This is the kind of book I've been waiting to read for years. It's a slice-of-life space opera set on board a working class ship with a varied and welThis is the kind of book I've been waiting to read for years. It's a slice-of-life space opera set on board a working class ship with a varied and well-drawn crew. The stakes aren't very high, which is to say the plot isn't anything galaxy shattering. It's more just a number of small adventures as the Wayfarer's crew travels towards the galaxy's centre on a job. To compare this book to one of its probable inspirations, this is more like a collection of Firefly episodes than the movie Serenity. Each little sub-story (usually taking up one or two chapters) allows a different character to have their moment in the spotlight, and we learn a great deal about the characters' stories and motivations along the way. By the end of the book I felt at home with the crew as I did with the Serenity or Normandy's crew. I look forward to reading many more stories about the Wayfarer and its people.
If I haven't implied it enough, I'll say it outright: the setting is like a mix between Firefly and a grungier version of Mass Effect. It's a galaxy teeming with cultures, with half a dozen or so fleshed-out alien races featured prominently. Members of several of those races are crew members of the Wayfarer. The aliens are in that middle range of not-too-human and not-too-alien (see also: Mass Effect's aliens). These aren't Blindsight-style hard-sf alien creatures, but they are interesting species with distinct cultures. I could picture every race quite well in my head and it makes me want to go and try to draw several of them. That's always a good thing.
Information about the worldbuilding comes naturally through character conversations; and there are also a number of letters, news stories, encyclopedia entries, and other little pieces breaking up the prose, all of which help to flesh out the setting.
The book also prominently features one of my favourite SF concepts, one which I've rarely seen explored in written fiction: Interspecies romances and relationships. There are two prominent ones (three if you also count a human-AI relationship) and they're all touching and wonderfully explored. One of these relationships develops organically over the course of the novel in such a beautiful way. It was my absolute favourite aspect of the book.
Despite a tragic moment towards the end of the book, the overall tone of this book is optimism. It builds a bright, co-operative future, and we meet a good deal of decent people throughout the book. It feels like a future I would love to live in. With that in mind, I would categorize this alongside The Goblin Emperor as a triumphant return in recent times for positive genre fiction. Rejoice, the age of grimdark is over!
This was a fairly interesting but very short novel — a fiction experiment of sorts, mashing together erotica with science fiction.
The plot (a communitThis was a fairly interesting but very short novel — a fiction experiment of sorts, mashing together erotica with science fiction.
The plot (a community of intellectuals rallies in the aftermath of a terrorist attack) and the setting (a university town on a planet populated by humans and aliens) were great; but they played second fiddle to the exploration of a spectrum of sexual and romantic relationships. This book had a lot of sex: between humans and humans, and far more interestingly, between humans and aliens. It also had a lot of flashbacks and family drama. The sex was more interesting.
I cared for some characters more than others. I wasn't too absorbed by the two leads, Amara and Narita; but the supporting characters (especially the saurian alien, Gaurav, stoic after the death of his human lover) were interesting.
The book has a number of excellent black and white illustrations, one accompanying each chapter, which add to the quality of the package.
I can't believe it's over. The final book ever in this marvellous series. I've only been reading them for less than 5 years, but I feel like I've knowI can't believe it's over. The final book ever in this marvellous series. I've only been reading them for less than 5 years, but I feel like I've known these characters for the 40 or so years that the books cover.
IMPORTANT NOTE: The first edition of this book (ISBN 9781607013914), at least, is missing the second half of "Seasons of the Ansarac" by Ursula Le GuiIMPORTANT NOTE: The first edition of this book (ISBN 9781607013914), at least, is missing the second half of "Seasons of the Ansarac" by Ursula Le Guin. You can read the missing part of this story here: http://www.infinitematrix.net/stories...
Aliens — realistically developed, biologically plausible, sentient species — are my absolute favourite element of science fiction. My dream anthology would be a hard-SF-only collection of stories about aliens: their biology, culture, and interactions with humans. Aliens: Recent Encounters (2013), edited by Alex Dally MacFarlane, mixes both hard and soft SF with a smattering of magical realism and mythology, so not every story was to my taste. However, it is still an excellent anthology, thematically strong, while providing lots of variety.
This is a reprint anthology containing 32 short stories, all originally published between 2000 and 2012 (hence the book's subtitle). The editor has done a good job of representing a number of nationalities with her author choices, and the gender balance is good too, with 21 stories by women, 10 by men, and one "neutrois" (neutral-gendered) author. There are a few really big names (i.e.: all the ones on the front cover) but a whole bunch of relative unknowns as well.
The selection of stories is mostly exceptional. These stories provide a huge number of approaches to the idea of humans interacting with aliens, and every couple of stories there'd be another great idea that blew my mind. Some of the most noteworthy inclusions, for me, were:
• "The Bookmaking Habits of Select Species" by Ken Liu - A short piece in the form of a few explanatory passages about how different alien species store information. Solid with ideas, my only complaint is that Liu didn't think up another ten species to flesh this story out with. (The final story in this collection, "A Vector Alphabet of Interstellar Travel" by Yoon Ha Lee, is almost exactly the same idea in the same format, but about various ways and reasons for travelling rather than storing information. It's just as good, and it also could have been longer.)
• "Golubash, or Wine-Blood-War-Elegy" by Catherynne M Valente - A history of war and planetary colonisation told through a wine tasting session. The wines themselves are alien, despite being made from Earth grapes, and you'll find out why. Sounds delicious, though.
• "Seasons of the Ansarac" by Ursula K Le Guin - A brilliant piece from this master of anthropological SF, about an alien culture whose life cycle has evolved around its mass migrations, and the fragility of the culture when it comes into contact with other races. Touching and bittersweet. I went and ordered her collection Changing Planes as soon as I finished this story.
• "Carthago Delenda Est" by Genevieve Valentine - At first I didn't get the ending, but when I dug back through this layered, complex story I realised how clever it is. Humanity is just one of many species forced to put war aside and coexist in the prolonged wait for an unprecedented galactic event. The story focuses on the turmoil and rivalry between the leaders of several factions, many of whom are clones.
• "The Beekeeper" by Jamie Barras - In a universe where technology, including spaceships, is grown, a scientific team returns to a world that had been previously seeded with a garden to grow such things, as well as homunculi to tend the garden. Of course, the team runs into danger. This story had a killer twist that had me grinning as I read the final pages, then immediately go look Barras up online to find out what else he'd written.
• "Noumenon" by Robert Reed - An episode set in Reed's Great Ship universe (Marrow et al), this story has me wanting to read the novels and other stories in that setting. Reed seems to like playing with the concept of worlds within worlds, and he brings a technological twist to that idea in this story. Keep on going through the seemingly unrelated sections about an alien creature, it all ties together in the end.
• "Honey Bear" by Sofia Samatar - What starts off as a simple enough story about family strife turns creepy and weird when you figure out what's going on. A very dark story which explores ways our lives might be forced to change when aliens take over earth. It incorporates some elements from faerie mythology, but don't expect Tinkerbell. (There are a couple of other great, similarly unsettling stories about cooperation between humans and aliens in this anthology: "muo-ka's Child" by Indrapramit Das, and "Jagannath" by Karin Tidbeck.)
• "Knacksack Poems" by Eleanor Arnason - No humans at all in this story! Just an excellent fable-like recount of a poet's adventures in a somewhat medieval setting. The SF twist? These creatures are much like the Tines in Vernor Vinge's A Fire Upon the Deep, in that they are composed of multiple organisms and share a group mind. This story was funny and engrossing.
• "My Mother, Dancing" by Nancy Kress - This story is set in a far future when Fermi (and his famous paradox about the lack of alien life in the universe) is now the basis of a religion. It tells of the interactions between human missionaries spreading eukaryotic life throughout the universe, and some of their creations, who have a unique problem that might be too much for the humans to comprehend.
There are a number of other stories I really liked (the majority of the remaining 20) but I won't describe every single story in this review. There are, though, some stories I wasn't greatly enthused about.
Sadly, one of them was the contribution by Alastair Reynolds. Reynolds is one of my very favourite SF authors but I felt that his story in this anthology, "For the Ages", was rather lacklustre. He has other short stories that are far more suited to the alien theme, considering that this story doesn't even feature aliens directly, but rather tackles the idea of how to send a message to hypothetical aliens in the future.
I also wasn't captivated by Caitlín R Kiernan's "I am the Abyss, I am the Light", which includes a lot of alien biology but whose main character isn't very sympathetic in wanting to eschew her humanity; nor did "The Forgotten Ones" by Karin Lowachee interest me, as it seemed to be rather heavy-handedly trying to Say Something Important about the effects of colonialism. "Shallot" by Samantha Henderson and "Test of Fire" by Pervin Saket both relied pretty heavily on allusions of the literary and mythological variety, respectively, so maybe it's my fault for not really understanding them, but I didn't get much out of them either.
The story that made me roll my eyes and go "so what?" the most was "Honorary Earthling" by Nisi Shawl. Oh yes, I'm sure it's a very important story about race in America and yada yada yada, but the postmodern style (incorporating transcripts, articles, blog posts and one-sided conversations) did absolutely nothing for me and I struggled to find any kind of science fiction aspect to the story at all. It seemed to be much more about ghosts, although there was a throwaway line about aliens, but that just wasn't enough to warrant its inclusion in this collection (in my opinion).
Those few less-than-great stories aside, there is so much here that is worth the anthology's price. For any fan of aliens in science fiction, you can't go wrong....more
**spoiler alert** This doesn't happen often, but I'm very conflicted as to how I feel about this book.
On one hand, there's the time travel plot, the b**spoiler alert** This doesn't happen often, but I'm very conflicted as to how I feel about this book.
On one hand, there's the time travel plot, the business with Gwen's mother and the farm at the start, and the elite commando action stuff near the end — all of which failed to enthuse me. The prose during these sections was less than polished, to my mind. For these alone I would give the book 3 stars.
But then there's Kalp. Roughly half the novel (from 27% in, to 76% in, going by my Kindle's progress bar) was from the perspective of this marvellous alien (NB: I'm racking my brain, and I don't think the name of his species is ever mentioned). Kalp is such an amazing character, one for whom I came to feel very fondly. The relationship he builds with Basil and Gwen is touching and surprising: you don't often read about queer, polyamorous, interspecies love in fiction.
I loved every moment of this middle section of the book — that is, up until things started to go bad for the characters. I was genuinely saddened by the events that transpired; I almost felt betrayed (whether by the character responsible, or by the author herself). After that (IE: from 77% onwards) I was a bit disappointed, feeling that the book was just going through the motions of tying up the time travel plot. The story just felt like it had been robbed of its most interesting element.
I think Kalp's story would work far better as a standalone novella, with no time travel at all, and with the happy ending that he deserves. Such a story would earn 5 stars from me. But, sadly (for me — I know, how selfish of me), that's not the story the author intended to tell. I'll have to just amend my memory with a happy ending for Kalp, Basil and Gwen when I think back to this book.
Thus, my conflicted response. Basically, I feel this is, in one half, a 3 star story about time travel with unpolished prose, and in the other half, a 5 star story of a refugee alien (with much better prose in that section, too). Unfortunately the two stories are linked by means of a tragic end for a character I loved. Anyway, to this book I dole out 4 shiny stars, mainly because I can't see myself ever forgetting Kalp....more
**spoiler alert** It's not the most well-written of books, but I really enjoyed the whole teen-finds-out-he's-a-superhero trope redone from a gay pers**spoiler alert** It's not the most well-written of books, but I really enjoyed the whole teen-finds-out-he's-a-superhero trope redone from a gay perspective - FINALLY!
I found the sex and romance aspects of the book to be quite intriguing, even though they were minor aspects. Hopefully Moore will delve into these topics more in the planned sequel. Goran+Thom at the end were adorable!
There were some real plot-holes though... Why did Justice need to murder King of the Sea and The Spectrum particularly? Also, while the purple stone is an obvious kryptonite analogue, it came out of nowhere narrative-wise. Sure, as readers we are expected to recognise that Justice, in this world, has his own version of kryptonite. But all analogues aside, the whole "hey look I just found this stone which has never been mentioned before but you're vulnerable to it, take THAT!" thing was really out of nowhere.
Every twist i saw coming a mile off, but I guess that's a by-product of the tropes that Moore has to stick so close to in order to deconstruct. I didn't mind that I guessed everything (Goran was the Dark Hero, Justice was the bad guy, the purple rock was kryptonite, etc). What I REALLY liked and was surprised about was the character Ruth, and her death.
Anyway, I will definitely read the sequel, and I will also recommend this book, despite its flaws, to my superhero-loving friend....more