WordSong Poets is one of the most exceptional books of its kind from one of the more exceptional minds ofA Uniquely Brilliant Kind of Literary Memoir
WordSong Poets is one of the most exceptional books of its kind from one of the more exceptional minds of the 21st century, the late Dr. Ja A. Jahannes. It is filled with unique literary insights, powerful wisdom, and compelling profiles of extraordinary poets.
This is brief reference to the book made in the article 5 Ways to be Geniuses Together, Celebrating Ja Jahannes:
Despite the fact WordSong Poets was his memoir, he used it to shine a spotlight on the Lincoln University poets who “speak to history and to the future, boldly, knowledgeably, responsibly.” They included: Kgositsile, Langston Hughes, Larry Neal, Everett Hoagland, Ron Welburn, Gil Scott-Heron, and, of course, himself.
Invisible Man, Shadow and Act, and Going to the Territory, all books by that quintessential twentieth century litTHE ENIGMATIC GENIUS OF RALPH ELLISON
Invisible Man, Shadow and Act, and Going to the Territory, all books by that quintessential twentieth century literary artist Ralph Waldo Ellison, remain towering masterworks of American literature for their penetrating explorations of racial identity, cultural complexity, and historical consequences in the United States. With Senator Barack Obama’s historic bid for the White House evolving daily into the possibility of an historic win, Ellison’s brilliantly charged writings, which first catapulted him to fame in the 1950s, are perhaps more relevant now than ever before, making Arnold Rampersad’s detailed biography of the great writer one of the best reads around during these very exciting times.
Biographies of high-achieving African Americans have too often in the past fallen into one of two categories: those that romanticized their subjects as cultural heroes and those that condemned them as embarrassing villains. Fortunately, in Rampersad, we have a biographer who assigned himself the demanding task of providing as full and honest a portrait of his subject as he could. He does so with balanced assessments of both the publicly applauded Ellison who became a permanent fixture in world literature the moment he won the National Book Award for Invisible Man in 1953, and detailed sketches of the more private Ellison, who bemoaned his lack of children and wrestled for almost half a century with his inability to follow his initial literary victory with a second completed novel.
As one might expect from any capable literary biographer, Arnold Rampersad provides readers with a highly engaging dramatic account of Ellison’s beginnings in Oklahoma City and his subsequent rise from demoralizing poverty and tragedy to international literary stardom. Much of the story of Ellison’s youth and his struggles to give birth to his identity as a writer is already well known, both from Ellison’s essays and Lawrence Jackson’s biography of the author: Ralph Ellison, Emergence of Genius. Even so, Rampersad’s own eloquent placement of Ellison within the greater contexts of American social history, and within such specific cultural movements as the Harlem Renaissance, shine an even more revealing light on the author.
Moreover, high school and college students grappling with assignments to write papers on Invisible Man can duly thank Rampersad for his lucid dissection of the surrealistic, historical, and political elements that make the novel the uniquely brilliant American coming of age tale that it is.
Because Invisible Man is a celebrated novel that has sold untold millions of copies in different languages around the world for more than half a century, the stories of cultural politics and extramarital dalliances surrounding its celebrity author may not stun readers too much. What might, though, while reading along, is the realization of just how much cultural and political influence Ellison came to wield based on the strength of that one mighty novel and a couple of volumes of essays. With his role as a founding participant in such organizations as the Commission on Educational Television, which in time would lead to the development of public broadcast stations, and the American Academy of Arts and Letters, Ellison occupied a position in which he could make or break the careers of various writers with his registered approval or disapproval of them. Oddly enough, despite the fact that he benefited greatly from the influence of such Harlem Renaissance giants as Richard Wright and Langston Hughes, he was not as inclined as they to champion younger upcoming black authors based on notions of racial solidarity or mentorship.
Nevertheless, Presidents Lyndon B. Johnson and Ronald Reagan, both of whom awarded him presidential medals, so respected Ellison’s intellectual prominence that they invited him on a variety of occasions for both social and more official purposes to the White House. Such was his stature that he attended when he felt it important to do so but not when he believed other issues (such as a gathering of literary peers as opposed to one of political statesmen) mattered more.
Of all the mysteries that may be attributed to the life of Ralph Ellison, possibly none are so beguiling as that of his second novel. As early as 1953, the public began to speculate on and query Ellison about his follow-up novel to Invisible Man, and that speculation continued right up until his death on April 16, 1994. First haunted by the pressure of completing a novel as successful as his first had been, Ellison’s 365-page work-in-progress was destroyed by a fire in 1967. Although he managed eventually to re-write more pages than he actually lost, the remaining four decades of Ellison’s life seemed almost dominated by one of the most enduring and over-publicized writing blocks in history. Yet, as Rampersad illustrates, his prominence did not diminish but continued to increase with teaching positions, speaking engagements, appointments to influential boards, and the ever-growing canonization of his one indisputable fiction masterpiece: Invisible Man. A version of his second novel, Juneteenth, edited by his friend John F. Callahan and reportedly culled from more than 2,000 pages, would not be published until 1999.
The serious literary author in 2008 still obtains some degree of notable status when he or she wins a significant award but their influence is generally restricted to academic environments, Internet literary communities, or various geographical regions. It would be virtually impossible for a modern author to achieve the level of prestige and actual power Ellison commanded based on his intellectual gifts and pronouncements alone. (And yet such an observation makes one pay serious attention to the role bestselling books play in the careers of political leaders like Hillary Clinton and Barack Obama.)
For that reason, Ellison’s life is indeed one worth celebrating for many decades to come and Rampersad’s biography of that life is a book that has earned its rightful place among the best and most important in the genre.
an excellent title to delve into for national poetry month, and for that matter the rest of the year as well.[return][return]aberjhani[return]author oan excellent title to delve into for national poetry month, and for that matter the rest of the year as well.[return][return]aberjhani[return]author of "i made my boy out of poetry"[return]and "encyclopedia of the harlem renaissance"...more
Critics were divided over whether THIS IS MY BELOVED, by Walter Benton, was pornography or literary art when it fiA Perfect Antidote for Wartime Blues
Critics were divided over whether THIS IS MY BELOVED, by Walter Benton, was pornography or literary art when it first came out. That question really should have been answered by these lines from the very first poem in the book: "Because hate is legislated...written into/ the primer and the testament,/ shot into our blood and brain like vaccine or vitamins...I need love more than ever now..."
There's no doubt that Benton, who was born in Austria and lived later in the United States, was writing as an individual. However, considering that World War II was approaching its bloodiest worse when the book was first published in 1943, it's quite likely he was also speaking metaphorically on behalf of all humanity. Has anyone yet discovered a better antidote for the disease of international war than universal love?
Similarly, the great jazz and pop singer Arthur Prysock recorded what is now a classic spoken word version of the book (please see related CD review at Creative Thinkers International) in December 1968 when the Vietnam War had the world in tears. Small wonder, then, that a new generation marked indelibly by the Iraq War in 2007 is claiming both the book and CD version of "This Is My Beloved" for its own. In times like these, so much of what it has to say is exactly what we need to hear.
Jean-Dominique Bauby's "The Diving Bell and the Butterfly" is a small book composed of many big wonders. Primary among thA Small Book with a Big Soul
Jean-Dominique Bauby's "The Diving Bell and the Butterfly" is a small book composed of many big wonders. Primary among this book's extraordinary qualities is the fact that Bauby, a former editor in chief of the world-famous French Elle, was able to "write" it at all. after suffering a stroke to his brain stem and spending 20 days in a coma, Bauby regained command of a nearly clairvoyant intellect but lost all authority over his body. The sole physical function he retained was the ability to blink his left eye; by use of it, he developed a kind of sign language that allowed him to dictate letter by painstaking letter the brief and luminous chapters that make up "The Diving Bell and the Butterfly."
Anyone could easily have forgiven bauby had he chosen to lapse into the kind of rage and unhinged sentimentality that characterize (although justifiably so) other memoirs based on extreme medical situations. However, he takes a wholly different route. Like "the invisible diving bell" that imprisons his body and the butterfly wings of memory and meditation that provide some relief, Bauby's prose floats back and forth between the severe and the sublime. astonishing above all else is the stream of humor that flows unforced and unfettered throughout the book, as when the editor insists on being allowed to drool while dressed in cashmere rather than in hospital garb.
From musings on the glamour of his former life to the simple pleasures of a leisurely bath, this book contains much irony and healthy doses of cynicism. It displays as well the brilliant dignity of one damaged soul's refusal to fade into nothingness before having its final say. Despite Bauby's death two days after the french publication of his book, his voice will boom through these pages for many years to come.
Aberjhani author of I Made My Boy Out of Poetry and Encyclopedia of the Harlem Renaissance...more
Rosemary Daniell started out as a poet who wrote lyrical verse on nature with such titles as "green frogs" and "black animals." Between those innocen Rosemary Daniell started out as a poet who wrote lyrical verse on nature with such titles as "green frogs" and "black animals." Between those innocent lyrical beginnings, which served largely to hone Daniell's mastery of her craft, and her volumes of noteworthy fiction and nonfiction, A Sexual Tour of the Deep South stands as a singular explosive event in the corpus of her work.
Crackling with the energies of self-liberation via a sudden focused expansion of consciousness, it is a uniquely significant document in the canon of womanist literature. Much of the imagery and details in A Sexual Tour of the Deep South are not for the mild-hearted or overly sensitive. The contents of the poetry swing back and forth between the erotically exceptional and the downright raunchy. One might nearly have expected Charles Baudelaire to compose these poems had he been a politically informed southern woman writing in the 1960s.
Whereas the book can be read with real pleasure on its more graphic levels, it assumes a deeper meaning when the erotic is accepted as a metaphor for the individual claiming all rights to her own being.