This book was okay. Lots of indepth info on moths which I had to try and stay awake through. The relationship between Vivi and Ginny is interesting th...moreThis book was okay. Lots of indepth info on moths which I had to try and stay awake through. The relationship between Vivi and Ginny is interesting though and those parts of the book I flew through. (less)
I read the first book in this series a while back. They were both good, the first better then the second. Quick read.
Kayla has resisted getting the b...moreI read the first book in this series a while back. They were both good, the first better then the second. Quick read.
Kayla has resisted getting the bar code tattoo, even though it's meant forfeiting any chance she'd had at having a normal life. Without the tattoo, she's an exile. But when someone very important sets about to bring her back in again -- WITH a tattoo -- Kayla finds herself a part of the resistence, where her unexpected allies and even more unexpected enemies include three clones of hers.
An edge-of-your-seat, teen's-eye-view thriller that merges the headlines of today with the world of tomorrow.(less)
Predictible. I think her books have really gone downhill but I'll continue to read them I'm sure. I have read all of her books to date. She churns the...morePredictible. I think her books have really gone downhill but I'll continue to read them I'm sure. I have read all of her books to date. She churns them out too quickly...a good fluff book though I guess.
Summary from Amazon: It has been ten years since twenty-one-year-old Charles MacKenzie Jr. ("Mack") went missing. A Columbia University senior, about to graduate and already accepted at Duke University Law School, he walked out of his apartment on Manhattan's Upper West Side without a word to his college roommates and has never been seen again. However, he does make one ritual phone call to his mother every year: on Mother's Day. Each time, he assures her he is fine, refuses to answer her frantic questions, then hangs up. Even the death of his father, a corporate lawyer, in the tragedy of 9/11 does not bring him home or break the pattern of his calls. Mack's sister, Carolyn, is now twenty-six, a law school graduate, and has just finished her clerkship for a civil court judge in Manhattan. She has endured two family tragedies, yet she realizes that she will never be able to have closure and get on with her life until she finds her brother. She resolves to discover what happened to Mack and why he has found it necessary to hide from them. So this year when Mack makes his annual Mother's Day call, Carolyn interrupts to announce her intention to track him down, no matter what it takes. The next morning after Mass, her uncle, Monsignor Devon MacKenzie, receives a scrawled message left in the collection basket: "Uncle Devon, tell Carolyn she must not look for me." Mack's cryptic warning does nothing to deter his sister from taking up the search, despite the angry reaction of her mother, Olivia, and the polite disapproval of Elliott Wallace, Carolyn's honorary uncle, who is clearly in love with Olivia. Carolyn's pursuit of the truth about Mack's disappearance swiftly plunges her into a world of unexpected danger and unanswered questions. What is the secret that Gus and Lil Kramer, the superintendents of the building in which Mack was living, have to hide? What do Mack's old roommates, the charismatic club owner Nick DeMarco and the cold and wealthy real estate tycoon Bruce Galbraith, know about Mack's disappearance? Is Nick connected to the disappearance of Leesey Andrews, who had last been seen in his trendy club? Can the police possibly believe that Mack is not only alive, but a serial killer, a shadowy predator of young women? Was Mack also guilty of the brutal murder of his drama teacher and the theft of his taped sessions with her? Carolyn's passionate search for the truth about her brother -- and for her brother himself -- leads her into a deadly confrontation with someone close to her whose secret he cannot allow her to reveal(less)
Wow! LOVED this!!! Read 600 pages in about 2 days. When I started the book I had no idea what it was really about. I saw it as a recomendation from an...moreWow! LOVED this!!! Read 600 pages in about 2 days. When I started the book I had no idea what it was really about. I saw it as a recomendation from another reader who has similar taste as I do. I am glad that I didn't read a synopsis of this book beforhand as I probably would not have read it...especially if I had read amazon.com's review.
Here is a great review from Eric Anderson: Sarah Waters' third novel begins simply enough. Sue Trinder is a teenage orphan who lives amongst a group of confidence men, thieves, baby farmers and fingersmiths (a 19th-century term for a pickpockets). An unscrupulous man commonly and ironically known as Gentleman compels Sue to join in his plot to win the heart of an elderly bookish man's niece named Maud. Maud is heiress to a fortune, but she can only claim it if she marries. The plan is: win the lady, ditch the wife in an insane asylum and split the fortune. Sue becomes Maud's maid and when the plot is reaching its timely conclusion is the exact point where it is fractured and split like a forest path into numerous twisting paths revealing long held secrets and hidden strife. Sue and Maud are made to endure separate trials in their journey including the incarceration in a mad house, the subjection of reading and transcribing appalling pornography to a perverted old man and a dangerous journey through treacherous London in search of a friend in order for them to discover what their true pasts consist of and what predestined traits may tweak their futures. It is fitting that at the beginning of this novel a reference is made to Dickens' Oliver Twist. Fingersmith is a novel descended from Dickens voluminous library as well as much 19th century sensualist fiction. Waters skilled use of language to evoke characters and a sense of place through physical detail and psychological mapping of experience is a distinct characteristic of this descent. She also has a tremendous ability to use fabulous names such as (Mrs Sucksby and Miss Bacon) as Dickens did to mark poignant traits of her characters. Where Waters veers from Dickens is in her conjuring of robust female characters who can dominate the novel, not through the circumstances of their plight and their representation of certain social injustice, but through the powerful voice they use to assert their individual positions. Of course the great descriptions and plotting Waters uses to conjure this tale of a 19th century English plot to capture a family fortune makes a great many statements about the ways in which women were marginalised and the bizarre social positions they were forced to inhabit. However, the great strength of her brilliant protagonists Sue and Maud is in the way their actions are guided more by their impulsive desire to survive rather than to spur the trim, thrilling plot or subscribe to any societal roles presented to them. Their struggles led by these natures produces a longing for a happy resolution built not out of sentimentally contrived conventions, but a deserved reward for revealing to us their faulty human natures.
Sue and Maud are not angels. They both deceive and betray each other, but they discover in this Darwinian world a rare affection for each other and a chance to share confidence when one's closest family is apt to betray you. The curious mirroring effect Waters uses with them, mixing pasts and characteristics of them, is descended from a more recent literary genius, Angela Carter. There are elements of her ideas (particularly realised in her novel Wise Children) on the way identity can be splintered, performed and reimagined which correspond to the ways Susan and Maud's fates are intertwined. Their relationship is drawn out as a struggle to express their mutual love and define their suppressed lesbian desires. But this is also presented as an arduous task to realise the aspects which make them powerful individuals. This novel makes the remote past enticingly familiar and relates a harrowing story that makes you wish it to continue on and on. (less)
I really enjoyed this book. Great infomation about Indian culture.
In Umrigar's tender fourth novel, Tehmina "Tammy" Sethna is torn between two culture...moreI really enjoyed this book. Great infomation about Indian culture.
In Umrigar's tender fourth novel, Tehmina "Tammy" Sethna is torn between two cultures that couldn't be more different: Bombay and Cleveland. The former is her homeland, but after her husband's recent death, she's been staying with her son and his family in America. Tehmina loves being near grandson Cookie, but she often feels like an intruder in her American daughter-in-law's home, and she's disconcerted by the changes in her son, Sorab, who is stressed from the corporate rat race. Though Tehmina's loneliness floods her with memories of her husband, the Parsi community back in India and her traditional ways, she finds no small amount of purpose (and celebrity) in Cleveland after suspecting her neighbor of child abuse and intervening on the children's behalf. Immigration laws, meanwhile, force her to decide whether she'll remain in Cleveland or return to Bombay. Umrigar (The Space Between Us) shows the unseemly side of American excess and prejudice while gently reminding readers of opportunities sometimes taken for granted(less)