The five stars which I have awarded THE RIVER OF WINGED DREAMS are not shining tributes to my vanity or ego. They are much more like the truest expresThe five stars which I have awarded THE RIVER OF WINGED DREAMS are not shining tributes to my vanity or ego. They are much more like the truest expressions of gratitude for the gifts to my life-- and to that of a growing number of readers-- which I feel the work in this book represents. I use the word ‘gift’ because so often I did not feel like I was “writing” this book at all. It seemed more as if I was casually jotting down notes which someone else asked me to pass along.
I was not always inclined to cooperate when it came to writing the words presented to me but soon discovered I could not concentrate on much else until I did. It was not until later that I developed some sense of their potential value. And even then I would have remained doubtful had not various readers shared with me their experiences of the work.
The five stars are also for the evolutionary journey recounted in the book’s introduction. It remains an extraordinary and humbling one.
Invisible Man, Shadow and Act, and Going to the Territory, all books by that quintessential twentieth century litTHE ENIGMATIC GENIUS OF RALPH ELLISON
Invisible Man, Shadow and Act, and Going to the Territory, all books by that quintessential twentieth century literary artist Ralph Waldo Ellison, remain towering masterworks of American literature for their penetrating explorations of racial identity, cultural complexity, and historical consequences in the United States. With Senator Barack Obama’s historic bid for the White House evolving daily into the possibility of an historic win, Ellison’s brilliantly charged writings, which first catapulted him to fame in the 1950s, are perhaps more relevant now than ever before, making Arnold Rampersad’s detailed biography of the great writer one of the best reads around during these very exciting times.
Biographies of high-achieving African Americans have too often in the past fallen into one of two categories: those that romanticized their subjects as cultural heroes and those that condemned them as embarrassing villains. Fortunately, in Rampersad, we have a biographer who assigned himself the demanding task of providing as full and honest a portrait of his subject as he could. He does so with balanced assessments of both the publicly applauded Ellison who became a permanent fixture in world literature the moment he won the National Book Award for Invisible Man in 1953, and detailed sketches of the more private Ellison, who bemoaned his lack of children and wrestled for almost half a century with his inability to follow his initial literary victory with a second completed novel.
As one might expect from any capable literary biographer, Arnold Rampersad provides readers with a highly engaging dramatic account of Ellison’s beginnings in Oklahoma City and his subsequent rise from demoralizing poverty and tragedy to international literary stardom. Much of the story of Ellison’s youth and his struggles to give birth to his identity as a writer is already well known, both from Ellison’s essays and Lawrence Jackson’s biography of the author: Ralph Ellison, Emergence of Genius. Even so, Rampersad’s own eloquent placement of Ellison within the greater contexts of American social history, and within such specific cultural movements as the Harlem Renaissance, shine an even more revealing light on the author.
Moreover, high school and college students grappling with assignments to write papers on Invisible Man can duly thank Rampersad for his lucid dissection of the surrealistic, historical, and political elements that make the novel the uniquely brilliant American coming of age tale that it is.
Because Invisible Man is a celebrated novel that has sold untold millions of copies in different languages around the world for more than half a century, the stories of cultural politics and extramarital dalliances surrounding its celebrity author may not stun readers too much. What might, though, while reading along, is the realization of just how much cultural and political influence Ellison came to wield based on the strength of that one mighty novel and a couple of volumes of essays. With his role as a founding participant in such organizations as the Commission on Educational Television, which in time would lead to the development of public broadcast stations, and the American Academy of Arts and Letters, Ellison occupied a position in which he could make or break the careers of various writers with his registered approval or disapproval of them. Oddly enough, despite the fact that he benefited greatly from the influence of such Harlem Renaissance giants as Richard Wright and Langston Hughes, he was not as inclined as they to champion younger upcoming black authors based on notions of racial solidarity or mentorship.
Nevertheless, Presidents Lyndon B. Johnson and Ronald Reagan, both of whom awarded him presidential medals, so respected Ellison’s intellectual prominence that they invited him on a variety of occasions for both social and more official purposes to the White House. Such was his stature that he attended when he felt it important to do so but not when he believed other issues (such as a gathering of literary peers as opposed to one of political statesmen) mattered more.
Of all the mysteries that may be attributed to the life of Ralph Ellison, possibly none are so beguiling as that of his second novel. As early as 1953, the public began to speculate on and query Ellison about his follow-up novel to Invisible Man, and that speculation continued right up until his death on April 16, 1994. First haunted by the pressure of completing a novel as successful as his first had been, Ellison’s 365-page work-in-progress was destroyed by a fire in 1967. Although he managed eventually to re-write more pages than he actually lost, the remaining four decades of Ellison’s life seemed almost dominated by one of the most enduring and over-publicized writing blocks in history. Yet, as Rampersad illustrates, his prominence did not diminish but continued to increase with teaching positions, speaking engagements, appointments to influential boards, and the ever-growing canonization of his one indisputable fiction masterpiece: Invisible Man. A version of his second novel, Juneteenth, edited by his friend John F. Callahan and reportedly culled from more than 2,000 pages, would not be published until 1999.
The serious literary author in 2008 still obtains some degree of notable status when he or she wins a significant award but their influence is generally restricted to academic environments, Internet literary communities, or various geographical regions. It would be virtually impossible for a modern author to achieve the level of prestige and actual power Ellison commanded based on his intellectual gifts and pronouncements alone. (And yet such an observation makes one pay serious attention to the role bestselling books play in the careers of political leaders like Hillary Clinton and Barack Obama.)
For that reason, Ellison’s life is indeed one worth celebrating for many decades to come and Rampersad’s biography of that life is a book that has earned its rightful place among the best and most important in the genre.
jeffrey mcdaniel is one of the few modern poets who shine as brilliantly on the page as he does on the stage. the appearance of his work in such publijeffrey mcdaniel is one of the few modern poets who shine as brilliantly on the page as he does on the stage. the appearance of his work in such publications as best american poetry and ploughshares attest to the former observation while live performances around the world bear witness to the latter. his highly original, deeply intimate, and profoundly creative work is not to be missed.[return][return]by aberjhani[return]author of "i made my boy out of poetry"[return]and "encyclopedia of the harlem renaissance"...more
Aime Cesaire's Return to My Native Land, one of the great prose-poetry works of the twentieth century, was parented by notA PRODUCT OF LITERARY FUSION
Aime Cesaire's Return to My Native Land, one of the great prose-poetry works of the twentieth century, was parented by not one but three literary movements: the Negritude movement, the Harlem Renaissance, and French surrealism.
The book's very rich suffusion of cultural and political nuances may be attributed to the Harlem Renaissance and the Negritude movement while its linguistic dexterity and philosophical daring would have to acknowledge some allegiance to French surrealism. The result is a masterful examination of a soul simultaneously created by and torn between two cultural sensibilities: the European and the African.
Like James Baldwin, Albert Camus, and Frantz Fanon in their various works, Cesaire in Return to My Native Land take racism and class oppression to task at the same time that he delves most deeply into the greater nature of the human condition itself.