This is sort of a slice of life police procedural. I've always wondered how the Gotham City P.D. feel about Batman. I mean, I know there's tension theThis is sort of a slice of life police procedural. I've always wondered how the Gotham City P.D. feel about Batman. I mean, I know there's tension there, and it's been shown in the comics. But sometimes I wonder how a typical day, a typical case, is like for them. I wasn't disappointed by what I read. Gotham's finest are presented here as dedicated (or the ones that have appeared so far).
They try to deal with a city where they're ill-prepared to deal with someone like Mister Freeze, where they feel they want to take care of things, to be the one who brings these lunatics in, but in reality, they know that, sometimes, they're resigned to Batman's help. They want to serve and protect. They do serve and protect. They're not bumbling. They may not be on Batman's level, but they're not incapable. Despite Batman making many high profile busts, they still have small victories with "lesser" criminals and crimes, but feel eclipsed by Batman's deeds. And in their own way, they want to impress Batman just like Batman's little family does. They want to show him they're competent, and they want him to acknowledge the work they do. Batman can't be everywhere after all. They have such a thankless job. ...more
Full Disclosure: A review copy of this book was provided to me by Netgalley. All opinions are my own.
Following the events of the first book, the womenFull Disclosure: A review copy of this book was provided to me by Netgalley. All opinions are my own.
Following the events of the first book, the women are now seen as heroes and the overlords of Palisades would like to keep it that way through–what else–throwing large sums of money at them for their help. However, there is still a menace lurking in Palisade and Dee’s religious and personal life catches up to her in this latest volume as they once again find themselves being the good guys. First, let me say: T E N T A C L E S! YES!
This book delved a little more into the personal lives of the Queens, specifically Violet, Dee, and Hannah. I’m starting to think that Betty just fell from a happy pagan tree screaming, “Give me candy!” and there’s not a thing more to her than that (right now). I still love her, though. She’s double comedy relief, and I imagine her to be a female Ryback. FEED ME! FEED ME MORE! (Wrestling joke. Leave me alone, okay.)
Hannah’s story still left so much mystery to her character while being telling all at the same time. I really look forward to reading more about her, especially after she revealed a piece of herself that she never meant to because of the implications that doing so would mean something monumental in terms of that particular relationship, and she showed how vulnerable and scared doing so made her. There was just the right amount of telling and pulling back with Hannah.
I was really glad to know a little more about Dee’s religious background as well as her personal background. In the last book while everyone else was getting their freak on Dee shied away from any interest shown in her, and you sort of find out why that is in this book. She also struggles more with her faith and what she believes before deciding what’s truly right for her as far as her faith goes.
Violet’s personal story left me a little on the fence. On one hand, I thought it was really great, but on another hand, bits of it felt more shallow than I was expecting from her story. No, shallow isn’t the right word. It’s was more like they condensed it so much that some of the important bits felt missing like, as a reader, I could feel something more was going on there, but then, it managed to move on to parts that felt smaller than what they were really trying to get across with Violet. I still enjoyed it, though. Especially this scene where Vi asked another lady dwarf why she shaved her beard:
I absolutely adored this book much like the last one. The ending was a little more hurried than I would’ve liked, but I anxiously await more on these ladies’ adventures.
Also, I have to end this with Gary because nobody wants to be Gary.
I still love you, Gary, but please, don’t be a Gary. ...more
Note: I listened to the GraphicAudio version of this while using the comic for visuals.
I’m a big fan of GraphicAudio‘s audiobook productions, and I have reviewed a few for this site–Marvel: Civil War by Stuart Moore, Marvel: The Death of Captain America by Larry Hama, and Disarmed & Dangerous by Tim Waggoner. I’m continuously impressed with the production value of these books. They’re always full cast no matter the length with high quality sound effects. You’d think the audiobook format wouldn’t fit something as visual as comics, but the comics play out like radio/podcast dramas.
No Normal is an origin story. Kamala Khan is a typical girl trying to survive the grind of being a teenager and all the drama and insecurities that come along with it. One night after defying her strict parents, Kamala sneaks out of her house to attend a party. After leaving the party in frustration, Kamala’s powers emerge and she manages to save one of her classmates from drowning. Now she’s on a quest to learn to control her powers while learning to accept that her differences are what makes her powerful.
Kamala has a couple of things that stand out in this comic. Her family is Muslim, and while her parents aren’t overbearing, they are strict. Their rigidity is something Kamala rebels against because she feels if she were a boy the rules wouldn’t apply to her. Because of her religion, Kamala suffers from teasing from her classmates who make jokes about honor killings and Kamala smelling like curry. Despite this ridicule, Kamala still wants to be like them. She wishes she was the blonde-haired blue-eyed girl that seems to have everything going for her. This was fitting as people of color often struggle with race and religion when everything around them tells them that the norm is pretty white people. Readers/listeners get to experience this through Kamala.
Kamala’s religion plays a strong part in her life. I think listening to this as I read made scenes such as Kamala having a visual of the Faith appearing as Iron Man, Captain America, and Captain Marvel, much more poignant. (The Faith appeared that way because they can take the form that appeals to the person, and Kamala is a huge Avengers fan to the point that she writes fanfiction.) The audiobook employed the use of prayer in the background during these scenes. If there’s one criticism I think I can level at this it would be that it feels like Wilson was a bit stereotypical in her presentation of Muslims. However, perhaps she was trying to be straightforward for readers who wouldn’t be familiar with the faith.
I did have the comic on hand when I was listening to this, and that made the experience much richer since the dialogue is taken from the book line by line while adding depth of detail for the audio format. I’ve been enjoying the art for the Marvel titles that are geared more toward Young Adults. They’ve managed to be fun, lighthearted, and vibrant much like the characters they follow. Listening to this book affirmed one thing for me. We need a Ms. Marvel cartoon or animated movie. Her story lends itself so well to the idea.
Narrator: Full Cast | Length: 1 hr and 30 mins | Audiobook Publisher: GraphicAudio (August 17, 2015) | Whispersync Ready: No
3.5 stars mainly because I caught the feels about Harley.
Coming hot on the heels of my last journey into a DC comic is the first volume of Suicide Squad. The squad is comprised of Deadshot, a merc for hire, Harley Quinn, King Shark, a shark man hybrid, Black Spider, a vigilante who fights bad guys but still ends up in prison, El Diablo, a Latino gang member (I guess he’s supposed to be a gang member, anyway) seeking redemption who controls fire through an unusual method, and Voltaic, a kid who controls electricity. Deadshot serves as their unspoken leader.
Each member of the team is serving prison time. They’re offered the chance at shortening their sentences by becoming Amanda Waller’s pawns and completing suicidal missions in ways that heroes wouldn’t even consider. Even though this is an opportunity for these criminals to have time shaved off their sentences, they’re still treated as criminals and contingencies are put into place for the criminal who would entertain going off script. If you’re a Marvel fan, think of this as being sort of the equivalent of the old Freedom Force, but with a much sinister and cooler name. Readers follow the team through a series of missions from securing important cargo that would help the general population to hunting down their own team members who have gone rogue.
This was a mostly fun book full of fun and mayhem. It was like reading the comic book version of The Expendables with villains complete with dramatic team shots, stealth missions being bumbled with over enthusiastic members wanting to get right to the good parts, some sexy tension between characters, explosions, and corny one-liners. After a while the various strategic panels that managed to make eyes hover to Harley’s crotch in cut-off jean shorts and the general campiness of El Diablo started to grate on my nerves a little.
Speaking of Harley’s shorts, as far as sexiness in comics goes, I’m not against it if it doesn’t feel gross. Comics can use sexuality much like weapon of its own in some respects and just to be, well, sexy. The context of it influences whether I see its merit or not. Harley is sexy, and part of her arsenal of attacks includes her sexuality and femininity to control her situation. This isn’t her only means of attack as Harley is an accomplished brawler who gives as good as she takes, but she’s not beyond being the ditz, the seemingly harmless “girl,” the bouncy bruiser, the focused fatale, or the sex kitten. Her usage of femininity reminds me of a line from my favorite Emilie Autumn song "Fight Like A Girl": I’m giving you a head start. You’re going to need it ’cause I fight like a girl.
Much like Joker, Harley molds herself to what she feels the situation calls for. You have to remember that she was a psychiatrist, and she has an understanding of how to be whatever she needs to be for her environment. However, there seemed to be a need to focus eye attention to Harley’s cutoffs that you don’t get when she’s wearing her normal costume, which also includes shorts. There’s a panel here of Harley buttoning up her shorts. A panel there of a slip of pink panties being shown behind unbuttoned shorts. A butt jutting out there to remind you she has on cutoffs while everyone stares. A scene of viewing someone from right between her legs looking like a terrified bystander who is about to be attacked by a maneater. She has a vagina, and vagina’s are magical. I understand as the owner of one myself. I guess they were going for that weaponized sexy there, but it was a little annoying for me. More on Harley later.
Let’s talk about El Diablo. Don’t get me wrong about El Diablo. For the most part I liked him, and while I realize they’re trying to be deep with his character where he might otherwise have been shrugged off as just a thug and want to remind readers he is a man of color who has a culture all his own that tempers him, it’s a little hit and miss there. Sometimes, he’s brilliant as a character, but sometimes, he’s hokey, very hokey.
Something feels slightly off at times in his characterization as if they’re trying too hard with him and the background he comes from on top of trying way too hard with this redemption angle. I can’t say that I don’t like the concept of him or how his powers work, though. I just hope they level him out more in later comics and make it feel less like they’re saying, “Hey, guys, we have this diverse group of people.”
For the record, Black Spider is a black man and while I wished he’d gotten more face time, I feel like they did an admirable job with him without making me feel like they had no idea what to do with his character. Marvel and DC both seem to flounder a bit in the creativity department to me when dealing with male characters of color.
What I enjoyed most about this book was Harley Queen (despite the crotch shots) and Amanda Waller. They are the reason I ended up rating this as high as I did.
Amanda Waller is my hero, and she always has been. Say what you want about The Wall but she gets shit done, and she doesn’t kowtow to many people if any. My first experience with Amanda was when she was still a stout woman pre-DCnU when she put Batman in his place and dropped the mic on him. From that moment forward, that sealed a love and respect for her character, even when I didn’t always agree with her. When talking about kickass women in comics, Amanda is deserving of a place as a woman who isn’t a conventional hero or villain. She’s surrounded by super types while having no powers of her own, and she’ll still look them in the eye without cowering. She uses her wits to her advantage where she may lack in powers.
This book marks the first time I’ve encountered her since they gave her a new svelte body in DCnU. She reminds me of Angela Bassett who played a milder, kinder version of The Wall in the Green Lantern movie with Ryan Reynolds. I can’t be the only one who watched that movie. New body, same Amanda. I’m still pleased with her, as of this book. She’s the type of woman who has a backup plan in place even if that means her own life might be forfeit. If she’s caught unprepared, she manipulates a situation to the best of her abilities, but she still has her “throw everything but the kitchen sink” card.
She’s not ruffled by much. Her unofficial theme song (because I said so) is “I Don’t Get Tired” by Kevin Gates because I can so see her saying, “Get it. Get fly. I got six jobs. I don’t get tired.” Sure, she has outbursts of anger, but even when losing control of a situation, it’s always going to be The Wall who wins in the end. Think of her as Olivia Pope (from Scandal) with more guns and an attitude that says she’s not beyond doing whatever is necessary without wavering much in her resolve. I could see her using two of my favorite Olivia Pope power phrases: “Shut it down!” and “It’s handled!”
Despite this, there is a moment that shows Amanda’s capacity for affection. There are things and people she cares about, even if she doesn’t show it often, as witnessed in this scene:
Nerve gas is considered a weapon of mass destruction and is a terrible way to die, and even for those who manage to survive, the neurological damage is substantial. This scenes proves her willingness to do whatever she has to to control the situation, even signing her own death warrant.
Back to Harley. A few months back, there was discussion going on among comic book fans on Tumblr about how writers were starting to evolve Harley as a character beyond the “comically” abused companion of Joker. Instead she was beginning to show layers of her personality that betrayed how she has suffered because of the nature of the relationship, the depth of her emotional attachment to her abuser, and how she struggles with conflicting feelings to be more than Mistah J’s girl while wanting to be only that as well.
It’s long past due for this for Harley, and I think it’s an important step to take for her character and the relationship. So many readers and people who know casually of the relationship from pop culture think it nothing more than a comical relationship where Joker is only a little mean to Harley. It’s treated like slapstick comedy and romantic. You hear people saying things such as, “I want a relationship like Harley and Joker. I want a Joker to my Harley. I want a Harley to my Joker.” When you strip away the “haha” nature of the relationship, there’s nothing charming, comical, or endearing about it at all. It is an emotionally and physically abusive relationship that’s rarely explored for what it is.
This book reinforces that as it begins to paint the relationship and Harley’s muddled feelings into the most troubling picture. That is initially what prompted me to read volume one of her own series, which fell a bit flat with me. This book, however, gives a heartbreaking glimpse into Harley’s emotional state culminating into a chilling scene where she uses Deadshot, whom she expresses mild interest in, to vent her frustration, love, and fears about the failed relationship.
That’s not to say that Harley isn’t good, ol’ Harley in much of this, but they start to shape her as more than just the comedic punching bag. I’m curious to see more of these pivotal scenes for Harley.
I’d been meaning to read this much sooner than now, but you know how it is when you have so many books and comics to read. You have to pick your reading battles. This was an enjoyable read for the most part, and I look forward to continuing their misadventures....more
Full disclosure. I stopped reading the New 52 after four comics. I read Mister Terrific #1, Justice League #1, Detective Comics #1, and Swamp Thing #1. Out of those four comics, I was only impressed with Detective Comics and Swamp Thing. Justice League was only “meh” and didn’t feel like it was worth the trouble of continuing at that point, and Mister Terrific was terrible when it had so much potential to be great. Even though I did enjoy Detective Comics and Swamp Thing, I still put them on the back burner in favor of other comics that I wanted to catch up on. Admittedly, I was one of those people who wasn’t that excited to see Barbara assume the Batgirl mantle again. I love Barbara. I really do, but I always felt that she was a more formidable hero as Oracle than as Batgirl. That’s neither here nor there now, and there’s no point in rehashing old thoughts. Moving on...
I decided to try Batgirl for two reasons. I wanted to try another comic from the New 52 to see how I would enjoy it, and I wanted to read more Gail Simone after sort of shying away from her writing because of a volume of The Atom I read that made me want to run away screaming. Friends and fans of Gail assured me that I would enjoy either Birds of Prey or Batgirl much more than I enjoyed The Atom. After some resistance, I finally decided it was time to close my eyes and step off this cliff again.
The Darkest Reflection follows Barbara Gordon who has made her return as Batgirl after an experimental—or at least it sounded experimental—medical procedure returns her ability to use her legs. For those of you not quite familiar with what happened or only have a vague idea of what happened to her, refer to The Killing Joke pre-DCnU. After some downtime rehabbing while living in her father’s home, Barbara decides that it’s time to spread her wings, move out of her father’s house, and take up the mantle of the bat again. What Barbara didn’t count on was her survivor’s guilt and PTSD (which is triggered when she’s faced with guns) making her return to crime fighting more difficult than she’d expected. I enjoyed this much, much, much more than I did The Atom.
At first, I was a little afraid that I might have to put this book down because it started a bit campier that I like. Actually, no, I should explain that better. I love when writers use campy writing to their advantage, but sometimes, I feel like writer’s try too hard with it. In turn, that turns me off because it comes off feeling so artificial and forced and makes it hard for me to enjoy the story. This was one of the main problems that I had with The Atom. There were points in the beginning of this story where I worried I might be traveling down that road again, but after a while, the story found its footing and turned into an enjoyable read.
Barbara is a survivor struggling with the thought of having her legs back. She struggles with conflicting feelings that make her feel blessed for this miracle, but questions why did she, out of all the people in the in the world, deserve such a miracle. After thwarting a murder attempt on a family, Barbara’s next foe challenges her miracle as well and brings out deeper psychological fears.
I really enjoyed the portrayal of Barbara’s struggle. She’s of two minds for most of this comic. She’s a superwoman and a frail all in the same breath. One minute she’s praising herself for her strength and smarts, and the next minute, she doubts herself and if she’s even doing the right thing. She wonders if she’s squandering her miracle by pushing herself too hard, but then she feels that this miracle wasn’t given to her for her to sit by idly. A brief confrontation with Nightwing shows the feelings she stills hold for him while punctuating that she doesn’t want the others to believe that she’s not capable--to the point that she lashes out at him in order to show that she isn’t helpless. She doesn’t want their help. She wants to prove herself, her strength and ability to overcome, to the bat family.
Let me talk briefly about the ending of this comic. No real spoilers, but just some thoughts. When I realized that Barbara’s threat was eliminated in the fourth issues but there were still two issues left in this arc, I was thinking, “Okay?” It ended perfectly, and I was thinking that things were about to get odd since what could you possibly accomplish in two more issues? I was pleasantly surprised. You can say the next two issues in the arc were a mini-story, but still tied into the “reflection” theme showing Barbara what she could’ve been if she hadn’t had family and support.
The first part dealt with accepting that miracles happened to people whether they deserved them or not and that there’s no one who can decide that someone is undeserving of such a miracle, even if it’s a personal miracle. The second part dealt more personally with the idea that not everyone may see his or her miracle as a miracle. It showed how fragile the line between miracle and damnation is in some people’s mind, and it showed a thing about compassion and understanding, as well
Overall, this was entertaining. There were some hiccups for me, and I’m back to questioning why it’s so easy for some people to find out who the bat family is over other more intelligent criminals. That's a general annoyance of mine with Batman and the bat family, not something that's limited to Gail herself. However, I still enjoyed the story and appreciated it for showing Barbara’s return as a struggle that she’s working to overcome for physical and psychological reasons. I’ll definitely read more of the Batgirl books....more
Never have I respected Superman as much as I did after reading this comic. Superman and I have a rocky relationship. I have never been a big fan of hiNever have I respected Superman as much as I did after reading this comic. Superman and I have a rocky relationship. I have never been a big fan of his because he’s just too perfect. And I have a hard time caring for perfect characters. I won’t go into that rant again. This isn’t about that.
This is set in an AU (alternate universe). Superman has retreated to solitude after a hero named Magog is acquitted of killing Joker—who went on a killing spree in Metropolis, a bender that resulted in Lois’ death. When humanity expresses that Magog is where superheroism should go, Superman leaves them to that, seeming to lose quite a bit of faith in people.
Shortly thereafter, humanity learns that heroes left unchecked terrorize the just and the unjust alike and aren’t too different from the “villains.” They only care about fighting and destroying what they personally perceive as threats to the people (such as one “hero” attacking immigrants), much of which is personal prejudices and biases.
Then, Wonder Woman appeals to Superman to come back after a devastating battle between the “good” guys and the “bad” guys leaves Kansas in ruins and millions dead. Reluctantly, Superman returns, but things don’t go as smoothly as hoped when he’s faced with opposition from this new school of heroes, enemies, and even old allies, namely Batman.
This seemed to be a commentary on old school superhero comics versus today’s ultra-violent, grim “heroes” who seem more intent on destroying half the city than saving human lives with Superman representing how heroes used to be and Magog representing these new “heroes.”
I thought it was interesting (and superb storytelling) that the story isn’t told from any of the heroes’ point of views. Instead, the story is told by Norman McCay, a minister and a friend of Sandman who has “inherited” Sandman’s powers after his death. McCay is struggling with his faith and, like Superman, has lost some faith in humanity. Before his death, Wesley Dodds (Sandman) had apocalyptic visions that most people thought were the result of senility. He passed these visions on to McCay.
A being known as Spectre uses McCay to bear witness to the madness unfolding between the heroes and tells him that he must ultimately pass judgment on them, to decide who is right and who is wrong, a decision that proves difficult because both sides start making rash decisions in this “war.”
And while logically, readers know that Magog is wrong (and even that plays interestingly into the story), you can’t say the old school heroes are completely “right” either. Some of them, such as Wonder Woman, have their own reasons behind that fight as well, causing them to be as brutal and decisive as the new heroes. And you can even somewhat see the new heroes reasoning for their actions.
Superman is presented very human here, making it hard for me to hold a grudge against him. He’s a man who has lost a lot, and even though he won’t admit it, he’s living in some kind of bubble that filters out the rest of the world. He reluctantly comes out of retirement and makes tough decisions, while questioning if this is really what it’s come to.
And the ending, wow. I actually got a little misty-eyed there, and I’m not even that familiar with Shazam or his exploits. And the art really was able to pull out a lot of emotion in this story. It was breathtaking, enhancing an already well-written tale. Overall, this was a great read. Definitely goes on my favorites list. ...more
Post-House of M Pietro is depowered, living in a hellhole, thinking about how life used to be for him. His powers defined him in a major way. Pietro pPost-House of M Pietro is depowered, living in a hellhole, thinking about how life used to be for him. His powers defined him in a major way. Pietro powers have always allowed him to be cocky, to be better than the humans he sees as inferior. Now, without his powers, he feels less than inferior—even to humans. He doesn’t understand normalcy. He doesn’t understand why anyone would want to be just human.
Life doesn’t seem much worth living to him, and he spends much of his time staggering about in his old costume living out his former life in his head and feeling guilty for being part of something that left so many mutants powerless. During an encounter with Spider-Man, Pietro tries to end his own life. He critically injures himself during his quest, but his estranged wife, Crystal, takes him to Attilan where he’s healed.
In desperation, Pietro appeals to Black Bolt to allow him to use the Terrigen Mists to restore his powers. Black Bolt refuses and with understandable reasons that he tries to explain to Pietro (through Medusa). Pietro uses it anyway, but his powers return in an abnormal way. Despite this, Pietro decides to return to earth with the Terrigen crystals and uses them to restore the powers of other depowered mutants. Do I even need to tell you how badly this goes?
Pietro, Pietro, Pietro. I’m a huge fan of Quicksilver. Say what you will about him, but I love him. He has a myriad of baggage that he’s toting around. He has all these personal issues, many stemming from the need to impress a father who hates him. He can’t do much right even in the best of intentions. Part of the problem seems to be that he just can’t shake hubris even when he’s not in the best of shape, and another part of the problem seems to also come from some need to prove himself due to Magneto’s repeated rejections. (And there’s also this fact that he’s more like Magneto than either man is willing to admit.)
Pietro finds himself in a place where he feels he has nothing left to lose—especially if it means getting his powers back. Damn those who stand in his way. The only person who can really seem to touch his heart is his daughter, Luna, who he hasn’t seen in quite some time, but she brings out a softness in him. You can also see traces of love there for Crystal still, and she’s obviously still holding love for him. But she doesn’t understand his human emotions such as jealousy. And he harbors some resentment against her.
I pitied Pietro because this made him seem like one of those people who can’t cope with a situation and find some peace with it. Instead of seeking to improve his situation, he seeks to regain his “former glory.” Since he can’t find his sister, he’s mostly resigned to think that those glory days will never come back without her... until he reaches Attilan. I shook my head at MANY of Pietro’s actions during and after Attilan because there was just so much obvious room for error there. And the inhumans are so particular about humans and not in a good way, but not a damn was given.
And then, Pietro also angered me. One thing that just really bothered me? Repeatedly exposing Luna to the Terrigen crystals to the point that seemed like a drug addict. Just heartbreaking. He finally realizes his actions are harmful to her and tries to do the right thing by sending her back to her mother, but in this, I realize that he’s continuing the odd family dynamics that his family faces. Aside from being the World’s GREATEST Dad (sarcasm), these are the reasons that I like the Pietro and his family. They’re just so damn complicated.
Things I didn’t like? Spider-Man. I think there were better ways to cause Pietro to take that jump rather than having Spider-Man all tangled up in the scene. It just seemed like a waste of panels for a story that could’ve used more panels to tell Pietro’s story. I also didn’t like how restricted this story felt. It was a good story, but it wasn’t a story that could be held by such small constraints. Towards the ends, things started feeling a little rushed like they suddenly realized, “Oh, hell, guys... we’re running out of space!” They lost a little focus and steam, in my opinion. Everything started happening too fast.
I still think that X-Factor probably does his character the most justice, but I did like how this seemed to really try to show Pietro at his worse, that it tried to show readers what desperate men when do when they feel backed into a corner....more
Recommended this series because I recently read Eat the Dead, which is printed by Virgin Comics, as well. Siddharth Kortian wrote and illustrated thatRecommended this series because I recently read Eat the Dead, which is printed by Virgin Comics, as well. Siddharth Kortian wrote and illustrated that book, and his named was attached to this project, too. However, he was only the illustrator here. The story was written by Mike Carey.
Alien refugees are in hiding on Earth. But they have no memory of their former lives or the powers they possess. Now, they’re being hunted and killed. Tamree is the only person from their home who remembers everything, and she has been tasked with keeping the others (called Sleepers) safe. Realizing that she’s not going to be able to save the Sleepers alone, she begins waking them and restoring their memories.
This was a Virgin/SyFy collaboration. If Heroes and X-Men had a baby, this would probably be the result. I’d read that it was supposed to have been made into a television series, and honestly, it’s the perfect story for that format. This television show based on this hasn’t happened yet (as far as I can tell), and this book ends on a cliffhanger, of course. However, I haven’t been able to find a continuation to this, so I’m assuming one wasn’t written which is a shame.
The story moved fast, but was still able to give a glimpse of the characters’ personalities before they became Sleepers. It was a typical sci-fi story. It was a solid story that laid the ground for this series. And I have to applaud them for leaving some things to the imagination (like wondering what Dzin really looked like after she mentioned that it’d turn Tamree’s stomach if she revealed her true form).
While I thought the story was usual of the genre, I liked how they played around with familiar powers giving them something a little different, like having Drum being able to break his shields into shards that can slice and having Cullen’s ability to absorb the powers and feelings of other help to mask him from Janus and Dzin because they’re unable to “read” him.
There were parts of the story that were a little unclear to me and seemed to go against everything that was happening in the book. And the ending wasn’t quite what I expected, but that’s only because it contradicted what happened during most of the story. I could’ve missed something, though. I expected a twist for the ending, but it played out differently than what I’d thought.
Overall, I enjoyed the story, but I’m highly disappointed that there aren’t more comics. I was looking forward to reading more about different Sleepers and their powers. ...more
Out of all 7 books, this was probably my favorite. I'm glad that I saw the movie before reading these because I would've been so disappointed not to sOut of all 7 books, this was probably my favorite. I'm glad that I saw the movie before reading these because I would've been so disappointed not to see this one (and Family Values, which is my 2nd favorite). The story is titled Hell and Back, but its subtitle is "A Love Story." And it is just that.
An artist and former soldier (Wallace) saves a woman (Esther) who's trying to commit suicide only to have her taken away from him in the same night after making a deep connection with her. And he's more than willing to go to hell and back to save her. Unlike so many other characters in this book, Wallace is a genuinely good guy. He sees things in a sense of right and wrong, and yeah, he does a whole lot of wrong to get Esther back, but he doesn't start as a gray character like so many of the other "heroes" in Sin City.
This is the only story that has a REAL hopeful ending, and if the movie had played more on the idea that Sin City did nothing but "spoil" and "kill" the people who live there, this would've been a fitting ending for it because it gives hope for, not just Esther and Wallace, but the other inhabitants who live there as well. They can find something worth living for in the city, and they can escape its clutches.
But I can see why it was omitted from a time saving POV and from a story POV. Wallace's hallucinations alone probably would've taken up the whole budget (and caused a helluva lot of lawsuits with all the recognized property used in his hallucinations from Captain America to Rambo to Hell Boy), and the movie seemed to want to play on that "hopelessness and revenge with very little daylight" theme.
But still... I would've loved to have seen this one on the screen. My heart was dreading the ending because I was sure Esther and Wallace were going to end up like so many other characters in the book and I didn't want them to. Wallace and his endless "ma'ams" and good manners through it all were too cute. Imagine my delight when they turned out fine. It was a good farewell to me. The lovers leaving the city just as the readers do....more
Just a collection of "yarn" tales that take place in Sin City.
I see where the "Salesman" came from in the movies. Disappointed he didn't really take cJust a collection of "yarn" tales that take place in Sin City.
I see where the "Salesman" came from in the movies. Disappointed he didn't really take care of Becky like in in the movies, but the opening scene was well played.
Also, funny how they basically made Becky "Blue Eyes." She would've been an interesting character to have in the movie, but I guess there would've been no need for her since (sadly) none of her scenes were in the movie. But I guess they wanted to keep that contrast without adding her into the movie.
I wasn't too crazy about all of these. Mostly just Blue Eyes' stories entertained me. The rest were passable....more