A complex, fantastical novel with philosophical musings and literary tropes discussed throughout. TranslatOriginal review posted at Layers of Thought.
A complex, fantastical novel with philosophical musings and literary tropes discussed throughout. Translated to English from Japanese, it is a novel that has the distinct feel of its country’s setting.
About: There are a a number of story lines in this complex and layered story, with the two primary ones based around Kafka Tamura and Mr. Nakata. The story starts with fifteen year old Kafka in the process of running away from his home in Tokyo, perhaps due to his emotionally unavailable father or to find his mother and adopted sister, who left when Kafka was little. As a usual sort of intelligent teen with some unusual attributes (he has an imaginary boy named crow who advises him on various issues), he takes his “road trip” to escape.
Then there is Mr. Nakata, a lovely “simple” older man who cannot read but can amazingly speak to cats (and boy are the cats amusing and well done). He has a “Zen” like characteristic to his attitude and also to his speaking quality in the audio version. Although the two men never actually meet, they move inside the story with their own personal quests overlapping frequently - with the intricate connections becoming clear as the story progresses.
Thoughts: Kafka on the Shore has a variety of themes which may intrigue potential readers, as they did me. Some of these are - cats; World War II; philosophical musings; discussions around literature; the use and discussion of literary tropes such as metaphor, allegory and more; and the arts, including music. Murakami addresses gender and feminism in an indirect way. He has also woven in Asian spiritual themes such enlightenment and rebirth, and some interesting imagery regarding body fluids. The strongest thread in the story is its connection with the mythical story of Oedipus, that creates an unusual twist within the book. For a bit about this myth, here is a short definition:
As a Freudian psychological metaphor describing son–father psychosexual competition for possession of mother, the Oedipus complex derives from the 5th-century BC Greek mythological character Oedipus, who unwittingly kills his father, Laius, and marries his mother… (via Wikipedia)
It’s interesting that several of Murakami’s major themes for Kafka on the Shore are metaphor and the myth of Oedipus, and that this shocking complex is also considered a metaphor in its definition above.
I felt that the readers’ voices for the characters where done very well, giving life to the various and well developed characters. I liked that so many of the themes stimulated an intellectual side for me and that better yet I learned a few things. However, I had a conflict – there were too many sexual references and scenes, some were too detailed. Indeed the end of the novel became more about our main protagonist Kafka’s sexual desires and experiences than anything else. Otherwise a very worthy read and well done in this audio version. I give this intriguing audio book 4 stars; more if the sex had been a bit more subtle. ...more
Set Up: This story is a version of the tale Rose Red and Snow White, which, according to the link, has no connection to the American version or any oth Set Up: This story is a version of the tale Rose Red and Snow White, which, according to the link, has no connection to the American version or any other version of Snow White. Wikipedia states the original story is about a poor widow and her two daughters, whom have a wild bear as a companion. It also involves an evil dwarf and treasure.
Unlike the actual tale, and with some artistic license given by Margo Lanagan to give it depth and interest, this retelling of the tale has an interesting bear connection. The author apparently viewed an actual bear festival on television prior to writing the story. This was consequentially added to her story.
An additional difference is that the setting is within two parallel worlds connected by magic, where the real world is a version of our past being lit only by fire. The second realm is called the false world or that of the “heart’s desire”. It is an idealized version created in desperation by the main character Liga (the mother), through personal trauma and her inability to deal with reality.
My Thoughts: There are many things I like about Tender Morsels. The writing is evocative and disturbing; the language used is set in period with an English/Australian bent, making it feel old and rural; the book cover renditions support some of the major themes within the story (I am highly visual); and the evil characters are given a perspective which helps the reader to sympathize with them – because that's what happens in real life.
It is a wonderfully complex rendition of the original story. It is multilayered where the author brings in some important themes, two of which are Women’s issues around social oppression and strength.
Here is a quote which shows the oppressiveness of the social structure of the real world compared to the “heart’s desire” world:
Annie peered and grinned. “Heh-heh. There is nothing like upbringing up in a heaven to give a girl a false confidence.” “False, you think?” said Liga anxiously, dropping the lace back across the windo. “The size o’ that mob, Liga? I say false. Get yourself dressed, girl, in your very best; we will need to summon all the menfolk and all the respectability we can, if she’s not to be whipped in the street.”
To be raised in an environment with no constraints one may have a false confidence about one’s ability to counter social mores of a present society, no matter how warranted they are.
Another quote regarding one woman’s strength:
…She, Urdda, must see that place someday, where women dressed so beautifully yet so plain, rode about alone. No one would dare spit upon this woman, or call out at her. She had a different kind of boldness, a strength that did not defy that of men so much as ignore it, or take its place without question beside it – Urdda wanted some of that boldness.
A wonderful role model for young women.
Be forewarned this is not a light story, and addresses some very very dark and difficult issues. Which I have not mentioned here. It is not a story which everyone is going to enjoy or even like.
Tender Morsels won the World Fantasy Award for 2009 covering the year 2008. Personally, I can see why. I love dark fantasy which touches on important social issues and is also well written. This is exceptional. I have given this story a rare 5 stars....more
There is a reason why some novels win multiple awards; this historical fantasy is one example of a book thOriginal review posted at Layers of Thought.
There is a reason why some novels win multiple awards; this historical fantasy is one example of a book that deserves all the accolades it has received. An incredible tome which is a grand meandering adventure into the historical, magical, and darkly hilarious. It is a perfect read for fall.
About: Set in the early 1800’s during the end of the Napoleonic wars in an England where magic and fairies exist; the story begins with Mr. Norrell as the self proclaimed “magician” of the age. He has delegated himself the task of re-establishing an order to English magic so that it can become as highly valued and respected as it once was. So in a twisted effort he eradicates every other magician/practitioner in the land.
Enter Jonathan Strange, a younger and more socially adept individual, who becomes Norrell’s student, learning what the older magician deems important to his acolyte. Sadly Norrell also hordes and hides all the most important information. Still his student develops, as Jonathan Strange is everything Norrell is not - possessing a natural ability for creating spells and magic.
This natural conflict is mixed together with an “evil fairy” and well developed characters. Woven into the mix are interesting historical facts, fantastic fairy history and a make-believe history of English magic. The result is a multi-layered, complex, dryly funny and wonderfully meandering story.
Thoughts: As mentioned there are many well developed and intriguing characters in this huge book (900 or so pages or 32 hours of listening time). It has human sized fairies (not the fluffy kind) and a mix of curious and down to earth servants -including appropriate roles for men and women during this historical period. It has a writing style which has an old fashioned English feel; quite proper and appropriate for a pre-Victorian historical era.
This book was so much fun and I learned some actual history (which I am completely inept at), as a lot of the detail is actually grounded in fact. But the best part is the intriguing amount of imaginary fairy and magic history included, which is entertaining and wonderful. A perfect historical book for those who don’t like history.
Listened to in audio, the male narrator did an excellent job of moderating his voice for each of the characters, classes, and genders. I was even surprised that the footnotes worked well in the audio version - as there are many. Here are two short and fun examples of magical spells which the author included in one of the many footnotes, which I could imagine using at one time or another:
Chauntlucet: a mysterious and ancient spell which encourages the moon to sing. The song the moon knows is apparently very beautiful and can cure leprosy or sadness in anyone who hears it.
Stokesey’s Vitrification turns objects – and people – to glass.
I loved this wonderful book and give it 5 stars. Highly recommended if you enjoy historical fiction and/or fantasy; also for non fantasy readers who may be interested in reading something with magical elements. This was a fabulous and complex tale!...more