First, I should say if you want a sweet, innocent Peter Pan story, this story isn't for you. This is nowhere near as dark as Brom's The Child Thief, b...moreFirst, I should say if you want a sweet, innocent Peter Pan story, this story isn't for you. This is nowhere near as dark as Brom's The Child Thief, but while Brom's book focuses on presenting Neverland as a very gray place where all sides do their evil in the name of some "greater good," this is a story about first loves, betrayal, yearning, and heartache mixed in with a bit of action. I think this book and The Child Thief are the only two Peter Pan retellings that have elicited such a strong emotional response from me. I wouldn't even try to write this review before I could stop tearing up about this story.
This story toes the thin line between magic and magic realism. While there are magical things in the stories like mermaids and fairies, many other "magical elements" have more practical reasoning behind them. One example being the belief that the lost boys fly being attributed to an elaborate rope system they've made in the treetops.
Neverland turns out to be an island nestled away in the Atlantic, protected by a treacherous sea that sinks many of the ships that dare to tread too close to Neverland, reminding me a little of the Tristanian Islanders. However, a few stragglers make it to shore from time to time. Most of them die of exposure or by some terror that lives in the forest. Other Englishmen that make it to shore are often cut down by Captain Hook and his ragtag group of pirates who hate their fellow countrymen. But even though most of the inhabitants there have a peaceful existence together on that island (however, peace between the pirates and natives is tenuous at best), they all fear the lost boys who most people never see. They only whisper about their evil deeds, but Tiger Lily learns better.
It is true that people on Neverland didn't age, but it seems that it seems mostly something that happens to the native people and beings on Neverland. It was never fully explained why it happened, but the people on the island aged until a monumental event happened in their life and caused their bodies to stop aging beyond that point and they never moved beyond that physically and perhaps even a bit mentally if we're to judge by Tiger Lily's actions even some 80 years after the events that changed her. And sometimes that meant children out-aged their parents and grandparents. It seemed like the island granted this "gift" to the natives, but not to the outsiders such as Captain Hook. The natives fear catching the "aging disease" from them. However, this could be indicative that nothing of extreme importance has happened to them or if it has, it happened in their lives before Neverland.
I'll be honest, while I did like the idea of a life changing event causing people to stop aging in response, as if this exact moment was the moment they were to remember forever, I don't know if I think it was well executed in the story. It came off a little dubious at best to me. Fortunately, it wasn't something that was talked about much in the story after the initial explanation. There was also bits of the storytelling that seemed a little out of place, and there were a few other places where something should've been explored a little more or explained a little better. But that didn't detract from the story for me.
The story is told through Tink's eyes. Fairies have evolved to be mute, but they learn to observe and listen to the feelings of others, giving them the uncanny ability to be able to look inside others and see all their innermost workings. Unlike her incarntations in other works, Tink is seldom acknowledged by humans, but still she clings to Tiger Lily, hitching rides in her hair or on her clothes as she watches a bittersweet love story unfold between Peter and Tiger Lily, a story that is set into motion when Tiger Lily begins to care for a shipwrecked Englishman who made it to their shores, an event that not only changes her, but her whole village. Tink falls in love with Peter herself, but knowing he can never be hers, she roots for Tiger Lily's love to flourish with Peter because she cares about them both.
Their love does and it doesn't flourish like most first loves. Lack of understanding what the other needs, the newness of a new love, works for and against Tiger Lily and Peter. Tiger Lily, who is an outsider in her own tribe rather than a princess (but still someone of status since the shaman is her adoptive father), has a hard time showing strong emotion even if she feels it intensely. She feels that she has to be as good as Peter, as fast as Peter, as strong as Peter, or he'll outrun her grasp and leave her because she's not his equal. Peter is a swell of emotions and inconsistencies who needs reassurance, who needs to know that she can love all of him, assurances Tiger Lily is unable to give due to not understanding the new feelings she's having, assurances that are given easily by Wendy when she arrives on the island.
As the story wears on it seems as if some of the magic begins to fade. More and more, wondrous creatures and things begin to retreat to safety. The mermaids swim deep within the ocean where they can't be found. Tink's own people move deep in the swamps where men fear to tread. Even people's perception of Tink, and even her perception of herself starts to relegate her to nothing more than a mere bug. All these things are responses to a changing world that magic no longer plays a part in. The world has been conquered, all except Neverland.
Tink warns in the beginning that the tale would not end happily ever after, so I expected something completely heartbreaking. However, I think the story ended in a way that was best for both Peter and Tiger Lily. What happened between Peter and Tiger Lily is painful yes, but what their lives become after that shows they both needed something different as much as they needed each other. Peter's decision also seemed to be a mix of sacrifice as well. He loved the lost boys. He worried about them, even though Tiger Lily was the only person to ever know that. He made a point earlier in the story that he wasn't a good role model, but that he tried to shield them by being carefree. So, I do believe part of his decision was for them to have something better as well. Despite it all, it doesn't mean that Tiger Lily and Peter stopped loving each other. They see each other in everything and will love each other forever, but every love is different. Every love fulfills a person in different ways. Love makes you do things you'd never expect. (less)
This was my face during this whole thing starting from the very first lines:
I know many people enjoyed this, but I'm not sure this story is for me....moreThis was my face during this whole thing starting from the very first lines:
I know many people enjoyed this, but I'm not sure this story is for me. It managed to do every single thing I hate about some YA novels, but the premise was interesting, which is about its only saving grace right now with me. I'm putting the rest of these books (novellas really) on the bottom of my TBR pile where I will wait for the day I feel compelled to continue this story. Hopefully later parts will make me forgive this part because it has potential, but this was not it for me. (less)
Basically, this is a violent retelling of Alice in Wonderland. Alice Liddell isn’t sure if she’s dreaming or not, but she’s...moreI don’t even know anymore.
Basically, this is a violent retelling of Alice in Wonderland. Alice Liddell isn’t sure if she’s dreaming or not, but she’s in a strange world where the inhabitants of Wonderland are locked in civil war and just about everyone she meets loves her with a few exceptions. She believes this world is a product of her loneliness. This is a wholly ridiculous story, but I like it for some reason. I think it has everything to do with the characters and how cheerfully violent most of them are.
Favorite character so far is the punked-out Cheshire cat, Boris Airay, who is basically the opposite of a catgirl and dons many piercings and a skirt over his pants. There’s also the gleefully violent Peter White (the White Rabbit) who is a rabbit-boy who is completely obsessed with Alice—whom he kidnapped—and the perpetually pissed off Elliot March (the March Hare). Vivaldi (the Red Queen) was introduced as a woman who refers to herself as “we” and seems very detached from everything even though she is cordial toward Alice.
There’s Ace (Knave of Hearts) who’s directionally challenged and too oblivious to realize that Elliot really is trying to kill him, but he’s an awesome fighter. Elliot and Ace’s interactions are GOLD just because they are total opposites, and Ace seems unable to genuinely not understand that Elliot hates his guts. He seems to sincerely like Elliot much to Elliot's dismay and even went as far as to tell Elliot’s boss—who I am getting to—that he wasn’t offended by Elliot shooting at him.
Blood Dupre (the Mad Hatter and Elliot’s boss) is a boredom disliking Mafia boss who is the thorn in Gowland’s (a gender-swapped Duchess) because he’s told the whole country that Gowland’s first name is “Mary,” which sends Gowland into a rage. There’s the bloody twins Dee and Dum who Elliot also hates because they’re always calling him a “newb” hare and goofing off. And last we have Nightmare Gottschalk (the Caterpillar) and Julius Monrey (an original character, I think, but seems to be a representation of “time”) who seem a bit immune to “loving” Alice and seem to know more about why she’s there but are very cryptic about it.
While this is obviously shojo (manga marketed toward females), it’s ultra-violent which isn’t typical of shojo. I don’t think it is anyway, but I tend to read more shounen than shojo. I can’t say the story is very strong at this point, but it has done a bang up job on reimagining these characters and giving Wonderland a harder, satirical existence. At first I thought I was going to take issue with most people loving Alice, even Vivaldi hints toward loving her, but looking at it as a woman who’s created this world because of her own loneliness and betrayal, it makes sense and works. (less)
While I think from just reading the summary, most people know they are not walking into a completely black and white, good vs evil, story. Y...moreSpoilers.
While I think from just reading the summary, most people know they are not walking into a completely black and white, good vs evil, story. You know that it will be somewhere in between, that there is a lot of gray area in this story. And boy was it ever.
Brom took this fairytale and crafted such a complex, dark story of two sides who essentially want the same thing, but both going about their own misguided way of doing it, doing what they feel they need to do to survive and win. And while Peter's side is arguably the right side, the other side led by The Captain (and "led" is used loosely here because the Captain actually came to be a likable, competent character who is helpless against greater forces at work) isn't as simple and as evil as you'd think they'd be.
Wonderful book. I expected a very dark tale, but I didn't expect to get so emotionally invested in the story of Peter, his Devils (the Lost Boys), Avalon (Neverland), or the flesh-eaters (the Captain and his crew). I shed more than a few tears and laughs with this book. Brom weaved such a wonderful world to explore. I wished the story would've gone and followed them more after their big battle, but then again, I'm glad Brom allowed my imagination to decide what happens next.
Easily a favorite. And Brom's illustrations were breathtaking. I loved his Sekeu the best and that's definitely how she appeared in my mind.(less)