My read for Banned Books Week was certainly apropos. Fahrenheit 451 shows you the results of a book banning society. A scary, ignorant and shallow worMy read for Banned Books Week was certainly apropos. Fahrenheit 451 shows you the results of a book banning society. A scary, ignorant and shallow world where brutality and casual violence are everyday events done in the name of entertainment; a regressive and disabling move in social evolution, handicapping progression by limiting knowledge and encouraging selfishness.
*For some reason the rest of my review won't post properly on Goodreads so you can view it on my blog, at Leafmarks or on Booklikes.
Here are the headings of what I talk about: Premise Predictions come true Bradbury on ebooks Adaptions (Equilibrium) Endings and the downfall of society Why I loved Fahrenheit 451
Human beings tend to cling to convenient obliviousness - 'I haven't seen it, so it can't really exist!' - in spite of embarrassing, burgeoning bodies
Human beings tend to cling to convenient obliviousness - 'I haven't seen it, so it can't really exist!' - in spite of embarrassing, burgeoning bodies of evidence to the contrary. In order for this comfortable bliss of ignorance to be maintained, it follows that any flagging up of the problem will be met with denial: so naturally you get accusations of lying, or exaggeration. These aren't always intentionally unkind - I think they're often motivated by a horrified inability to accept the severity of the problem as by a deliberate attempt at dismissal.- Laura Bates, Everyday Sexism
This quote explains perfectly the ignoring of all the warning signs in The Plague, especially by Dr. Rieux and his colleagues. A stampeding immigration of thousands of infected, dying rats doesn't raise an alarm, really?!
A riveting 100-page opener filled with realistic personal, medical, social, and legal observations and their emotional repercussions was followed by an increasingly introspective and philosophical narrative and dialogue. Unfortunately I wasn't as enamoured with the slower paced latter than I was the action-packed former. However, it does perfectly reflect the tiresome nature of the plague: being imprisoned in the town under quarantined conditions, unable to leave or communicate with the outside world, separating friends and family.
The stifling heat of summer, the inescapable smell of burning bodies and the only news of note being the number of dead that day, becomes insufferable, but the people must endure for they have no choice. All emotions are heightened in the face of the apocalyptic nature of the plague, randomly killing everyone around you - fear, depression, desperation. One could've even take solace in their pets as they're exterminated in case they spread the disease, which deprives one old man of his favourite pastime - spitting on cats. (Haha! Sorry, I'm a dog-person.)
This story of triumph and tragedy covers 8 months (Apr 16 to Jan 25) and is set in 1940s Algeria, and by the end I was just as exhausted and tired of the plague as Oran's residents, Dr. Rieux especially.
*Read the translation by Robin Buss. **Read as part of The Dead Writers Society's Around the World challenge....more
Men fucking chickens. How...? Why...? [You can thank me for the mental image later. Or better yet, type that sucker into Google and go blind.]
You're vMen fucking chickens. How...? Why...? [You can thank me for the mental image later. Or better yet, type that sucker into Google and go blind.]
You're voluntarily imprisoned every other month in exchange for jobs, shelter and a full stomach, but you can't wait 4 weeks for sex? And you'd choose a live chicken before another man?
I'd rather have gay sex than be guilty of bestiality. Those poor chickens.
Imagine a future world where society has broken down, people are starving and violence is a guaranteed daily activity. Along comes an experimental programme called Consilience. Sign over your free will in exchange for safety and security. Live in a prison called Positron for a month and do jobs that make the prison self-sufficient, followed by a month on the outside in a nice house with your family doing another job that makes the town self-sufficient. Each adult is paired with another so when one is in prison the other is in your shared house, and it's forbidden for the alternates to ever meet. Everyone and everything is monitored. Ominous black cars roam the streets. Information is limited, propaganda rife. Rebellion is not tolerated.
A communist society set-up by a capitalist business. Hello, exploitation.
This is the backdrop to Stan and Charmaine's loveless marriage. Their actions are dripping with irony. Stan wanted a pure, plain and reliable woman who wouldn't break his heart. Charmaine just wanted to be loved, instead she feels ignored and unfulfilled. There is no spark, no fire, or lust in their marriage.
Behind bars, Stan is a simple chicken farmer who used to be blackmailed with pain and suffering by other prisoners for "time" with his chickens. Those same rebel prisoners found themselves in Charmaine's care. Officially she's the Chief Medications Administrator - that's code for executioner. Lethal injection. The bodies most likely ground up into feed.
Upon an unintentional meeting with her husband's alternate, a torrid affair ensues. The good girl goes bad. She feels alive at last but is afraid Stan will find out so they use pseudonyms: Max and Jasmine. "Jasmine" leaves "Max" a love note which Stan finds. He then falls in love with his idea of Jasmine, believing them to be his and Charmaine's alternates. He attempts to stalk Jasmine so he can seduce her. And that's when things go wrong in a very unpredictable way.
I'm a Margaret Atwood fan. The Handmaid's Tale frightened me with its possibilities and Alias Grace's open verdict on the protagonist's innocence challenged my ability to judge a person's character from their actions. I'm Starved for You is definitely another troubling possible future with brilliantly illustrated and intricately constructed immersive world-building, and I enjoyed viewing Stan and Charmaine's relationship and their respective prison jobs through their eyes, but I don't feel compelled to read on to the next installment. I'm satisfied with the ending without knowing more. Details are revealed slowly, unfolding as we experience the three-dimensional main characters' daily lives. What suffers is the pace, and at times, my attention. But this is understandable and is better than an info-dump. I doubt the sequel will suffer from the same....more
Apart from deus ex machina (so it's 4½ ★), this was a brilliant read. Killing off a much-loved character is a brave thing to do and in this instance iApart from deus ex machina (so it's 4½ ★), this was a brilliant read. Killing off a much-loved character is a brave thing to do and in this instance it was beautiful sacrifice worthy of that character, if heartbreaking and gory.
The level of grace displayed by Kate in both her physical battles and in her position as alpha, fighting for the people that depend on her and those she deeply cares for, is inspiring. And as always, Ilona and Gordon always bring the funny....more
Fast-paced, compelling and deliciously gory, BUT deus ex machina, predictability, repetitiveness, and lovey-dovey mushiness brought The Eternity CureFast-paced, compelling and deliciously gory, BUT deus ex machina, predictability, repetitiveness, and lovey-dovey mushiness brought The Eternity Cure down. Honestly, Jackal is the main reason my rating isn't lower.
Jackal is akin to Damon Salvatore of The Vampire Diaries in that their pragmatism takes priority over their humanity "when he suspects he is on the losing end of a bargain" and their annoying yet charming personalities add a comedic element to proceedings; it's never dull when they're around. And yes, despite being a self-serving antogonist with flexible morals, I really like Jackal. If he'd dispense with his need to raise his own vampire army and evilly rule over the humans, I think he'd make an appropriate suitor for Allie. He certainly isn't afraid to call her on her bullshit:
"And I'm getting a little tired of your holier-than-thou act, sister. You're not a saint. You're a demon. Own up to it."
Elena's Allie's repetitive mantra about keeping her humanity, leashing Kanin's homicidal instincts and heeding Zeke's warnings grew tiresome. Zeke, in spite of being tougher than he was in The Immortal Rules and able to kill if he has to, he's still a bleeding heart. Sometimes the only logical answer is to kill. (view spoiler)[Stick should've been killed. Pathetic though he is, he's too much of a danger to remain alive. (hide spoiler)]
The evolving romantic relationship between Allie and Zeke is admittedly standard illogical paranormal YA fare:
'Maybe I was being naive. Maybe I was being deliberately blind. Most likely I was being incredibly stupid and endangering his life.'
Obviously I completely understand why Allie wants to hold on to Zeke: his humanity keeps hers in line and he fully accepts her for who and what she is, but not only that, finding someone with similar inclinations among the vampire population may prove difficult because vamps like Kanin seem to be an exception rather than the rule.
'I was just aware of one thing: I could not lose him. Zeke had seen the monster at its worst and was still here. He dared to get close to the demon, knowing it still Hungered for him, craved his blood and his life, and he wasn't afraid. For the rest of my existence, if I lived to see the end of this world, there would never be another Ezekiel Crosse.'
Perhaps this says more about Zeke than Allie. By cosying up to his natural predator he puts himself in the running for a Darwin Award, i.e. it's an incredibly stupid thing to do. Anyway, their alone time is cringe-worthy rather than sweet and romantic. This is definitely something that the author has to work on.
Deus ex machina: Three characters in peril(view spoiler)[: Kanin, Zeke and Jackal (hide spoiler)] had me admiring Kagawa's big brass balls to kill off one or all of these characters ... until they're all miraculously saved (view spoiler)[by Eden's experiments on Zeke saving both him and Kanin, and Sarran's uninfected blood stash for Kanin's crippling hole through the stomach (hide spoiler)]. Compared to the debut, The Eternity Cure is all bark and no bite which is rather disappointing.
And the end, I saw that coming miles away. I'm not sure if I've just inferred this but I'm pretty sure (view spoiler)[Zeke's a vamp now. After all of the talk of his remaining human and he should have a choice etc., it was inevitable (hide spoiler)]. This, if true, will make Book 3 interesting, though I expect a Stefan-like (The Vampire Diaries) split-personality response.
Despite my dissatisfaction with the final scenes, I look forward to seeing more of Jackal and Eden and its inhabitants as they respond to Sarren's threat.
*My thanks to Harlequin for the eArc in return for an honest review.["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>...more
It took me by surprise how much I loved this classic and how eerily relevant and applicable it is considering today's politics, Britain's in particulaIt took me by surprise how much I loved this classic and how eerily relevant and applicable it is considering today's politics, Britain's in particular. The Arab Spring is also a good example of a modern day Animal Farm.
I highlighted this one to death. In pencil, of course. I'm not a barbarian....more
Breakout unknown prisoner cargo. Spend a couple of hours together running for their lives. Sex. Exchange I-love-yous. Are you freaking kidding me? A oBreakout unknown prisoner cargo. Spend a couple of hours together running for their lives. Sex. Exchange I-love-yous. Are you freaking kidding me? A one-night stand with a stranger and now they love each other, forever, and are both willing to die to protect their new lover. Yeah, that's believable.
Some thought was given to the post-apocalyptic world building, and considering the revenge and re-take my kingdom set-up, there was enough there to create a longer, more acceptable and convincing story set over a number of days or weeks.
"Is that it?" was my first thought upon finishing. The only thing saving this is the thought that it was written in 1948, postAvailable as a free PDF.
"Is that it?" was my first thought upon finishing. The only thing saving this is the thought that it was written in 1948, post-WWII. Wartime involved conscription, a national lottery picking random men to become soldiers and sending them to die. Thinking of The Lottery in light of this, and the complicit conformity and reluctance to abandon tradition, together with the similarity to The Hunger Games, provided enough context for me to appreciate this short story....more
Too many POVs when one would've sufficed until that one character met up with others. Chopping up the boDNF. Skimming isn't going to get the job done.
Too many POVs when one would've sufficed until that one character met up with others. Chopping up the book in this way prevented me from feeling sympathy and developing an emotional attachment because once a tragic event occurs it cuts to a different character in another location. Mason's POV begins the story, I wanted to follow him to his blown-up school not switch to someone else, and when we do return to him 24 hours have gone by. Frustrating.
Graphic violence doesn't bother me, my boredom of its ever presence without a break to develop some depth did. This kind of reminds me of my experience with the movie Skyline, and even Cloverfield.
Flipping to the back and reading the end didn't give me any hope Dark Inside would improve.
My mother is the only reason I managed to finish this book. She loved Divergent and has just finished re-reading it but for some reason she wanted meMy mother is the only reason I managed to finish this book. She loved Divergent and has just finished re-reading it but for some reason she wanted me to read this one first so I had to force myself to finish.
This time around I had no connection to the characters. They seemed drastically different. More juvenile with lots of sulking and ruminating on problems. Everything is seen through the lens of Tris and Four's relationship which acted as a means of constant personal conflict. I had no patience for the angst that came out of that conflict, or for Tris's new-found suicidal nature. I was here for the dystopia, for the tragedies, hard choices and sacrifices to be made. One of the few good scenes is when the Erudite deliver a message to the Divergent (which are more numerous than first thought), to Tris, via a kind of suicide note, and Tris is forced to make a split-second decision of who to save and who to sacrifice. That was startling and gruesome, and exactly what I was looking for.
As for Marcus the robot, Marcus the mouthpiece -I found his character difficult to comprehend. He's an empty character the reader is supposed to hate but it's hard to do so when he doesn't show emotion or react to anything despite being publicly beaten by his own son. He has no comeback. He says nothing. Why did he submit Four to repeated physical abuse? There's no answer because he doesn't acknowledge he did it or the accusations. Other than a hate figure, he's a mouthpiece for plot progression. Without him we wouldn't find out the secret to this dystopian dynamic.
Peter is an odd one. I guess you could say he's a frenemy -an enemy who can also be an ally under the right circumstances. I wonder how close he is to his family. Does he love them? Love seems an alien thing to him and now that he's been reunited with them, will he fight for them? Will he change?
As I grew closer to the last page and freedom, I swore if Roth introduced zombies outside "the fence" the book would meet the wall at lightning speed. It didn't happen but it was close.
The ending is drawn out and predictable, concluding with a revelation, plus cliffhanger. By now I just wanted this book to be over. I'm only mildly curious:
- What the relationship is between Tris and this Edith Prior.
- About the significance of being divergent in light of this new information. How can that help whatever's left outside the fence?
Insurgent feels very padded. Not a lot happens for a long time. It needed to be tighter, punchier, be a more faithful continuation of Divergent's story and characters, and less about romantic entanglements.["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>...more
What I appreciated: Solid writing The political dilemmas A heroine with brains and skills The natural (i.e. unforced) romance It's Firefly/Sereni3.5 stars.
What I appreciated: Solid writing The political dilemmas A heroine with brains and skills The natural (i.e. unforced) romance It's Firefly/Serenity meets I, Robot. I loved both. Great characters (Iko is a very human-like robot with an adorable personality and the stepmother as the villian is someone you can sometimes sympathise with.)
What I didn't like: Did it have to be a retelling of Cinderella? It lends far too much predictability to the story, making certain things too obvious to anyone familiar with the fairy tale. It led me to spot things as early on as 11% in and get frustrated by how slow the heroine gets to the same conclusions I did.
I had to figure out for myself what it meant to be a cyborg through Cinder's experiences but I have no idea if she's "normal" compared to others considering her unique programming and her (view spoiler)[being Lunar (hide spoiler)]. This lack of knowledge also made it difficult for me to understand how human the cyborgs were, despite the law's dim view on the matter.
The cliffhanger. I'm not opposed to it here exactly as it wasn't painful but the ending left me empty and asking "was that it?" And knowing the sequel doesn't just follow Cinder but introduces Scarlet (a.k.a. Little Red Riding Hood), I'm a little wary about how things will progress.
I really wanted this to be a 5-star read and perhaps if Cinder was an all-encompassing stand alone without the Cinderella link (and the associated predictability), it would've been. ["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>...more
I do enjoy a good dystopian, I do. But I have standards.
Any dystopian worth its salt absolutely must have:
Characters to root for The split POV betweenI do enjoy a good dystopian, I do. But I have standards.
Any dystopian worth its salt absolutely must have:
Characters to root for The split POV between the hero and heroine didn't do them any favours. Their personalities are so similar they're practically the same person. Only their differing circumstances told me which POV I was reading.
Robin Hood Day and Maid Marian June are superheroes with superhuman abilities and a penchant for taking risks. They can scale multistory buildings in mere seconds, they possess super sharp eyesight, have excellent strategy and fighting skills and their IQs must match those of Mensa prodigies. Authority figures are there to be disobeyed and humiliated. No rule is too small to be broken. Murder is a line not to be crossed.
These are fifteen-year-olds we're talking about here. Fifteen.
Character growth is non-existent. I don't count the opening of June's eyes because it didn't change her outlook on life, she just channeled her efforts in a different direction.
Did I care for any of the characters? No. They never endeared themselves to me. Both character deaths meant nothing. We didn't get to know them therefore, no shock, no tears.
Solid worldbuilding How did this world come to be? I don't know. Do I fully understand the inner workings of the world as it is now? Not really. It's all very vague. There's a war going on and the baddies, this militaristic government, appear to be winning. But that's all in the background and not the focus of this book.
A worthy cause to get invested in Did I feel outraged by the events in the book? No. It was monotonous. The cause wasn't obvious from the beginning though it became a little clearer at the very end. The trials and the plague were downplayed when they should've been ever-present in the readers' minds for the revelations at the end to be meaningful. Mostly there's just a general disparity between the rich and the poor. Anyway, the more you read, the more predictable everything became. There is, however, a mission to be carried out in the next book, which may end up being far more interesting than this one. Legend may well be a prequel to the real action.
After several attempts to read this it failed to intrigue me, and because it's due back at the library I had to force myself to finish by skimming. I hope no one judges the dystopian genre by this book.
Allison is working in a bookstore when zombies attack sending her and the rest of the staff behind the reinforced door to the backrooms. There they wait for rescue and struggle to subsist on what they have. Allison discovers a wireless internet network and searches for information and other survivors which escalates into blogging her experiences while others from around the world comment. The pace picks up when a zombie squirrel* enters the picture and shatters all illusions of their relatively safe existence thus far, and Allison continues to post as survival forces her to travel.
Personalities and physical descriptions are fully formed. Most of the characters are quite distinct apart from the Black Earth Wives, the remains of a religious community who evolve into faceless, cardboard-cutout zealots hellbent on stamping out the sinners and the damned (zombies) and re-populating Earth by means of kidnap and rape of surviving men and women, and those who refuse are either burned alive or sacrificed to the walking dead. Nice.
Roux/Allison shied away from giving details in certain areas. Apparently being able to clean your ears is more important than having tampons. Things like intimacy and sex are omitted or very briefly mentioned at the wrong moments. Allison's relationship with Collin is ambiguous for a while because not enough information is given. Are they together? Are they having sex? Do they even have condoms? We find out later there was a limited supply of condoms but at a point when this was no longer an issue for Allison.
There's a strong focus on relationships. Allison's need to reconnect with her mother -a cancer sufferer, the trials and tribulations of two marriages and an engaged couple, plus Allison's own romance issues, and the responsibility of caring for children. It get's pretty messy. I'm disappointed by the out the author gives for (view spoiler)[Collin and Allison from his marriage by pairing his wife and nephew up and leaving them elsewhere. It's inexplicable when Lydia obviously wanted Collin. I guess there wasn't time to explore that side of things (hide spoiler)].
Allie makes some understandable mistakes, however, some of her decisions are either TSTL or extremely rash. In particular, her decision to sneak out and leave the group to go it alone, which under the circumstances I can understand why she would want to do this but it seemed an incredibly stupid thing to do and perhaps selfish for depriving a group she's come to know and care about of a valuable resource. Her sadistic revenge on the thief I tried to put down to adrenaline and stress but it's hard to forgive when she had the option to kill rather than torture and maim. Roux appears to realise she's turned the audience against her heroine and has Allie feel remorseful and shock at her own actions at a later date. After this her likability fell through the floor. And her crazy, outlandish heroics fell on deaf ears.
Far more detail is given at the beginning with a slower pace becoming increasingly rushed to a short, summarized ending. Frustrating and unsatisfying. I felt Julian was short-changed and deserved more page time to discover his motivation for leaving his only family and how he felt about it. I'm not even sure we get a proper physical description other than his injuries. (view spoiler)[I was sad at his passing. (hide spoiler)] Mourning deaths is almost non-existent, once they're gone, they're gone although only unnecessary and useless characters die (view spoiler)[except for Julian, a doctor (hide spoiler)]. Zombie cliche alert. "MY SON ATE MY BABY GIRL!" was as close as we got to heart-wrenching grief.
*Eating meat will have to be a thing of the past if animals can be zombified. Also, the human race may be f*cked. Maybe it only affects mammals though. That would explain why the fish and birds seemed unaffected. Then again, the squirrel is the only infected animal we come across. So, can animals be infected, or not?
Dangerous. This book is dangerous and disappointing. I can't tell you about the fury I felt at the very beginning of this book. The propaganda, mythsDangerous. This book is dangerous and disappointing. I can't tell you about the fury I felt at the very beginning of this book. The propaganda, myths and downright lies regarding the science of mental illness that only serve to misinform and hurt the vulnerable, those who live with these illnesses and their family and friends which is a good percentage of the population. Most will be affected by it at some point in their lives. And at this point you should know that my family has been touched by it and I've worked with people from the UK mental health charity, Mind.
In the Nature Vs. Nurture debate, on a scale, mental illness is overwhelmingly more about nurture and environment than genetics. If a group of people, like a family, are subjected to the same stressful environment then they're more likely to develop problems than one living a stress-free life. That has been proven.
The Glimpse's Big 3: schizophrenia, depression and anxiety - Most will personally experience a period of the latter two. Life is hard, that's a fact. You can't just permanently label someone as one of the Crazies for what could be an episode lasting only a few months and then going on to suffer no further problems. It doesn't work like that. Telling someone they're crazy could lead to a self-fulfilling prophecy where they live up to their label and if one hadn't been issued in the first place that person may be otherwise perfectly healthy. The book picks up on this to some extent but it would depend on the perceptiveness of the reader to fully understand the ramifications.
Suffering a mental illness does not automatically mean you're a lost cause. A great many are functional members of society with the help of appropriate treatment and support but here the treatment is horrifying and only hinders and hurts the recipients and could put people off from seeking help themselves. The book states that 40% of the population is Active or "Crazy", a Sleeper (guaranteed to become Active) or a Carrier of the faulty genes responsible. No Pures ever become Crazy. In reality, there are no absolutes.
This is the world Ana has grown up in. To fear the Crazies outside of the walls of her Community of Pures until she's outed as a Sleeper and enters the filthy, neglected and chaotic City (London) and observes the truth for herself. It's only much, much later that she discovers the possibility the Crazy-Pure dynamic is a lie used as a form of social control which just so happens to benefit the evil profit-hungry pharmaceutical companies forcing drugs on healthy individuals and leaving them to self-destruct from the resulting side-effects. But there is far too much doubt regarding the validity of this conspiracy, and comes too little too late for disgusted, insulted and vulnerable readers who may have abandoned the book by now.
The problem is the propaganda spouted by the Pures is too eerily reminiscent of the way society judges mental illness today; with ignorance and contempt for the perceived weakness and potential danger they could pose to others and a need to ignore, dismiss and hide the sufferers away. Anything to distance themselves from the "afflicted". In effect, this book confuses the educational messages mental health charities try to instill in the public by reinforcing the negative and unhelpful perceptions of mental illness in a time of (hopefully lessening) ignorance on the subject. And that's something I can't ignore because this book is being marketed to an impressionable section of society: teenagers -tomorrow's adults. How will they treat this subject after reading The Glimpse?
My anger stayed with me throughout the book but it didn't stop me from acknowledging the vividly realistic future England of the year 2041, the state of global politics and the effects of our Global Depression, the Petrol Wars and the very different transport system, the housing crisis worsened by high repossession rates, the use of cash is outlawed -credit transactions only (big brother), the bankers earning their pitchforks along with their horns, having a personal online presence is mandatory e.g. blogs, the dismantling of the United Kingdom -becoming independent countries once again, the media monopolizing power of the BBC, and the downfall of the music industry and Tesco, etc. It's jam-packed with genius world-building tidbits.
Seventeen-year-old Ana's toxic relationship with her father also had a ring of truth to it. As a character, Ana had formidable strength in the face of an illogical, nay farcical, situation she finds herself in of being the only sane person regularly put under the microscope by none too sane so-called professionals (many of whom enjoy torturing their "patients" and who see everything as a sign of mental illness), unaware of the very pressure they're putting her under would crack the average person faster than you could blink. She's been forced to rein in all emotion, remain composed at all times and conditioned to respond in a calculated manner during all mental health assessments and public appearances for fear of being judged "Active".
Religious people may also get upset with this book as it labels religious belief as a form of psychosis and in this future all religion is illegal because of it's ability to destroy 'every culture that ever existed.' Although there's a hint of the paranormal in the form of Enlightenment Glimpse -the ability to see a short vision, glimpse, of the future used by the only remaining religious organisation which is viewed as a strict brainwashing cult by the Pures.
The love triangle wasn't painful and appears to be resolved in this book. Both men, Jasper and Cole, are older by up to 6 years. For once, I approve of Ana's pick. The ending leaves things open for the sequel (which should resolve everything as Merle has a two-book deal) but it doesn't leave you hanging off a cliff.
Perhaps I'm being overly sensitive due to my personal connection with mental illness. Besides, dystopian fiction takes the negative aspects of society and exaggerates them to the extreme and usually acts as some sort of lesson against behaving in a certain manner. So maybe I have nothing to worry about and have no need to be upset, but then this is just my opinion.
Some may ask me why I read this book after reading the synopsis and knowing what to expect. A synopsis doesn't tell you everything. I have a keen interest in psychology (especially in fiction) and in truth, I assumed some disease had changed human genes somehow and the result altered the nature and development of mental illness. In any case, I'm glad I overcame strong emotions to read the whole book.
WARNING: contains violence, physical and psychological abuse, some gore, and rape.
***My thanks to Faber & Faber and Netgalley for the ARC in return for an honest review.***...more
First, I'd like to apologise for cussing out Mr. Mullin's name for the first third of the book. I told myself it was only a book but it got to me. ActFirst, I'd like to apologise for cussing out Mr. Mullin's name for the first third of the book. I told myself it was only a book but it got to me. Action, terror and death almost from the very first page. I was on edge, longing to shout at Alex to shut up and listen to his woman. I decided to go without sleep at about 33%, sleep is for the weak anyway. I needed closure and I needed it NOW! I saw some of those bad things coming, they were inevitable. But...but...I got scared. Alex + Darla = formidable team, so when they got separated, in a most terrifying manner...MUST READ NOW!
Alex arrived at his uncle's farm in October, it's now April and they're experiencing a perpetual winter. No effort has been made to rebuild infrastructure or establish order. The US still appears to be in political turmoil and rumours abound. Finding Alex's parents and rescuing Darla has us re-tracing their path from Ashfall; passing through another FEMA camp and reuniting with old friends like the fearless old librarian Rita Mae from Worthington (great woman) and old enemies like Black Lake and Colonel Levitov.
"Without children we don't have a future." "Without freedom," Rita Mae yelled back, "why would we want a future?"
When I thought over Alex's actions leading to his separation from Darla and everything up to that point I realised he wasn't just an overly generous softie and arguably stupid (which he freely admits: "I'm too stupid to live. I should have never dragged Darla back out here, not for anything."). The negative adrenaline-pumping and usually deadly consequences could have unexpected silver-linings. He gains allies, information and supplies as well as lessons in future dangers by observing other towns and meeting new people. Like I previously mentioned in my Ashfall review there's a delicate balance of luck and karma. If the characters are praying for something good to happen there may be a miracle but there will always be payment. Nothing is free.
However, I could only hold my breath in desperation and fear for these characters, whilst they were apart, for so long. I couldn't maintain that level of anxiety and slowly I became detached and less interested in what was happening. And so I turned to skimming. Darla was sorely missed although I completely understand how her absence played so well into the plot and the original mission: to find, and if alive, bring home Alex's parents, as well as the subplot involving missing and presumed kidnapped, girls. The way everything just slots into place gives the illusion of mild predictability when really it's a natural progression of events.
I love Darlex (Hehe, that's so Dr. Who but much better than Peniss) having built a strong relationship in the first book (ETA: Emeli Sande's Next to Me describes it perfectly), have it tested and re-affirmed (thankfully) in this one. Absence made the heart grow fonder despite my worry to the contrary.
"If we're going to die anyway, I want to die with you. And if we live, I want to live with you."
I sincerely hope they manage to achieve their dreams of one day marrying and having children when life becomes stable and prosperous. But on a sidenote: those childbirth death certificates were heartbreaking.
I have a new favourite character -Ben. Ben suffers from Autism Spectrum Disorder with social and communication problems, is incredibly intelligent and is an expert in all things military. He's a huge asset. One time he corrects his hostage-takers on their strategy, advising them on how to tighten up their formation. Jaw-droppingly hilarious. I sympathised with Alyssa, Ben's carer and "sister unit", and her attachment to Alex. Oh, that was sad. I was both shocked and as uncomfortable as Alex when she enacted her strategy with the gang. That took courage. She was stronger than she knew.
I've got to give the author props for his increasingly sickening and gory yet realistic portrayals of the fight for survival. Ripping away childhoods and replacing them with the cold, dark and horrifying reality. Showing how any decent and honest person can become an unrecognisable monster. Alex's father may have been on that slippery slope when he does something that requires the suspension of compassion i.e. torture. (view spoiler)[I'm glad that Alex's father finally came to understand Darla's importance after witnessing the changes in his son: his new strength and maturity.
"Responsibility's a cruel bitch. She comes for you whether you want it or not."
His sacrifice was heroic. Both he and Alex's mother had big brass balls playing chicken lighting up that propane tank. (hide spoiler)]
The emotions, action and characterisations in these books are superb. I'm eagerly awaiting the next book. Go, Warren! Go!
P.S. If you ever hear the words "flensers" and "long pork buffet", RUN FOR YOUR LIFE!
***My thanks to Tanglewood Press for the ebook in exchange for an honest review.***["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>...more
The Immortal Rules reinvents the tired vampire genre by adding a post-apocalyptic, dystopian world with zombie-like rabids waiting in the shadows to tThe Immortal Rules reinvents the tired vampire genre by adding a post-apocalyptic, dystopian world with zombie-like rabids waiting in the shadows to tear you to pieces. Kagawa has also brought back the vampires of old as soulless killers who've allowed themselves to lose all semblance of humanity, are allergic to sunlight and can only drink blood. True monsters. None of that sparkly, namby-pamby stuff. This mashup of popular genres works, primarily because the world and plot are complex and the main character isn't stupid or emotionally dense.
Sixty years ago the Red Lung virus wiped out billions of people, reducing the vampires' food source. One master vamp presented himself to the human scientists to help in any way he could, providing them with other vamps as test subjects in order to find a cure. The unfortunate result was rabids -vampires warped by the virus, overcome by their predatory instincts are now violent zombies with only basic intelligence and whose bite spreads the virus further. In repsonse, master vampires created walled off cities which hold the remaining humans like prisoners, forced to work and donate blood to their undead masters and in return they receive food. Unregistered humans who don't wish to live as blood slaves survive by squatting in empty buildings, stealing food, trading on the black market and defending their territory from other groups. A tough life and one that our main character leads.
Everyday was a struggle against starvation for Allie and her small group of Unregistereds, within which were stark contrasts between self-sufficiency and well, the exact opposite. Despite being physically capable Stick is fearful and weak, disgustingly so. He's a parasite feeding off Allie, literally. She goes hungry to feed him, cares for him, fights his battles. Pity and his assumed loyalty seemed to be the only reason he was allowed to mooch. I despised Stick's lack of backbone. Not once did he make an effort to be brave.
As you can tell, Allie has a bit of a soft spot for those in need but she also possesses common sense, she's a survivor -one who tries not to let men distract her or bring her down. There's a goal and she will attain it. By any means necessary. She's not afraid to kill in self-defense but she is afraid of losing compassion, of letting her predatory instincts take over and thereby stripping her of her humanity, her morals. Allie’s adamant she won't become like the vampires she's always despised who treat humans as cattle. She strives to better herself and others in any way she can and hopes to one day have the strength and skill to somehow change the status quo, to perhaps free humans from the stranglehold of vampires. Kanin's philosophy of moderation, and choice and treatment of his victims made him an ideal sire and mentor for Allie. He was brutally honest and practical, teaching her vampire history and how to become a samurai (she's of Japanese descent) with her newly acquired katana.
Allie's journey after she's forced to flee the city is an intriguing one but also mildly worrying when she meets the sickeningly nice human guy with "love interest" tattooed on his forehead. Zeke is part of a small group of travellers seeking the elusive human-run city, Eden. Is it real? Is their leader nuts? Joining them was obviously a bad idea but she was lonely and these people obviously need help hunting food, fighting off rabids and hiding from some vengeful vampire. Keeping her undead status under wraps and her hunger in check she gets to know everyone, feeling especially protective of the children who instantly trust her. When the cat's out of the bag, I loved the fact that Allie doesn't let her injured pride lead to vengeance or abandonment. Luckily for them, she cares for the group from afar which led to some much enjoyed action, death and destruction. The last few pages were full of awesome. A stoic and visually beautiful ending.
I can’t fault the writing style. There were moments when I swore I was watching a movie instead of reading, times like these:
My coat snapped behind me as I flew over the water, and the raiders’ eyes bulged as I soared from one side of the catwalks to the other.
There were also a couple of eerily appropriate Bible verses:
“’Again, I looked and saw all the oppression that was taking place under the sun: I saw the tears of the oppressed-and they have no comforter; and power was on the side of their oppressors-and they have no comforter.’”
I suspect Allie will one day provide that comforter.
And there's the better known: “’though I walk through the valley of the shadow of death, I will fear no evil.’” A very literal valley of death.
I can take a guess where things will go from here. (view spoiler)[I expect at some point Kanin and Zeke will meet for the express purpose of sharing knowledge to find a cure to the virus, whether that will be in Eden, I don't know, considering it's a vamp-free zone. I am slightly anxious about the future potential for lovestruck pining but I'm hoping her focus will be on rescuing Kanin before the torture reduces him to a ravening beast. And obviously Allie’s vampire brother will reappear at the most inopportune time. (hide spoiler)] I’m curious enough to find out what happens next to read the sequel.
I frowned, utterly confused. What kind of vampire killed four people, had a cryptic conversation with a street rat, thanked the street rat for talking with him, and then walked off?
'I was dying. I was dying, and this stranger-this vampire- was offering me a way out. Die as a human, or become a bloodsucker.'
‘Will you choose to become a demon with a human face, or will you fight your demon until the end of time, knowing you will forever struggle alone?’
“I’m good to go,” I said, holding my sword. “I don’t have anything except this.” It was kind of sad, really. That I’d lived in a place for seventeen years and had nothing to show for it but a sword and the clothes on my back. And they weren’t even mine.
“And like I said, if the tent falls on you in the middle of the night, don’t panic. You’ll get used to it. No one really worries about keeping things erect around here, and...Wow, that sounded bad.”
‘A large bed sat against the wall beneath a broken window, curtains waving gently in the breeze. On the worm-eaten mattress, two adult skeletons lay side by side, the remains of their clothes rotted away. Between them was a much smaller skeleton, being held in the arms of one of the adults, cradling it to its chest.’
“Allie, you’re a beautiful, exotic-looking vampire girl with a katana. Trust me, if anyone is going to attract attention, it’s not going to be me.”
***My thanks to Harlequin for the ebook via Netgalley in exchange for an honest review.***["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>...more
Seeing is believing, right? But what if what you see and experience isn'Reads like a mixture of Across the Universe, The Matrix and The Twilight Zone.
Seeing is believing, right? But what if what you see and experience isn't real but lies? You've been told the world outside is toxic. The cameras show a sick brown and grey wasteland though the old books show it should be green and blue. Criminals and volunteers are forced outside to clean the cameras before they succumb to the poisonous atmosphere. Three years earlier Sheriff Holston's wife volunteered believing they'd all been fed lies and the life they're living isn't real, that she won't die once outside and promised to come back for her husband. He's tired of waiting for her, he's decided it's time to take the ultimate risk......more
Incredibly sweet and sensitive story involving the traumatised Tami escaping a horrific situation, pursued by Tracker who was hired by her rapists toIncredibly sweet and sensitive story involving the traumatised Tami escaping a horrific situation, pursued by Tracker who was hired by her rapists to find and return her to them but upon discovering the truth protects and defends her instead of delivering her back to them.
Super strong opening chapters with a premise similar to TV’s Dollhouse which although interesting, threw up more questions than answers.
Starters shineSuper strong opening chapters with a premise similar to TV’s Dollhouse which although interesting, threw up more questions than answers.
Starters shines the spotlight on a section of society which is sometimes overlooked or given the least respect but which will in future be the most powerful: the old. One day there will be fewer young people to support the ever-increasing number of elderly citizens, and here we can see how things could change in their favour.
Starters are under 19 years of age, those just starting out in life and Enders are the elderly. The generations inbetween have all died after biological warfare prompted the vaccination of the vulnerable –the old and the young, leaving those in the middle to die prolonged and agonizing deaths.
From the technology available I would guess we’re about 50 years in the future in a post-war America. The reasons for the war aren’t given. All we know is that Pacific Rim countries were involved and that America used an EMP weapon on them and they retaliated with a biologically engineered disease –game, set, match.
The age gap creates a huge gulf between the Starters and Enders. Old legislation addressing the increasing aging population means anyone under 19 cannot work and the large numbers of unclaimed minors whose family have died are unable to legitimately provide for themselves. Orphanages are basically workhouses with inmates treated as prisoners; no one wants to end up there. Squatting and thieving is how most get by, dodging the child-catching Marshals whenever possible. Adoption or fostering seems non-existent. Enders don’t care about Starters unless they’re family. I find this surprising because many Enders would’ve lost children, relatives. Some may be the last members of their families. Hasn’t loneliness spurred any to seek adoption?
The story follows Callie, a Starter, who lost her parents to the war. She has no grandparents and is forced to care for her 7-year-old brother by herself with a little help from Michael, a boy who used to live down the street from her pre-war. They’re currently squatting in an abandoned building practically starving. She can’t bear to watch her sick brother lose any more weight so she visits the not so ethical or legal, Prime Destinations, a place which rents out the bodies of teenagers to Enders who pay large sums of money to feel young again. If she does this she’ll have enough cash to pay for a home and medical care for her brother for the next few years.
For obvious reasons Callie’s reluctant to do this but she has little choice. Unfortunately things don’t go quite to plan, Callie suddenly wakes up in a nightclub instead of the lab and finds out the renter of her body wishes to murder someone. Scared, she pretends she’s her renter to safeguard her payment and attempts to stop her renter from committing this crime which will no doubt lead to her own execution.
Along the way she encounters other renters taking full advantage of their new temporary bodies and think nothing of stealing the lives of the body’s original owners. They take the old adage ‘Youth is wasted on the young’ to heart. These privileged Enders are selfish and greedy. The predatory gleam in the eyes of those at PD were quite creepy, eyeing up the young like they’re cattle for slaughter, salivating at the thought of inhabiting their supple bodies and smooth, wrinkle-free skin. *shudders*
These Enders aren’t your average old people. They live to 200 years old and appear to have no health problems due to advances in medicine, odd because not all Enders are rich and the last time I checked medical care wasn’t free in America so how come none of them appear hampered by age. Sure, some have wrinkles (and others get cosmetic surgery) and watery eyes but no problems running or experiencing a full working life.
Carrie also finds herself spending time with a handsome and rich teen, Blake. Her Prince Charming. Whenever she’s around him the urgency of her predicament, racing-against-time to stop the murder, fades into the background. A day out horse-riding with him and she forgets her responsibilities and starts comparing herself to Cinderella, wondering if the girl from the fairy tale ever considered telling her prince she’s a fraud. I never understood Blake’s appeal considering the over-familiar way he behaves, acting like they’re closer than the strangers they are. And Callie’s ambiguous relationship with Michael –are they more than friends? Even at the end it isn’t clear. Is a love triangle on the horizon?
Reading about how vaccinating the old and young from something so deadly implies this is the wrong course of action generally. Yes, the elderly are an invaluable source of knowledge, wisdom and experience but in a situation where you have limited resources and a serious biological threat, is protecting the weakest to the detriment of the strong really the right decision to make? In this case it left children without parents, manual labour is carried out by those children because the elderly were either too frail or simply felt they were above such work.
The plot is interesting if slightly predictable and the characters are quite thin, I didn't feel particularly attached to any of them. I did have some problems understanding the technology either because we’re given names of something but not what it does or because something we all ready have has been rebranded e.g. Z-mail a.k.a. e-mail, Zing a.k.a. text message –took me a bit to figure that one out. The focus of the book is on the very rich and the very poor Starters but we don't get to see those in the middle, nor do we see any poor Enders. The last page was intriguing but I'm not sure if I'll read the sequel for one reason: the possibility of a love triangle. The rest I believe will be developed and improved upon but I can't abide love triangles.
***Many thanks to NetGalley and the publisher for providing me with a copy of this book in return for an honest review.***
I doubt I'll ever finish this book. Just not to my tastes. There were some intriguing bits but it was too slow and I'm not really interested in US polI doubt I'll ever finish this book. Just not to my tastes. There were some intriguing bits but it was too slow and I'm not really interested in US politics -instant Zzz's.
Dragons. So that's what the Mayans were talking about. 2012 is the year of the fire-breathing, human-killing dragon. It's true. The Chinese came to thDragons. So that's what the Mayans were talking about. 2012 is the year of the fire-breathing, human-killing dragon. It's true. The Chinese came to the same conclusion.
Previously thought to be mythological beings will rise up and decimate the human population. The best of the best of the military, the Marines -the epitome of "Protect and Serve" decide it's survival of the fittest and seem to believe the marauding Vikings had it right: rape, pillage and plunder, and occasionally slay a dragon.
25 years on and their actions have wiped out many a surviving community. There are rumours about: a) the Marines stealing not only resources and women but dead bodies too, and b) the existence of Dragon Warriors, men who wield heavy swords made of diamonds -the only weapon that can pierce their tough hides, supposedly used by the Marines. This puzzles and upsets Rain, our protagonist, of the survival camp, Sanctuary, when it appears disturbing and sinister things are being done she stumbles onto startling information as she attempts to follow through on a promise to a loved one.
The cover + dragons + post-apocalypic dystopia = must read for me. I loved the concept, the history and the world-building, but the Dragon Warrior's personal revelation and his response to it was too fast as was his love-at-first-sight which as a result was a little cliched and over-the-top. However, considering the shortish length of the book it's understandable. I liked Rain, she's tough and hard to fool. Give her a challenge and she will succeed. She's no wallflower, she won't wilt in the face of overwhelming odds or a troop of Marines planning on gang raping her. Eek.
The end...I can only assume who...and how...and hope there's a sequel.
Whether you believe climate change is man-made or not is immaterial, the point is it exists inside this book.Dark Life, The Little Mermaid in reverse.
Whether you believe climate change is man-made or not is immaterial, the point is it exists inside this book. Anyway, uniquely set “Under the Sea” in a starkly plausible dystopian future with a plot which delves deeper into this unsettling world. Unfortunately, I could’ve done without the tacked-on romance.
Fish out of water, young Ariel Gemma meets Prince Eric Ty on her mission to find and join her long lost elder brother after they were separated in an orphanage years ago and is rumoured to be working in an underwater settlement. As a Topsider (a land resident) she’s blindly stumbling about unaware of the dangers of travelling alone. Ty becomes her guide as a lifelong subsea resident and as the only teenager in the still growing marine community he’s eager to spend time with someone his own age by showing her around his world.
We learn Earth is in a warm stage; icecaps have melted, sea levels have risen and large swathes of low-lying land are underwater. Space is limited. Privacy is a luxury no one can afford until the advent of Liquigen bringing with it the ability to breathe underwater and withstand the pressure, and the development of underwater settlements which farm much needed food for those left on land.
One problem, the prejudiced attitudes towards those who’ve chosen this new lifestyle. Rumours abound about what living down there does to you. People believe prolonged submergence will lead to the development of abnormal abilities and have labelled people with them Dark Life, though no one has actually owned up to having these powers. On top of this, pirates are plaguing supply vessels to and from land putting underwater residents on edge.
The world-building is amazing. The exotic fish, the fear of sharks, the inventive underwater architecture, bubble fences etc. It’s wonderfully imaginative.
I have one bone to pick with Dark Life and it revolves around the topics of gender and romance.
“Ty collected all of it himself.” ~ page 66
The protagonist is male? This gender reveal isn’t intentional. It plays no part in the plot. I had no idea. I assumed Ty was female and we were in for a rare treat. Two girls join up for a death-defying adventure. I wouldn’t be surprised if Ty was originally female and the author was instructed to change that and make him “Kiss the Girl” in order to make this baby more marketable.
Ty didn’t feel male. His interaction with Gemma didn’t say male-female relationship. Some effort was made later to masculinise Ty but I didn’t fully believe it. Ty’s physical description beyond “I sparkle” (don’t worry there’s a perfectly legitimate reason for it -eating lots of luminescent fish) is also lacking.
These “Poor Unfortunate Souls” should not be forced together. They had little chemistry. I didn't like it. They were friends, we didn't need more.
So, terrific worldbuilding, not the best conspiracy plot but it successfully drew us further into this intriguing future scenario. Thin characters. Beyond her mission there isn’t much to Gemma other than her fascination with and envy of Ty’s life compared to her cramped packed-like-sardines love-deprived existence on land. Ty is more fleshed out as a collector of the artifacts he finds, with hopes and dreams.
If Liquigen is invented...Indian Ocean here I come! Warm waters for me. Not Atlantic or Pacific –positively arctic in comparison. Although I am a bit claustrophobic. Hmm. I'll give this series another shot, hoping the characters are better developed with the excellent world-building out of the way....more
Touch of Power may be mildly similar to Poison Study which does bring in an element of predictability but it doesn’Please, Sir. May I have some more?
Touch of Power may be mildly similar to Poison Study which does bring in an element of predictability but it doesn’t feel repetitive. This world is far larger and more complex than that of the Study trilogy.
Avry has been in hiding and on the run for 3 years and she's tired of it. After people blamed the spread of the plague on healers, they're captured and executed whenever they're found. However, Avry can't stop herself from healing fatally ill children and each time she does she must move on in case the child's parents turn her in, though this time the sickness she's assumed overcomes her and she's captured. While in prison awaiting execution she's approached by a man called Kerrick who breaks her out so she can heal his "friend".
Unfortunately this friend is hundreds of miles away and with a bounty on her head the journey is dangerous even with Kerrick's men accompanying them. When Avry is informed of who she's to heal, she refuses because it's a prince accused of inhumane crimes. Assuming his illness, the plague, would mean certain death for her. Sacrificing her life for a child is one thing, they're innocent but for a cruel and powerful man -no. Kerrick reacts badly, punishing her until she changes her mind. She's too stubborn so they try to change her mind in other ways while they travel.
On the journey she gets to know each man, saving her hate for the mysterious Kerrick. They teach her survival and fighting skills so she can defend herself. Along the way they begin to understand more about the plague, it's link to the sentient network of huge human-eating venus flytrap flowers and the healer's guild. They also encounter a real madman, Tohon, who can influence and read thoughts and emotions using it to gain more territory and power. His experiments are nightmarish and genocidal. Politics and intrigue ensue. There are many fighting for power in the game of thrones kings in this post-apocalyptic fantasy.
The hundreds of miles Avry & co travel, and on foot, makes my feet ache in sympathy. I thoroughly enjoyed the world-building and Avry's journey spanning about 6 months. I loved the high level of detail involved and the intricacies of the characters' magical abilities. I laughed at the Men in Black moment when Avry shouts “Eat me!” to the mutant plant. In fact, I did a lot of laughing. Avry and her merry men grow to be a tight-knit family who jump at the chance to tease, compete and help each other. I was sad when a character died but I have a feeling we’ll see them again though I’m worried about how they’ll be changed by the experience. I wish I had a Papa Bear and friends like these who'd die for me if need be, and vice versa.
Kerrick and Avry's relationship develops and evolves slowly as he learns how to handle his emotions. His desperate 2-year search for a healer and Avry's stubborn refusal turns him into an unlikeable man but with the persuasion of his men he pushes back his anger and gets to know Avry and comes to understand what makes her tick. He shares his skills with her and they come to find they can share and enhance each others magic, something they never thought possible. I enjoyed their slow-burning combustible chemistry, Kerrick's jealousy and finally his realisation that not every woman is like his ex Jael.
And can I just say I love these covers! It’s rare when I want both. One shows pure grit, determination and “power” (LEFT). The other, the delicate yet beautiful effect a “touch” can have (RIGHT).
I definitely look forward to the next installment of this series. Bring it on!
***Thank you to Mira Books for the ARC supplied via NetGalley for an honest review***...more
Holy fucking shit, Batman! Holy fucking shit! *SPLAT!* My brain has exploded. I am blown away by the awesomeness of this little book.
Firstly, I owe aHoly fucking shit, Batman! Holy fucking shit! *SPLAT!* My brain has exploded. I am blown away by the awesomeness of this little book.
Firstly, I owe a huge thank you to Lyndsey's review for inspiring me to read this because HOLY CRAP, HOOOOLY CRAP! This is the dystopian book to end all dystopian books. Doesn't matter if you think this sort of thing isn't for you, or if you're disillusioned with the genre.
At the very least this book will make you THINK. Think about the state of humanity, its limitations and where it is heading. Think about the pursuit of happiness, our curiosity, our technological advances. If the world ended as we know it tomorrow and we had a chance to start again from scratch, could we truly create a utopian society? Could we succeed in creating something we could be proud of? Or are we a doomed species hopelessly cursed to repeat the same mistakes?
Brain power is needed to read this, especially for the Third Hour chapter because damn if that wasn't a mind-bending philosophical debate regarding what it is to be human. I had to take a break to recharge the old batteries and when I returned to it...the jaw dropped and I had to re-read a paragraph because OH...MY...GOD I did not see That coming, That was a game changer, It brought a whole new meaning to what I had read.
Genesis is a small book, an expensive one, so expensive I decided to borrow it from the library but I must have a copy. It's absolutely worth the money. This book may be less than 200 pages but you could write a dissertation on it. Seriously.
Don't read up on this book, don't research it, just find a copy and read the hell out of it. Go in blind and discover for yourself the reason why I have given this the highest possible rating....more
A post-apocalyptic western with a touch of sci-fi and the paranormal. No speech marks and a writing style that does not include good spelling, punctuaA post-apocalyptic western with a touch of sci-fi and the paranormal. No speech marks and a writing style that does not include good spelling, punctuation or grammar. You might be enticed by the former and horrified by the latter but it’s okay, seriously, don’t be put off by it. I didn’t notice it after the first few pages.
In case, I’m losing you and you’re thinking this isn’t for you, it has: Cage-fighting Giant killer worms Strong female characters (Feminists, you will love them) A male love interest with balls, not just empty sacks.
Saba’s voice and personality are unique. She’s a strong woman with flaws. Real flaws. But she’s also extremely loyal and vulnerable. After horsemen attack her family and kidnap her twin brother Lugh 18-year-old Saba cares about nothing and no one but getting him back. She pushes everyone away. She doesn’t have time to make friends or allies - they’re only means to an end. Finding Lugh is everything. Nothing else matters. Or does it?
I was worried about Jack. At first, I thought he was going to be the typical weak YA hero bringing lovey-dovey romance to the book which would’ve been inappropriate but I needn’t have worried. Jack oozes charm and provides light-hearted banter but there are moments when you see his deeper side. He confronts Saba with the truth about herself, forces her to face it, and it hurts. It hurts a lot. He says her 9-year-old sister Emmi would be better off with him than Saba because she cares so little for her and her feelings.
Saba’s never been able to forgive Emmi for killing their mother during childbirth and as a result breaking their father’s heart and robbing him of his sanity. Many times she’s tried to leave Emmi behind with someone she trusts to keep her safe, like she promised her father and brother, during the immensely dangerous journey over wasteland and through barbaric towns but Emmi knows Saba will never return so she always catches up to her. She endures Saba’s mean streak, she stubbornly wants to help find Lugh but she suffers for it. And that’s when Saba starts to realise how badly she’s treated Emmi, when she’s forced to watch someone beat her, unable to protect her, when Jack shows Saba how to patiently interact with Emmi without constantly berating her. Before, Saba only had a twin brother and now she finally has a little sister. It’s heart-warming. I loved it.
Saba gains friends in the Free Hawks, a group of female bandits but she won’t accept their friendship and loyalty. If someone’s going to risk their life, it’s going to be her and her alone. It’s her mission, no one else’s. Even Jack, who you can tell is desperate to get close to Saba is pushed away, often physically. He’s a brave man, chasing a dangerous woman. Saba won’t allow herself feelings for anyone because she’s afraid it will make her weak and distract her from finding Lugh.
Apart from the expert characterisation and development, the writing itself is exemplary. It’s emotive and though some might say it’s sparse on description you still feel the burning hot sun on your skin and know the loneliness of the deadly unending desert. You fear for Saba’s safety, knowing she’s grown up in isolation, and you’re just waiting for something terrible to befall her. It’s intense reading to begin with, building up to something, you just know it but I never found the explosions I was looking forward to; of passion, of realisation, of relief. It didn’t quite happen for me. I think more could've been made of the occasions when lives were in danger and of the grief when they were lost, like it was in the beginning.
And the end left me wanting. Everyone went their separate ways. The characters may have grown but I thought they’d learned that being together as one group meant they were stronger as a whole so I expected them to remain together at least until the fallout of recent events blew over.
As for the plot, saving Lugh involved a deadly superstitious ritual by an insane power-hungry king who rules by doping his police force (the Tonton) with a drug called Chaal, grown by slaves who are also under its influence, and sold to the general public. In small amounts it gets you high –slow and calm, in higher doses it makes you feral, rabid, blood-thirsty.
I didn’t envision the book taking the turns that it did. There were too many convenient coincidences and the need to defeat a crazy dictator, predictable. At times all this felt ludicrous but I tried to keep in mind that there is no “society” now. No infrastructure to speak of. No law and order. It was every man for himself. It was dog eat dog. The survival of the fittest. Any man could build an empire and call himself a king. We’ve regressed back to the times of the Wild West, perhaps even before then. The height of technology is the bow and arrows. Anything more advanced is regarded as “Wrecker tech”. The Wreckers, I’m assuming, is us now. I’m presuming something wiped out much of the world’s population and people left the cities for the country in order survive on the land. I’m got the feeling that this is set in either Australia or the US because of the skyscraper graveyards and the vast deserts.
The paranormal elements are mysterious. You’re not quite sure if they’re real or silly superstition, for instance when Saba’s father reading the future in the stars, or the Heartstone that remains cold until you meet your heart’s desire, when it burns hot. The giant killer worms are mutant creatures evolved from the dumping of illegal chemicals into a mountain lake back in Wrecker times, are mucho scary.
Despite my gripes with this book, I do think it’s worth reading. If you liked Katniss’s strength and survival instinct in The Hunger Games, enjoy the depiction of REAL men and characters that experience tough times and grow from them, then this is for you.
ETA: I've just seen "Tremors". Giant killer worms, people, giant killer worms! They will get you in the end. I see where Young got her inspiration. ...more