I didn't really find this all that compelling but that's because I'm not really a fan of mob dramas. The Godfather makes me want to snooze. I do, howevI didn't really find this all that compelling but that's because I'm not really a fan of mob dramas. The Godfather makes me want to snooze. I do, however, think that Valentine did a stellar job at making Selina the strong, ruthless leader that she is in this issue. She was always in Batman's shadow as his sexy lover, as the one whom he always tries to save. But here, she shows Bruce that she doesn't need saving, that she can handle her own problems. This is a huge change from the very first issue of the New 52 Catwoman, where the first thing we saw of Selina was her tits, where her first interaction was fucking Bruce. I love seeing Selina be in such a position of power, and I can't wait to see more of her. One thing that disappointed me was that we only see Selina donning the Catwoman suit on the second-last page of the last issue in this trade. While I do love how Selina's taken charge as herself, I want to see her as Catwoman, too....more
Well, for the most part this is all about a catfight between Harley Quinn and Joker's Daughter over the Joker's face. Har Originally posted on my blog
Well, for the most part this is all about a catfight between Harley Quinn and Joker's Daughter over the Joker's face. Hardly any attention is being focused on anyone else, and it's horribly annoying. And the way they're sexualising this cat fight is just plain awful. Give Harley a freaking bra, for god's sake. Her corset keeps slipping down, barely covering her nips, whereas Joker's Daughter--who was originally about 16 when she first showed up--is suddenly aged up and in a skimpy skirt and crop top. As for their characterisations, they might as well be the same person, the way they're written. After 3 issues of this, it gets tedious
The story is sporadic and hectic, with no real purpose. The first three issues were, as I mentioned earlier, mainly about the cat-fight between Harley and Joker's daughter. The rest of the story--their entire reason for being in Russia in the first place--is often pushed to the side to make room for those two characters. Beyond the fourth issue, once they wrote Joker's Daughter out of the story, things start to make sense, but it's still a rushed and poorly written mess. For the most part it's just regular espionage stuff, going to other countries and accidentally fucking things up and accidentally saving America from communist superheroes. Nothing really special about it.
The art is inconsistent, constantly changing artists and styles... and woof, there are some bad artists in the mix. Faces are badly drawn, anatomy is impossible, and the girls' outfits are as booby as possible.
It really feels like no effort was being put into this when they decided to slap this together after the failure of the last Suicide Squad. Fans of the movie are going to be very disappointed when they turn to the comics to get more of their Suicide Squad fix. ...more
I love the way this book is written, in diary entries and short vignettes and the like. It made it so easy to attach myself to Maddie, a POC African AI love the way this book is written, in diary entries and short vignettes and the like. It made it so easy to attach myself to Maddie, a POC African American and Japanese (though this is barely touched upon, which is a shame) girl who essentially lives in a bubble. It is a very intimate book, much in the way the Princess Diaries series were.
Reading it on my kindle feels like it doesn't give the book justice. There are illustrations, and charts, and lists, and handwritten diary entries, and such that I'm sure would have looked fantastic in physical form, without having to wait for the lag of my kindle to load the pages. At first I thought, You betcha sweet ass I'll be buying this book and rereading it over and over for the feels and the proper experience. But as I read on, something didn't feel right. Maddie's condition was odd. And Ollie ended up helping her endangering her life, which made him the opposite of a sweet sexy love interest. That he would let her go through with her potentially life-threatening plan makes him an unreliable lover, bordering on abusive.
Speaking of abuse, let's discuss her mother, who knew that Maddie was never sick to begin with. Who kept Maddie in this bubble, isolated from the world so that they could be together forever. Who ruined Maddie's immune system as a result of keeping her hidden from the world. I detested that there wasn't more done to chastise her mother, no police involved, no nothing. It was just glossed over as a mother who cared too much. That made me mad, that abuse like that was seen as being overprotective.
This book was a huge disappointment. I wish I could say better things about it, but, morally, I just can't....more
I was hesitant about starting this book. The cover is so gorgeous, but I've learned enough times that sometimes the storyOriginally posted on my blog
I was hesitant about starting this book. The cover is so gorgeous, but I've learned enough times that sometimes the story isn't as lovely as the packaging.
It has such an interesting, promising premise: a murder mystery that spans not just our universe, but the multiverse--a universe for every single decision made. An infinite world of infinite possibilities. Marguerite Cain is on a mission to catch her father's killer, even if it means turning herself into "atomic soup".
Marguerite, I found, is a boring character. Even when she inhabits the bodies of the Marguerites from other worlds, she has no personality. She's just a blank slate hidden inside other blank slates.
All the plot is shoved aside to make room for a ridiculous romance that literally comes from out of nowhere. First Marguerite is so sure that this guy killed her father, and the next moment, she's pining away about his body heat and their almost touching. It made me want to gag, it was so sappy. The discussion of fate--of things that happen in all universes, such as the love between two people--just makes the romance even more gag-worthy. It's just so forced. It's such a shame about the lack of plot because it was such a unique concept that could have been fantastic under the right circumstances.
I found myself constantly bored by the story. Even when she's a grand duchess in Russia, the story manages to fall flat in lieu of the romance. All danger and consequences are thrown away for the sake of the romance. There was nothing at stake except for this true love. In the end, I had to DNF this book. The contradictory nature of the multiuniverses verses fate just left me too frustrated to go on. That's not to say it's bad. I was just expecting more sci-fi than romance. If you're in the mood for star-crossed lovers, then this is probably for you....more
This was an interesting take on Alice in Wonderland, where Alice's friend, Ada, falls into Wonderland and tries to find a way out. Unfortunately, the wThis was an interesting take on Alice in Wonderland, where Alice's friend, Ada, falls into Wonderland and tries to find a way out. Unfortunately, the writing just didn't do it for me. Yes, there were some beautiful passages, but most of it was bogged down by pompous writing. Additionally, it ends rather vaguely, hinting at certain ideas, but not really going anywhere. (view spoiler)[ It is mentioned that the skeletons of two girls were found in a river at one point, and a boy who ends up in Wonderland, Siam, falls down a chimney shute, so I had come to the conclusion that Wonderland was some sort of purgatory, and it's a shame that it didn't end like that, because it would have been cool as fuck. (hide spoiler)]
My fave quotes from the book: A story in a book has its own intentions, even if unknowable to the virgin reader, who just lollops along at her own pace regardless of the author's strategies, and gets where she will. After all, a book can be set aside for weeks, or for good. (Burned at the grate.) Alternatively, a story can be adored for centuries. But it cannot be derailed. A plot, whether abandoned by a reader or pursued rapturously, remains itself, and gets where it is headed even if nobody is looking. It is progressive and inevitable as the seasons. Winter still comes after autumn, though you may have died over the summer - pg 70 ["br"]>["br"]>["br"]>["br"]>["br"]>...more
Once again, we have DC trying to push something that is so far out of canon that it barely resembles what it should look like. In a desperate attemptOnce again, we have DC trying to push something that is so far out of canon that it barely resembles what it should look like. In a desperate attempt to make Clarke and Diana to work together, there is this imbalance in power in their relationship. That's why they would never have worked in the first place: they're both fighting each other for the role to be the dominant. It instead makes Diana seem like a giggling teenage girl in order to make Clarke be the big strong manly man that DC want him to be. Whenever Diana talks to her friend, the topic is always about Clarke. The real Diana wouldn't worry herself over high school dramas like that. Apart from that, the writing is just sloppy, and the art sexualises Diana way too much. But that's a given, since Diana is a female and DC's law that all females must have their asses and crotches and breasts drawn as detailed as possible (hello camel toes! Butt muffins! Breasts that defy the laws of physics!).
I've long given up on DC. Everything in the New52 is just a mess, and this joins the steaming pile of crap, which is unfortunate, because Wonder Woman is a character with so much potential, and I absolutely adore her....more
I'm so late to this bandwagon. Like, 4 years late, so I supposed it was about time I read it and found out what the big deal was about. *SPOILERS AHEAI'm so late to this bandwagon. Like, 4 years late, so I supposed it was about time I read it and found out what the big deal was about. *SPOILERS AHEAD*
Unfortunately, I didn't find it to my liking. For the most part I was bewildered by the concept of the factions. It felt like a cheap imitation of the Hogwarts houses. That they were so concerened with particular personality types, such as intelligence, courage, was confusing when it was explained that the houses factions were created to settle discourse between people. It was a way to create harmony and abolish racism, sexism, classism, oppression from religion, etc, but I found that within those factions there were many of those already present.
~TRIGGER WARNING: date rape, sexual assault, transphobia, rape, violence against women, queer baiting
I can't begin to describe my love for Harley Quin~TRIGGER WARNING: date rape, sexual assault, transphobia, rape, violence against women, queer baiting
I can't begin to describe my love for Harley Quinn. As one third of the Gotham City Sirens, she already has a long history of being an incredibly smart woman, who interned at Arkham Asylum, and began falling in love with the Joker. The Joker then Manipulates then Harleen Quinzel into setting him free.There are differing ways that she is introduced as a villain--my favourite being, funnily enough, the New 52 origin, where we are shown the Joker throwing Harleen into a vat of acid. The reason why I like the New 52 version is because it shows that Harley begins her new life as a battered woman. After this, ever encounter she has with the Joker from thereon, he hurts her, mentally and physically, and manipulates her. It creates the building blocks for what could be the beginning of a story that discusses the violence within relationships. After all, Gotham City Sirens deals with the her best friends, Selina and Ivy, helping Harleen through the break up, and who talk her out of getting back with him, reminding her that he has tried to kill her several times, often for no reason. In the New 52 series, I volume 3 of Suicide Squad, we are shown a very grim scene where Joker is mentally playing with her feelings, knowing very well how much she dotes on him. Any romance that has ever been between Harley and Joker has now turned into an abusive relationship, and I'll never be able to stomach the people who ship the two of them. In fact, we re also shown that Harleen isn't the first 'Harley Quinn'. There are other girls that he has tortured and left to die. Harley is forced to break her wrists and bite her forearm to lubricate the shackles that he has imprisoning her. Thus begins the start of a discussion on how Harley is a victim of abuse, and could be the potential catalyst that DC can use to start being progressive, by showing a battered woman overcome her abuser, and still be a super funny, super cute--and a bit kooky--super villain.
Now, after two paragraphs of info dumping and digressing, let's talk about this new version of Harley Quinn. I was so fucking excited to read this book. I read each issue religiously as it came out each month. But the more I read, the less I began to like this new Harley. Ignoring the ridiculous over-sexualisation of her costume, her entire character has been drastically changed. Everything written in the New 52, where she promises herself to get over Joker, when she finally realises that he's an abuser--all of this doesn't exist in Ammanda Connor's and Jimmy Palmiotti's world. None of her character progression exists any more in this comic. This is a brand new Harley Quinn, and this is a Harley that actually makes me feel sick because of the blatant triggering.
I'm going to focus on a single issue to show just how awful this series is. In #3, the Valentine issue, I came across something that triggered me into panic attacks and depression, that caused me to be mentally comatose for about a week.
The issue features Harley eating a berry from a plant that Ivy leaves her, and the berry makes her amazingly attractive to everyone. Sounds like some silly hijinks could happen, right? Apparently not. A bus carrying convicts crashes, and that’s where the shit has hit the fan. They start falling in love with her. They tell her how they want to do sexual things with her. And hurt her at the same time. And this whole scene is supposed to be funny, because Harley is running around saying “oh crap oh crap”, and runs to a hardware store to fight them off with some crazy tools.
This last panel shows extreme violence towards women, and it's all very uncomfortable, and brings up bad thoughts. I had to stop during the scene to start crying, because just the sexual violence was too much, and added to the the light comedic edge… well, it just felt like they were making a joke about it. But I read on, because I was hoping that these criminals get their comeuppance. Thankfully, they do. Quite violently, which I approve of. But then, a cop comes up to Harley and makes out with her. Just out of the blue. That’s sexual harassment, by the way. Harley didn’t consent to it. Just because the cop was a woman, I’ve seen people squee about the sapphic tones of the comic as a whole, but I think this makes for bad representation for lesbians. And finally, just when I think that things couldn’t get any worse—by this point I’ve already thrown up on myself, I’m already shaking and having flashbacks, but I read on, hoping that there are consequences—and Harley gives her friend, Big Tony, the very same berry that caused her to almost be raped, that almost caused her to be tortured. She gives him the berry because he thinks that he has a chance with a girl that he likes. Which means, that she’ll be falling in “love” with him against her will. If they have sex, which I’m sure they will, it will be RAPE. She might as well have been administered the date rape drug and forced into it. And if you don’t even take that into consideration, her male friend is also in danger of being raped by randoms that he comes across.
And at the very end, Harley pats herself on the back for playing Cupid? What the fuck? No. After everything that she’d been through, and she’s fine with making her friend go through with it? Right now, I feel like I’m dying. I feel like I’m being raped all over again. I can feel it. I can see it happening. My brain is making me see things that I can’t possibly be remembering, since I was heavily unconscious at the time. Everything about this comic is awful and harmful, and so ridiculously callous and unfeeling in how they make their jokes.
If that one issue doesn't put you off the entire comic, then there are plenty of other issues that are just as tasteless and offensive towards women and transpeople, and there are instances of queer baiting--trying to put Harley and Ivy into sort of romantic positions, but told very loudly by Palmiotti that they're just friends.
I came into Harley Quinn because I was amazed that DC was going to have another female leading her own series, and written by a woman. She was essentially a girl written by a girl for girls, and that's so rare in DC. It felt so amazing hearing that DC was finally starting to acknowledge that they have a HUGE female fanbase, and this comic shows how little they care for this fanbase. Each joke is misogynistic. Harley joins a roller derby team--which, yes, is at its heart a violent game--but all the jokes are about how bitchy the other team is, so it's Harley's job to beat them up so violently while making jokes about it. Using violent techniques that are technically not allowed in derby.
Basically, enter at your own risk. Since it's aimed at women, and women are more sensitive to this sort of thing because violence and date rape is something we have to worry about, I just want everyone to be aware of what they're getting into, so that no one ends up violently triggered like I was
TL;DR: a comic aimed at women, written by a woman, but reads like a misogynist's journal. A mess of psycho cuteness that we're supposed to laugh at how 'kooky' she is. In the end, all she comes down to is a light version of Deadpool, if Deadpool was a woman....more
It doesn't deliver anything that I haven't already read a million times in fantasy. Some guy goes on a quest, bones a hot chick, and discovers that heIt doesn't deliver anything that I haven't already read a million times in fantasy. Some guy goes on a quest, bones a hot chick, and discovers that he's super special and has awesome powers, and that makes him the chosen one, and he must fulfil the prophecy before evil comes and does its evil things.
Such a shame, because the cover is so pretty, if you ignore the lady who looks like a fantasy cheerleader....more
I shouldn't be surprised that this was awful. There are so many reasons for it: - bad writing. The pacing is all over the place, and the story arc stilI shouldn't be surprised that this was awful. There are so many reasons for it: - bad writing. The pacing is all over the place, and the story arc still hasn't even ended, after 4 volumes. Most every other New 52 title I've read has had a story contained within their 6ish issue frame, so that each volume tells a nice, short story. This has been going on forever, with no end in sight. - Can we stop having men harass Diana? Four times, Orion has said something awful, which makes her at one point threaten to crush his balls, but even then, he doesn't take her seriously at all. She's just something pretty to look at. - On that note, can we stop having men finish off her work? Not once in this volume has Diana actually complete a fight without someone intervening and saving the day for every one.
I'm not going to even touch upon the butchered Greek gods (calling Hades 'Hell'?, having Hera, the goddess of women and motherhood, hate other women and their children for the last 3 and a half volumes... etc etc etc).
Four volumes, and all Azzarello has given us is a strong woman who just isn't strong enough to win without the help of men. Men who are entitled to make comments about her body, and to harass her over and over again, even after she tells them to stop. Wonder Woman should be the kind of person that every woman can relate to, that every woman can use to make herself feel empowered. She is supposed to be, essentially, the every-woman (and that includes women that aren't considered to be women by society). How are we supposed to have that when we have the guy who made Harley a stripper in Joker? I'm so glad that he's finally been kicked off the project; he's tainted her for the last 5 years....more
Trust Geoff Johns to have a plot that meanders all over the place, trying to be too epic for the limited amount of space he has. Only thing that keptTrust Geoff Johns to have a plot that meanders all over the place, trying to be too epic for the limited amount of space he has. Only thing that kept this from being a 1 star was the treatment and resolution of the Prisoner, a meta-human with manacles who is haunted by the ghosts of soldiers who've died in combat with him (from what I understand), experiencing a PTSD-like state. Apart from that, this was completely unreadable, which doesn't surprise me....more