I jumped straight to the final two to start with the ones I was most interested in, but every story here is worth reading.
1.Twenty-one short stories.
I jumped straight to the final two to start with the ones I was most interested in, but every story here is worth reading.
1. ★★★☆☆ Tough Times All Over, by Joe Abercrombie
Light, clever and amusing, and fits in with the theme of rogues several times over, but anything more would be a spoiler.
2. ★★★★☆ What Do You Do?, by Gillian Flynn
Not in the fantasy subgenre. But I'm not sure what genre it is in, so I'm going to call this psycho fiction, because it delves into psychological stuff in several ways. First, it gets nicely into the head of the protagonist; second, there's the element of psycho, qu'est-ce que c'est? And finally, there's some nice tension because you really don't know quite what is going on, and who is doing what to whom.
Well, other than the handjobs. It's pretty clear who is doing those.
3. ★★★★☆ The Inn of the Seven Blessings, by Matthew Hughes
Pleasant — nothing too fancy, nothing too clever, but good craftsmanship. The characters are begging for more depth, but can't really get it in a short story, I guess.
4. ★★★★☆ Bent Twig, by Joe R. Lansdale
Heh heh. I don't know what this was, but it was fun. A Texas town full of ne'er do wells, beating each other up. Hicks with honor versus scum. But very well done, whatever curious sub-sub genre it's representing.
5. ★★★☆☆ Tawny Petticoats, by Michael Swanwick
6. ★★★★☆ Provenance, by David Ball
This historical fiction was almost a five-star story. Very well told, but there just a little too much convenience in the denouement.
7. ★★★☆☆ The Roaring Twenties, by Carrie Vaughn
A nice little story in the sub-sub-sub-genre of paranormal urban historical fantasy. Really three and a half stars, but what can I do?
8. ★★☆☆☆ A Year and a Day in Old Theradane, by Scott Lynch
The weakest of the bunch, although that judgement is undoubtedly affected by my prior reading of his Gentleman Bastard series. Lynch adheres to the same formula he uses in those books (although his characters here are mostly women), one that is initially quite exciting, but eventually palls. His heroes are thieves stealing from socially superior but morally inferior miscreants, and start out arrogantly overconfident, are foiled and imperiled, but always are more clever than their even more egregiously arrogant opponents and manage — surprise! — to turn the tables.
9. ★★★☆☆ Bad Brass, by Bradley Denton
Kin to chapter four; more Texas.
10. ★★★☆☆ Heavy Metal, by Cherie Priest
I was disappointed in the single steampunk novel of Priest's that I read, principally because of her casual disdain for the laws of physics. That's tolerable if magic is invoked, but that wasn't where she sited that particular story. Here she's on firmer ground. Kind of a variation on the modern urban paranormal story, except completely rural instead.
11. ★★★★☆ The Meaning of Love, by Daniel Abraham
This one starts off with a pretty hackneyed plot, but the author spins it out very well. Noble thieves again, though.
12. ★★★☆☆ A Better Way to Die, by Paul Cornell
Probably deserves more than three stars, but I'd been drinking rye.
13. ★★★☆☆ Ill Seen in Tyre, by Steven Saylor
The story itself is unexceptional, but nice. But what really caught my attention was the invocation of the Baader-Meinhof phenomenon. That's right, the curious phenomena when something you've just learned of suddenly pops up when you least expect it. Also known of as the Observational Selection Bias to less imaginative cognition-geeks. Anyway, I just got around to reading a queer little paranormal novel by fellow San Franciscan Fritz Leiber, who turns out to be famous for his fantasy series involving Fafhrd and the Gray Mouser, and suddenly they show up in this short story. Serendipity, you say? Fates have decreed that I should read that series, you say? Hmm, maybe... but it's eight novels long! I don't have that kind of time.
14. ★★☆☆☆ A Cargo of Ivories, by Garth Nix
Meh. Completely arbitrary.
15. ★★★★☆ Diamonds From Tequila, by Walter Jon Williams
Very nice! Our charming but barely moral anti-hero is a Hollywood star, struggling to unravel a murder during production of the movie that he desperately needs to succeed. I'll have to check out the author's The Fourth Wall, which introduced the fellow.
16. ★★★★★ The Caravan to Nowhere, by Phyllis Eisenstein
Spooky, and flawless. A tale of drug addiction and betrayed trust in the desert.
17. ★★★☆☆ The Curious Affair of the Dead Wives, by Lisa Tuttle
The mood and setting of this paranormal Victorian mystery were wonderful, but the characters were just a bit too smugly and simplistically drawn (the fellow Jesperson too much of a competent male), and the mystery itself too arbitrary to be dramatic.
18. ★★★★☆ How the Marquis Got His Coat Back, by Neil Gaiman
I have to confess, despite the mortal peril it may put me in, that I am not among the crowd that worships at the foot of Neil Gaiman. He writes nice stories, even very nice ones, but while the are undeniably precious, they aren't in a way that captures my undying adulation. That said, this is a nice story. It is an adjunct to his book (or, more properly, his novelization of his television series) Neverwhere. If you like his stuff, you will enjoy this, of course.
19. ★★★★☆ Now Showing, by Connie Willis
I don't even know what this was. A hyperbolic riff on the name of the book, coupled with a commentary on consumer manipulation, disguised as a silly romance? Most of Willis' research was apparently done on IMDB, whatever it was. Anyway, it was fun and frothy and gets three stars for that, and one more for being completely unexpected.
20. ★★★★★ The Lightning Tree, by Patrick Rothfuss
Rothfuss is famous for The Name of the Wind, which was a stunning debut, marred in my estimation by his over-capable hero, Klothve. This story stays away from Klothve, focusing on a day-in-the-life of his fae sidekick, Bast, and is the better for it. By avoiding the overly dramatic life of his nominal protagonist, his narrative skills really get a chance to shine. There are no spoilers here with respect to the novels, and this story would be a lark even to those that haven't touched the series.
If this is the high point of this collection, I'll be satisfied. If there's better, I'll be floored.
21. ★★★★☆ The Rogue Prince, or A King's Brother, by G.R.R. Martin
Gently disappointing, but somewhat disconcerting, too, in how provocative that is.
Martin has obviously been in the biz long enough to know the adage to show, not tell, right? But this story is all a telling, with nary a tidbit of dialog or action. In one sense, it seems to be an experiment. Instead of the kind of driving narrative we know to expect from a page-turner, we get a historic, almost biblical, recitation of events. The only way this is acceptable is because Martin's Westeros is undoubtedly intimately known to the overwhelming majority of those picking up this fat collection, and he's winking and teasing us. To anyone else, the story will be an opaque collection of names and events with no context to provide any drama.
To those in the know— inevitably, only a indulgent subset of those — we get a distilled essence of the kind of dynastic politics that forms the backbone to his epic. One way to look at this is as a story outline, the dry textbook version before he has reanimated the personalities and the twisted intricacies of their relationships.
Finally, I suspect the wink and the tease is also about the absurd heights that the HBO series has added to the already stratospheric expectations he faces. To anyone who has only seen the television program, this story will be incomprehensible, as it contains none of the lurid melodrama that Has become the show's trademark. Readers, accomplished in using their own imaginations, and not a cinematographer's craft, will be those that can brew a satisfying cup of tea from the dry leaves he provides, and will be reminded that the best drama is in their own imaginings, and the best authors merely provide careful hints and nudges. He's a tricky man....more
Notes for review: there are few things more dangerous to a reader than an entertaining book about what a clever person has read. A few decades ago weNotes for review: there are few things more dangerous to a reader than an entertaining book about what a clever person has read. A few decades ago we were all reading Helene H.'s "84 Charing Cross Road". Just recently I have been strongly tempted by Prof. Flynn's book he wrote to his students (in fact, I'm buying two classics just based on the sample chapter I found on his website, and I almost never actually buy books).
Hornby's essays here are explicitly crafted to wreak mayhem on one's reading list. Bad man!
And— Five stars, but don't go thinking this is a life-changing opus. (Or even life-ruining, despite what Hornby might desire.) These are bite-sized essays that will leave you smiling, looking forward to more, and inspired to read read read, which to us is like telling an addict that the heroin is on the house. What it promises, it delivers....more
From the January 2012 issue of Backpacker magazine: Required Reading, Top picks from our Facebook fans: No one has ever been—or likely will be—as craFrom the January 2012 issue of Backpacker magazine: Required Reading, Top picks from our Facebook fans: No one has ever been—or likely will be—as crankily eloquent about the Southwest....more
From the January 2012 issue of Backpacker magazine: Required Reading, Top picks from our Facebook fans: Who knew hiking had a funny bone?From the January 2012 issue of Backpacker magazine: Required Reading, Top picks from our Facebook fans: Who knew hiking had a funny bone?...more
(I want to read this because of the New York Times’ ‘essai’, Montaigne’s Moment (March 10, 2011). There’s a copy of Montaigne in the Great Books serie(I want to read this because of the New York Times’ ‘essai’, Montaigne’s Moment (March 10, 2011). There’s a copy of Montaigne in the Great Books series my folks have had since I was a wee lad, so that’s covered. But Bakewell’s companion is somewhat oversubscribed at my library: “37 holds on first copy returned of 23 copies”. Of course, it isn’t as if I don’t have enough stuff on my TBR shelf.)...more
To echo the many that have already said this: don’t read this until you’ve finished Changes. That would be book twelve in the series, so this would bTo echo the many that have already said this: don’t read this until you’ve finished Changes. That would be book twelve in the series, so this would be the lucky thirteen, except it is a collection of short stories in the Dresden-verse, and doesn’t count. According to Butcher’s website, his Ghost Story fills that role, due out in July of 2011. And don’t go looking at the book, or even it’s blurb, either — massive spoiler there, too.
That said, this is a nice set of short stories spanning the existence of Harry’s story thus far. As such, it also allows one to see how Jim Butcher’s skill as a storyteller has developed, although it isn’t as noticeable as in the full-length books.
Two of the stories are told from the point-of-view of other characters. One is told by Thomas Raith, a white vampire with a special relationship to Harry. If you don’t know what that relationship is already, then you shouldn’t even be reading these reviews! The other is from the perspective of Karrin Murphy, his partner in much mischievousness throughout the series.
These two, I think, show the current limits of Butcher’s skill. The author makes a concerted effort to distinguish them from Dresden’s, but he doesn’t really seem capable of writing without showing his snarky, smart-ass commentary. I’d like to see him write from Michael Carpenter’s POV; that would force him to stretch (or he’d reveal to us that Michael is actually also a sarcastic wise-cracker, but constantly suppresses his tendency — but I don’t think that could be made to work).
A nice addition to the oeuvre, especially as a "fix" to the Dresden-verse addiction.
(Borderlands Bookstore's Science Fiction and Fantasy Book Club met on Sunday, 16 May, 2010, at 6 pm to discuss The Very Best of Fantasy & Science(Borderlands Bookstore's Science Fiction and Fantasy Book Club met on Sunday, 16 May, 2010, at 6 pm to discuss The Very Best of Fantasy & Science Fiction: Sixtieth Anniversary Anthology, edited by Gordon Van Gelder.)...more
The new Matt Damon hyperkinetic action movie The Adjustment Bureau is based on the PDK short story The Adjustment Team, in this collection. The New YoThe new Matt Damon hyperkinetic action movie The Adjustment Bureau is based on the PDK short story The Adjustment Team, in this collection. The New York Times review of the movie, “Creepy People With a Plan, and a Couple on the Run” is surprisingly positive. The last word: “As it turns out, romance for grown-ups isn’t dead in Hollywood — it’s just been on extended leave.”
I’m pleased that Manohla Dargis, in her review, agrees with my analysis of the appeal of PDK. She just says it better:
One reason filmmakers like Mr. Nolfi seem attracted to Philip K. Dick’s work, beyond the brilliance of its ideas, is that his unembellished writing style leaves them room to make the stories visually their own.
According to an Amazon review, this collection has her essay on "Coffee", which is splendid. I'm sure it must have "Mail" and the comforting "Night OwAccording to an Amazon review, this collection has her essay on "Coffee", which is splendid. I'm sure it must have "Mail" and the comforting "Night Owl" as well. All three were from her days writing as Philanoë for the "At Large and At Small" column in The American Scholar....more
The whole anthology is excellent, as they always are, but the story that really stuck in my memory is Michael Swanwick's "The Dead", which is possiblThe whole anthology is excellent, as they always are, but the story that really stuck in my memory is Michael Swanwick's "The Dead", which is possibly one of the best zombie stories ever written.
I was discussing the distinction between zombies and ghouls with a co-worker, and a few days later he loaned me this book with that story bookmarked. It has zombies and technology in a bone-chilling dystopic vision: what more could you want?...more
Update: I just finished reading The Martian (my enthusiastic review), and discovered that its author, Andy Weir, wrote a short story that fits in veryUpdate: I just finished reading The Martian (my enthusiastic review), and discovered that its author, Andy Weir, wrote a short story that fits in very well with Sum. Very short. It is not as well written as as what is here, but it really is too bad the idea didn't occur to Eagleman. I suspect it would have been one of my favorites if it had. Pop over to The Egg over at Weir's website and spent a minute or so breezing through his intriguing take on the afterlife.
The book is a collection of forty short essays — some only a page or two — depicting variations on life after death. Some are delightful and scintillating, others not quite as much. But they're all so short that even the duds aren't really disappointing, since they're over so quickly.
I checked and found some stuff on this author and book that might further your appetite: NPR did ‘Afterlives’: 40 Stories Of What Follows Death (about 30 minutes); and the Guardian UK has an extensive collection of pieces, including two short video interviews, audio excerpts from his book read by Stephen Fry, Jarvis Cocker and Emily Blunt, as well as several articles from Eagleman (see here). Apparently Stephen Fry tweeted about his reading and sent the sales of the book skyrocketing. Lucky author!
I had a few favorites, but without explaining them, that wouldn't do anyone any good.