I really don't know what to make of this. Enjoyable overall, but there was so much that was bewildering.
I'm reminded of something I heard about humor.I really don't know what to make of this. Enjoyable overall, but there was so much that was bewildering.
I'm reminded of something I heard about humor. A psychologist who'd made a rather superficial study of responses to some form of humor remarked that subjects tended to fall into two categories: one group laughed uproariously, and the other group stroked their chins (or something similar) and quietly said, "Hmm, that's funny. Interesting." The point was that most comedians fell into the second group.
I think this book is analogous — most people scratch their heads and think "I know I'm missing something, probably a lot, and I have no idea how much it matters", while a smaller group of readers (including a lot of authors) stare off into the middle distance and think, "Deeply provocative confusion. Hmm, fascinating."
If I could, though, I'd be diving straight into the next in the series, because there are mysteries here. To quote Churchill, "It is a riddle, wrapped in a mystery, inside an enigma; but perhaps there is a key", and I'm willing to keep looking for that key. Unfortunately, real life responsibilities mean I can't read the next in the series for a while......more
I thought that was a very good audiobook, although I'm not too experienced with listening to books. Gould's voice definitely had the correct gritty depth, and once you get used to his fairly limited range and repertoire of vocal characterizations, it work really well. Chandler uses first person, limited point of view narration in the book, so a single narrator really fits the book. It is also unabridged, which appeals me as a reader.
This version is from a BBC radio dramatization by the BBC (no, none of the characters mysteriously acquired British accents). That means there are limited sound effects, and different actors voice the lines of the different characters. I only listened to twenty minutes or so, but I liked it.
Some specifics: one mild negative is that the actor playing Marlowe doesn't really have the right voice. There's no gravel in his throat from endless glasses (not merely shots) of whiskey and countless cigarettes.
Since there's a lot of interior monologue from Marlowe's perspective, the lead actor is switching from speaking lines that others characters are hearing, to voiceover lines that they aren't. Using other voices actually makes that a little trickier, but it worked fairly seamlessly for me; no trouble at all.
But that was the only poor casting choice. The voice of Moose Malloy was a delight; it perfectly matched the physicality of that character. The others I heard in that limited sample were fine, too. The sound effects made the action more accessible, helping to frame the change of scenes in the listener's imagination.
Which of the audiobooks should you listen to (assuming you don't want both, perhaps at different times)?
This version works a bit better at being engaging. Those sound effects and voice changes really help signal a change in scene and keeping characters separated. If you're on a commute or a roadtrip, for example, or in some other distracting environment, it'd probably work better. For the same reasons, it'll work well for those who aren't used to audiobooks, or specifically enjoy the theatrical aspect—there are a lot of good radio plays that have been made that don't get enough attention.
Gould's version, on the other hand, is unabridged and uses precisely one voice, as does the book. So it probably would appeal to someone that really wants the "book" experience. I listened to Gould read the first Marlowe book, The Big Sleep, while on a very long walk around San Francisco on a November evening and it was perfect (well, yeah, a Dashiell Hammett novel might have been better. I'll get to those). The second one I listened too on the couch while suffering from a cold a few weeks later. It worked well as a substitute for a book—when I listened to this radio play, I immediately detected the edits, so I'm confident I got about as much out of Gould's audiobook as I would have from the text.
I'm a little dismayed I didn't learn about this a long time ago, when I was discovering some of the classic texts (e.g., The Lonely Crowd or The OrgI'm a little dismayed I didn't learn about this a long time ago, when I was discovering some of the classic texts (e.g., The Lonely Crowd or The Organization Man .)
❝“Politics and Vision,” subtitled “Continuity and Innovation in Western Political Thought,” appeared at a time when American political science was under the sway of the behavioralist revolution, which emphasized the quantitative analysis of data rather than political ideas as a way to explain political behavior.
Professor Wolin, then teaching at the University of California, Berkeley, galvanized the profession by gathering key political philosophers, beginning with the Greeks, in a grand debate on democracy and examining their ideas not as historical artifacts, but as a way to criticize current political structures.
“The book revitalized political theory by making its history relevant to an analysis of the present,” Nicholas Xenos, a student of Professor Wolin’s and a professor of political science at the University of Massachusetts, Amherst, wrote in an email. “It challenged the behavioralists, for whom history was increasingly irrelevant. It also provided a way to criticize the present using the concepts and vocabulary that since antiquity had sustained concern for what he called ‘the possibilities of collectivity, common action and shared purposes.’ ”
In 1985, the American Political Science Association honored the book with the Benjamin E. Lippincott Award in recognition of its lasting impact. It was reissued in expanded form in 2004.❞
It appears to be quite appropriate to study today....more
This classic of science fiction is a must read — and very fast-paced and easy to read. Asimov took on the challenge: before this book, it was believedThis classic of science fiction is a must read — and very fast-paced and easy to read. Asimov took on the challenge: before this book, it was believed that science fiction couldn't crossover to the detective genre, since science fiction could always, trivially, answer too many questions.
Asimov proved 'em wrong.
I don't remember how many books featured the odd couple detectives (one human, one robot), but it was a pretty good pairing.
I will note that Asimov does contradict himself. At one point, it is established that robots can only follow "the law", but later the robot explained his actions by arguing that there is a "higher law", above the law itself. Oops!...more
Good, verging on very good, although a bit too mannered and slow. Very deep psychological portrayals of the characters provide the big win. The plot wGood, verging on very good, although a bit too mannered and slow. Very deep psychological portrayals of the characters provide the big win. The plot was nicely convoluted, although the denouement wasn't much of a surprise.
This was among the books listed on an ancient "all-time bests" newspaper clipping I found in my files. I think anyone who is a fan of mysteries should probably have already read it, right?...more
From the January 2012 issue of Backpacker magazine: Required Reading, Top picks from our Facebook fans: OK, it's not a page-turner. But pack this oFrom the January 2012 issue of Backpacker magazine: Required Reading, Top picks from our Facebook fans: OK, it's not a page-turner. But pack this on a trek of Muir's namesake trail, and you'll want to slow time down, not speed it up....more