ignorance. That all changes when Deuce slowly begins to question all that she's been told growing up in the enclave, especially when she's put into a situation not of her making which results in her and Fade being exiled. As the two make their way Topside, Deuce finds herself facing new vistas, new truths, and new feelings unlike any she's ever known before.
Deuce is one of those rare YA characters who actually grows and changes as the story progresses. Not always for the good, perhaps, but she doesn't remain the same character she was at the beginning of the novel. Because she's so young when the story begins (even though, in her society, Deuce is seen as grown up), the novel is a coming-of-age tale, albeit one that happens to mix in some knife fighting, ass-kicking, and Freaks. As with her other novels, Aguirre infuses even the most minor of characters with a depth and nuance, peopling the plot with a variety of likable and not-so-likable people who also manage to morph as circumstances change. Then there's the story, which isn't at all straightforward or predictable. It starts at one point, you think you see where it's going, and then it takes a turn. It's full of drama, heart-pounding action, and pathos; there's not a moment where the reader's attention drags or feels overwhelmed by exposition. There's nothing extraneous; it's a lean, tight, engaging book that moves even when the characters aren't.
My final words? I can't recommend Enclave highly enough. If you are a fan of the ever-expanding YA post-apocalyptic genre, you would do well to read Enclave. Once you do, you'll be hooked. Ooh, and then you can join me and we can create the cult of Ann Aguirre! There'll be t-shirts and everything! C'mon!
This will be the shortest review I've ever written: What a freakin' awesome book! Honestly, the best sci-fi book I've read in a long time. A real pageThis will be the shortest review I've ever written: What a freakin' awesome book! Honestly, the best sci-fi book I've read in a long time. A real page-turner, with humanity, humor, and knee-jumping action. Read it. That's all I've gotta say. Read it.
Re-read August 17-22, 2013: Can't add anything new to my review as it pretty much says it all. This book is freakin' awesome and Sirantha Jax is one of the best, most fully-fleshed and entertaining characters to leap (and I do mean leap) off the pages in years....more
Why, oh, why can't we give books 10 stars? If it were at all possible, I would. I would give this book one hundred stars. I finished this today and alWhy, oh, why can't we give books 10 stars? If it were at all possible, I would. I would give this book one hundred stars. I finished this today and already I'm in withdrawal. I didn't want to stop. I tried, I tried very hard, to read Killbox as slowly as possible, to savor the story. But like any attempts of mine to savor a rich piece of chocolate, to let it melt on my tongue and slowly infuse my senses with its deliciousness, I failed miserably. From the first page, I got so caught up in the story, I couldn't not turn the pages as fast as my eyes devoured the words.
There's no way I can coherently describe the story to non-readers of this series. I'm nowhere near eloquent enough. I am in complete awe of Ms. Aguirre. She has created a series so rich, so lifelike, so real, even though the story is set in space and features aliens and concepts so totally science-fiction in nature. Despite that fact, or perhaps because of it, her characters live and breathe. None of them are perfect; each one has fears and hopes and character faults. In other words, they are three dimensional, just as real human beings are. And the relationships between them are real, not picture-perfect ideals, but messy, hard, fractious, delightful, fulfilling, full of mistakes and missed opportunities and moments of wonder. This alone would make the books wonderful reads, but the storytelling, the weaving of these characters' actions into wonderfully exciting, terrifying, exhilarating, emotional stories, make Ann Aguirre's novels top-rate, in my opinion. Plus, she made me cry. I can't tell you how many years it's been since I've cried while reading a book; too many to count. But she did it, and I'm not a weepy person. That's the mark of how involved Aguirre makes you become with these people--Sirantha Jax, March, Dina, Hit, Vel--that when they feel pain and loss, you feel it, too, and cry because of it. Though I know it is impossible, for my part I hope Sirantha Jax continues her adventures through many, many more books in the years to come; unlike chocolate, I can savor them as much and as many times as I like without getting fat....more
Okay, basic synopsis: Marine architect (one who designs underwater vehicles and the like) Hannah Bryson has been contracted to inspect and overhaul aOkay, basic synopsis: Marine architect (one who designs underwater vehicles and the like) Hannah Bryson has been contracted to inspect and overhaul a decommissioned Russian nuclear sub, the Silent Thunder, for the U.S. Maritime Museum. Working with her brother, Connor, she begins the routine check of the sub's systems. During this process, an enigmatic set of metallic plates, inscribed with seemingly nonsensical symbols, is found. Tragedy strikes, however, and a mystery unfolds. Hannah, though warned by the U.S. government against involving herself any further in the situation, stubbornly searches out the truth behind Silent Thunder's history and how it pertains to the ruthless man masterminding all the recent death and destruction surrounding the sub. With the help of a enigmatic and charismatic mercenary, their search becomes a race to find the prize Silent Thunder's secrets leads to before anyone else dies.
Like any Iris Johansen book, this one is fast-paced, thrilling, and tautly told. The added bonus is NO SEX! Yes, that's right, no throbbing loins or hanky-panky between the sheets. Lots of sexual tension and hints of a budding romance, with some smoldering looks and innocent yet electrifying skin contact, but that's it. It was quite refreshing. Of course, the lack of sex may have been due to Iris's collaboration with her son, Roy; mother and son may be close, but not enough to write sex scenes with each other. Yuck! But I digress. Is this deep and lasting literature? No. Is it a quick and thrilling read, something to while away the hours with? For sure. Although, and it may only be me and my dirty mind, but does anyone else get the giggles when they read the title? Silent Thunder. *snicker* Sorry....more
Jig the goblin, now known as Jig Dragonslayer from his exploits in the first novel Goblin Quest finds himself back in the goblin caves, although now,Jig the goblin, now known as Jig Dragonslayer from his exploits in the first novel Goblin Quest finds himself back in the goblin caves, although now, instead of a lowly muck maker, he's a healer, gifted with that magical talent by his god, Tymalous Shadowstar. It's not as prestigious a position as it sounds, considering some of the injuries Jig is required to heal; however, he's content to hide in his cave, worship Shadowstar and play with his pet fire-spider, Smudge. However, the new goblin leader, Kralk, has other ideas for Jig's future. After all, the heroic Jig threatens Kralk's status, so when an ogre shows up to ask for Jig's help with a new enemy who's tyrannizing all ogre folk, Kralk "volunteers" Jig's assistance, seizing the opportunity to rid herself of Jig without actually having to do the dirty work of killing him outright. With the "help" of a large, profoundly stupid goblin and an elderly, ornery goblin who can barely walk, Jig sets out to defeat the force which is terrorizing the ogres and threatening to take over the entire cave system. Unbeknownst to Jig, another goblin, an aspiring wizard who is profoundly jealous of Jig's status, sets out behind him, determined to steal the spotlight and reveal herself to be the proper goblin Hero. Thus ensues fighting, backstabbing, enchantments and general mayhem as hobgoblins and invading pixies are thrown into the mix.
Man, this took me a long time to finish! Partly it was a case of bad timing, but a lot of it was the fact that I really had to push myself to keep reading because I was bored out of my gourd. The first book wasn't bad, a fairly entertaining spoof of your typical D & D adventuring story. This one...I don't know. I kept expecting it to be more enthralling, more exciting, and funnier. Especially funnier. From the reviews I've read, I expected to encounter many laugh-out-loud moments in the story, but I never even cracked a smile while reading. If I hadn't been set up to believe the novel was a humorous adventure, I probably wouldn't have been quite so disappointed with the overall story; as it is, while there were some high points, there weren't enough to keep me continuously entertained. It's not a bad book, just not as good as I was hoping....more
I freaking love this book and I love Sirantha Jax! I truly cannot get enough of this series. Sadly, from what I've heard, the next book will be the laI freaking love this book and I love Sirantha Jax! I truly cannot get enough of this series. Sadly, from what I've heard, the next book will be the last and the idea of that just breaks my heart. Even with a novel such as Aftermath, which, if I were to be cruelly honest and say that it really doesn't have a coherent story-line and that instead it's a progression of small stories involving Sirantha strung into a whole, I still say, you know what? I don't give a damn. I raced through it, even as I told myself to slow down and revel in Aguirre's storytelling; I was absorbed by and absorbed in the novel, loving every page and savoring the bittersweet sensation I felt when I reached the end. Aguirre has managed to imbue the most fantastical of what should be space-opera elements with a three-dimensional reality, grounding them and giving them depth and life in a fierce, oftentimes heartbreaking way. I don't know how she does it, but I'm grateful she does and while I'm sad for the eventual end to the Sirantha Jax series, I know every time I reread the books, I will experience anew the roller-coaster ride which is her universe, full of emotional thrills and chills and breath-taking spills (sorry, had to do it), and love every minute of it. Thank you, Ms. Aguirre....more
Wow. I mean, wow. This has been described as a rollercoaster ride and that is so true. However, this is a rollercoaster which comes out of the loadingWow. I mean, wow. This has been described as a rollercoaster ride and that is so true. However, this is a rollercoaster which comes out of the loading dock straight into a free-fall drop and never slows down until the very end. Take The Da Vinci Code, add few more octanes of amphetamine-fueled energy and you get Comes a Horseman. And that's the problem. As much as I love exciting, grand conspiracy-fueled action-thriller novels, I also like a bit of breathing room to take everything in, to allow my heartbeat to slow and my adrenaline to drop back to its baseline level. I don't mind the action getting a running start from the get-go, but, like any good rollercoaster, you need some flat sections, some gentle curves before your brain gets scrambled and your insides get rearranged by the next loop-de-loop. Right up until the very end, Liparulo keeps the action at a break-neck pace and by the time the finale rolls around, you as the reader are just so damned tired you're more numbed than relieved when the bad guy gets it and the battered yet satisfied main characters return home. However, the story itself is so well-told, so well-researched, with enough gruesome killings, conspiracies, and misdirections, when that ending does come, you don't care that you have the energy level of a beached jellyfish. You're just glad that it's fiction (or, at least, one hopes it's fiction) and can set the book aside for something a little more upbeat at the end of the day. And I have to say that even though the plot does concern the advent of Antichrist (that's right, just 'Antichrist', no 'the' involved) and the Christian mythology which revolves around such a person, there's a level of realism involved which makes the concept not only plausible, but downright scary, as there're no metaphysical elements involved. No appearance of the Devil, no singing of angels, just men who believe so much in a particular destiny that they will do anything, kill anyone in order to bring it about. And let me tell you, that's the scariest thought of all because you know there are people out in the world today psychotic enough to do just that a million times over. Hell, history is full of such megalomaniacs and the advent of bigger and more destructive weapons has made their quest for glory that much more bloody and deadly.
Okay, I finally get it now. What can I say, I'm slow. After all, it took me a couple of years of hearing Harry Potter this and Harry Potter that beforOkay, I finally get it now. What can I say, I'm slow. After all, it took me a couple of years of hearing Harry Potter this and Harry Potter that before I finally sat down with a (good, non-translated from English to American) copy of the first book and discovered the wonders of the Harry Potter universe, discovering my own inner Harry Potter fanatic at the same time. So it's only right that it took me a few years of hearing about the marvels of The Hunger Games and its sequels before breaking down and reading it. Now that I have, I can quite cheerfully join in with the rest of the crowd (something I so rarely do) with my own "OMG, this book is freakin' awesome!" war cry. Because it truly is.
Before I get to how beautiful and heartbreaking the story is, I have to say it is told in what might be the most perfect example of fiction writing. Collins's writing should be held up as an example to students in creative writing classes aimed towards aspiring YA fiction writers, heck, for any fiction writers, period. Those authors who have managed to get their stuff published by some miracle and not by any show of actual talent (I'm looking at you, Stephenie Meyer) should study Collins's books front to back and back again to get an idea of how a compelling story should truly look and behave. In The Hunger Games, the story flows along at exactly the right pace, neither rushing us through scenes nor holding us back with needless information. Back story is filled in only where it's needed, at just the right places, with enough information to gently round out the story as it keeps up its brisk pace, without becoming overstuffed or bogged-down. There is no purple prose here. In fact, the prose is succinct, almost terse, yet filled with such vivid and vivacious detail; words, much like the food in certain Districts, are rationed, producing a concentrated story with no waste, no unnecessary flourishes, and an almost electric page-turning readability.
As far as the story, it's...wondrous. Violent, yet filled with tear-jerking scenes of compassion and mercy. There's action a-plenty, but woven between those scenes of heart-pounding peril and nail-biting panic are scenes of desperate soul-searching, tender moments showcasing the uncertainty of burgeoning love, human moments of doubt and fear and calm acceptance. And, of course, I have to say something about Katniss. She comes from a long line of strong, positive female YA role models, following in the footsteps of Jo from Little Women, Mary Lennox from The Secret Garden, Anne Shirley from Anne of Green Gables, Karana from Island of the Blue Dolphins, Julie from Julie of the Wolves, even Hermione from Harry Potter and the Philosopher's Stone. But what I love most about Katniss is, she's the complete antithesis to Bella Swan and, hopefully, an antidote to the portrait of womanhood portrayed by Swan. (And here I apologise to both Suzanne Collins and Stephenie Meyer. I truly dislike pitting authors against each other, but with two such enormously popular series, featuring two such disparate characters, each of whom are idolized, it's hard not to compare them and see the faults.) Where Katniss is strong and resolute, Bella is whiny and limp; where Katniss works to provide for her family, gaining her identity from her role as provider and, at times, de facto mother, Bella has no identity, no goals, in fact, strives to be nothing more than Edward's arm candy. Katniss constantly thinks about her life, where she's going, what she's becoming, worrying over the fate of her family, the consequences of her actions, layer upon layer of well-rounded, slightly (yet healthily) neurotic complications which combine to create an actual human being, which, in side-by-side comparison, only shows up that much more clearly how much of a cardboard cutout Bella Swan is...and how, after fifty, perhaps a 100 years, the world will still remember Katniss. Girls will still read about her and imagine themselves in her image. And Bella Swan? Forgotten, a curious fad relegated to a footnote in history....more
As the blurb on the cover of the book states, this is an original prequel novel based on the TV series, with the action taking place about si3.5 stars
As the blurb on the cover of the book states, this is an original prequel novel based on the TV series, with the action taking place about six months to a year before the pilot of the show (I'm estimating). We see Sydney Bristow, a freshman at UCLA, doing exceptionally well in her classes yet feeling lost, without a purpose. We know she has issues with her distant father and has had ever since her mother died when she was a little girl; all Sydney wants to be is a teacher, like her mother, both to honor her mother's memory and to, perhaps, win her father's approval and affection. Yet her classes don't inspire her, even though she's passing each course with flying colors (especially the foreign languages as Sydney has a gift for linguistics). All that changes when a mysterious man makes her an offer that she almost refuses: join the CIA. As she rises from a low-level grunt to an agent in record time, Sydney finds a new sense of purpose. She finds she's actually happy and knows exactly what she wants from life. At the end of the book, after her "initiation," we meet a Sydney completely different from the one we met at the beginning of the story. We meet a Sydney ready and eager to embark on her new life.
Yes, Sydney, as she's portrayed in the novel (and, to some extent, in the TV show), is a bit of a Mary Sue. She's sweet, she's innocent, she excels at any activity you throw at her. However, I didn't find this aspect quite as annoying as I would've had this been a regular novel for two reasons: one, realizing this is an origins novel, it's easy to shrug off any liberties taken because, basically, she's just getting started as a character so there's bound to be some one-dimensionality to her; two, as I was reading, I saw Jennifer Garner as Sydney and saw Jennifer's quirks, her dimples, her personality, which helped overpower any particular Mary Sue-ishness in the novel's character (if that makes any sense).
The one really interesting facet of the novel, and I don't know if this was the author's intent, if she was working from J.J. Abrams' notes, or if it was a complete coincidence, was the obvious use of Sydney's desire for her father's approval in her recruitment (using the knowledge gleaned from my recent Psychology 150 class). The agent who acts as her handler/mentor, Wilson, is middle-aged, with a young daughter in whose life he takes an active interest (thus being the father to his daughter Sydney desires for herself, allowing her to trust Wilson more readily). Sloane, the head of SD-6, whom we meet only briefly in the novel, plays an amiable, downright avuncular role in Sydney's life, although we don't see this in the novel, setting himself up as a father substitute for Sydney, thereby tying her loyalty to him and the agency. Even Sydney's eventual partner, Dixon, whom we also meet (very briefly) in the novel, is set up in the show as someone Sydney could turn to for advice and comfort when her father lets her down. While Sloane and Dixon don't play major roles in the novel, it's easy to see the manipulation. Very sneaky and very clever. (Then again, I could totally be seeing something that's not there, which means I've been talking out of my ass...which would not be a surprise. At all.)
This is a quick read. It's not perfect and it's not quite the origins story I would've given to Sydney, but it was entertaining....more
This is not one of those adventures that plops you into a conspiracy or conundrum on the very first page, takes off at warp speed, and doesn'3.5 stars
This is not one of those adventures that plops you into a conspiracy or conundrum on the very first page, takes off at warp speed, and doesn't give you a moment's rest until the very last page. This is what is known as a 'slow-burner'. The plot gradually builds up, clues and hints are dropped at random points, and the picture develops chapter by chapter until we reach the final thrilling conclusion.
I've read a few of the Pendergast novels Lincoln Child has written with Douglas Preston and enjoyed them; however, this is the first of Child's solo novels I've read. As anyone who knows even the slightest bit about me could've guessed, the Egyptian setting of this novel was right up my alley due to the fact that I'm mad about Egypt and especially ancient Egypt. Not only do I love reading books set in ancient Egypt, I love reading about modern or near-modern individuals discovering that ancient country's hidden treasures, buried by time, sand, and memory. The Third Gate introduced me to a new aspect of that area's geography, being set in the Sudd, a vast swamp formed by the White Nile in southern Sudan and one of the largest wetlands in the world. Although the Sudd is quite treacherous, choked as it is with grasses, reeds, papyrus, water hyacinth, and other aquatic plants, forming mats of vegetation which can shift position and block waterways and are in various stages of decomposition, not to mention the ever-changing water levels as well as the dangerous animals, mosquitoes, and parasites, it's an important resource to the rural populations for whom it provides valuable grazing land for their livestock. However, the Sudd as pasture isn't what's presented in The Third Gate. The novel's Sudd is an almost living thing, dark, ominous, fetid, choked with a foul miasma which is nearly solid in its potency and pervasiveness. Add in the discovery of the tomb of Narmer, the first king to have unified Upper and Lower Egypt, a string of inexplicable accidents which some believe to be powered by the powerful curse attached to Narmer's tomb, and the enigmatic leader of the entire expedition, Porter Stone, and you've got a situation ripe for danger, discovery, and death.
Yet, despite all these intriguing ingredients, as a whole the book felt slightly lacking. As I said in the first paragraph, this is a slow-burner of a novel, which is fine; I like stories which build to a climax. Yet this was almost too much of a slow-burner. Though the expedition suffers from traumatic and horrific accidents through the first half of the book, to make the tension build and to lead to the biggest event which makes up the climax of the novel, the persons involved are minor characters, so we're not really invested in either the person or the horrible event happening to them. It's only toward the end that things ramp up and the characters around whom the story is revolving get mixed up in the disasters. There just doesn't seem to be enough thrills or action. I think part of that comes from the narrator, one Jeremy Logan, a professor of medieval history and a self-proclaimed “enigmalogist” (an expert in deciphering enigmas). (Well, he's not really the narrator as the novel is told through the 3rd person P.O.V., but his eyes are the ones through which the reader views the action.) Because he's hired as an observer to Stone's expedition and thus witnesses all these events as an observer, it creates a distance which sets the reader apart and diminishes the drama. However, what really torqued me off about this novel is what always sets me off when authors reference ancient Egypt: the use of Greco-Egyptian terms rather than the true Egyptian words. ***Slight spoiler alert*** One of the characters is supposedly channeling an ancient Egyptian. Yet, when that Egyptian speaks, does s/he speak of being “The Mouthpiece of Heru”? No, s/he says they're “The Mouthpiece of Horus,” Horus being the Greek interpretation of the Egyptian divinity. Argghh! That sort of thing annoys me to no end; it's not only one of my pet peeves, it's my main pet peeve, the one I dress up in little sweaters, take out for walkies, and feed only the best organic pet peeve food.
For all that, though, the history, the supernatural aspects, the Egyptological discoveries (even if they are fake) are quite entertaining; in fact, they're the strengths of the novel and are what make it work when other aspects fail. Not to mention the writing itself, the technical makeup of it, is strong: vivid descriptions, realistic dialogue, well-paced scenes. What does that add up to? A book that, though slowly-paced, compelled me to keep reading to discover how it all turned out.
Agghhhhhh! I've finished it! There's no more book to read!
*pauses for breath, is startled by a new thought*
Agghhhhhh! I'm going to have to wait a yearAgghhhhhh! I've finished it! There's no more book to read!
*pauses for breath, is startled by a new thought*
Agghhhhhh! I'm going to have to wait a year or more until the next book comes out! NOOOOOOOO!
Okay, I will try to keep my gushing and fawning to a minimum, focusing instead on a review of the story. Though I can't promise some fan-girl enthusiasm won't slip through.
This, the second entry in Ann Aguirre's Razorland series, picks up where Enclave left off. Deuce, Fade, Tegan, and Stalker have found sanctuary in the topside settlement of Salvation. Each has found a place with a foster family and a place in the settlement, with varying degrees of success. Though it makes Deuce wary, she finds herself growing comfortable with the care she's given by her foster family, the Oakes, and while she isn't exactly happy spending her days in school when she considers herself full of all the knowledge she'll ever need, she complies as she doesn't want to make trouble. After all, she's already turned a few heads with her Huntress behavior, behavior seen as unwomanly and not in keeping with the strict religious tenets upon which Salvation was founded. But things in Salvation aren't quite as idyllic as they seem. The Freaks, or Muties as they're known by Salvationers, are behaving in ways never seen before. They're becoming smarter... and that is not a good sign for the people behind the flimsy wooden walls of Salvation.
Yeah, I don't think those are gonna hold.
Outpost is a more thoughtful entry in the series than the first book. Don't get me wrong, there's still lots of ass-kicking, especially by Deuce (who finds she has to prove herself all over again to the community--mainly the men-folk, that is), but even with the growing crisis outside Salvation's walls, there's time for Deuce, Fade, Tegan, and Stalker to grow in ways in which they never had the opportunity to grow during their adventures on the way to Salvation. There's more time for drama, confusion, mixed signals, romance, and character expansion. As we watch these kids (for that's what they are, no matter what they've been through or how they see themselves) mature, we delve deeper into their personalities, their pasts, how they think, and their hopes for a future. And though Deuce is at the center of the novel, this book is really where Tegan comes into her own. In Enclave, Tegan was a shell-shocked survivor, barely able to pull her own weight in the group dynamic, needing to be cared for by the others. When we saw her at the end of the book, she was half dead due to the massive injury she'd received to her leg. In Outpost, she's not only survived her injury, she's spreading her wings. She grows in confidence and discovers she has a lot more to offer others than she ever thought. She even finds it within herself to forgive Stalker for how he treated her when she was held captive by his gang, something she swore she would never do.
As with Enclave, the story is a page-turner, and the writing keeps you involved as you await each new development with breathless anticipation. Aguirre has a knack for writing heart-pounding action, yet she's also able imbue her characters with real emotions and depth. Once again, they grow and change, behaving just as real people behave. It's hard for me to express just how much I adore reading Aguirre's novels. My eyes fly across the page, and the pages flip by fast enough to raise a breeze, even though I try to slow myself down in order to savor the story rising up from those pages. All I can say is that if you'd like to get in on this new trend of post-apocalyptic YA novels, but don't know where to start, start with Aguirre's. Pick up Enclave and I guarantee, as soon as you finish it or perhaps even before then, you'll be rushing out to the store to grab Outpost. I'd say Hollywood needs to pick up these books and make it into the next series of blockbuster movies, a la "Harry Potter" and "The Hunger Games," but I'm afraid Hollywood would screw up the magic that is Razorland....more