Despite the long journey, Englishman Terry Sheffield arrives in San Francisco from London with a bounce in his step. Green Card in hand, he's ready to...moreDespite the long journey, Englishman Terry Sheffield arrives in San Francisco from London with a bounce in his step. Green Card in hand, he's ready to start his new life with American wife, Sarah. The two met while on holiday in Costa Rica, and after a whirlwind romance were married. Now, after being apart for 6 months due to bureaucratic red tape, things have finally lined up for the newlyweds.
Only, Sarah isn't there to meet him at the airport. After waiting for several hours, hoping she was just stuck in traffic, Terry finally takes a shuttle to "their" house, a place he's never actually been. Sarah isn't there either, which forces Terry to break in...something a watchful neighbor dutifully reports to the local sheriff. A brief arrest and long explanation later, Terry is left with a skeptical sheriff, wary new neighbors, and still no wife.
Terry can find no explanation for her disappearance, but does find evidence that she left voluntarily-there's no sign of struggle in the house and a bag, some clothes and personal items seem to be missing-and has to wonder if the police are right: did the woman he married just get cold feet and take off?
When a dead woman fitting Sarah's description turns up, her tongue cut out, Terry's brought to the scene to identify the body. He's relieved to see that it's not her, but disturbed that the sheriff now sees solving the murder as more important than finding Sarah, whom the sheriff is still not convinced didn't just run off. It isn't until more women start turning up dead that the sheriff begins to entertain the idea there may be some connection, but the connection he's looking for isn't exactly the one Terry had in mind.
Given her profession of freelance investigative journalist, Terry's forced to wonder if Sarah's disappearance has something to do with a story she's working on. But if it does, was the disappearance deliberate, or sinister? And what, if anything, do the dead women have to do with it? Only adding to his frustration and anxiety, the place where he's lined up a job, biotech company Genavax, isn't exactly what he was expecting. Actually, nothing about what he finds-or doesn't, as the case may be-in America is quite what he was expecting. In fact, the more Terry pokes around, the more complicated things become.
As do all his books, Simon Wood gets No Show off to a galloping start, plunging both Terry and the reader immediately into mystery and confusion from the moment Terry steps off the plane. Terry's status as an outsider, not just new to town but to the very country, provides Wood with fertile ground for tension, miscommunication, and appropriately timed doses of wry humor. It, and the couple's brief courtship, also provides Wood with the chance to explore the very nature of relationships-particularly those of a romantic nature-and to ask how well does anyone really know someone...even the person they're married to.
There's nothing especially groundbreaking about the plot of No Show, and there's nothing wrong with that. Not every book needs to contort itself into a pretzel trying to prove how clever and original it is. No, Wood is happy to just dig in, grab the reader's interest, and tell a page-turning mystery/whodunnit story, and you'll be more than happy to go along for the fast-paced, twisting, "didn't see that coming" ending of a ride.(less)
Having worked her way up to the position of branch manager at the brokerage firm of McKinney Alitzer in downtown Los Angeles, Iris Thorne is pretty co...moreHaving worked her way up to the position of branch manager at the brokerage firm of McKinney Alitzer in downtown Los Angeles, Iris Thorne is pretty confident she can handle anything life throws at her. That is until her ex-fiancé, Todd Fillinger, calls up with a major investment opportunity for Iris in Russia. Her instincts tell her to skip the trip and let the past be the past, but lingering guilt over the way their relationship ended-Iris left Todd at the altar, in Paris no less-overrides Iris's instincts and she finds herself on a plane to Russia.
Almost immediately upon her arrival it becomes apparent something isn't quite right with the situation, or Todd. When pressed, Todd admits he's been having trouble with the Russian mafia, which is trying to elbow in on Todd's art brokerage business. The seriousness of the situation is made graphically clear when, as Iris looks on in horror, Todd is gunned down outside the restaurant where the two were to have dinner.
Initially taken in for questioning by the Russian police, and a shady man who doesn't identify himself, Iris is eventually extracted from the sticky situation by a member of the US Consulate. Feeling a sense of obligation to Todd now more than ever, Iris agrees to carry an urn containing his ashes back to the US for delivery to Todd's sister, figuring it's the least she can do. If only she'd trusted her instincts and never gotten on that plane to begin with...
Iris has no sooner landed and delivered the urn to Todd's sister, who meets Iris at the airport, when she finds herself up to her eyes in threats and conspiracies, with everyone from the FBI to a decidedly determined and dangerous art thief to the Russian mafia demanding Iris turn over a priceless, and stolen, statue they are all under the impression she has returned from Russia with. Now Iris has to figure out a way to get to the bottom of things before she gets arrested, or killed.
As author Dianne Emley has been so kind to share in her retrospective on the Iris Thorne series, the evolution of Iris is really both the evolution of a character and a writer. With every book since her introduction in Cold Call, Iris has noticeably progressed as a character, evolving from that of a somewhat superficial and borderline irresponsible pseudo-adult into a more responsible and reasoned woman. It's a progression fueled in no small part by Emley's own growth as a writer, the evolving confidence in Iris mirroring that of Emley in her own ability as an author.
Indeed, Pushover, the fifth and (for now) final entry in the series, shows yet another leap forward. While Iris herself had grown in depth and complexity with each previous outing (Cold Call, Slow Squeeze, Fast Friends, Foolproof), it is in Pushover that the seeds for what was to come next for Emley are clearly sown from a pacing and plot point of view. Whereas the previous Thorne books tended to be more rooted in the mystery arena, Pushover has a noticeable infusion of the thriller genre, complete with international intrigue, conspiracies, shootouts and double crosses. Pushover clearly set the table for what was to come: The First Cut, the first entry in Emley's (ongoing) Detective Nan Vining series, in which Iris actually makes a cameo appearance.
Not many authors would take the time-or be brave enough-to rerelease a series which saw its initial publication two decades ago...and to "resist the urge to make major changes, wanting to respect the books as they had been published." I, for one, am incredibly happy that Emley did. For all the amusing era-specific details that pepper the Thorne series (think big hair, late 80s excess, and the "greed is good" mentality), Iris is actually a deceptively complex character. If you missed her the first time around, please do yourself a favor and discover what a wonderful series this is. And if you're of a certain age, like me, not only will you enjoy the mysteries, you'll enjoy the touch of nostalgia you'll get while reading them as well. (less)
Paul O'Brien's debut, Blood Red Turns Dollar Green, was one of the more enjoyable books I read last year, a wonderful combination of organized crime a...morePaul O'Brien's debut, Blood Red Turns Dollar Green, was one of the more enjoyable books I read last year, a wonderful combination of organized crime and professional wrestling circa the early 1970s. The book ended with a rather intense cliffhanger, and fortunately for fans of the first entry O'Brien is now back to pick up the story in Blood Red Turns Dollar Green Volume 2
As we learned in the first outing, professional wrestling in the early 70s was not the huge, centralized business it is today, but rather was broken into various territories held by individual owners spread throughout the country. And though the owners worked together to a certain degree for the greater good of the sport in general, at the same time each protected their turf ruthlessly. One owner, Danno Garland, has managed to claw his way to the top of the heap and now controls the World Heavyweight Champion, which gives him tremendous power. It wasn't an easy climb, however, and the backstabbing and double-crosses are now catching up with Danno. When his rivals lash out at him in a particularly horrific way, Danno turns his back on everything he's ever known and loved and directs the same single-minded focus he used to build his wrestling empire to a new purpose-revenge.
The story is told by flashing back and forth between the time leading up to the lynchpin event and the days immediately following it. It's an interesting juxtaposition, one which lets O'Brien fill in pertinent details and backstory from the first book in a very subtle way, allowing readers who may be joining the story in progress to hit the ground up to speed and running. It's also a technique which provides for a natural buildup of tension, with the reader waiting for the inevitable head-on collision of the two storylines as they converge like runaway trains on single track.
O'Brien's background is in writing for the stage, and that really shines through in Blood Red Turns Dollar Green Volume 2. The character development is a joy to watch unfold, with O'Brien proving to those who may have thought the wrestling setting of the first book was a gimmick (sorry, I couldn't resist) that made him a one trick pony that they couldn't be more wrong. Already in the twilight of his life, though at the top of his career, the events of Blood Red Turns Dollar Green Volume 2 utterly destroy Danno Garland, turning him into a man running on little more than grief, fueled by revenge, with the only question being whether he will accomplish his self-appointed mission before completely flaming out. As written by O'Brien, it's a transformation which is both thoroughly engaging and utterly heartbreaking.
But as captivating as Danno's breakdown is, it's Danno's second-in-command, Ricky Plick, who really steals the show. A loyal man, Ricky tries his best to keep Danno from running completely off the rails and destroying both himself and the business. As loyal as he is, however, Ricky is also very shrewd, and as Danno's downward spiral progresses Ricky knows that even after all their years together a decision will have to be made as to where his ultimate loyalty lies. After all, Ricky has his own crosses to bear, simultaneously dealing with his own failing body after years of abuse in the ring, as well as now looking out for his partner, Ginny, who isn't the same following a traumatic event during the climax of Blood Red Turns Dollar Green.
And while Blood Red Turns Dollar Green included a significant amount of detail about wrestling, including some wonderful descriptions of in-ring action, which may have made some readers a bit wary, Blood Red Turns Dollar Green Volume 2 is a straight-up crime fiction novel which just happens to have the business of 1970s territorial professional wrestling as the backdrop. There's still enough pro wrestling flavor to make fans of the sport happy-particularly in the character of Shane `The Sugarstick' Montrose, a colorful, aging superstar-but if for any reason the wrestling angle had scared you off the first one, its extremely limited "on screen" time in this outing means there's no excuse for you to not give Blood Red Turns Dollar Green Volume 2 a try.
In fact, as much as I liked the first book, I believe Blood Red Turns Dollar Green Volume 2 is even better. Telling a good crime story is hard enough, but doing so while putting a very human face on the devastation and consequences which flow from greed and power run amok is very tricky business, one which O'Brien manages with impressive aplomb. (less)