Beautiful. Heartbreaking. I fell in love with the language of it and the romance of it and the way my heart still hurts now that I've finished it.
It'sBeautiful. Heartbreaking. I fell in love with the language of it and the romance of it and the way my heart still hurts now that I've finished it.
It's brilliant but terrible in its lack of traditional happy ending. Both parties end up with - as harsh as this sounds - what they deserve, but God it still hurts.
I never expected to find myself enjoying a book that spoke so much about Catholic God and faith, but they speak of it in a way that's palpable to an agnostic Jew, which I think really says a lot. I don't shy away from conversations about faith, and in fact, find belief and adherence to those beliefs and searching for those beliefs to be a very real and human and admirable thing. The way the author intertwined the search for faith and the belief in religion with the search and belief in love was, for lack of a better description, done incredibly well. It didn't feel too didactic or heavy-handed, probably because Frances was so pragmatic about the whole thing. To say I enjoyed it doesn't pay homage to the way my heart feels torn apart, but throughout 3/4ths of this book, I did absolutely enjoy reading about Frances and Bernard falling in like and then in love and then I had to figure out what to do about how very much I respected Frances for her convictions and living up to them while I also very much believe in Bernard's declarations of love and try to live my own life believing in it.
*Spoiler alert in the next paragraph!
The one tiny glitch that I am still thinking about is how Bernard's character was framed after his marriage to Susan - all his infidelities. We are absolutely influenced by those we love most, and so though it is possible that Frances might have been influenced for the worse by Bernard's character, was it not also possible that in marrying Bernard, Frances could have been the making of him instead? Was Bernard's character allowed to run out of check because of Susan's character, herself?
That aside, it's going to take me a little while to build back up from all that again. Some books are supposed to make you feel like that.
I feel like I underlined half the book, but here are some particular favorites:
"I thought I had been growing up by unleashing my strength and mind onto the world, by imposing myself and not being afraid of it, but this suddenly began to seem like a lifetime of tantrums. I'd gotten used to having too much, at having whatever I willed become real, which had made my will promiscuous. Not strong at all." (19)
"She is a girl, but she is also an old man, and I see that there is intractability in her heart that may never be shattered. Perhaps that is because she grew up among women who love harder than they think, and she has strengthened her innate intractability in order to keep tunneling toward a place where she could write undisturbed by the demands of conventional femininity. So she may always think harder than she loves." (48)
"My life without you would certainly be less. That is one think I know." (77)
"'Bernard,' I said, and took his hand. 'No, no, that's not enough,' he said. He took the package out of my other hand, put it down on a chair, and then pulled me to him. He was right. That wasn't enough." (81)
"I wonder what of your mother was encoded in you without your knowing; what of your life is a letter she wrote you that you have just opened and will take your whole life to read." (85)
"...people who made a point to weave themselves together because they had poured out their blood among one another. They may be annoyed with each other, but they do not hate each other. They understand that annoyance is a fair price to pay for the strange protective love of family." (132)
"You rely on your books for things the rest of us search for in people... 'Your books need no help from me. They are for you alone. When you don't want to be alone, then here I am.'" (177)...more
In Spud: The Madness Continues, the madness of the Crazy Seven (Seven due to a loss of one boy in Spud; then Eight, when a new boy comes; then Seven,In Spud: The Madness Continues, the madness of the Crazy Seven (Seven due to a loss of one boy in Spud; then Eight, when a new boy comes; then Seven, when the new boy leaves; then Eight, when they induct Roger the Cat as an official member; then Six, when two of the boys get expelled; then Seven, when one of the boys gets back) really does continue. Spud is going to turn 15 during this year, is no longer in his first trembling year at the school, and has high hopes for both ball dropping and hair appearing in that same region. Despite his optimism (and the eventual voice-cracking, ball-dropping accomplishment), Spud soon finds that with both enemies and allies still at school, this year will not be any smoother. Still writing in his diary, the Spud of this year will chronicle his mother's plans to emigrate, The Wombat continuing to lose her mind, and his father's moonshine business; his first breakup, first ball hair, and first trip to England; the Crazy Eight's torture attempts at the Normal Seven (the new batch of first years); his actor career hitting a snag when he's cast as the Dove of Peace in a disastrous school play; and all the usual adventures of midnight swimming, cricket matches, brews, books, and broads, with just a hint more seriousness this year than last. ...more
John Milton has a lot on his plate, as any 13-year-old boy does. He is heading off to a private, all-boys boarding school, thanks to a new scholarshipJohn Milton has a lot on his plate, as any 13-year-old boy does. He is heading off to a private, all-boys boarding school, thanks to a new scholarship and his beautiful singing voice. While he's excited to be leaving behind his crazy and embarrassing parents and eccentric grandmother he calls The Wombat, he's terrified to discover what awaits him at school - things like being nicknamed Spud because his balls haven't dropped yet, having a crazy bunkmate who only talks to inanimate objects and pulls out his own hair, and getting caned after getting caught with the rest of the Crazy Eight (his first-year dorm mates) sneaking out to go midnight swimming. He also meets both The Mermaid and Amanda (2 girls! While attending a boy's school!), trounces and gets trounced on and off the cricket field, decides to become both an actor and an activist, and explores the complexities of forced friendship and loyalty. With no punches pulled, no description too graphic, from the heights of love to the depths of loss, Spud captures it all in his diary, fully chronicling his first year at boarding school.
All of this takes place during the 1990s, making the backdrop issues of apartheid, the release of Nelson Mandela, race relations, class relations, and other related social issues. It's a bit crazy to think the 1990s are now "historical fiction," but Spud does a great job of capturing a White teen perspective at the time - learning about issues that didn't seem important until they suddenly are, struggling to catch up and make meaning out of political history, living in an accepting mixed-race environment at school but dealing with blatant racism at home, etc. ...more
The Guernsey Literary and Potato Peel Pie Society. Doesn't that make you want to take a big bite out of the book itself? What is this society? What'sThe Guernsey Literary and Potato Peel Pie Society. Doesn't that make you want to take a big bite out of the book itself? What is this society? What's Potato Peel Pie? Who is in it, how did it get started - so many questions come to mind when you read such a deliciously convoluted title.
The book is an epistolary novel, which means it is told entirely in the form of letters. I love this form of novel; it feels so much more intimate. You're not just getting this tale, you're reading the thoughts and feelings behind the actions. People feel so much freer and more able to put down on paper (in the form of letters) what they can't, or won't, verbally describe. If all the letters don't actually describe the scenario, then they serve to tantalize you with glimpses of the plot and tease you into reading more.
The letters are all to, from, or about Ms. Juliet Ashton, the central character in this novel. She is a writer by trade, so her letters are wonderfully descriptive, yet always leave you wanting to read more. She receives a letter from a man on the island of Guernsey. He had purchased a book written by Charles Lamb, which had been previously owned by Ms. Ashton. He writes to say he enjoyed this first taste of Charles Lamb and wonders if she would be able to help him in procuring more works of similar literary quality and merit.
Ms. Ashton beings writing with Mr. Dawsey Adams (the man who wrote her), and is thus introduced to the society he is apart of - The Guernsey Literary and Potato Peel Pie Society. The current year being 1946, people are still recovering and rebuilding their lives from the devastation of World War II. This society was begun during the German occupation of the Channel Islands, of which Guernsey is a part. Soon Juliet is corresponding with many of the members of this society, slowly uncovering the stories of German wartime occupation - the love, loss, friendship, and courage that occurred on this isolated island during the war - and getting a first-hand look at what that means in her own life.
No part of this book disappoints. I wanted to rush through it to see how and what happens, but I wanted it to never end. Also, it's a very sweet and sad story about how the book came to be. Mary Ann Shaffer was writing this novel when she unexpectedly passed away. Her niece, Annie Barrows, a famous children's author (she wrote the Ivy & Bean books), finished the novel for her. It became a success, because how could it not, but is so bittersweet due to the loss of its original author.
Fans of The Time Traveller's Wife by Audrey Niffenegger, The History of Love by Nicole Krauss, and/or Letters from an Age of Reason by Nora Hague will love this book as well. This is the perfect summer read....more