This is my seventh different translation of The Iliad that I have read over the past four or five years, and this one is a good one. It reads well andThis is my seventh different translation of The Iliad that I have read over the past four or five years, and this one is a good one. It reads well and feels like something you would really like to hear recited with a gathering of your friends around a large bonfire on a crisply cool fall night. The theme of the "rage of Achilles" is palpable at times, and the character of an aggressive Hector is perhaps more robust and muscular in this translation than some I've read.
Something that I think Powell's rendition does very well is footnote everything, saving the reader from flipping to the back of the poem. Additionally, he has included a great number of photographs of ancient Greek illustrated pottery that highlight events from The Iliad. Excellent maps and a superb glossary round out this edition and make it a keeper. I'm guessing that it has been formatted to be a college text, and I am guessing it will do well in that role. All in all is this a no-nonsense, quality translation of a timeless story that every human should read at least once in their lifetime....more
I started this little novel this morning on the train to work and then finished it about five minutes before I arrived home tonight. At little more thI started this little novel this morning on the train to work and then finished it about five minutes before I arrived home tonight. At little more than 300 pages, this novel packs a punch. While 'sparely' written--it has been described as 'prose Haiku'--every word has its place and significant meaning. No question, this is a meaningful novel and that is a very rare and beautiful thing in this day and age.
This is the story of 'Hig', his dog Jasper, and Bangley, a curmudgeonly survivalist. The thing is that the world that these three live in is not a world that we know. Some pandemic strain of flu virus has wiped out over 99.99% of the world's population of humans, and climate change has radically altered the environment of the central Rockies where Hig and Bangley have hunkered down. Also, there are some very mean, scary folks out there and Hig and Bangley have to continually maintain a diligent watch just to protect their own little world of 'normalcy'.
Hig is also a pilot and he has an old Cessna 182 that he lovingly cares for and flies around, protecting their area, and gathering up useful flotsam and jetsam that he and Bangley can use or eat. Jasper, his dog, is his co-pilot.
Really though, this is the story of a man on a journey from grief and despair to hope and something that may become a new start in a completely new world. Can Hig bury the ghosts from his past, and can he make peace with what it takes to survive in this new world and even make it better? Is Hig willing to risk all that he has created with Bangley to see if there is something else out there?
As I said, this is spare novel, incredibly well-crafted, and it simply begs to be scripted and filmed. And while there is the 'scent' of Cormac McCarthy in this novel, Peter Heller is clearly his own man with his own unique muse. It is certainly dystopian, but it is also not one jot formulaic. In fact, this novel almost feels elegiac with its short lines of dactylic hexameter and dactylic pentameter. Like Aeschylus and his brilliant triptych, The Oresteia, I think Heller is also telling us a future story of humanity; a story rich in pathos--and it is the experience of the character of Hig that we identify and bond with. Hig is you, Hig is me.
This is a popular novel now, but I firmly believe The Dog Stars will be read 100, even 200 years from now. I know that I will be reading this book again, off and on, for the rest of my life. I think there is much that this novel offers, and I'd like to continue to experience and appreciate this most amazing work that Peter Heller has gifted us with....more
My first exposure to Vollmann is his recent collection of short stories, Last Stories and Other Stories (2014) which I still feel is nothing short ofMy first exposure to Vollmann is his recent collection of short stories, Last Stories and Other Stories (2014) which I still feel is nothing short of brilliant. I eagerly hunted up a copy of Europe Central and dove in. It is constructed like in that it is a loosely woven warp of vignettes that tie together Nazi Germany and Stalin's USSR from the early-1930s through the end of World War II. For me, Vollmann is a writer that I have to take in small doses. His is a heady brew. I find that I read a vignette and then have to mull it over for a day or two, and then slowly move on. Being a student of World War II history and that of the Eastern Front particularly, this novel does pretty accurately get into what it meant to be Russian and German during that horrific period.
I think you need to be pretty well up on your World War II to fully appreciate this big sprawling canvas of horror that Vollmann has painted. Having an understanding of modern Russian composers, and even the poetry of Anna Akhmatova sure wouldn't hurt either. I can certainly see why this novel was a National Book Award winner too, as Vollmann makes us engage with all of the reasons why the legacies of both the Second World War and the Cold War continue to shape Europe and the United States and probably will for generations to come. Grim and gritty, but well worth the read....more
I have avidly--and with great passion, joy, sadness, and grief--read every installment in the episodes of 'Oh, dear god, and it all comes to an end...
I have avidly--and with great passion, joy, sadness, and grief--read every installment in the episodes of 'The Malazan Book of the Fallen' and the 'The Malazan Empire' by Steven Erikson and Ian C. Esslemont, respectively. This stuff is absolutely 'off-the-hook' good...the very best fantasy fiction that you'll ever encounter. It is a mythology for our time--something akin to what J.R.R. Tolkien intended with his crafting of The Silmarillion. These two Canadian authors have given us a tale of a world and its peoples and alternative belief systems just like the world we live we in today.
Ian C. Esslemont's last installment in his 'Malazan Empire' series, Assail is, without a doubt, his very, very best novel. The convergence of characters and activities on the mysterious island continent of Assail are meant to be, I believe, somewhat contemporaneous in time with Erikson's tale's in Dust of Dreams and The Crippled God, and damned if it all doesn't make sense and shine new light on some unresolved issues in Erikson's novels.
Suffice it to say that if you're a Malazan junkie like me, I am not gonna breathe a word about the plot here; and if you have no knowledge of the world that Messrs. Erikson and Esslemont have created you could care less. If you are a 'newbie', all I can tell you is to start at the beginning and find yourself completely and unalterably ensorcelled by some of the very best fantasy fiction in the last several decades. Esslemont's Assail is a more than worthy exclamation point to this awesome series of novels....more
I have read James Ellroy's novels pretty much ever since he began writing them, and they are all very, very good. And some are stunningly good reads,I have read James Ellroy's novels pretty much ever since he began writing them, and they are all very, very good. And some are stunningly good reads, and Perfidia is just such a novel. In all fairness, I think just a bit of my bias for this determination is associated with the fact that I have encountered most of the characters in this novel in his previous novels. Having said that though, this novel 'carries its own freight,' and is a stand-alone plot in its own right. It does provide a ton of back-story though on many of the characters encountered in Ellroy's first "LA Quartet," The Black Dahlia, The Big Nowhere, LA Confidential and White Jazz.
Perfidia is a big, thick dark and twisted book that races along at break-neck speed from the day before the bombing of Pearl Harbor on December 7, 1941 through the end of December in Los Angeles, California. The entire novel largely pivots around the murder of a Japanese family and the efforts of the LAPD to solve the crime.
It is also the story of rampant racism across many cultures in Los Angeles, and after Pearl Harbor much of that vitriolic racism is focused on the Asian community. Additionally, Ellroy has this ability to seamlessly weave historical characters in with his fictional and make it seem completely believable. There are encounters with Joan Crawford, Bette Davis, Eleanor Roosevelt, J. Edgar Hoover, Joseph P. Kennedy, and even the future President, Jack Kennedy.
Sure, Perfidia is a mystery, a crime drama, but it is also a hell of a lot more than that. This is the story of city that is well on its way to becoming one of the most important cities in the country, a city full of flawed individuals, some worse than others. A city that is trying to figure out what it means to be part of an America entering World War II, a city that is trying to figure out how it relates to its own multicultural ethnicities. Finally, in an Ellroy novel the boundaries between right and wrong are blurred, if not nonexistent.
Perfidia, in Ellroy's words, is the start of his second "LA Quartet," and if this novel is any indication it will be even better than the first. This is an amazingly good novel that grabs you from the get-go and relentlessly holds your attention until the final page is turned. I can't wait to see where Mr. Ellroy takes us from here. Safe to say though that I know it'll continue to explore the dark-side of humanity in the City of Angels, in the Los Angeles that I love and live in....more
You simply must read this collection of short stories by William T. Vollmann, as this stuff is 'off-the-hook'! These are ghost stories, but not your sYou simply must read this collection of short stories by William T. Vollmann, as this stuff is 'off-the-hook'! These are ghost stories, but not your standard fare. Oh no, these gems delve into the relationship that we humans have with the notion of Death. And while some of the tales are macabre or even a little over the top, they cause the reader to stop and consider our own unique perspectives on what it means to be alive and what it may mean to be dead.
One of the fascinating things that Vollmann has done with this collection is give us a 'busman's tour', if you will, of how Life and Death are viewed in different regions and cultures around the world. We have stories about the living and the dead in Italy, in the Balkans, in Mexico, in Scandanavia, in Japan, and even in the U.S.
Most of the stories, for me at the age of nearly fifty-nine, became deeply personal and emotional. I have lost family and friends to Death, and there are threads in each of these stories that strummed a very personal heart-string...sometimes quite profoundly. Some of the stories have a historical basis that I was aware of like the modern-day retelling of "Romeo and Juliet" in Vollmann's Escape; or in his story, The Trench Ghost that addresses the horrors of World War I. A true stand-out story--The Faithful Wife--revolves around the deep love, fidelity and commitment that exists within a marriage, and what happens when one spouse is taken by Death. This theme is continued in a Norwegian-based story, The Narrow Passage that is both riveting and breathtakingly horrifying.
My favorite tale of the entire collection has to be When We Were Seventeen. In this tale Vollmann taps what is inside each and every one of us. What happens if you are dying, and maybe only have a few months left to live. What would you do if you could visit with someone important to you that has already died. You are already in a place where you are re-running the film reel that has been your life; you are re-reading the letters that you have received and saved over much of your adult life; you're thinking back to those halcyon days of your youth, the vibrancy of your life, your own sexuality, your own intellectualism, and so on and so forth. First, if you could, would you reach out and summon a dead soul to talk with; and if you could, who would it be; and then what would you talk about? The title of this story--When We Were Seventeen says it all. This story is a masterpiece. In fact, this whole collection of stories is a masterpiece.
I have to say that I came to this book via a review I found on National Public Radio by Julia Keller on July 17, 2014. In this review Ms. Keller went on to say that "...except for two of the stories these tales are pretentious and flabby and self indulgent...the language is ordinary and cliche-infested." Ms. Keller, you could not be more wrong. I can't speak to what didn't 'click' for you, but for this man, nearing his sixth decade of life, this collection of short stories 'ticked a lot of boxes' and I now feel as though I have a much firmer grasp of what it means to experience my own Life and at some point in time, my own Death.
I don't know, but it almost seems that the Shade of Edgar Allen Poe must have leaned over the shoulder of William T. Vollmann as he put pen to paper and crafted this wonderful and somehow important collection of ghost stories. Read them, think about them, feel them...they mean something, something important to each of us. This I do know though, they are not "ordinary", nor are they "pretentious". They are though quite "self-indulgent". But then they are meant to be, I think. These stories--each and every one--speak to the Self in each and every one of us....more
A simply terrific collection of short stories by Henry James. What I love about this two volume collection of James's shorts is that they are all presA simply terrific collection of short stories by Henry James. What I love about this two volume collection of James's shorts is that they are all presented chronologically in the order in which they were written. This really lends itself to seeing how James--the author--matured over the years. This has turned into a summer of the short story collections; as I am now reading two volumes of Edith Wharton's shorts and still have the second volume of James's short stories waiting for me. Fun stuff!...more
The second volume in the Library of America's collection of Edith Wharton's short stories. This is a terrific set of her short stories written betweenThe second volume in the Library of America's collection of Edith Wharton's short stories. This is a terrific set of her short stories written between 1911 and 1937, and at something over 800 pages it becomes very easy to simply become immersed in her storytelling craft and find that you've just passed three or four hours reading two or three truly excellent stories. In all honesty I can say that I really didn't encounter a bad one in the lot, and most of them are sparkling gems. As I've said, time and again, as much as I like Edith Wharton's novels, I really do love her short stories. They are, in many respects, timeless, insightful, some even a bit spooky, but all are ever so entertaining....more
I recently finished reading Hermione Lee's excellent biography of Edith Wharton, and decided to go back and read most of Edith Wharton's short storiesI recently finished reading Hermione Lee's excellent biography of Edith Wharton, and decided to go back and read most of Edith Wharton's short stories again. It had been several years since I'd sat down and carefully read her stories, and the two-volume Library of America collections are simply superb. They contain most of the her stories and are arranged chronologically in the order in which she wrote them.
Edith Wharton may be the very best author of short stories that I've yet encountered, and I think that most readers will enjoy each and every one of them. Some are down-right creepy, some are satirical, others are sad, but all touch on the human experience. Favorites in this first volume include "The Touchstone", "Souls Belated", "Sanctuary", and many others. Frankly, there really isn't a bad story in the whole lot. Wharton is such an intelligent writer and was able to turn her sharp eye on the society around her and somehow seamlessly translate that vision to the printed page to the delight of her readers past, present, and future....more
I happened to be up in Ashland, Oregon, this weekend attending the Shakespeare Festival (saw a magnificent rendition of "The Tempest"), and stopped byI happened to be up in Ashland, Oregon, this weekend attending the Shakespeare Festival (saw a magnificent rendition of "The Tempest"), and stopped by a used bookstore, Shakespeare Books & Antiques, for a bit-o-browsing. To my utter delight I discovered a collection of four slim hard-cover editions of Edith Wharton's "Old New York" novellas. These are first editions, published in 1924, are illustrated, and in very good condition. Of course I snapped them up for $12 each! While waiting for plays to start, during intermission, or even while sitting in the park on a lovely afternoon, I read each one of them again simply marveling at the power of Edith Wharton's storytelling and use of language. Each novella is a stand-alone gem in its own right, but truly shine when read in the order she intended--"False Dawn", "The Old Maid", "The Spark", and "New Year's Day". Each novella is set in a different decade of the 19th century, i.e., the 40s, 50s, 60s, and 70s.
I am ever so glad to have these books on my Edith Wharton shelf now!...more
Rarely do I not finish a book that I have started. Unfortunately, this was the case with my experience with Eleanor Catton's "The Luminaries". While iRarely do I not finish a book that I have started. Unfortunately, this was the case with my experience with Eleanor Catton's "The Luminaries". While it did have a few intriguing moments and an interesting cast of characters (dare I say, 'Dickensian'), it was simply too disjointed and wandered about in no apparent direction for far too long for me. Also, I must confess that the overall historicity of the novel--the gold-rush days in New Zealand during the 1860s--just felt 'off' for me, not that I'm any expert of that period of time. In all honesty, I truly gave this novel the benefit of the doubt (it is a Booker winner, after all), and tried several times to forge ahead. I even set it down and read a different novel and then went back to "The Luminaries", but to no avail. Finally, two-thirds of the way through it, I gently closed it and carried it downstairs to place it in a pile of books I am donating to my local library. There are simply too many good books out there that I have yet to read to struggle any longer with this one. Obviously, as I've not read it, I'll not be rating it....more
This is a devastatingly powerful little novel. Over the past six months I have been slowly, but surely, winding my way through the macabre world thatThis is a devastatingly powerful little novel. Over the past six months I have been slowly, but surely, winding my way through the macabre world that is the fiction of Emile Zola. I have always kind of viewed Zola as the 'father' of Naturalism, and Therese Raquin is a prime example. It surely is not hard to make the leap from France and Therese Raquin to the 'Wessex' countryside of Thomas Hardy and Tess of the d'Urbervilles.
There's a dirty, seamy, grimy feel to this novel...actually, come to think of it, to all of the Zola novels I've read so far. There is a side of human life and human nature that Zola wants to thrust right in your face and under your nose, and the reader can't help but feel and smell everything. And no matter how squeamish or sensitive we are, we can't help but keep reading...it is human nature, we want to see the murder occur, the trains collide, the adulterous pair get caught out. Zola is the novelist for the voyeur in each of us. Seriously scary shit here, folks!...more