Got a full dose of early pulp science fiction with this, and concluded that it's definitely not my thing. Sometimes it's silly in a fun sort of way, bGot a full dose of early pulp science fiction with this, and concluded that it's definitely not my thing. Sometimes it's silly in a fun sort of way, but mostly I just find it silly. Depending on your reasons for wanting to read this, it might also be worth noting that, although all the stories are written by women, only a few of them address feminist or gender issues. Most of them have male protagonists, and some don't have any female characters at all. Which is not to say that I think female writers have a duty to write feminist stories; I don't. It's just that the title of this anthology suggests that the stories will be gender-conscious, when it's really more like a collection of pulp sf that happens to be written by women, without any particular theme. If, like me, you're interested in the gender stuff but you're not really a fan of pulp, it might not appeal to you either....more
A very strong collection. I enjoyed most of the stories, and none of them left me feeling completely cold. My favourite: The Permanent Collection by VA very strong collection. I enjoyed most of the stories, and none of them left me feeling completely cold. My favourite: The Permanent Collection by Veronica Schanoes. The editor specifically avoided any stories about evil dolls as being too much of a cliche at this point, so the stories explore dolls and horror in all sorts of interesting ways....more
I'm not going to review this on my blog, because it's just not worth the time and effort it'll take. The Monster's Wife bored me from beginning to endI'm not going to review this on my blog, because it's just not worth the time and effort it'll take. The Monster's Wife bored me from beginning to end, to the extent that I'm not even interested in ranting out a negative review. I expected that the plot would be very slow, but I assumed the book would be driven by twisted psychological portrayals, tense relationships, and uncomfortable intimacies. But mostly it's just Oona the outcast running around the island without achieving anything, and devoting herself to Dr Frankenstein for very thin, vague reasons. You know exactly what Frankenstein is up to and that it will end badly, so there's no mystery (although Horsley does end up rewriting the end of the story to make it more interesting). If the many atmospheric descriptions of the island or the many tragic descriptions of Oona's loneliness and physical discomfort can sustain you, then you might enjoy this. I just found it incredibly disappointing....more
Uninspiring characters and a twist so obvious that it's ludicrous that none of those Nobel-prize-winning scientists could figure it out themselves. ThUninspiring characters and a twist so obvious that it's ludicrous that none of those Nobel-prize-winning scientists could figure it out themselves. There are a few interesting bits of alien culture and I like the way it converges with Noah's story arc, but more than anything this book feels like a heavy-handed critique of human nature and society, particularly American society. While I'm inclined to agree with that critique, it fails to breathe life into this rather clunky story....more
This sounds like it could be extremely boring – one lone man going about the very practical business of surviving on Mars without even the drama of alThis sounds like it could be extremely boring – one lone man going about the very practical business of surviving on Mars without even the drama of aliens or something? Sounds too much like a documentary. But it works. Not just works, actually - it’s also interesting, tense, exciting, funny, and emotional. It doesn’t need aliens because surviving alone on Mars is insane enough. It does drag at times, but it still manages to be a more entertaining read than many books that have a lot more to work with.
So, what makes it good? Mark’s character plays a huge role in that. One of the reasons he has a chance of surviving on Mars is that he’s an amazing problem solver, and a large portion of the book is devoted to the mission logs where he describes how he survives. This sounds like one of the most potentially boring parts, but even as someone who hates the rigour of hard sf, I found it very interesting and impressive. He specifically states that he’ll explain how Mars missions work just in case a layman reads his logs, and he sticks to that style throughout.
Mark is a botanist and engineer, so it’s not long before he’s figured out how make water FROM SCRATCH and turn his habitat into a potato farm. He sorts out his air supply and modifies his rover for long-distance travel. On the downside, he also turns his habitat into a bomb and causes an explosion by breathing, but that’s all just part of the thrills of life on Mars. In many ways, this book provides a basic education on how complicated and dangerous space travel is.
I couldn’t tell you how accurate it all is, but it certainly gives the impression of being completely accurate, which, for sf fans like myself, is really all that matters. Admittedly I didn’t always understand exactly what Mark was doing, but the how and why are easy to understand and that’s good enough. Yes, there’s a ton of science and maths, but Mark keeps it manageable.
The other thing that helps Mark survive and make the book readable is his sense of humour. He’s always making little jokes or framing his life-threatening endeavours in amusing ways. It keeps the tone light, keeps Mark motivated, and is often laugh-out-loud funny. I love how he complains that he’s stuck with disco music and crappy 70s sitcoms for entertainment, and how he explains that, according to international law, he is in fact a space pirate. This kind of stuff is is essential. His story could be very depressing and the realism of it suggests that Mark could die before being rescued. The humour saves it from that fate.
It could also be bogged down by Mark’s emotional and physical suffering but, thankfully, there’s very little of that. Most of Mark’s narrative is made up of mission logs, which means he chooses how to describe his experience. He focuses on his methods of survival, throws in a lot of perfectly justified bitching, and makes jokes, but he very rarely feels sorry for himself or wallows in the wretchedness of his situation. If anything, he survives because he’s the kind of person who doesn’t fall into that trap. It’s quite possible that he gets depressed and maudlin, but he doesn’t make the reader suffer through that too.
Another thing that makes this a good book narratively, is that it’s very well paced. We alternate nicely between dilemmas and triumphs, between great worry and huge relief. When Mark’s narrative starts to get a bit tiring, we suddenly go back to Earth where an observant engineer realises that Mark is still alive. That adds another dimension to the story, and from then on we move back and forth between NASA and Mars. It becomes quite a page-turner.
It did drag for a bit in the middle though. When I hit the halfway point I was so ready for Mark to be rescued, and I was a bit depressed by how much book I still had to get through. After a while though, the story climbs out of the rut and gets interesting again, as we move closer to what will either be Mark’s rescue or his death.
There is one thing I wondered about that the novel only mentions in passing – the public’s reaction to the cost of saving Mark. It costs tens if not hundreds of millions of dollars to save one man (albeit a highly intelligent and skilled man whose experience constitutes unprecedented research). On the one hand, it’s an incredible story and people all over the world are following closely and hoping for a happy ending. I was hoping desperately for a happy ending too. On the other hand, it seems easier to get money and resources for this than, say, public health care, housing for the poor, environmental protection, etc. It’s mentioned that people start asking how much is too much, but that’s really all the book has to say about it.
Admittedly though, that issue might have hindered rather than helped what is already a (mostly) excellent story. I’ve heard that the movie rights have been sold and I think this would be fantastic on the big screen – all the tension and humour of the book, with a stunning visual component. That’d also complete the indie-dream that is this book – it started out as a free story on the author’s website, then he sold a Kindle version on Amazon for 99c, it got picked up by a major publisher, and film rights were sold. How awesome is that? But deservedly so. Well done Andy Weir :)