Like I give a shit what Jocelyn is wearing. Or about Jocelyn at all. The woman is annoying as hell and needs to either go back into a coma, or just diLike I give a shit what Jocelyn is wearing. Or about Jocelyn at all. The woman is annoying as hell and needs to either go back into a coma, or just die a painful death. After (view spoiler)[ Clary murders Jace (hide spoiler)], Jocelyn hops over and tells her to, and I quote: (view spoiler)["Let him go." Um. Are you kidding me? Let him go? After about twenty seconds? After Clary just killed him? (hide spoiler)] Ohhh, kay, Jossy, sure. You're a damned idiot, and I hate your type. You're like Sophie, making good people (that you don't even know) out to be villains of your past with no proof whatsoever other than her own idiocy.
Clary isn't much better. She has two modes: thoughtless badass and thoughtless weakling. Neither is appealing. She's just missing something as a character, and comes off as cold and hard.
I was pissed about Jace's mind-control gunk this whole book. Boring. I like Simon a lot. Isabelle more than usual. Alec, despite his TSTL moments. Magnus, just because. Jordan because of a certain pair of boxers. Maia is even growing on me because at least she's warmer than Clary and doesn't act all fluttery and up herself. Also, Clary is a sucky friend. Simon goes out of his way to help her every second, and when does she ever do that for him? She never can bother to ask how he's doing.
Most of the scenes just seemed so...pointless. It was like reading mostly filler.
I'm finding this a little disturbing, but I don't even like Jace that much anymore. He's way too whipped. He's not a man anymore. He's just...the person who loves Clary, spouting cheesy love lines that make me roll my eyes. Even when he was being "arrogant," it seemed more like he was just saying that stuff out of habit, when really he just wanted to gush about Clary and get all gooey and icky.
Also, Sebastian. There was just way too much of him. There were more scenes of Sebby/Clary than Clary/Jace...and they basically had more freaking action, too, which is just...wrong.
I'll read the next one to see what happens, but...my excitement is gone. As for Brother Z...people think he's Will or Jem, but I have another guess (someone not from ID). Anyway, that would be sick if it was one of them. No really. That would like, scar me for life. *shudders*["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>...more
Four stars because it's THIS series, but if it were another series...it would get three stars, max.
1. Eden is an immature, stupid, impulsive child. IFour stars because it's THIS series, but if it were another series...it would get three stars, max.
1. Eden is an immature, stupid, impulsive child. I expected her to mature in this book. I expected her to beg for Izzy's forgiveness. Instead, Brockmann throws in a bunch of excuses that supposedly let her off the hook. And, Izzy does SO MUCH apologizing to Eden!!! Over and over he has to apologize to her! She does completely stupid things and then he has to apologize to her for calling her on it. Any time she doesn't get her way, she runs away, often into danger. Izzy deserves better. All she has to do is cry (which happens in pretty much every scene)--AND, Brockmann constantly tells us that Eden is "stoic" and hides her emotions.--um, in what world are you living!?!?!?!! This "woman" bursts into tears every five minutes and then runs away, slamming doors like a toddler.
2. Ben. He was fine at first, but then he started acting all self-righteous, bossing people around and telling them how to live their lives. One of my biggest pet-peeves is when a side character butts into the business of the two MCs, telling them how to act, and it's even worse when it's a freaking KID telling them! What right does he have??? AND THEN, there's the thing he does toward the end: (view spoiler)[Goes out to get himself kidnapped! The idiot! HE KNEW baddies were after him. (hide spoiler)]
3. The cliches. In 99.99% of romance novels, at least one character threatens the life of the hero - "I'll kill you if you hurt her" etc... Why does that have to be in EVERY book? I find myself waiting for it to happen. Is it in some rule-book?
HOW TO WRITE A ROMANCE NOVEL 101
Step 1. Make the heroine a whiny, I-turn-independence-into-bullheaded-idiocy, immature b**ch.
Step 2. Have at LEAST one character threaten to murder the hero for no reason whatsoever.
Step 3. Throw in a stupid kid who acts more like an adult than the heroine, then have him boss the MCs around, telling them how to live their lives (since we all know 15-year-olds know EVERYTHING about relationships and totally have the right to tell adults what to do, since they clearly are smarter).
Step 4. Remember that heroine? Yeah, make sure she bursts into tears in EVERY SCENE! You can't have a strong heroine unless she also has a vulnerable side, aka she tends to act like a 10-year-old. Also, be certain that the heroine's tantrums lead to the hero begging for her forgiveness, even though he's done nothing wrong.
Step 5. If you're going to have two couples, this is what you should do: Make ONE of the men likable, and ONE of the women likable. You CANNOT have more than TWO likable characters. This is important. You don't want your readers to like or relate to the characters.
Step 6. The UNLIKABLE hero, aka Hero #2. Make sure he's an a-hole up until the VERY LAST PAGE. Have him hold onto irrational anger and hatred for no reason. He needs to INSULT his heroine, too, and make her feel insecure. Also, he absolutely HAS to hate the other hero and heroine for no reason. Preferably, have him call the other heroine a whore or slut throughout the book.
Step 7. Let the "other" heroine get her revenge on Hero #2. What you want to do is set it up so she thinks Hero #2 is physically abusive, and have her accuse him of this to his face for extra drama - be sure the whole situation is unrealistic. For example, set the scene up like this:
Hero #2 is attempting to push his heroine out of his path, but then somehow he accidentally punches her in the face. Now, we know that her shoulders are not on the same level with her face, so we also know this is borderline impossible. Perfect! I know I grab someone's shoulders with clenched fists! All the better to GRIP onto said shoulders!
Step 8. Continue the theme of Heroine #1 throwing pity parties for herself, and have this lead to the hero apologizing to her some more. Now, this is very important, so read carefully: It is ESSENTIAL that the heroine come off as ridiculous, self-pitying, immature, whiny, stupid, and ungrateful. AND construct it so your readers are on the hero's side, but then have him grovel anyway. Why? Readers LOVE when books make them so mad they want to rip out their own hair. In addition, have the heroine say something like "You are not allowed to look at me anymore" while screaming at the top of her lungs in one of her tantrums, but ALSO have her boss the hero around to make her a hypocrite, 'cause who doesn't love a hypocrite? AND, have her say "I hate you" to her hero over and over, like a little kid. Remember, make her A TOTAL witch. Have her cry while she's being a witch so no one can get mad at her for said witchiness.
Step 9. Throw in an irrelevent subplot just because you can, and also to add more drama and force the book to be bulkier. Have the subplot be really, really annoying, and have it go nowhere until the VERY end. Make sure each time you switch to the subplot, you essentially write the same scene over and over. For example:
Create a little illegal immigrant girl. Have her evading baddies. Every time she's on the scene, make sure she's either A. running away from baddies, B. running away from the good guys, or C. spying on the baddies. Try to make all the scenes feel the same, and make the girl have the same exact thoughts during every scene, too, because readers like to be bored and annoyed at the same time.
Step 10. Sprinkle in little things here or there that are sure to annoy your reader. Have your likable hero portrayed as the bad guy and your unlikable heroine as the good guy. Have your likable heroine forgive your unlikable hero for everything he does after he says "sorry." Don't have him elaborate.
Step 11. Your unlikable heroine must also be REALLY FULL of herself. She must constantly think about how beautiful she is. Have her dwell on how she can never get a job, because no matter where she works, guys will be pawing her. Have her say the only two places to work are McDonalds or a strip club. No other stores exist. Now, we all know pretty women go to work all the time without getting pawed and having hands stuffed up their shirts, but that doesn't matter because we want this to make no sense. We want readers to be thinking: Well, I'm considered pretty...why don't I have this problem? Or, I know someone gorgeous, why not them? WELL, because NO ONE is as beautiful as EDEN! DUH!
Step 13. Give the unlikable heroine a long, drawn-out, extremely ridiculous sob-story so all the characters will think she's awesome! As a bonus, have every single male character in the book, save for Hero #2 and his little gay brother, be a pervert who forces the heroine (view spoiler)[into some type of sexual situation. (hide spoiler)] Have these sexual situations be unavoidable and make her be seen as a hero.
Step 13. In the end, have your unlikables both be just as unlikable as they were at the start. Maybe give them a few moments of nice, smart, kindness, but then forget it! They're back to being jerks.
Step 14. Have this book be the last in the series (for now, at least) so that people will already like the series, and won't be able to give it a low rating, since, well, THEY LOVE YOU!
Love Izzy and Jenn. Hate Dan and Eden. I did enjoy the book because I love this series and like I said, Izzy and Jenn. Dan had a few redeemable moments, while Eden had maybe one, but all the same it WAS interesting, and there were moments I really enjoyed. Plus, Izzy is hilarious. It so completely annoyed me, though, hence my 101. That being said Brockmann's talent is in creating unique, stand-out characters, whether they're annoying or not. I've NEVER read about characters like ANY of the ones in this book--or this series, for that matter, so three stars for that alone, really, and one more for Izzy. No doubt she's an amazing author and I'll pick up anything she writes in the future. Oh, and despite what I said about the subplot, I do love Nisha. I want to adopt her haha.
I really don't mean this review to be totally negative. It really isn't a bad book. ["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>...more
1. Sara is a recipient of oral sex on about ten different occasions, and yet Alex gets no pleasure whatsoever until the end of the book. She half-hear1. Sara is a recipient of oral sex on about ten different occasions, and yet Alex gets no pleasure whatsoever until the end of the book. She half-heartedly asks him about it, but it goes no further. Why? Not only is this unrealistic, but it's pointless. Is it meant to prove he's a martyr? Because he isn't. He's so selfish.
2. When Alex offers to cure her brother, she tells him not to because she thinks it means all the time SHE spent trying to find a cure would have been useless. Um, can you say selfish??? Ugh. No, I don't want you to save my bro because that would mean I'd have wasted my time. Um, come on. It's ridiculous. This is supposed to be a heroine we like?
3. Alex basically tells Sara: either I drink from this vamp chick or I die. And Sara tells him to choose death, because she can't stand the thought of him being with someone else - even though all he'd be doing was drinking from the woman's wrist. AND THEN Sara goes and kisses someone else...just because it's a woman, doesn't make it okay, especially since the woman she kissed is attracted to her, which - by the way - is stupid. I'm going to be angry if Dillon gets a book for herself with another woman, because that type of thing is not allowed when it's two men. Whenever a gay man gets a book, he suddenly turns straight, so either Dillon will turn straight, or I'll be pissed off.
4.Alex is a jerk. To everyone. He's so mean to Evans. He treats everyone like crap, even his brothers, and is extremely violent and unappealing. He's too possessive. He gives Sara's boss food poisoning just because the guy interacted with Sara. That's so pathetic. He's so selfish that he doesn't even want Sara to spend ANY time with her brother. He wants to control her life.
5. Sara is a pathetic weakling who does nothing to defend herself, only sits there crying while a baddie attempts to rape her. She's very selfish and when it comes to her patients, she picks favorites. Once she is going through her patient files, literally thinking things like, Yeah, yeah, whatever. Oh, okay, whatevs. Deal with that later. Blah blah blah. Who cares? And then when she gets to Pearl's file, she's all: "OH MY GOD I MUST SAVE HER!" Is that a likable heroine? And the thing is, I'd heard so many good things about Sara...they were all false. At one point, she tells Alex to be careful - not because she actually cares, but because she knows another woman would have to heal him if he did. She actually says this to him. Uh-huh.
6. The Pearl subplot? Who the heck actually cares? I mean, really. I couldn't possibly have cared any less about that weirdo.
7. At one point, Alex threatens to rip out her boss's heart if the guy ever looks at her again...and Sara gets turned on by this. I find that extremely strange.
8. I don't like this book. I don't like its characters or its plot. ...more
The author couldn't possibly make it more clear what she thinks of her hero. She puts her own thoughts into the heads of all the characters, includingThe author couldn't possibly make it more clear what she thinks of her hero. She puts her own thoughts into the heads of all the characters, including the hero himself. There was one scene with the guy's boss. During the scene, which is from Bossy Boy's POV, Bossy Boy has to throw in a mental insult about the hero...in EVERY SINGLE THOUGHT that crosses his mind! And all I could think was, Wow, Christy Reece, you hate your hero that much? Because it's so painfully obvious the author is simply trying to let the readers know she does NOT like the hero, by having her characters dwell on it for her.
Now let's talk about Skylar, our "heroine." Guess what? In every single scene she's in, she's either A. crying, B. fainting, C. falling asleep from "exhaustion" (even though all she does is sleep), or D. all of the above. It felt as if the same scene was being written over and over again. There were literally TWO plane scenes during which Skylar burst into tears (over the tiniest hint of a criticism) and had to be comforted. Over and over I have to hear about poor Skylar this, poor Skylar that: she's so exhautsed, she's collapsing, she's an emotional wreck, she's doing all of these things at once. She always has eyes "fuzzy with exhaustion" or is "trembling" or "about to collapse" or tears are "forming in her eyes." I'm sorry, but to me she comes off as completely weak. She cries over absolutely everything. I mean, if I cried every time someone I like insulted me, I'd being crying pretty much 20/24 hours a day. Which she is. Only more often.
On top of that, the author makes it clear that Skylar's feelings are the only ones that matter. She's always hurting MORE than Gabe. She's always been more BETRAYED than Gabe. After her psychotic father tricked them into splitting up, it didn't matter at all that Gabe was hurt. All that mattered was Skylar was hurt, because, OMG, she suffered SO much more! Well, in my opinion just because someone is a weakling and can't handle pain without falling to pieces doesn't mean she suffered more...it means she can't take it. Am I saying she shouldn't have felt pain? No. But the fact that Reece goes on and on about how Sky's feelings are more important made me so freaking angry.
On top of that, she's a major hypocrite. She believed Gabe would kill himself after marrying her, and yet she doesn't want to forgive him for believing she'd want to break it off with him? Why is SHE allowed to be stupid, but not him? Answer: She's a woman. Answer: Christy Reece likes her better. Answer: A lot of women like that kinda thing in romances.
I don't understand why an author would make a heroine cry THIS MUCH. Am I supposed to feel sorry for her? Relate to her? Well, I don't. Her pain isn't so freaking much more than everyone else's. I've been through just as much as she has, but do I cry every minute of every day? No. Why? Because I actually have a backbone.
The entire plot of this book is Gabe or someone else comforting Sky. Not my kinda thing.
Plus, I don't think Reece understands what a PHOBIA actually means. It doesn't just turn off conveniently when the person wants it to. It doesn't just go away just because the situation doesn't call for it. Gabe is supposedly claustrophobic. However, he was completely fine in the tiny bathroom of a plane. Why? Because that scene was not about him, but about comforting Sky. And yet he doesn't even like to be in a hotel room for more than one hour at a time? And yet he fears elevators? But of course, when he goes on them he's completely fine, because we wouldn't want the man to be seen as weak. That's the woman's job, after all.
If you have severe claustrophobia, you have it. You can't just turn it off whenever you feel like it. If Reece wanted it to go away at his will, she either shouldn't have given it to him, or made it so he just didn't like small spaces but could handle them. But then again, books don't have to make sense, right? They're just books.
Okay, let's talk about Skylar and her dad. It was all her dad's fault. Sky and Gabe fell in love, got married. Then her dad pulled his evil machinations and lies, splitting them up. What does Sky do? She forgives her pops...and still blames Gabe. As does the author. As does probably everyone that's read this book. I can't get behind that. After they split, he TRIED to get near her, but does that matter to her? No? Why? Because women are always right and men are always wrong. I mean, can't a woman write a romance without pulling this crap?
(view spoiler)[Psycho dad offers Gabe money to ditch Sky. He refuses. Psycho dad leaves, then has Sky's cousin, who apparently can mimic voices, call Gabe to say she never loved him and it was just a game and that no one could ever love him. Gabe had confided his painful past to Sky, and the cousin threw it back in his face, and Gabe, thinking it was her, was undertandably hurt. However, obviously it's not okay for a man to be hurt. He should know better than to think Sky would say this. BUT Sky doesn't have to know better than to think Gabe would kill himself. Why? You tell me. Her dumb dad convinced her Gabe had killed himself because he left some suicide note. Of course, after this is revealed, she still blames Gabe...and not her father. Sure, this reveals their relationship wasn't the best--on BOTH counts--but they only knew each other for a very, very, very short time! Not to mention the fact that she thought he was dead, and yet ignored it. She assumed no one would have a funeral for him, and yet she decided not to have one? Or she assumed they would and just didn't care to attend, even though she was his wife? But that's okay? Why, of course it's okay! Why? Because she was sad! Don't you know that? Poor, poor Sky was too sad to do anything boohoo. It's LIFE, woman. It sucks. You have to live it anyway. (hide spoiler)]
Not to mention the fact that Skylar lied to him about her identity from day 1...and never told him the truth. But, y'know, that's okay, too, because she's a woman. And it's okay if women do stuff like that. It's only bad if the man does it.
Also, I don't like woman who hit men any more than I like men who hit woman...and being insulted is not an excuse. If I hit a guy every time he'd insulted me, well...I'd have hit at least fifty guys. ["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>...more
The hypocrisy in this book is absolutely immeasurable. Emma dates guys based on how hot she thinks they are, or how good their hair looks. She does noThe hypocrisy in this book is absolutely immeasurable. Emma dates guys based on how hot she thinks they are, or how good their hair looks. She does not care a single ounce, nor even LIKE the guys she dates. She simply dates them so she can have a boyfriend and doesn't once consider their feelings. Does her bff Kellen condone her for this? No. Does Kellen even acknowledge this? No. And yet when Josh agrees to ONE date with Sydney, Kellen is all on his butt telling him he's a jerk for accepting when he doesn't even know if he likes her and that no girl deserves to be hurt like that.
In Kellen's world:
1. It's okay for girls to use guys. 2. It's not okay for guys to use girls. 3. You're already supposed to be in love w/ someone before your first real date. 4. A guy should wait around and date no one while the girl he likes dates the whole world without a thought to his feelings.
Emma goes off to frolic with Cody. Does Kellen get angry at her for this? No. She just worries about her. But Josh is not allowed to date people, even though Emma has already rejected him. What the heck?
Emma kisses Josh in order to change her future. She does this KNOWING that Josh has a crush on her, and does not care that she's playing with his feelings. Does she apologize for this? No. Guess what? JOSH apologizes to her for calling her on her bullsh*t, and it's made out like HE was the bad-guy in the situation. How this was co-written by a man I'll never know. I'm hoping he had no say in the lady's half of the story because otherwise he's down on his own gender, which is just sad.
Emma is just so freaking annoying. She shows no development. The book and authors seem to think her behavior is okay. I was praying for Josh to move on from her. But no. She actually decides to break up with her boyfriend because he got a hair-cut, and she thinks to herself that the only reason she dated him was because he had nice hair. She's shallow and utterly unlikable, but she gets away with it because of her gender.
But really, what does it matter? The characters are all so fake and flat, it's difficult to care. Josh is utterly static, even moreso than Emma. Emma ALMOST learns something, but Josh is just...nothing. Emma realizes that she has POSSIBLY made mistakes--but not of course toward Josh, whose feelings she never ONCE considers throughout this whole novel because she was too busy dwelling on herself and throwing self-pity parties like a pathetic little whiny loser with no life. Josh learns nothing, develops not at all, and is just there to aid Emma in her supposed learning quest that never actually occurs. ...more