Received to review via Netgalley, publication date 7th March 2017
Just like Made to Kill and Brisk Money, this is an entertaining story — imagine ChandReceived to review via Netgalley, publication date 7th March 2017
Just like Made to Kill and Brisk Money, this is an entertaining story — imagine Chandler’s noir detectives, that kind of world, but add in one robot detective-become-assassin and his profit-orientated handler (actually a computer). It’s full of references and hat-tips to Chandler’s era, and though it doesn’t have Chandler’s flair with words (few people do), it’s well written and goes down easy. It’s also reasonably clear of sexism, racism, and Chandler’s other such vices.
This story in particular involves Raymond getting tangled up in the antics of various criminal cartels, and all that sort of thing implies. Bullets and assumptions fly, garnering a possibility of some grudges being held against Raymond and Ada, his handler — and we end the story with Ada and Raymond in a pretty good position. All ready for the next novel, since this is marked as 1.5 in the series on Goodreads?
In any case, this is readable whether or not you’ve read Made to Kill and the short story Brisk Money, but it is worth reading those for extra background and a better understanding of Raymond, his capabilities, and his limitations. The ARC version I read bundled in Brisk Money, so you could comfortable skip to that and read it first before going back to read Standard Hollywood Depravity.
Meanwhile, I never seem to have reviewed Brisk Money itself, and the release of this novella seems like a prime opportunity to do so — so watch out for that review coming sometime soon as well.
Received to review via Netgalley; publication date 21st March 2017
I don’t quite know how to rate this, because it’s not much my thing. It’s a bit tooReceived to review via Netgalley; publication date 21st March 2017
I don’t quite know how to rate this, because it’s not much my thing. It’s a bit too close to horror, it’s so grim, and the teenage boy fixation with sex was, well, rather beyond my experience or anything I’m interested in. Bullying I know well, and Cornell captures it wonderfully — but I can’t say beautifully, because who could call that beautiful? The magic is weird and wondrous and I do enjoy the way it’s tied in with history and the landscape.
I was less interested or convinced by Angie’s pop music magic; it felt very thin indeed, almost just a way to give her more of a role in the story without it feeling organic. But the main character’s ambivalence to her, the people around him, the great big revenge that’s happened because he wanted it — that feels real.
I can’t say I enjoyed this, and I can’t say I’d read it again, but nor would I urge someone not to read it. It’s definitely powerful, and I had to read to the end, even though I found aspects of it distasteful (I suspect I was intended to).
Received to review via Netgalley; publication date 28th February 2017
Once again, not knowing my Lovecraft tripped me up. Yep, this is yet another LoveReceived to review via Netgalley; publication date 28th February 2017
Once again, not knowing my Lovecraft tripped me up. Yep, this is yet another Lovecraft-based story, although in this case it’s a rather less well-known one: the Fungi from Yuggoth. Not one I’d have known anything about even if I’d known in advance, but perhaps I might have been better prepared for the sheer bleakness and darkness of this story had I known it was based on Lovecraft’s mythos in any way.
It’s an intriguing little novella; self-contained, though it hints at a world before and after it through one character who is, to some extent, ‘unstuck in time’. The flesh-crawling horror of the fungi, a kind of invasion we’re helpless to fight, is done really well. There’s one phrase which just made me shudder, because of all the different implications stacked together: “the fruiting corpse”. Gah. Gaaah.
It’s very effective writing, and because I don’t know to what extent it takes any of the detail from Lovecraft, I can say that it’s definitely something that can stand on its own. It doesn’t rely on me realising exactly what’s going on through familiarity with Lovecraft; the creeping unease works as well or better if you’re ignorant of where things are going.