So I looked this one up online (and read it there for free) as I was struggling with the 13th volume which is a 2014 Hugo finalist for Best Graphic NoSo I looked this one up online (and read it there for free) as I was struggling with the 13th volume which is a 2014 Hugo finalist for Best Graphic Novel, and while this is from only one point of view - Agatha's - it's still a little disjointed and hard to follow. Almost every sentence of dialogue feels like it should end with a exclamation mark. It's high drama, or melodrama. But perhaps that's a mark of the mad science genre - I wouldn't know, I'm new to it.
Agatha is a strong female role model. She doesn't crumple in the face of adversity. I found the worldbuilding a little lacking and many questions are left unanswered by the end of the volume.
The artwork is nice though a little cartoon-y and Agatha's proportions seem a bit ludicrous for a teenager. She'd be more at home as a buxom barmaid wench in a tavern filled with randy vikings.
I love visual steampunk, on TV and in the movies, but can't get into it in novel form so I thought this would be good middle ground. Not this time....more
This is some fucked up shit. Misogynistic and necrophilic fucked up shit. With illustrations. My inner feminist is vibrating with rage and is drawingThis is some fucked up shit. Misogynistic and necrophilic fucked up shit. With illustrations. My inner feminist is vibrating with rage and is drawing disturbing comparisons with serial killer Elliot Rodger.
The meathouse is a whorehouse whose 'whores' are dead women, most of whom are former criminals and debtors although some have been kidnapped and killed precisely to be commodified by transforming them into brainless undead prostitutes. Outside of the meathouses, corpses are used as workers directed by handlers (read: puppeteers), similar to what The People do with vampires in Ilona Andrews's Kate Daniels series. The entertainment industry is dominated by corpse fights like the gladiators of old, their handlers manipulating them like 3-D real world video game characters.
Greg succumbs to peer pressure by patronising a meathouse where he falls in love with a coprse-whore and thus begins an obsession. The explicit artwork of this graphic novel makes it all the sicker. Necrophilic rape porn imagery is not something I want to see. And the illustrations aren't even good - it's quite grotesque actually, although that may be intentional.
Anyway, Greg decides he deserves better than an undead woman and proceeds to wait for a living, breathing woman. He meets one, he falls in love and she rejects him. He moves to another planet, meets a woman, falls in love, they're happy for a time, then she dumps him for his best friend. From here on out he hates women. Love is a cruel lie. He turns to the occupation he once shunned: gladiator-corpse handler. Turns out he's excellent at bloodily dismantling his opponents from the comfort of his 'throne' as the crowds cheer him on.
I know George R.R. Martin is a man who loves to write controversial storylines. A Song of Fire and Ice gets a pass in my eyes due to historical and cultural accuracy. Meathouse Man, on the other hand, is set in the distant future when man has colonized multiple planets. One would hope such pervasive and socially acceptable misogyny and disrespect for the dead would be but a distant memory by this time.
I'm shocked and disappointed that this is a 2014 Hugo Award Best Graphic Novel Nominee.
*Read for free via the LonCon3 Hugo Voter Pack....more