I have been a huge fan of Gail Carriger since I first read Soulless several years ago, and have been following her Parasol Protectorate series. (FulI have been a huge fan of Gail Carriger since I first read Soulless several years ago, and have been following her Parasol Protectorate series. (Full disclosure here: I haven't actually finished the final book, Timeless, as I really don't want the series to end.) When I heard that she was going to be writing a YA series set in the same universe, I was thrilled. When I was given an opportunity to read an ARC of the book, I was beyond thrilled. I'm happy to report that Ms. Carriger has not let me down with this new series.
Sophronia Angelina Temminnick is, by all accounts, a tomboy in an era when such shenanigans by a female is frowned upon, at the very least. She likes to see how things work, she likes to be active, and she could care less about the finer points of civilized, ladylike behaviour. All in all, she's the bane of her mother's existence. Enter Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality. Sophronia's mother is hoping that sending Sophronia off to finishing school will help curb some of her more unappealing attributes.
Unbeknownst to her mother, Mademoiselle Geraldine's is not your typical finishing school, for Mademoiselle Geraldine's teaches its girls not only the finer points of ladylike behaviour, but also the finer points of subterfuge, seduction, poisoning, and various other talents necessary to a successful life of espionage. At first, Sophronia does not want to go to finishing school, until she discovers the underlying nature of Mademoiselle Geraldine's and finds that her particular skills help her to fit right in at the school.
One of the things that I liked most about Etiquette & Espionage is how Ms. Carriger works it into her preexisting universe. Taking place roughly 25 years before the events of the Parasol Protectorate, we find ourselves meeting the younger versions of some of the characters we're already familiar with. (I won't tell you who, as that's part of the fun!) I was curious how/if Ms. Carriger was going to tie these two series together, and I think she did an admirable job. If you come to Etiquette & Espionage already familiar with the Parasol Protectorate series, you'll find yourself recognizing some of the characters. If Etiquette & Espionage is your first outing with Ms. Carriger's characters, these younger versions stand perfectly well on their own, and you can use this book as a gateway drug into the more sophisticated world built in the Parasol Protectorate.
This draws me to the only fault I have with the book. The Parasol Protectorate is so witty and clever and sophisticated in so many ways, and knowing how Ms. Carriger is able to able to write, to see her scaling back on her sophistication to make it more palatable for a YA audience took me aback a little. I'm not even quite sure that that's the best way to put it. I can see all the hallmarks of her usual cleverness, but somehow it just didn't seem to hit the mark every time, and the book did seem rushed sometimes, as if she were forcing it to be shorter. Now, don't get me wrong, I was giggling through almost the entire book, but it did seem to be lacking something. Perhaps, being Ms. Carriger's YA debut, she needs time to grow into her YA voice, to get the pacing down and learn how to write a shorter story. I don't know. Maybe I'm analyzing too much. You can be sure that this one little thing won't be keeping me from picking up the rest of the series as it is released.
So, in my opinion, Ms. Carriger has proven that she can hold her own as a YA writer as well as an SciFi/Fantasy writer, and while there is the argument that there might a little room for improvement, she hasn't disappointed this reader at all. If you are a fan of the Parasol Protectorate, or are curious about Ms. Carriger's writing, I wholeheartedly recommend Etiquette & Espionage!
Etiquette & Espionage will be available from Little, Brown & Company on February 5, 2013....more
This was a cute and clever quick little read. I'd place this somewhere between A Series of Unfortunate Events (which I certainly liked) and The Name oThis was a cute and clever quick little read. I'd place this somewhere between A Series of Unfortunate Events (which I certainly liked) and The Name of this Book is Secret by Pseudonymous Bosch (which I distinctly did not). It's not surprising then that this book fell somewhere in between as far as my enjoying it. One thing that this book has going for it, above and beyond its story is the actual look of the book. Everything in the book is printed in a blue tone, almost giving the book the feeling of blueprints, which is apropos given the Twins' father is an inventor of some renown and the Twins like to pride themselves of coming up with ideas of their own.
When their father is accused of stealing an idea that is used in his latest invention, the Twins find themselves in some very precarious predicaments (hence the Unfortunate Events vibe) and then they go on an adventure to try to prove their father's innocence (where Pseudonymous Bosch vibe comes from). Needless to say, precarious predicaments that the Twins find themselves in are wildly unbelievable and the adventures are fun, but for me at least, the book just lacked a certain something. Of course, there's also the fact that I'm not the target age for this particular book, but I do think my younger self would have loved this book. The adult me can appreciate the work that is put into the overall packaging though, since the book is quite nicely presented. Let your younger ones have a go at this, as I think it will appeal to them immensely....more
Charles Dickens's A Christmas Carol: The Night That Changed the Life of Eliza Scrooge adapted and illustrated by Rod Espinosa is a rather straightforwCharles Dickens's A Christmas Carol: The Night That Changed the Life of Eliza Scrooge adapted and illustrated by Rod Espinosa is a rather straightforward graphic novel adaptation of Charles Dickens's A Christmas Carol, with the rather obvious change being that Ebenezer Scrooge is now Eliza Scrooge, running a textiles shop instead of a banker/solicitor. Why this change was made, I'm not entirely sure. When I read the premise, that Ebenezer was now going to be portrayed as Eliza, I assumed that there were going to be some significant changes to the story, but there aren't. I guess I think if you're going to make a change that significant, it should have some sort of ramification on how the story is told. I mean, if all you're doing is changing the gender, just stick with the original and Ebenezer. Maybe Espinosa like drawing women more?
That said, the art isn't bad. Espinosa has a nice clean style, reminiscent of an anime/manga look. I actually wouldn't be put off checking out some of his other works, but as far as this volume is concerned, it just didn't seem to be necessary to make such a drastic change....more